Animositisomina | ||||
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Studio album by | ||||
Released | February 18, 2003 | |||
Recorded | 2002 | |||
Studio | Sonic Ranch, El Paso | |||
Genre | Industrial metal | |||
Length | 53:45 | |||
Label | Sanctuary | |||
Producer | ||||
Ministry chronology | ||||
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Singles from Animositisomina | ||||
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Aggregate scores | |
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Source | Rating |
Metacritic | 67/100 [1] |
Review scores | |
Source | Rating |
Allmusic | [2] |
Alternative Press | [1] |
The Austin Chronicle | [3] |
Billboard | favorable [4] |
Blender | [1] |
Collector's Guide to Heavy Metal | 7/10 [5] |
Entertainment Weekly | B [6] |
Rolling Stone | [7] |
The Rolling Stone Album Guide | [8] |
Animositisomina is the eighth studio album by American industrial metal band Ministry, released on February 18, 2003 by Sanctuary Records.
The album's title is a palindrome made of the word "animosity" spelled without the final letter and both forward and backward. According to an interview on Fuse's Uranium , Jourgensen was bored at the time he was coming up with an album title. It is Ministry's first album to feature lyrics in the album sleeve, which prior albums did not provide.
"The Light Pours Out of Me" was written and originally recorded by Magazine for their Real Life album in 1978 and it is the only song in the album to have more than one word in the title. Ministry performed the song several times in concerts in the late 1980s, but it was never released or recorded officially.
Animositisomina is the last Ministry album with Paul Barker, thus ending the band's "Hypo Luxa/Hermes Pan" production duo. In addition, it is also the last album to feature Ministry performing in their traditional industrial metal style before switching to a more thrash-oriented sound on their next album, Houses of the Molé .[ citation needed ]
In April 2016, Jourgensen called Animositisomina his least-favourite Ministry album, declaring it was "not fun to make" as he was finally quitting heroin cold turkey during the recording sessions. Additionally, his relationship with Barker's had become antagonistic, which prompted the latter to quit the band after the Animositisomina tour. "Leper," the last song on the album, was left as an instrumental as Jourgensen had left the studio earlier than scheduled and was uninterested in writing lyrics. [9] Jourgensen considers Animositisomina a "non-album" and left most of the recording responsibilities to Barker. [10]
No. | Title | Writer(s) | Length |
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1. | "Animosity" | Jourgensen, Barker, Brody, Grossman | 4:36 |
2. | "Unsung" | Jourgensen, Barker, Svitek, Washam | 3:11 |
3. | "Piss" | Jourgensen, Barker, Svitek, Washam | 5:10 |
4. | "Lockbox" | Jourgensen, Barker, Brody, Svitek, Washam | 4:45 |
5. | "Broken" | Jourgensen, Barker, Brody | 4:52 |
6. | "The Light Pours Out of Me" (Magazine cover) | Devoto, Shelley, McGeoch | 4:26 |
7. | "Shove" | Jourgensen, Barker, Brody | 5:53 |
8. | "Impossible" | Jourgensen, Barker, Svitek, Washam, Kinslow | 7:43 |
9. | "Stolen" | Jourgensen, Barker, Brody | 4:09 |
10. | "Leper" (instrumental) | Jourgensen, Barker, Brody | 9:00 |
Chart (2003) | Peak position |
---|---|
French Albums (SNEP) [11] | 125 |
German Albums (Offizielle Top 100) [12] | 93 |
UK Albums (OCC) [13] | 186 |
US Billboard 200 [14] | 157 |
Ministry is an American industrial metal band founded in Chicago, Illinois, in 1981 by producer, singer, and instrumentalist Al Jourgensen. Originally a synth-pop outfit, Ministry evolved into one of the pioneers of industrial rock and industrial metal in the late 1980s. The band's lineup has changed frequently, leaving Jourgensen as the sole original member. Musicians who have contributed to the band's studio or live activities include vocalists Nivek Ogre, Chris Connelly, Gibby Haynes, Burton C. Bell and Jello Biafra, guitarists Mike Scaccia and Tommy Victor, guitarist Cesar Soto, bassists Paul Barker, Paul Raven, Jason Christopher, Tony Campos and Paul D'Amour, drummers Jimmy DeGrasso, Bill Rieflin, Martin Atkins, Rey Washam, Max Brody, Joey Jordison and Roy Mayorga, keyboardist John Bechdel, and rappers and producers DJ Swamp and Arabian Prince.
The Mind Is a Terrible Thing to Taste is the fourth studio album by American industrial metal band Ministry, released on November 14, 1989 by Sire Records. The music took a more hardcore, aggressively guitar-driven direction, with Jourgensen inspired by Stormtroopers of Death and Rigor Mortis to add thrash metal guitars to the album and subsequent Ministry releases. As with most of Ministry's work, the album's lyrics deal mainly with political corruption, cultural violence, environmental degradation, nuclear war, drug addiction, and insanity.
ΚΕΦΑΛΗΞΘ is the fifth studio album by American industrial metal band Ministry, released on July 14, 1992, by Sire Records. It was produced by frontman Al Jourgensen and bassist Paul Barker, and was recorded from March 1991 to May 1992 in Chicago, Illinois and Lake Geneva, Wisconsin. The album's title, initially intended to be The Tapes of Wrath, ended up being derived from Aleister Crowley's The Book of Lies.
Dark Side of the Spoon is the seventh studio album by American industrial metal band Ministry, released on June 8, 1999, by Warner Bros. Records. "Bad Blood" was nominated for a Grammy Award for Best Metal Performance in 2000.
The Land of Rape and Honey is the third studio album by American industrial metal band Ministry, released on October 11, 1988, by Sire Records. This is the first Ministry album to include bassist Paul Barker and marks a departure from the band's previous two synthpop and EBM records. It incorporates heavy metal guitars and industrial music influences, and Al Jourgensen uses distorted vocals in his natural accent, rather than the faux British accent of previous albums. The resulting sound was influential in the industrial metal genre and is Jourgensen's favorite Ministry album. The album was certified gold by the RIAA in January 1996.
Filth Pig is the sixth studio album by American industrial metal band Ministry, released on January 30, 1996, by Warner Bros. Records. The title was allegedly derived from a statement made in the British Houses of Parliament, in which the band's leader Al Jourgensen was described as a "filthy pig" for his onstage theatrics by MP Teddy Taylor.
Greatest Fits is a greatest hits album by American industrial metal band Ministry, released on June 19, 2001 by Warner Bros. Records.
Houses of the Molé is the ninth studio album by American industrial metal band Ministry, released on June 21, 2004 by Sanctuary Records. It is noteworthy for being the first Ministry album not to feature bassist and longtime collaborator Paul Barker since Twitch (1986). It was also the first album to feature Mike Scaccia on guitar since 1996's Filth Pig.
Rio Grande Blood is the tenth studio album by American industrial metal band Ministry, released in 2006. It is their first release through 13th Planet and Megaforce Records.
Rantology is a compilation album by American industrial metal band Ministry. The album is made up of remixes of the band's singles and best known songs - with the exception of track 2 which was first released here and became a live staple.
Sphinctour is a live CD/DVD/VHS release by the industrial metal band Ministry released in 2002. It contains various tracks recorded on their 1996 world tour in support of the album Filth Pig. The album title is a play on the word sphincter.
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"Jesus Built My Hotrod" is a song by American industrial metal band Ministry, released as the first single from their fifth studio album, Psalm 69: The Way to Succeed and the Way to Suck Eggs. It was written by the band's frontman Al Jourgensen, bassist Paul Barker, drummer Bill Rieflin, session keyboardist Michael Balch, and guest vocalist Gibby Haynes of the Butthole Surfers, and was co-produced by Jourgensen and Barker. An industrial metal track with a polyrhythmic structure, the also features elements of rockabilly and psychobilly, and is influenced by the Trashmen 1963 hit "Surfin' Bird", and Flannery O'Connor's novel Wise Blood.
Power of the Damager is the seventh studio album by American metal band Prong. It was released through 13th Planet Records on October 2, 2007. The album peaked at No. 47 on the Billboard Top Heatseekers chart.
Live! You Goddamned Son of a Bitch is a concert album and video by the Revolting Cocks, consisting of live material recorded at the Cabaret Metro in Chicago, on September 4, 1987. However, Al Jourgensen has claimed in his autobiography, that the whole concert was re-recorded in Trax studio in Chicago afterwards. According to Jourgensen both Paul Barker and Chris Connelly thought the live record sounded horrible and they refused to release the original audio recording of the show. Jourgensen thought the recording was perfect but later agreed with Barker and Connelly. It is their second LP release following Big Sexy Land.
"Supernaut" is the fifth song from the album Vol. 4 by British heavy metal band Black Sabbath.
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From Beer to Eternity is the thirteenth studio album by American industrial metal band Ministry, released on September 6, 2013 by 13th Planet Records. Although frontman Al Jourgensen had previously stated that this was going to be Ministry's final album, a follow-up album, AmeriKKKant, was released in 2018. From Beer to Eternity was also the first Ministry album since Houses of the Molé (2004) not to feature Tommy Victor on guitars or bass.
Moral Hygiene is the fifteenth studio album by American industrial metal band Ministry, released on October 1, 2021. In production for about three years, following the release of AmeriKKKant (2018), this album marks the band's first collaboration with bassist Paul D'Amour, who joined Ministry in 2019, and the first to include a cover song since Relapse (2012). Moral Hygiene also includes guest appearances from guitarist Billy Morrison, former Megadeth bassist David Ellefson, former N.W.A member Arabian Prince and Ministry frontman Al Jourgensen's former bandmate in Lard, Jello Biafra. It also marks the first album since Rio Grande Blood (2006) to not feature guitarist Sin Quirin, who quit the band in March 2021 following the previous year's allegations of underage sexual relations.