JG Thirlwell

Last updated

JG Thirlwell
Thirlwell bisi loz crop.png
Thirlwell recording at BC Studios in 2016
Background information
Birth nameJames George Thirlwell
Also known asClint Ruin
Frank Want
Foetus
Born (1960-01-29) 29 January 1960 (age 64)
Melbourne, Australia
Genres
Occupations
  • Composer
  • songwriter
  • musician
Years active1980–present
Labels Self Immolation
Big Cat
Ectopic Ents
Ipecac Recordings
Williams Street
Tzadik
Website foetus.org

James George Thirlwell (born 29 January 1960), styled as JG Thirlwell and also known as Clint Ruin, Frank Want, and Foetus , among other pseudonyms, is an Australian musician, composer, and record producer known for juxtaposing a variety of different musical styles.

Contents

Life and career

Thirlwell singing at the Rathskeller in Boston, 1985 Jim Thirlwell of Foetus at the Rathskeller.jpg
Thirlwell singing at the Rathskeller in Boston, 1985

Thirlwell was born in Melbourne, Australia. He briefly studied fine art at Melbourne State College (now part of the University of Melbourne) before moving in 1978 to London, England, where he played with the post-punk band prag VEC and formed the first of his numerous musical projects, Foetus. In the 1980s, under the pseudonyms Clint Ruin and Frank Want, he contributed to various releases by Nurse With Wound, Marc Almond, The The and Nick Cave and the Bad Seeds. He co-wrote "Wings Off Flies" on From Her to Eternity , the first Bad Seeds album. Longtime Nick Cave associate Mick Harvey would later report that Thirlwell's time in the band was cut short, in part, by a clash between Thirlwell's highly structured studio routine as contrasted with Cave and the Bad Seeds' then habit of "shambling through it" while recording. [1]

Thirlwell released his first 7-inch single, OKFM/Spite Your Face, in 1981, on his own Self-Immolation record label in his first incarnation as Foetus. Over the next few years he would release two more singles, a 12" EP, and four full-length albums, Deaf , Ache , Hole and Nail (Some Bizzare Records). After visiting the United States during a live stint with the Immaculate Consumptive (Lydia Lunch, Nick Cave and Marc Almond) Thirlwell settled in New York City, where he is still based. Since his move he has released several singles, fourteen EPs (including Stinkfist, with fellow New York artist Lydia Lunch), and seventeen full-length albums.

In addition to being a prolific artist in his own right, Thirlwell has remixed and produced numerous pieces for artists including Faith No More, Nine Inch Nails, Pantera, Jon Spencer Blues Explosion, The The, Zola Jesus, Front 242, and Swans. He has also done voice-over work for MTV and other entities.

Since 2000, Thirlwell has become more active as a composer, having written commissions for Bang on a Can, League of Electronic Musical Urban Robots, and the Kronos Quartet, and scoring cartoons The Venture Bros. for Adult Swim and Archer for FX. His most recent project was scoring the John Hodgman and David Rees cartoon detective show Dicktown .

He also revived his primary instrumental project, Steroid Maximus, and initiated a more experimental instrumental project in Manorexia. He continues to write and perform regularly as a solo artist and with various ensembles. He is also a member of the freq_out sound art collective, and has created solo sound installations in Kaliningrad, Santarcangelo and Vienna.

Music

Thirlwell at Moderna Museet, Stockholm JG Thirlwell, Moderna Museet, Stockholm, Sweden.jpg
Thirlwell at Moderna Museet, Stockholm

Thirlwell's music—released under his various project names of Foetus, Wiseblood, Steroid Maximus, Baby Zizanie, Manorexia and others—includes elements of 20th-century classical music, noise, big band, Americana, jazz, punk rock, African and Cuban percussion, and epic/horror film soundtracks. Much of Thirlwell's aural output is built on a percussive, rock music-type structure, though to call it rock music would be inaccurate. His music employs elements of many genres: with an often frenzied aesthetic, Thirlwell's music combines percussion, strings, distortion, brass, electric guitars, electronic sounds and voice. Recurring lyrical themes include destruction, persecution, anxiety, abuse, incest, masochism, angst, self-destruction, self-abuse, lust, prejudice, murder, failure and machismo, often expressed using American colloquialism and black humour.

Musical projects

Aliases

Throughout the span of his career, Thirlwell has toyed with his own identity by releasing music in the guise of numerous alter egos. During the earliest phases of his recording, Thirlwell's "groups" were composed of a plethora of fictional characters: Foetus Under Glass supposedly consisted of Frank Want, Phillip Toss and two Brazilian statistics collectors; Scraping Foetus off the Wheel was claimed to be the work of Want and Clint Ruin. Furthering the confusion, Thirlwell adopted these personas outside of his own recordings; for example, Frank Want can be found on The The's Soul Mining and on releases by Orange Juice, with whom he appeared on Top of the Pops .

The persona of Clint Ruin was particularly notable in this context; during the mid-1980s and early 1990s Thirlwell exclusively went by this pseudonym, even conducting interviews as Ruin. As Ruin, Thirlwell was a member of Wiseblood with Roli Mosimann and Flesh Volcano with Marc Almond. He also recorded two collaborative EPs with Lydia Lunch, and starred in and scored films by Richard Kern under the Ruin alias. Ruin is also credited on numerous releases for a variety of roles with Boss Hog, Coil, Fur Bible, Annie Hogan, Nurse With Wound, Pigface, Sonic Youth, Workdogs and others.

This practice seems to have been discontinued since 1995, and "JG Thirlwell" is credited on all subsequent musical recordings.

Discography

Related Research Articles

<span class="mw-page-title-main">Foetus (band)</span> Solo project of Australian musician JG Thirwell

Foetus is a solo musical project of Australian musician JG Thirlwell. The project has had many similar names, each including the word 'Foetus'.note The "members" of the project are aliases of Thirlwell; they include Frank Want, Phillip Toss, and Clint Ruin. Thirlwell occasionally collaborates with other artists, but does not consider them to be members of Foetus.

Marc and the Mambas was a new wave group, formed by Marc Almond in 1982 as an offshoot project from Soft Cell. The band's line-up changed frequently, and included Matt Johnson from The The and Annie Hogan, with whom Almond worked later in his solo career.

Steroid Maximus is a musical project led by Australian composer J.G. Thirlwell. Mostly instrumental music, Steroid Maximus contains elements of jazz, big band, avant-garde, soundtrack and exotica styles.

The Flesh Volcano was a side project of singer Marc Almond and Clint Ruin, also known as Foetus. Its sole release was the Slut EP, which was expanded to album length in a number of reissues. Almond and Ruin were formerly bandmates in the Immaculate Consumptive.

The Immaculate Consumptive was a collaborative group featuring four stars of the no wave scene, that existed for three shows in 1983. Its members were Marc Almond, Nick Cave, Lydia Lunch and Clint Ruin.

<i>Male</i> (Foetus album) 1992 live album by Foetus

Male is a live album by Foetus in Excelsis Corruptus Deluxe. It records the Foetus live performance of November 3, 1990, in Manhattan's famed CBGB nightclub. A film of this performance, also titled Male, was also released.

<i>Slut</i> (EP) 1987 EP by Flesh Volcano

Slut is the first and only EP by Flesh Volcano, released in 1987 by Some Bizzare Records.

Self Immolation is a record label and publishing company run by J. G. Thirlwell. Originally an actual label for Thirlwell's self-released early Foetus EPs and albums, Self Immolation became more akin to a vanity label for Thirlwell's releases on Some Bizzare Records and Wax Trax! Records. Most Self Immolation releases are identified by a call number beginning with a Foetal-inspired "WOMB" designator.

<i>Gondwanaland</i> (Steroid Maximus album) 1992 studio album by Steroid Maximus

Gondwanaland is an album from Steroid Maximus. It was released in 1992 by Big Cat Records.

<i>Rife</i> (Foetus album) 1988 live album by Foetus Corruptus

Rife is a live album by Foetus Corruptus released in 1988. It is an official bootleg, initially released by J. G. Thirlwell with no record label credit. This album was released in three formats: a two-LP set on black vinyl, a two-LP picture disc set, and a CD. Rife is Self Immolation #RIFLE 1 and #RIFLEPIC 1 for the picture disc.

<i>Stinkfist</i> (EP) 1987 EP by Clint Ruin and Lydia Lunch

Stinkfist is a collaborative EP by Clint Ruin and Lydia Lunch. This outing from the ex-Immaculate Consumptive bandmates was originally released as a 12" in 1987 on Lunch's Widowspeak label.

<i>Dont Fear the Reaper</i> (EP) 1991 EP by Clint Ruin and Lydia Lunch

Don't Fear the Reaper, the second EP by the duo of Clint Ruin and Lydia Lunch, finds the pair taking on classic covers and new songs in equal measure. The 1991 disc's title track is Ruin and Lunch's take on the Blue Öyster Cult hit.

Wiseblood was an American electronic/noise-rock band formed by Clint Ruin and Roli Mosimann, existing intermittently from 1985 through the early 1990s. In Ruin's words, Wiseblood was "violent macho American [music] made by non-Americans". The duo's material tended toward the realm of the darkest and most sexual Foetus songs, with Mosimann's Swans lineage showing in the slow, crushing pacing of many tracks. Thematically, Wiseblood's lyrics centered on the misanthropic exertion of power, typically via murder, sex or assault.

<i>Honeymoon in Red</i> 1988 studio album by Honeymoon in Red

Honeymoon in Red is a concept album by a band of the same name, released in 1988, primarily written by Lydia Lunch and Rowland S. Howard. Honeymoon in Red is sometimes referred to as a band or alternately as a collaboration between Lydia Lunch and members of The Birthday Party.

<span class="mw-page-title-main">JG Thirlwell discography</span>

This article details the complete work of an Australian-born composer and music producer JG Thirlwell, from his beginnings in 1980 to the present. It covers his output under multiple pseudonyms as well as his work as a collaborating artist and soundtrack composer.

<i>Soak</i> (album) 2013 studio album by Foetus

Soak is the tenth studio album by Foetus, released on October 15, 2013, by Ectopic Ents. It acts as the satellite album for the 2010 album Hide.

<i>The Blue Eyes</i> 2013 soundtrack album by J. G. Thirlwell

The Blue Eyes is a 2013 musical score by Australian composer J. G. Thirlwell for the film of the same name, written and directed by Eva Aridjis. Recorded in January 2011, the album was released on December 3, 2013, by Ectopic Ents. The score marks a musical departure for Thirlwell, exhibiting a more sombre tone compared to his previous soundtrack work for The Venture Bros.

<i>The Mesopelagic Waters</i> 2010 studio album by Manorexia

The Mesopelagic Waters is the third studio album that J. G. Thirlwell has issued under the pseudonym Manorexia. It was released on March 23, 2010 by Tzadik Records. It comprises music from the previous two Manorexia releases that has been arranged for strings, piano and percussion and re-recorded.

<i>Limb</i> (album) 2009 compilation album by Foetus

Limb is a Foetus compilation album, released on May 15, 2009 by Ectopic Ents. Limb collects out-of-print and previously unreleased instrumental tracks from the early days of Foetus. Limb is packaged with a DVD featuring Clément Tuffreau's NYC Foetus documentary about Thirlwell's life in New York City, along with several live performances of Thirlwell's ensembles and commissioned music.

<span class="mw-page-title-main">Motorslug</span> 1985 single by Wiseblood

"Motorslug" is a song by Wiseblood, written by Roli Mosimann and JG Thirlwell. It was released as a single in May 1985 by K.422 and was included on the CD version of the album Dirtdish.

References

Notes

  1. Wray, Daniel Dylan (2014) "If This Is Heaven I'm Bailing Out: The Death Of The Birthday Party", The Quietus, accessed 5 January 2017

Further reading

Interviews