|Studio album by|
|Released||February 17, 2003|
|Studio||Sonic Ranch, El Paso|
|Singles from Animositisomina|
|The Austin Chronicle|
|The Rolling Stone Album Guide|
Animositisomina is the eighth studio album by American industrial metal band Ministry, released on February 17, 2003 by Sanctuary Records.
The album's title is a palindrome made of the word "animosity" spelled without the final letter and both forward and backward. According to an interview on Fuse's Uranium , Jourgensen was bored at the time he was coming up with an album title. It is Ministry's first album to feature lyrics in the album sleeve, which prior albums did not provide.
"The Light Pours Out of Me" was written and originally recorded by Magazine for their Real Life album in 1978 and it is the only song in the album to have more than one word in the title. Ministry performed the song several times in concerts in the late 1980s, but it was never released or recorded officially.
Animositisomina is the last Ministry album with Paul Barker, thus ending the band's "Hypo Luxa/Hermes Pan" production duo. In addition, it is also the last album to feature Ministry performing in their traditional industrial metal style before switching to a more thrash-oriented sound on their next album, Houses of the Molé .
In April 2016, Jourgensen called Animositisomina his least-favourite Ministry album, declaring it was "not fun to make" as he was finally quitting heroin cold turkey during the recording sessions. Additionally, his relationship with Barker's had become antagonistic, which prompted the latter to quit the band after the Animositisomina tour. "Leper," the last song on the album, was left as an instrumental as Jourgensen had left the studio earlier than scheduled and was uninterested in writing lyrics.Jourgensen considers Animositisomina a "non-album" and left most of the recording responsibilities to Barker.
|1.||"Animosity"||Jourgensen, Barker, Brody, Grossman||4:36|
|2.||"Unsung"||Jourgensen, Barker, Svitek, Washam||3:11|
|3.||"Piss"||Jourgensen, Barker, Svitek, Washam||5:10|
|4.||"Lockbox"||Jourgensen, Barker, Brody, Svitek, Washam||4:45|
|5.||"Broken"||Jourgensen, Barker, Brody||4:52|
|6.||"The Light Pours Out of Me" (Magazine cover)||Devoto, Shelley, McGeoch||4:26|
|7.||"Shove"||Jourgensen, Barker, Brody||5:53|
|8.||"Impossible"||Jourgensen, Barker, Svitek, Washam, Kinslow||7:43|
|9.||"Stolen"||Jourgensen, Barker, Brody||4:09|
|10.||"Leper" (instrumental)||Jourgensen, Barker, Brody||9:00|
|The Billboard 200||157|
|French Albums Chart||125|
|German Albums Chart||93|
|UK Albums Chart||186|
The Mind Is a Terrible Thing to Taste is the fourth studio album by American industrial metal band Ministry, released on November 14, 1989 by Sire Records. The music took a more hardcore, aggressively guitar-driven direction, with Jourgensen inspired by Stormtroopers of Death and Rigor Mortis to add thrash metal guitars to the album and subsequent Ministry releases. As with most of Ministry's work, the album's lyrics deal mainly with political corruption, cultural violence, environmental degradation, nuclear war, drug addiction, and insanity.
Dark Side of the Spoon is the seventh studio album by American industrial metal band Ministry, released on June 8, 1999 by Warner Bros. Records. "Bad Blood" was nominated for a Grammy Award for Best Metal Performance in 2000.
The Land of Rape and Honey is the third studio album by American industrial metal band Ministry, released on October 11, 1988 by Sire Records. The album marked a departure from the band's previous two synthpop and EBM records, expanding on several elements introduced in their preceding album Twitch. The less-commercial, industrial-laced collection of tracks incorporates elements of heavy metal such as fast electric guitar riffs, although only the album's first three songs use guitars extensively.
Filth Pig is the sixth studio album by American industrial metal band Ministry, released on January 30, 1996 by Warner Bros. Records. The title was allegedly derived from a statement made in the British Houses of Parliament, in which the band's leader Al Jourgensen was described as a "filthy pig" by MP Teddy Taylor for his onstage theatrics.
Greatest Fits is a greatest hits album by American industrial metal band Ministry, released on June 19, 2001 by Warner Bros. Records.
Houses of the Molé is the ninth studio album by American industrial metal band Ministry, released on June 21, 2004 by Sanctuary Records. It is noteworthy for being the first Ministry album not to feature bassist and longtime collaborator Paul Barker since Twitch (1986). It was also the first album to feature Mike Scaccia on guitar since 1996's Filth Pig.
Early Trax is a compilation album by an American rock band Ministry, released on October 12, 2004 by Rykodisc.
Twitch is the second studio album by American rock band Ministry, released on March 12, 1986 by Sire Records. Recorded mostly in London and West Berlin during 1985, it was produced by the band's frontman Al Jourgensen and On-U Sound Records owner Adrian Sherwood. It stepped away from the synthpop-oriented form of their debut studio album With Sympathy (1983) and moved toward a darker, more aggressive sound, heavily influenced by industrial dance groups Cabaret Voltaire and Front 242.
Rio Grande Blood is the tenth studio album by American industrial metal band Ministry, released in 2006. It is their first release through 13th Planet and Megaforce Records.
Rantology is a compilation album by American industrial metal band Ministry. The album is made up of remixes of the band's singles and best known songs - with the exception of track 2 which was first released here and became a live staple.
Sphinctour is a live CD/DVD/VHS release by the industrial metal band Ministry released in 2002. It contains various tracks recorded on their 1996 world tour in support of the album Filth Pig. The album title is a play on the word sphincter.
The Last Sucker is the eleventh studio album by industrial metal band Ministry, released in 2007 through 13th Planet Records. For three years until their reformation in 2011, it was the band's last studio album featuring new material.
"N.W.O." is a song by American rock band Ministry, released as the opening track and second single from their fifth studio album, Psalm 69: The Way to Succeed and the Way to Suck Eggs (1992). An industrial metal song, it was co-written and co-produced by the band’s frontman Al Jourgensen and bassist Paul Barker, and is widely regarded as a protest against then-President George H. W. Bush, featuring samples from his speeches. The song was nominated for a Grammy Award under the Best Metal Performance category in 1993, and was featured in the soundtrack album of Ralph Bakshi’s 1992 film Cool World. In 2015, "N.W.O." was ranked #10 in the VH1 "Top 10 Hardest Hitting Heavy Metal Political Anthems" list.
"Jesus Built My Hotrod" is a song by American industrial metal band Ministry, released as the first single from their fifth studio album, Psalm 69: The Way to Succeed and the Way to Suck Eggs. It was written by the band's frontman Al Jourgensen, bassist Paul Barker, drummer Bill Rieflin, session keyboardist Michael Balch, and the Butthole Surfers lead singer Gibby Haynes, and was co-produced by Jourgensen and Barker. An industrial metal track, it features elements of rockabilly and psychobilly, and is influenced by the Trashmen 1963 hit "Surfin' Bird", and Flannery O'Connor's novel Wise Blood; the song's instrumentation is defined by its polyrhythmic structure.
"Stigmata" is a song by American industrial metal band Ministry. Written by Al Jourgensen, it is the opening track and the only single released from their third studio album, 1988’s The Land of Rape and Honey. The song features distorted vocals, guitars and compressed drum machine loops. The song was an underground hit. The music video—which was said to get a regular airing on MTV—features gritty black and white machinery, gears, symbols, the band playing live, Paul Barker on a motorcycle, strobe-like montages of eyes, and what appear to be neo-Nazi skinheads. The song was said to be Ministry's "finest moment until 1992".
Live! You Goddamned Son of a Bitch is a concert album and video by the Revolting Cocks, consisting of live material recorded at the Cabaret Metro in Chicago, on September 4, 1987. However Al Jourgensen has claimed in his autobiography, that the whole concert was re-recorded in Trax studio in Chicago afterwards. According to Jourgensen both Paul Barker and Chris Connelly thought the live record sounded horrible and they refused to release the original audio recording of the show. Jourgensen thought the recording was perfect but later agreed with Barker and Connelly. It is their second LP release following Big Sexy Land.
Relapse is the twelfth studio album by industrial metal band Ministry, which was released on March 23, 2012 through 13th Planet Records. It was recorded in the wake of their three-year hiatus from November 2008 to August 2011 and Al Jourgensen's near-death experience in 2010. Relapse is also the last Ministry album released during guitarist Mike Scaccia's lifetime, although he appeared posthumously on the band's next album, From Beer to Eternity.
The North is the sixth full-length studio album by Canadian indie pop band Stars. It was released on September 4, 2012, through ATO Records. The album has been characterized as having a more upbeat feel to it compared to previous works, as Amy Millan notes: the album was meant to be "playful, joyful and hopeful." The album debuted at number 5 on the Canadian Albums Chart.
From Beer to Eternity is the thirteenth studio album by American industrial metal band Ministry, released on September 6, 2013 by 13th Planet Records. Although frontman Al Jourgensen had previously stated that this was going to be Ministry's final album, a follow-up album, AmeriKKKant, was released in 2018. From Beer to Eternity was also the first Ministry album since Houses of the Molé (2004) not to feature Tommy Victor on guitar or bass.
AmeriKKKant is the fourteenth studio album by industrial metal band Ministry, which was released on March 9, 2018. It is their first release on Nuclear Blast, and marked the longest gap between studio albums in the group's entire career; at five years, following From Beer to Eternity (2013). AmeriKKKant is also the first Ministry album without guitarist Mike Scaccia since The Last Sucker (2007); Scaccia died in 2012 but appeared posthumously on From Beer to Eternity.