The New Backwards | ||||
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Studio album by | ||||
Released | 18 April 2008 | |||
Recorded | 1993–2007(?) | |||
Genre | ||||
Length | 1:05:08 | |||
Label | Threshold House | |||
Producer | Coil | |||
Coil chronology | ||||
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The New Backwards is an album by Coil released on 18 April 2008. The album is reworked from the Backwards demo, which was originally created for Nothing Records.
The New Backwards was produced by Peter Christopherson and Danny Hyde, and is reworked from the Backwards demo, which was submitted to Torso Records in 1993 and then further recorded at Trent Reznor's Nothing Studios in New Orleans, Louisiana, in the mid-1990s for a planned release on Reznor's Nothing Records imprint on major label Interscope Records. The record was made in Bangkok in 2007. [1]
The album was originally released on 12" vinyl as part of a box set reissue of the album The Ape of Naples . [2] It is currently available on 12" vinyl, compact disc, and downloads in FLAC, aac, and mp3 formats.
On 30 March 2022, the album was re-released in an 'Expanded Edition' through Infinite Fog Productions, which added previously unreleased and unfinished material from the album's recording sessions. [3]
No. | Title | Length |
---|---|---|
1. | "Careful What You Wish For" | 9:06 |
2. | "AYOR" | 7:40 |
3. | "Nature Is a Language" | 8:00 |
4. | "Fire of the Green Dragon" | 7:54 |
5. | "Algerian Basses" | 5:02 |
6. | "Copacaballa" | 6:50 |
7. | "Paint Me as a Dead Soul" | 6:31 |
8. | "Backwards" | 5:22 |
9. | "Princess Margaret's Man in the D'jamalfna" | 8:45 |
Total length: | 1:05:19 |
No. | Title | Length |
---|---|---|
1. | "Careful What You Wish For" | 9:07 |
2. | "Nature Is a Language" | 8:00 |
3. | "Algerian Basses" | 5:02 |
No. | Title | Length |
---|---|---|
4. | "Copacaballa" | 6:49 |
5. | "Paint Me as a Dead Soul" | 6:29 |
6. | "Princess Margaret's Man in the D'jamalfna" | 8:46 |
Total length: | 44:13 |
No. | Title | Length |
---|---|---|
10. | "AYOR live pornmod (It's in My Blood) - LIVE GEOFF" | 4:53 |
11. | "Ambient basses hijack mix 1" | 6:14 |
12. | "Wur click wur ruff 1994" | 7:14 |
13. | "Backwards DIST VOX" | 6:47 |
14. | "Drone Geff Master" | 7:04 |
15. | "Carny Master" | 7:07 |
16. | "Drone Skellies" | 7:06 |
17. | "Choir Droney Skellies" | 7:03 |
18. | "Backwards Live WIP-fixed softer backwards" | 8:15 |
Total length: | 2:07:02 |
Backwards | |
---|---|
Studio album by | |
Released | Officially unreleased |
Recorded | Unknown (No later than 1993) |
Genre | Experimental |
Length | 47:07 |
Producer | Coil |
The New Backwards is the final iteration of material that Coil had been working on since at least 1993. The first known version of these songs was a demo tape simply title Backwards, which Coil submitted to their then-current European label, Torso Records, for approval in 1993. [4]
"Bee Has The Photos" and "Egyptian Basses", though often included in bootlegs of the demo, are not considered to be officially part of this bootleg as they were released as part of the Songs of the Week download series and not on the supposed original demo. [4] However, the version from Songs of the Week is an alternate version, much shorter in length.
After the dissolution of Torso records in 1994, [5] much of the material from the demo was further developed at Nothing Studios, with the intent of releasing the album under Nothing Records. During this time, the project received many different names, such as International Dark Skies, [6] God Please Fuck My Mind for Good, Fire of the Mind, [7] and The World Ended a Long Time Ago. [8] However, its release was continuously postponed, and Coil would end up releasing no album through Nothing.
On June 18, 2001, Coil were invited as guests for a broadcast on Dutch radio station Radio 4 to promote an impending live show in the Netherlands. During this broadcast, the entirety of the Backwards demo tape was played live, marking the first official acknowledgement of its existence and its first publication. A four-disc CD-R recording of the entire broadcast was later released in an unknown quantity as Dutch Radio4 Supplement.
On the live Coil album Live Three , a song called "Backwards" is performed. This song is an incarnation of the songs "Simenon" and "Bee Has Photos".
The Ape of Naples is considered to be another reinterpretation of the Backwards demo, [9] as it featured completely reworked versions of "Heaven's Blade", "AYOR" and other songs that are believed to have been originally created around the time of Backwards. Although the album contains a lot of material from the Backwards sessions, the material is so augmented that there are very few recognizable samples.
Further material from the Backwards sessions has since been released as Backwards (through Cold Spring) [10] and Swanyard [11] .
No. | Title | Length |
---|---|---|
1. | "Heaven's Blade" | 7:23 |
2. | "Wir-Click-Wir" | 6:21 |
3. | "Elves" | 3:10 |
4. | "Simenon" | 3:49 |
5. | "In My Blood" | 3:52 |
6. | "Spastiche" | 4:33 |
7. | "Crumb Tune" | 4:33 |
8. | "March of Time" | 6:03 |
Total length: | 39:44 |
Three extra tracks, "Bee Has the Photos", "Egyptian Basses" and a different version of "Spastiche", have been circulated with the demos.
Nothing Records was an American record label specializing in industrial rock and electronic music, founded by John Malm Jr. and Trent Reznor in 1992. It is considered an example of a vanity label, where an artist is able to run a label with some small degree of independence within a larger parent company, in this case the larger company being Interscope Records.
The Beatles' bootleg recordings are recordings of performances by the Beatles that have attained some level of public circulation without being available as a legal release. The term most often refers to audio recordings, but also includes video performances. Starting with vinyl releases in the 1970s, through CD issues in the late 1980s, and continuing with digital downloads starting in the mid-1990s, the Beatles have been, and continue to be, among the most bootlegged artists.
Coil were an English experimental music group formed in 1982 in London and dissolved in 2005. Initially envisioned as a solo project by musician John Balance, Coil evolved into a full-time project with the addition of his partner and Psychic TV bandmate Peter Christopherson. Coil's work explored themes related to the occult, sexuality, alchemy, and drugs while influencing genres such as gothic rock, neofolk and dark ambient. AllMusic called the group "one of the most beloved, mythologized groups to emerge from the British post-industrial scene."
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Time Machines is a 1998 studio album by English experimental group Coil, originally released under the one-off project alias Time Machines. The album was created under the premise of psychedelic drone pieces named after corresponding hallucinogenic drugs, "tested and retested" during the album's studio sessions for apparent narcotic potency. Main member John Balance also described the album as an attempt to create "temporal slips".
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"Windowpane" is a song by British experimental band Coil, from their third studio album, Love's Secret Domain.
How to Destroy Angels is the debut extended play by British experimental band Coil. At this point, the group consisted only of John Balance and Peter Christopherson. It was originally released in 1984 on L.A.Y.L.A.H. Antirecords, but was later re-pressed in 1988.
The Ape of Naples is the final studio album by English experimental group Coil. It was released on 2 December 2005 in the UK and Thailand by Threshold House, and has subsequently been reissued by multiple labels. Produced by Peter Christopherson following the death of bandmate John Balance in 2004, it contains reworked and remixed material from 1993 to 2004. The album was dedicated to Balance's memory.
A Guide for Beginners: The Voice of Silver was one of two CD compilations released to mark Coil's first performance in Russia. It is a collection of their ambient music style works. The titles were devised by the Russian musician and Coil collaborator Ivan Pavlov.
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Black Antlers is a studio album by the experimental band Coil. It was originally released in CD-R format in 2004 in a limited edition and was sold during their Even an Evil Fatigue mini-tour. The album was later re-edited by Peter Christopherson and expanded to include a second CD of two new tracks, as well as a new track on the first disc. The second edition was released in August 2006 on the same day as the expanded version of The Remote Viewer. Both reissues were mastered by Mark Godwin, printed in Thailand and feature high quality images and packaging. Although the original edition did not include a catalogue number, the reissue was given a catalogue number of THBKK2.
Live One was a double live album released by Coil. This CD was the fourth of four releases in a series. Its counterparts are Live Four, Live Three and Live Two. This album was later released as part of Coil's box set The Key to Joy Is Disobedience.
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Discography for the experimental music group Coil and their aliases.
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