Ramrod (EP)

Last updated
Ramrod
Foetus - Ramrod.gif
EP by Scraping Foetus Off the Wheel
Released 1987
Recorded Milo and Paradise, London, England
Genre Industrial
Length14:24
Label Self Immolation/Some Bizzare
Producer Clint Ruin
J. G. Thirlwell chronology
Bedrock
(1987)
Ramrod
(1987)
Stinkfist
(1987)

Ramrod is an EP by Scraping Foetus Off the Wheel released by Self Immolation/Some Bizzare in 1987.

Extended play musical recording longer than a single, but shorter than a full album

An extended play record, often referred to as an EP, is a musical recording that contains more tracks than a single, but is usually unqualified as an album or LP. Contemporary EPs generally contain a minimum of three tracks and maximum of six tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of vinyl records other than 78 rpm standard play (SP) and LP, but it is now applied to mid-length CDs and downloads as well.

Foetus is a solo musical project of Australian JG Thirlwell. The project has had many similar names, each including the word "foetus". The "members" of the project are aliases of Thirlwell; they include Frank Want, Phillip Toss, and Clint Ruin. Thirlwell occasionally collaborates with other artists, but doesn't consider them members of Foetus.

Self Immolation is a record label and publishing company run by J. G. Thirlwell. Originally an actual label for Thirlwell's self-released early Foetus EPs and albums, Self Immolation became more akin to a vanity label for Thirlwell's releases on Some Bizzare Records and Wax Trax! Records. Most Self Immolation releases are identified by a call number beginning with a Foetal-inspired "WOMB" designator.

Contents

Track listing

All tracks written by J. G. Thirlwell.

Side one
No.TitleLength
1."Ramrod"6:09
Side two
No.TitleLength
1."Boxhead"3:45
2."Smut"4:30

Personnel

Record producer Individual who oversees and manages the recording of an artists music

A record producer or music producer oversees and manages the sound recording and production of a band or performer's music, which may range from recording one song to recording a lengthy concept album. A producer has many, varying roles during the recording process. They may gather musical ideas for the project, collaborate with the artists to select cover tunes or original songs by the artist/group, work with artists and help them to improve their songs, lyrics or arrangements.

Musical instrument History and classification

A musical instrument is an instrument created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for ritual, such as a trumpet to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications.

Audio mixing (recorded music) audio mixing to yield recorded sound

In sound recording and reproduction, audio mixing is the process of combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product.

Charts

Chart (1987)Peak
position
UK Indie Chart [1] 5

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References

  1. Lazell, Barry (1997). Indie Hits 1980-1989. Cherry Red Books. Archived from the original on June 5, 2011. Retrieved September 5, 2014.
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