Richard Kern | |
---|---|
Born | 1954 (age 69–70) Roanoke Rapids, North Carolina, United States |
Occupation(s) | Filmmaker, writer, photographer |
Years active | 1979–present |
Spouse | Martynka Wawrzyniak (2007–2015) |
Richard Kern (born 1954) is an American underground filmmaker, writer and photographer. He first came to prominence as part of the cultural explosion in the East Village of New York City in the 1980s, with erotic and experimental films like The Right Side of My Brain and Fingered, which featured personalities of the time such as Lydia Lunch, David Wojnarowicz, Sonic Youth, Kembra Pfahler, Karen Finley and Henry Rollins. Like many of the musicians around him, Kern had a deep interest in the aesthetics of extreme sex, violence and perversion and was involved in the Cinema of Transgression movement, a term coined by Nick Zedd.
Kern's first dabbling in the arts was a series of self-produced magazines that featured art, poetry, photography and fiction by himself and several friends. These hand-stapled and photocopied zines expressed the bleakness of New York City's East Village in the early 1980s. Kern's first zine was the bi-monthly The Heroin Addict, which was later renamed The Valium Addict. About 12 issues of these two zines were produced, along with the occasional special issue. This phase of Kern's career lasted from late 1979 to around 1983.
In 1985, he directed a video for the Sonic Youth song "Death Valley '69"; this led to more music video work, including videos for King Missile ("Detachable Penis") and Marilyn Manson ("Lunchbox").
Lung Leg starred in several Kern films and was the cover model for Sonic Youth's EVOL album (the sleeve design shows a still shot from the film Submit to Me). Along with other Cinema of Transgression filmmakers, Kern was a subject of Jack Sargeant's book Deathtripping .
Kern, whose father was a North Carolina newspaper photographer and editor, [1] turned in the 1990s almost exclusively to still photography. Although mainly known in recent years for his photographs of naked women, he frequently shoots celebrity portraits for international publications.
His book Action, edited by Dian Hanson, was released in 2007 by Taschen, featuring more than 200 full-color photographs of young nude women. Accompanying the volume was Extra Action, Kern's DVD of models featured in the book.
Since February 2007, Kern has directed Shot By Kern on VBS.tv, stills of which are published monthly in Vice . [2]
He was interviewed in 2011, as part of the documentary The Advocate for Fagdom by Angélique Bosio about queercore filmmaker Bruce La Bruce, [3] [4]
After meeting young photographer Petra Collins, Kern purportedly became her mentor. [5] Collins also serves as Kern's casting agent in Toronto, Ontario, Canada.
Kern is a regular contributor to Vice, Purple , GQ and Playboy .
The UK band Manhattan Love Suicides took their name from one of Kern's short films. [6]
Kern was married to artist Martynka Wawrzyniak from 2007 to 2015. [7]
Vaginal Davis is an American performing artist, painter, independent curator, composer, filmmaker and writer. Born intersex and raised in South Central, Los Angeles, Davis gained notoriety in New York during the 1980s, where she inspired the Bushwick neighborhood of Brooklyn's prevalent drag scene as a genderqueer artist. She currently resides in Berlin, Germany.
Lydia Lunch is an American singer, poet, writer, actress and self-empowerment speaker. Her career began during the 1970s New York City no wave scene as the singer and guitarist of Teenage Jesus and the Jerks.
Bruce Weber is an American fashion photographer and filmmaker known for his work with fashion brands and magazines.
Nick Zedd was an American filmmaker, author, and painter based in Mexico City. He coined the term Cinema of Transgression in 1985 to describe a loose-knit group of like-minded filmmakers and artists using shock value and black humor in their work. These filmmakers and artistic collaborators included Richard Kern, Tessa Hughes Freeland, Lung Leg, Kembra Pfahler, and Lydia Lunch. Under numerous pen names, Zedd edited and wrote the Underground Film Bulletin (1984–1990) which publicized the work of these filmmakers. The Cinema of Transgression was explored in Jack Sargeant's book Deathtripping.
An underground film is a film that is out of the mainstream either in its style, genre or financing.
Harmony Korine is an American filmmaker, actor, photographer, artist, and author. His methods feature an erratic, loose and transgressive aesthetic, exploring taboo themes and incorporating experimental techniques, and works with art, music, fashion and advertising.
Bruce LaBruce is a Canadian artist, writer, filmmaker, photographer, and underground director based in Toronto.
Lung Leg is an American pin-up girl and actress perhaps best known for appearing on the cover of the Sonic Youth album EVOL. During the 1980s, she gained fame as a model and star of films made by the transgressive movement.
No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to the parallel no wave music movement in its raw and rapid style.
The Cinema of Transgression is a term coined by Nick Zedd in 1985 to describe a New York City–based underground film movement, consisting of a loose-knit group of artists using shock value and black humor in their films. Key players in this movement were Zedd, Kembra Pfahler, Tessa Hughes-Freeland, Casandra Stark, Beth B, Tommy Turner, Jon Moritsugu, Manuel DeLanda, David Wojnarowicz, Richard Kern, and Lydia Lunch, who in the late 1970s and mid-1980s began to make very low-budget films using cheap 8 mm cameras.
Kembra Pfahler is an American performance artist and rock musician.
"Lunchbox" is a song by American rock band Marilyn Manson. It was released as the second single from their debut album, Portrait of an American Family (1994). A heavy metal song that features elements of death metal, industrial music and punk rock, "Lunchbox" was written by the band's eponymous vocalist, Daisy Berkowitz, and Gidget Gein, and produced by Manson with Trent Reznor. According to Berkowitz, the track was written as the frontman's plea to be left alone; it was also inspired by a time where Manson defended himself from bullies with a Kiss lunchbox. The track features elements of "Fire" (1968) performed by Arthur Brown, a musician who influenced the band.
Lawrence Julian Schiller is an American photojournalist, film producer, director and screenwriter.
"Death Valley '69" is a song by American alternative rock band Sonic Youth and featuring Lydia Lunch. The song was written and sung by Thurston Moore and fellow New York musician Lunch, and recorded by Martin Bisi in 1984.
Lynn Goldsmith is an American recording artist, film director, celebrity portrait photographer, and rock and roll photographer. She has also made fine art photography with conceptual images and with her painting. Books of her work have been published by Taschen, Rizzoli, and Abrams. In 1985, she received a World Press Photo award. In the 1980s, she wrote songs and performed as Will Powers. In 2023, she was part of a U.S. Supreme Court case dealing with the limits of fair use concerning a series of Andy Warhol silkscreen portraits based on a Goldsmith photo of the musician Prince.
Jey Crisfar is a Belgian actor and artist.
Daniel Nicoletta is an Italian-American photographer, photojournalist and gay rights activist.
G. B. Jones is a Canadian artist, filmmaker, musician, and publisher of zines. She is best known for producing the queer punk zine J.D.s and her Tom Girls drawings.
Tessa Hughes-Freeland is a British-born experimental film maker, writer living in New York City. Her films have screened internationally in North America, Europe and Australia and in prominent museums and galleries, including the Museum of Modern Art (MOMA); the Museum of Contemporary Art, Los Angeles; the Whitney Museum of American Art; the New Museum of Contemporary Art in New York; and the KW Institute of Contemporary Art in Berlin. She has collaborated on live multi-media projects with musicians like John Zorn and J. G. Thirlwell. She and Ela Troyano co-founded the New York Film Festival Downtown in 1984 and served as its co-directors until 1990. Hughes-Freeland later served as President of the Board of Directors of the Film-Makers Co-Operative in New York City from 1998-2001. She has published articles in numerous books, including “Naked Lens: Beat Cinema” and “No Focus: Punk Film,” and in periodicals including PAPER Magazine, Filmmaker magazine, GQ, the East Village Eye, and Film Threat.