Paul Barker | |
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Background information | |
Also known as | Hermes Pan, Ion Barker |
Born | Palo Alto, California, U.S. | February 8, 1959
Genres | Industrial metal, alternative metal, post-punk, alternative rock, electronica |
Occupation(s) | Musician, producer |
Instrument(s) | Bass guitar, programming, keyboards, vocals |
Years active | 1980–present |
Member of | Lead into Gold, U.S.S.A. |
Formerly of | 1000 Homo DJs, Acid Horse, Bells into Machines, The Blackouts, Lard, Ministry, Pink Anvil, Revolting Cocks |
Paul Gordon Barker (born February 8, 1959), also referred to as Hermes Pan, is an American musician, best known as the former bass guitarist, producer and engineer for industrial metal band Ministry from 1986 to 2003. Prior to Ministry, he provided bass for the Seattle post-punk ensemble The Blackouts alongside future Ministry drummer Bill Rieflin and his brother, one-time Ministry touring keyboardist/saxophonist Roland Barker, from 1979 until 1985.
Beginning as touring bassist for Ministry's 1986 Twitch tour, Barker collaborated with frontman Al Jourgensen and collectively released The Land of Rape and Honey in 1988. Although many musicians briefly contributed to Ministry in the nearly two-decade period after Barker joined the band, he and Jourgensen were the only continuous members. The dynamics between these two different personalities came to shape Ministry's sound, along with a number of side-projects which they were involved in together.
In 2003, Barker left the band a year after the release of their eighth album Animositisomina . The decision was made official after the death of his father. Despite being in Ministry for almost 18 years, Jourgensen did not do anything to spur his departure. "Over the years we've had strained relations as well as good times, and the last tour was no different than any other tour. That means it was extremely difficult and very intense and lots of fun," Barker had said. [1]
It is often believed that Jourgensen and Barker were close bandmates and the latter played a huge creative role in the band. Jourgensen rebuffed these claims saying that their relationship was more like an arranged marriage and "acrimonious." He said that they were never friends but business partners. [2] Since leaving Ministry, Barker has distanced himself from Jourgensen and the two have had almost nothing positive to say about their relationship in the band.
Barker was quoted in a 2011 interview that it was "tough to watch" the band's Fix: The Ministry Movie documentary as he could no longer associate himself with the band. [3] When asked in a 2015 interview if he would ever work with Jourgensen again, he replied, "I'm fairly confident we will not work together. We have zero relationship now." When asked why he left Ministry, he replied he was no longer willing to put up with the stupidity and decided that it was enough. [4]
Barker has since moved on to other things and in 2016, seems to have more or less made peace with Ministry. "Of course, that was a very intense time and extremely rewarding. That was quite a while ago and I rarely think about it. I'm still fascinated with the heaviest, ugliest music and it's now hard to find the time for those pursuits. I am not in direct contact with Al these days." [5]
In 2018, Jourgensen reconciled with Barker after they both made appearances at screenings for the documentary Industrial Accident: The Story of Wax Trax! Records. Jourgensen has stated he is eager to collaborate with Barker very soon. [6] In March 2024, it was announced that Barker would reunite with Jourgensen to write, perform, and produce what is quite possibly the final Ministry album. [7]
Lead into Gold is Barker's current solo project.
In Summer of 2018 he released the full length album The Sun Behind The Sun, followed by a North America tour with OhGr (Nivek Ogre) and Omniflux (Mahsa Zargaran).
In Spring of 2023 Barker released another full length album The Eternal Present, followed by a North America tour with Skinny Puppy.
Since 2003, Barker has spent his time recording new material, producing such acts as I Love You But I've Chosen Darkness and collaborating with artists such as Stayte (on their 2007 Cognitive Dissonance (The Art of Lying To Yourself) EP). He joined U.S.S.A. with Duane Denison (Tomahawk, ex-The Jesus Lizard) as bassist. The first album from his solo project Flowering Blight, [8] [9] entitled The Perfect Pair, was released on November 19, 2008, via the official website.
In 2011, Barker remixed the Deadly Apples song "Self Inflicted Oppression" with samples from Ministry's Psalm 69 . The remix was featured on the soundtrack for the documentary film Fix: The Ministry Movie. [10]
Barker released Fix This!!! on April 10, 2012. This album features guests such as Chris Connelly, Ogre, Taylor Momsen, Puscifer, Deadly Apples, Alexis Marshall, Joshua Bradford, and Devix Szell. [11]
In 2015, Barker joined the touring lineup of rock supergroup Puscifer as their bassist. [12]
Barker is also one of the founders of Malekko Heavy Industry Corporation, a manufacturer of synthesizer modules and guitar effect pedals. [13]
Ministry is an American industrial metal band founded in Chicago, Illinois, in 1981 by producer, singer, and instrumentalist Al Jourgensen. Originally a synth-pop outfit, Ministry evolved into one of the pioneers of industrial rock and industrial metal in the late 1980s. The band's lineup has changed frequently, leaving Jourgensen as the sole remaining original member. Musicians who have contributed to the band's studio or live activities include vocalists Nivek Ogre, Chris Connelly, Gibby Haynes, Burton C. Bell and Jello Biafra, guitarists Mike Scaccia, Tommy Victor and Cesar Soto, bassists Paul Barker, Paul Raven, Jason Christopher, Tony Campos and Paul D'Amour, drummers Jimmy DeGrasso, Bill Rieflin, Martin Atkins, Rey Washam, Max Brody, Joey Jordison and Roy Mayorga, keyboardist John Bechdel, and rappers and producers DJ Swamp and Arabian Prince.
The Mind Is a Terrible Thing to Taste is the fourth studio album by American industrial metal band Ministry, released on November 14, 1989, by Sire Records. The music took a more hardcore, aggressively guitar-driven direction, with Jourgensen inspired by Stormtroopers of Death and Rigor Mortis to add thrash metal guitars to the album and subsequent Ministry releases. As with most of Ministry's work, the album's lyrics deal mainly with political corruption, cultural violence, environmental degradation, nuclear war, drug addiction, and insanity.
ΚΕΦΑΛΗΞΘ is the fifth studio album by American industrial metal band Ministry, released on July 14, 1992, by Sire Records. It was produced by frontman Al Jourgensen and bassist Paul Barker, and was recorded from March 1991 to May 1992 in Chicago, Illinois and Lake Geneva, Wisconsin. The album's title, initially intended to be The Tapes of Wrath, ended up being derived from Aleister Crowley's The Book of Lies.
The Land of Rape and Honey is the third studio album by American industrial metal band Ministry, released on October 11, 1988, by Sire Records. This is the first Ministry album to include bassist Paul Barker and marks a departure from the band's previous two synthpop and EBM records. It incorporates heavy metal guitars and industrial music influences, and Al Jourgensen uses distorted vocals in his natural accent, rather than the faux British accent of previous albums. The resulting sound was influential in the industrial metal genre and is Jourgensen's favorite Ministry album. The album was certified gold by the RIAA in January 1996.
Revolting Cocks, also known as RevCo, are an American-Belgian industrial rock band, and sometimes supergroup, that began as a musical side project for Richard23 of Front 242, Luc van Acker, and Al Jourgensen of Ministry.
Kevin Graham Ogilvie, known professionally as Nivek Ogre, is a Canadian musician, performance artist and actor, best known for his work with the industrial music group Skinny Puppy, which he co-founded with cEvin Key. Since 1982, he has served as Skinny Puppy's primary lyricist and vocalist, occasionally providing instrumentation and samples. Ogre's charismatic personality, guttural vocals and use of costumes, props, and fake blood on stage helped widen Skinny Puppy's fanbase and has inspired numerous other musicians.
Rabies is the fifth studio album by Skinny Puppy. It was released on November 21, 1989 through Nettwerk. The album notably features Ministry frontman Al Jourgensen who performed electric guitar and vocals on several songs. The album spawned two singles, "Tin Omen" and "Worlock", the latter of which becoming one of the band's most recognizable songs. The cover art was made by longtime Skinny Puppy collaborator Steven R. Gilmore. In 1993 the CD edition was reissued by Nettwerk to correct mastering errors in the original release.
Animositisomina is the eighth studio album by American industrial metal band Ministry, released on February 18, 2003 by Sanctuary Records.
With Sympathy is the debut studio album by American industrial band Ministry, released on May 10, 1983 by Arista Records. The group was formed in 1981 by lead singer and multi-instrumentalist Al Jourgensen, with drummer Stephen George being the most notable member of its initial lineup. The album was briefly re-released overseas as Work for Love.
Houses of the Molé is the ninth studio album by American industrial metal band Ministry, released on June 21, 2004 by Sanctuary Records. It is noteworthy for being the first Ministry album not to feature bassist and longtime collaborator Paul Barker since Twitch (1986). It was also the first album to feature Mike Scaccia on guitar since 1996's Filth Pig.
Lard is an American hardcore punk/industrial band founded in 1988 as a side project by Jello Biafra, Al Jourgensen, Paul Barker, and Jeff Ward. Over the years, several other members of Ministry played with Lard, namely Bill Rieflin, Mike Scaccia, and Rey Washam.
Alain David Jourgensen is a Cuban-American singer, musician and music producer. Closely related with the independent record label Wax Trax! Records, his musical career spans four decades. He is the frontman and lyricist of the industrial metal band Ministry, which he founded in 1981 and of which he remains the only constant member. He was the primary musician of several Ministry-related projects, such as Revolting Cocks, Lard, and Buck Satan and the 666 Shooters. Jourgensen is a prominent figure in industrial music, influencing numerous other groups and musicians, both in alternative and industrial-associated acts.
Paul Vincent Raven was an English bassist best known for his work in the post-punk group Killing Joke. He later played in the industrial music bands Prong, Ministry, and Zilch.
Twitch is the second studio album by American industrial band Ministry, released on March 12, 1986 by Sire Records. Recorded mostly in London and West Berlin during 1985, it was largely produced by On-U Sound Records owner Adrian Sherwood, while the band's frontman Al Jourgensen co-produced two tracks. It stepped away from the synthpop-oriented form of Ministry's 1983 debut studio album, With Sympathy, and moved toward a darker, more aggressive sound, heavily influenced by industrial dance groups Cabaret Voltaire and Front 242.
"Jesus Built My Hotrod" is a song by American industrial metal band Ministry, released as the first single from their fifth studio album, Psalm 69: The Way to Succeed and the Way to Suck Eggs. It was written by the band's frontman Al Jourgensen, bassist Paul Barker, drummer Bill Rieflin, session keyboardist Michael Balch, and guest vocalist Gibby Haynes of the Butthole Surfers, and was co-produced by Jourgensen and Barker. An industrial metal track with a polyrhythmic structure, the also features elements of rockabilly and psychobilly, and is influenced by the Trashmen 1963 hit "Surfin' Bird", and Flannery O'Connor's novel Wise Blood.
The Power of Lard is the debut EP by Lard, released in 1989.
Pure Chewing Satisfaction is the second studio album by American band Lard, released in 1997.
"Stigmata" is a song by American industrial metal band Ministry. Written by frontman Al Jourgensen, it is the opening track and the only single released from their third studio album, 1988’s The Land of Rape and Honey. The song features distorted vocals, guitars and compressed drum machine loops. The song was an underground hit. The music video—which was said to get a regular airing on MTV—features gritty black and white machinery, gears, symbols, the band playing live, Paul Barker on a motorcycle, strobe-like montages of eyes, and what appear to be neo-Nazi skinheads. The song was said to be Ministry's "finest moment until 1992".
As of 2024, the discography of American industrial metal band Ministry, which was founded and is fronted by Al Jourgensen, consists of sixteen studio albums, eight live albums, fourteen compilation and remix albums, thirty singles, five video albums and twenty music videos. Several tracks spanning from 1981 to 1994 in studio, live and cover formats have remained unreleased by the band.
The Blackouts were a punk rock band formed in Seattle in 1979 by singer/guitarist Erich Werner, bassist Mike Davidson, and drummer Bill Rieflin, who were all former members of a local punk band, The Telepaths. They were joined by Roland Barker, first on synthesizer and later on saxophone.