Endless Summer is a compilation album by American rock band the Beach Boys, released on June 24, 1974. A collection of hits from the band's 1962–65 period, Endless Summer was compiled by their old label, Capitol Records, while the Beach Boys were contracted to Reprise Records. Its unexpected success bore immediate consequences for the band's then-progressive musical direction. It revitalized the band's popularity after years of lukewarm sales, but also inspired nostalgia for the Beach Boys' early surfing and hot rod-themed music, repositioning the group as an oldies act.
The Land of Rape and Honey is the third studio album by American industrial metal band Ministry, released on October 11, 1988 by Sire Records. The album marked a departure from the band's previous two synthpop and EBM records, expanding on several elements introduced in their preceding album Twitch. The less-commercial, industrial-laced collection of tracks incorporates elements of heavy metal such as fast electric guitar riffs, although only the album's first three songs use guitars extensively.
The twelve-inch single is a type of vinyl gramophone record that has wider groove spacing and shorter playing time with a 'single' or a few related sound tracks on each surface, compared to LPs which have several songs on each side. This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either 33 1⁄3 or 45 rpm. The conventional 7‐inch single usually holds three or four minutes of music at full volume. The 12‐inch LP sacrifices volume for extended playing time. In the 1970s, a hybrid was created, the 12‐inch single.
Vol. 4 is the fourth studio album by English rock band Black Sabbath, released in September 1972. It was the first album by Black Sabbath not produced by Rodger Bain; guitarist Tony Iommi assumed production duties. Patrick Meehan, the band's then-manager, was listed as co-producer, though his actual involvement in the album's production was minimal.
Money is the sixth studio album by German industrial band KMFDM, released in February 1992 by Wax Trax! Records. It was originally intended to be titled Apart, with each of the two core members, Sascha Konietzko and En Esch, recording half an album and combining their work. The album ended up using only Konietzko's half, along with additional songs. It received mixed reviews, but spawned a number of club hits. It went out of print in the late 1990s and was re-released in 2006.
Wax Trax! Records is an American independent record label based in Chicago. It began as a record shop in Denver, Colorado, opened by life partners Jim Nash and Dannie Flesher, who sold the store in 1978 and moved to Chicago. In November of that year, they opened a store under the same name in the Lincoln Park neighborhood. During the 1980s and 1990s, the accompanying record label became a presence on the new wave and punk rock scenes in the city, and an outlet for European bands. The label was purchased in 1992 by TVT Records and was discontinued in 2001. In 2014, it was re-established by Julia Nash, daughter of co-founder Jim Nash.
1000 Homo DJs was a side project of American industrial rock band Ministry. The project released a total of two singles, one of which prominently featured a cover of Black Sabbath's "Supernaut".
Anthony de Vit was an English DJ and music producer. He is considered one of the most influential of his generation. He was credited with helping to take the "hard house" and fast "hard NRG" sounds out of the London gay scene and into mainstream clubs. His single "Burning Up" reached number 25 in the UK Singles Chart in March 1995, with "To The Limit" making number 44 in September 1995. During that year he won BBC Radio 1 Essential Mix of the Year Award, as voted by listeners of the show, and Music Week's re-mix of Year Award for Louise's (Naked). He remixed many UK Top 40 hits during his career with artists like Taylor Dayne and East 17. Between 1994 and 1998 his popularity with the clubbing public was rivaled by only Paul Oakenfold and Carl Cox. In September 2010, Mixmag UK announced the nominations of 35 DJs chosen by other big names in the world of dance music as those they considered the best DJs ever. A subsequent 15-month survey, which polled hundreds of thousands of global votes, asked who was the Greatest DJ of All Time and when the result was announced in January 2011, Tony De-Vit was ranked No 9 and one of four British DJs who made the Top 10.
Alain David Jourgensen is a Cuban-American singer-songwriter, musician and music producer. Closely related with the independent record label Wax Trax! Records, Jourgensen has an active musical career that spans four decades, and is best known as the frontman and lyricist of the industrial metal band Ministry, which he founded in 1981 and of which he remains the only constant member. He was also primary musician of several Ministry-related projects, such as Revolting Cocks, Lard, Buck Satan and the 666 Shooters. He has also produced and/or recorded with numerous other artists, including The Reverend Horton Heat, Prong, Skinny Puppy, Front Line Assembly, The Blackouts, Alan Vega, Iggy Pop, Adrian Sherwood, Jello Biafra and others. Jourgensen is regarded as being one of the most prominent figures of industrial music,</ref> influencing numerous other groups and musicians, both in alternative and industrial-associated acts.
Paul Gordon Barker, also referred to as Hermes Pan, is the former bass guitarist, producer and engineer of the industrial metal band Ministry from 1986 to 2003. Prior to Ministry, Barker provided bass for the Seattle post-punk ensemble The Blackouts alongside future Ministry drummer Bill Rieflin and his brother, one-time Ministry touring keyboardist/saxophonist Roland Barker, from 1979 until 1985.
A promotional recording, or promo, or plug copy, is an audio or video recording distributed free, usually in order to promote a recording that is or soon will be commercially available. Promos are normally sent directly to broadcasters, such as music radio and television stations, and to tastemakers, such as DJs and music journalists, in advance of the release of commercial editions, in the hope that airplay, reviews, and other forms of exposure will result and stimulate the public's interest in the commercial release.
Changesonebowie is a compilation album by English rock musician David Bowie, issued by RCA Records in 1976. It collected songs from the 1969–1976 period, including the first LP appearance of "John, I'm Only Dancing". A "sax version" of this song, cut during the Aladdin Sane sessions in 1973, appeared on the first 1000 copies of the UK pressing. Later pressings of Changesonebowie featured the original version of the single that had been recorded and released in 1972. All US pressings of the LP contain this original version as well.
Cleopatra Records is a Los Angeles-based independent record label founded in 1992 by entrepreneur and music fan Brian Perera. It has since grown into a family of labels, including Hypnotic Records, Purple Pyramid Records, Deadline Music Records; and X-Ray Records, encompassing a variety of genres with emphasis on unique and experimental artists.
Black Box – Wax Trax! Records: The First 13 Years is a box set album compiling songs released on Wax Trax! Records between 1980 and 1993. Black Box commemorates Wax Trax!'s output as an independent record label prior to its purchase by TVT Records. In particular, Black Box celebrates Wax Trax!'s place as the seminal American industrial label, featuring acts such as Ministry, KMFDM, Meat Beat Manifesto, Coil, Laibach, and many others.
The industrial band PTP was a short-lived side project of Ministry's Al Jourgensen.
Assemblage is a compilation album by the British band Japan, released in 1981 by Hansa Records.
"All Day" and "(Every Day Is) Halloween" are songs by American band Ministry, both written and produced by Al Jourgensen. These were originally released by Wax Trax! Records in 1984 as Ministry's “comeback” single following their departure from Arista Records, with "All Day" on the A-side and "(Every Day Is) Halloween" on the B-side, respectively. In 1987, these were included on Ministry's compilation Twelve Inch Singles (1981–1984). The remixed version of "All Day", titled “All Day Remix”, was featured on Ministry's 1986 album Twitch. “(Every Day Is) Halloween” has been featured in the 1998 Rhino Records compilation Just Can't Get Enough: New Wave Halloween.
"Supernaut" is the fifth song from the album Vol. 4 by British heavy metal band Black Sabbath.
"I’m Falling" and "Cold Life" are songs by American rock band Ministry. Written by Al Jourgensen, these were first released in 1981 by Wax Trax! Records, as the band's debut single. Initially featuring "I'm Falling" as the A-side, the single found success via its B-side, "Cold Life", which was chosen as the A-side on release in the UK. In 1985, during Ministry's short-lived return on Wax Trax!, the single was reissued with "Cold Life" as the A-side.
Trax! Box is a 2015 compilation box set by American rock band Ministry. It collects the band’s 1980-1985 output on the Wax Trax! label, including all remixes, side projects and period rarities. This collection builds greatly upon the 2004 RykoDisc re-issues and adds dozens of previously unreleased tracks.
