With Sympathy | ||||
---|---|---|---|---|
Studio album by | ||||
Released | May 10, 1983 | |||
Recorded | November 1982–March 1983 | |||
Studio | Syncro Sound (Boston) | |||
Genre | ||||
Length | 37:39 55:59 (2012 re-release) | |||
Label | Arista | |||
Producer |
| |||
Ministry chronology | ||||
| ||||
Singles from With Sympathy | ||||
|
With Sympathy is the debut studio album by American industrial band Ministry, released on May 10, 1983 by Arista Records. [2] The group was formed in 1981 by lead singer and multi-instrumentalist Al Jourgensen, with drummer Stephen George being the most notable member of its initial lineup. The album was briefly re-released overseas as Work for Love.
In late 1981, Jourgensen was living in Chicago and involved in its underground scene. He began to write and record songs in his apartment, using a newly bought ARP Omni synthesizer, a drum machine and a reel-to-reel tape recorder. At one point, a demo tape featuring the song "I'm Falling" gained the attention of Wax Trax! Records label co-founder and co-owner Jim Nash. Impressed by the demo, Nash offered to record its material professionally and to assemble the touring band, which Jourgensen named Ministry. At Chicago's Hedden West Studios, Jourgensen, with co-producers Jay O'Roarke and Iain Burgess, recorded Ministry's first material, a 12" single featuring the tracks "I'm Falling", "Primental" and "Cold Life".
Jourgensen assembled the band's first live lineup, a five-piece group including Jourgensen on vocals and guitar, bassist Martin Sorenson, keyboardists Robert Roberts and John Davis and drummer Stephen George. [3] Jourgensen and Roberts state that Roberts' inclusion in the group occurred because their mutual friend Paul Taylor was ill and unable to join. [3] [4]
While touring the Midwest and the Northeast during 1982, Ministry received some commercial success with "Cold Life." [5] [6] The band gained the attention of Arista label executives, who chose to sign them. With Sympathy was recorded in Autumn 1982 with producers Vince Ely and Ian Taylor at the Syncro Sound recording studio in Boston. [7]
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Encyclopedia of Popular Music | [8] |
I-Mockery | [9] |
MusicHound Rock | [10] |
Rolling Stone | [11] |
Spin Alternative Record Guide | 3/10 [12] |
On release, With Sympathy received mixed to negative reviews. However, Rolling Stone noted that any lack of originality in the synth-pop concept was "... hardly worth complaining about, because Ministry manages to do something many far more innovative bands neglect: they write catchy dance songs." [11] The review further observed that Jourgensen's singing was "... charged with anger, passion and glee–real emotions instead of the vocal posturing so common in synth-pop." The album achieved commercial success, peaking at number 94 in the Billboard 200 and selling more than 100,000 copies in the U.S. by 2007. The album was promoted with three singles—"Work for Love", "I Wanted to Tell Her" and "Revenge"—and the three-month tour. A music video was made for the single "Revenge."
Following the tour's completion, Jourgensen's dissatisfaction over his record deal led the band to depart Arista in early 1984. Jourgensen later disowned the album, maintaining that he had been pressured by Arista management into the then-popular synth-pop style, which is in contrast to the harder industrial and heavy metal sounds that he would later develop. [13] He compared the experience to that of Milli Vanilli. [14] Jourgensen has described the album as a "sonic abortion". [15] He also claims that Arista had prevented songs that he had written in 1982 from appearing on the album; these tracks would eventually appear on The Land of Rape and Honey and Twitch . [16]
However, according to Ian MacKaye, with whom Jourgensen formed Pailhead, Jourgensen discovered hardcore music after his synth-pop work, [17] a statement that Jourgensen repeated in the documentary film Industrial Accident: The Story of Wax Trax! Records. [18] Former keyboardist Robert Roberts refutes claims that Jourgensen was forced by Arista to "make the record cheesy," saying that the finished product was simply watered down and did not properly capture the band's live sound. [19] Additionally, video recordings of Ministry concerts in Chicago several years before their signing with Arista show the band playing synth-pop and dressed in new wave and dark wave styles.[ citation needed ]
Jourgensen's disdain for the album led him to make a comment that he would only sign the album in exchange for $1000. In an interview with Rolling Stone, he said that a fan presented him with the album for him to sign along with the $1000. Although surprised, he honored his promise and signed the album in exchange for the money. Jourgensen also stated that he donated the money to Rock for Kids, a Chicago based charity event, and should anyone else pay him to sign the album, he would continue to donate the money to Rock for Kids. [20]
Jourgensen assumes a false English accent for all of the songs, for which he later expressed regret. [21] His ex-wife Patty stated in 2013 that doing so was an homage to bands that he had liked. [22]
Jourgensen has since made peace with the album, saying that "... because of that record I wouldn’t be who I am today. I think without that record, I wouldn't be as much of a fucking maniac douchebag. So I'm thankful for it now." [23]
In June 2023, Jourgensen announced that Ministry would re-record four tracks from With Sympathy: "Revenge", "Effigy", "Work for Love", and "Here We Go". The new versions will be "a lot more guitar-driven, but not metal." [24]
On August 24th, 2023, Ministry performed "Revenge" live for the first time since 1984 in Dallas, Texas. [25] The song was performed again in August 27th, 2023 in West Palm Beach, Florida. [26]
In December of 2023, it was announced that Ministry would be performing at the 2024 Cruel World Festival with a setlist consisting of songs from both With Sympathy and Twitch . [27] The setlist included "Revenge", "Effigy (I'm Not An)" and "Work for Love", the later two being performed live for the first time since 1984. [28]
With Sympathy was out of print for many years, and Jourgensen claimed that he had destroyed the master tapes. In 2012, Eastworld Records reissued the album with three bonus tracks. [29]
"Effigy (I'm Not An)" was used in a scene in HBO's Euphoria , Season 2, Episode 3.
All tracks are written by Alain Jourgensen, except "I Wanted to Tell Her" by Jourgensen and Shay Jones
No. | Title | Length |
---|---|---|
1. | "Effigy (I'm Not An)" | 3:51 |
2. | "Revenge" | 3:48 |
3. | "I Wanted to Tell Her" | 5:29 |
4. | "Work for Love" | 4:44 |
5. | "Here We Go" | 3:21 |
6. | "What He Say" | 4:04 |
7. | "Say You're Sorry" | 4:18 |
8. | "Should Have Known Better" | 4:31 |
9. | "She's Got a Cause" | 3:33 |
No. | Title | Length |
---|---|---|
10. | "I Wanted to Tell Her" (Extended Mix) | 7:03 |
11. | "Revenge" (Remix) | 6:19 |
12. | "A Walk in the Park" | 4:58 |
No. | Title | Length |
---|---|---|
1. | "Work for Love" | 4:44 |
2. | "Do the Etawa" | 4:04 |
3. | "I Wanted to Tell Her" | 5:29 |
4. | "Say You're Sorry" | 4:18 |
5. | "Here We Go" | 3:21 |
6. | "Effigy (I'm Not An)" | 3:51 |
7. | "Revenge" | 3:48 |
8. | "She's Got a Cause" | 3:33 |
9. | "Should Have Known Better" | 4:31 |
Credits adapted from the liner notes of With Sympathy. [31]
Ministry
Additional musicians
| Technical staff
Management
Artwork
|
Ministry is an American industrial metal band founded in Chicago, Illinois, in 1981 by producer, singer, and instrumentalist Al Jourgensen. Originally a synth-pop outfit, Ministry evolved into one of the pioneers of industrial rock and industrial metal in the late 1980s. The band's lineup has changed frequently, leaving Jourgensen as the sole remaining original member. Musicians who have contributed to the band's studio or live activities include vocalists Nivek Ogre, Chris Connelly, Gibby Haynes, Burton C. Bell and Jello Biafra, guitarists Mike Scaccia, Tommy Victor and Cesar Soto, bassists Paul Barker, Paul Raven, Jason Christopher, Tony Campos and Paul D'Amour, drummers Jimmy DeGrasso, Bill Rieflin, Martin Atkins, Rey Washam, Max Brody, Joey Jordison and Roy Mayorga, keyboardist John Bechdel, and rappers and producers DJ Swamp and Arabian Prince.
The Mind Is a Terrible Thing to Taste is the fourth studio album by American industrial metal band Ministry, released on November 14, 1989, by Sire Records. The music took a more hardcore, aggressively guitar-driven direction, with Jourgensen inspired by Stormtroopers of Death and Rigor Mortis to add thrash metal guitars to the album and subsequent Ministry releases. As with most of Ministry's work, the album's lyrics deal mainly with political corruption, cultural violence, environmental degradation, nuclear war, drug addiction, and insanity.
ΚΕΦΑΛΗΞΘ is the fifth studio album by American industrial metal band Ministry, released on July 14, 1992, by Sire Records. It was produced by frontman Al Jourgensen and bassist Paul Barker, and was recorded from March 1991 to May 1992 in Chicago, Illinois and Lake Geneva, Wisconsin. The album's title, initially intended to be The Tapes of Wrath, ended up being derived from Aleister Crowley's The Book of Lies.
The Land of Rape and Honey is the third studio album by American industrial metal band Ministry, released on October 11, 1988, by Sire Records. This is the first Ministry album to include bassist Paul Barker and marks a departure from the band's previous two synthpop and EBM records. It incorporates heavy metal guitars and industrial music influences, and Al Jourgensen uses distorted vocals in his natural accent, rather than the faux British accent of previous albums. The resulting sound was influential in the industrial metal genre and is Jourgensen's favorite Ministry album. The album was certified gold by the RIAA in January 1996.
Revolting Cocks, also known as RevCo, are an American-Belgian industrial rock band, and sometimes supergroup, that began as a musical side project for Richard 23 of Front 242, Luc van Acker, and Al Jourgensen of Ministry.
Filth Pig is the sixth studio album by American industrial metal band Ministry, released on January 30, 1996, by Warner Bros. Records. The title was allegedly derived from a statement made in the British Houses of Parliament, in which the band's leader Al Jourgensen was described as a "filthy pig" for his onstage theatrics by MP Teddy Taylor.
Houses of the Molé is the ninth studio album by American industrial metal band Ministry, released on June 21, 2004 by Sanctuary Records. It is noteworthy for being the first Ministry album not to feature bassist and longtime collaborator Paul Barker since Twitch (1986). It was also the first album to feature Mike Scaccia on guitar since 1996's Filth Pig.
Luc Van Acker is a Belgian pop singer, songwriter, and music producer. He began writing and releasing solo material in 1982, contributed guitar on Shriekback's 1984 album Jam Science, and collaborated with Anna Domino on the track "Zanna" for his 1984 solo album The Ship.
Alain David Jourgensen is a Cuban-American singer, musician and music producer. Closely related with the independent record label Wax Trax! Records, his musical career spans four decades. He is the frontman and lyricist of the industrial metal band Ministry, which he founded in 1981 and of which he remains the only constant member. He was the primary musician of several Ministry-related projects, such as Revolting Cocks, Lard, and Buck Satan and the 666 Shooters. Jourgensen is a prominent figure in industrial music, influencing numerous other groups and musicians, both in alternative and industrial-associated acts.
Paul Gordon Barker, also referred to as Hermes Pan, is an American musician, best known as the former bass guitarist, producer and engineer for industrial metal band Ministry from 1986 to 2003. Prior to Ministry, he provided bass for the Seattle post-punk ensemble The Blackouts alongside future Ministry drummer Bill Rieflin and his brother, one-time Ministry touring keyboardist/saxophonist Roland Barker, from 1979 until 1985.
Pailhead was a short-lived side project of Al Jourgensen of Ministry that featured Dischord Records founder and former Minor Threat frontman Ian MacKaye on vocals. The band's sound was a combination of industrial beats and hardcore punk, presaging what Ministry would later do with Jello Biafra in another side project, Lard.
Twitch is the second studio album by American industrial band Ministry, released on March 12, 1986 by Sire Records. Recorded mostly in London and West Berlin during 1985, it was largely produced by On-U Sound Records owner Adrian Sherwood, while the band's frontman Al Jourgensen co-produced two tracks. It stepped away from the synthpop-oriented form of Ministry's 1983 debut studio album, With Sympathy, and moved toward a darker, more aggressive sound, heavily influenced by industrial dance groups Cabaret Voltaire and Front 242.
Rio Grande Blood is the tenth studio album by American industrial metal band Ministry, released in 2006. It is their first release through 13th Planet and Megaforce Records.
"Jesus Built My Hotrod" is a song by American industrial metal band Ministry, released as the first single from their fifth studio album, Psalm 69: The Way to Succeed and the Way to Suck Eggs. It was written by the band's frontman Al Jourgensen, bassist Paul Barker, drummer Bill Rieflin, session keyboardist Michael Balch, and guest vocalist Gibby Haynes of the Butthole Surfers, and was co-produced by Jourgensen and Barker. An industrial metal track with a polyrhythmic structure, the song also features elements of rockabilly and psychobilly, and is influenced by the Trashmen 1963 hit "Surfin' Bird", and Flannery O'Connor's novel Wise Blood.
Stephen 'Stevo' George is a former drummer and one of the founding members of the American industrial rock band Ministry. George performed on the band's earliest recordings, including their early singles for the Wax Trax! record label, and their debut album, With Sympathy, released in 1983. He was the drummer for the short-lived pop band Colortone. Since then, George has become a successful producer and mixer, working with many pop artists who have sold gold and platinum records.
As of 2024, the discography of American industrial metal band Ministry, which was founded and is fronted by Al Jourgensen, consists of sixteen studio albums, eight live albums, fourteen compilation and remix albums, thirty singles, five video albums and twenty music videos. Several tracks spanning from 1981 to 1994 in studio, live and cover formats have remained unreleased by the band.
"All Day" and "(Every Day Is) Halloween" are songs by American band Ministry, both written and produced by Al Jourgensen. These were originally released by Wax Trax! Records in 1985 as Ministry's “comeback” single following their departure from Arista Records, with "All Day" on the A-side and "(Every Day Is) Halloween" on the B-side, respectively. In 1987, these were included on Ministry's compilation Twelve Inch Singles (1981–1984). The remixed version of "All Day", titled “All Day Remix”, was featured on Ministry's 1986 album Twitch. “(Every Day Is) Halloween” has been featured in the 1998 Rhino Records compilation Just Can't Get Enough: New Wave Halloween.
"I'm Falling" and "Cold Life" are songs by American Industrial band Ministry. Written by Al Jourgensen, these were first released in 1981 by Wax Trax! Records, as the band's debut single. Initially featuring "I'm Falling" as the A-side, the single found success via its B-side, "Cold Life", which was chosen as the A-side on release in the UK. In 1985, during Ministry's short-lived return on Wax Trax!, the single was reissued with "Cold Life" as the A-side.
"I Wanted to Tell Her" is a single by American industrial band Ministry. Written by frontman Al Jourgensen and guest singer Shay Jones, and co-produced by Vince Ely and Ian Taylor, it was released as the second single from Ministry's debut studio album, With Sympathy (1983). Previously, the song first appeared as "Primental", an instrumental released in 1981 as part of Ministry's debut single, "I'm Falling/Cold Life".
"Over the Shoulder" is a song by American industrial band Ministry, from their second studio album, Twitch (1986). Written by frontman Al Jourgensen, produced by Adrian Sherwood, and released in November 1985 as a 12-inch single, it was the band’s first recording after signing with Sire Records; the accompanying music video was directed by Peter Christopherson.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)