Magazine were a British rock band formed in 1977 in Manchester in England by singer Howard Devoto and guitarist John McGeoch. After leaving the punk group Buzzcocks in early 1977, Devoto decided to create a more progressive and less "traditional" rock band. The original lineup of Magazine was composed of Devoto, McGeoch, Barry Adamson on bass, Bob Dickinson on keyboards and Martin Jackson on drums.
They reunited in 2009 for a UK tour with Noko on guitar. Magazine released an album of new material, No Thyself, in October 2011, followed by a short UK tour.
Devoto formed Magazine in Manchester, shortly after he left Buzzcocks in early 1977. In April 1977, he met guitarist McGeoch, then an art student, and they began writing songs, some of which would appear on the first Magazine album.[1] They then recruited Barry Adamson on bass, Bob Dickinson on keyboards and Martin Jackson (previously of the Freshies) on drums, forming the first lineup of the band. After signing to Virgin Records, Magazine played their debut live gig at Rafters in Manchester on 28 October 1977.[citation needed]
"Motorcade" co-writer Dickinson, whose background was in classical and avant-garde music,[citation needed] left shortly after several gigs in late 1977. In early 1978, the band released their first single, "Shot by Both Sides", a song Magazine recorded as a quartet. It featured a guitar-bass-drums sound similar to punk rock.[citation needed] Shortly after the single's release, Dave Formula, who had played with a briefly successful 1960s rock band from Manchester called St. Louis Union,[citation needed] joined as keyboardist. "Shot by Both Sides" used a chord progression suggested by Pete Shelley, which was also used in the Buzzcocks track "Lipstick".[2] The Magazine single just missed the UK top 40.[3] The band, with Formula on keyboards, made its first major TV appearance on Top of the Pops in February 1978, performing the single.[citation needed]
Following a British tour to promote their debut album, Real Life (which made the UK top 30),[3] Jackson left Magazine in late July. He was replaced briefly by Paul Spencer, who performed with the band for gigs across Europe and some television appearances, including The Old Grey Whistle Test, where they played "Definitive Gaze". Spencer quit partway through the tour, joining the Speedometors shortly afterwards. He was replaced in October by John Doyle, who completed the Real Life promotional tour and remained in the band.[4]
Magazine's second album, Secondhand Daylight, was released in 1979, reaching the UK top 40.[3] The album featured a greater use of synthesisers. That same year, McGeoch, Adamson and Formula joined electronic project Visage, recording and releasing the single "Tar".[citation needed]
After the release of Secondhand Daylight, Devoto decided to change producers.[citation needed] He chose Martin Hannett, who produced their next album, The Correct Use of Soap, released the following year and again making the top 30, while the single "Sweetheart Contract" was a minor success on the singles chart.[3] Following its release, McGeoch left the band, tired of Magazine's low sales and their less guitar-oriented songs.[citation needed] He soon joined Siouxsie and the Banshees. To replace him, the band hired Robin Simon, who had been in Ultravox and Neo. That lineup toured Europe and Australia, recording their next release, the live album Play. Simon made some initial recordings and rehearsals for what would be the next Magazine album, including co-writing the song "So Lucky", but he left the band before the album was released so that he could record the John Foxx solo album The Garden.[citation needed]
Again without a guitarist, Devoto called in his former college friend at Bolton, Ben Mandelson (a former Amazorblades member). This lineup completed the 1981 recording of the band's fourth studio album, Magic, Murder and the Weather, but Devoto quit that May, months before its release, and the remaining members disbanded. A year later, After the Fact, the first Magazine compilation, was released.
Adamson continued collaborating with Visage, and also began to work with Shelley, the Birthday Party and Nick Cave and the Bad Seeds. Jackson later played with the Chameleons, Swing Out Sister and the Durutti Column. Formula continued as a member of Visage and joined Ludus, and Mandelson joined the Mekons.[5] Doyle joined the Armoury Show in Scotland in 1983, which also featured McGeoch; the latter later played guitar for Public Image Ltd. After a brief solo outing and two albums with Luxuria, Devoto quit music to become a photo archivist, until a new collaboration with Shelley produced the Buzzkunst album in 2002. McGeoch died in 2004, aged 48.[6]
Reunion
In February 2009, Devoto and Magazine re-formed for five performances. The lineup included Devoto, Formula, Adamson and Doyle. The Radiohead guitarist Jonny Greenwood, a Magazine fan, declined an offer to fill in for McGeoch. According to the Radiohead collaborator Adam Buxton, Jonny was "overwhelmed" and too shy to accept the role.[7]Noko, Devoto's bandmate in Luxuria, was the guitarist on the tour.[citation needed]
The shows were sold out and received acclaim.[8][9][10] The group went on to play at festivals in the UK and abroad that summer, before performing "The Soap Show" in Manchester, Edinburgh and London. The band played two sets: a performance of The Correct Use of Soap in full, followed by a set composed of other songs from their catalogue.
In January 2010, Noko officially joined the band, becoming a full member of Magazine. The band started work on new material. In November 2010, Adamson left to concentrate on his film work and solo recordings. Jon "Stan" White joined as bass player on the new recordings and debuted live on 30 June 2011 at Wolverhampton Slade Rooms, where Magazine were playing a warm-up show for their Hop Farm Festival appearance two days later.
A new studio album, No Thyself, was released worldwide by Wire Sound on 24 October 2011, and the band embarked on a UK tour in November. On 16 April 2016, as part of Record Store Day, the band released Once at the Academy, a live 5-track 12" EP recorded at their reunion shows at Manchester Academy in February 2009.
Legacy
Magazine was an influence on the fledgling Simple Minds, who supported them on a 1979 tour and much later covered "A Song from Under the Floorboards".[11][12] The Radiohead guitarist Jonny Greenwood named McGeoch his biggest guitar influence, and said that Magazine's songwriting "informs so much of what we do".[13] Radiohead performed a cover of "Shot By Both Sides" in 2000.[14]
Jarvis Cocker of Pulp praised Real Life saying: "this was such an important record for the time because it showed that you could still do something that had attack to it combined with a real intelligence, without going into ponce territory".[18] The band and their singer/lyricist Howard Devoto has also been cited as an influence on several 1980s bands, such as China Crisis[19] and Fiction Factory.[20]
Lolita Pop recorded a cover of "A Song from under the Floorboards" on 1989's Love Poison. Half Man Half Biscuit have performed live covers of a number of Magazine songs. "The Light Pours Out of Me" was covered by several acts including Peter Murphy, Ministry, the Mission, Sleep Chamber and Zero Boys. The band No Fun at All did a cover of "Shot by Both Sides" on their record And Now for Something Completely Different. Mansun covered "Shot by Both Sides" for John Peel sessions. Duff McKagan cited Real Life as an influence, particularly on tracks where a chorus effect is used.[21]
Jonathan "Stan" White – bass guitar, backing vocals (2010–2011)
Timeline
Discography
Magazine discography
Studio albums
5
Live albums
4
Compilation albums
7
Video albums
2
Music videos
6
EPs
1
Singles
12
The Magazine discography consists of five studio albums, four live albums, seven compilation albums, two video albums, one extended play and 10 singles.
All titles were released by Virgin Records, except where indicated.
Siouxsie and the Banshees were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They have been widely influential, both over their contemporaries and with later acts. The Times called the group "one of the most audacious and uncompromising musical adventurers of the post-punk era".
Buzzcocks are an English punk rock band that singer-songwriter-guitarist Pete Shelley and singer-songwriter Howard Devoto formed in Bolton in 1976. During their career, the band combined elements of punk rock, power pop, and pop punk. They achieved commercial success with singles that fuse pop craftsmanship with rapid-fire punk energy; these singles were later collected on Singles Going Steady, an acclaimed compilation album music journalist and critic Ned Raggett described as a "punk masterpiece".
Jonathan Richard Guy Greenwood is an English musician. He is the lead guitarist and keyboardist of the rock band Radiohead, and has composed numerous film scores. He has been named one of the greatest guitarists by numerous publications, including Rolling Stone.
Howard Devoto is an English singer and songwriter, who began his career as the frontman for punk rock band Buzzcocks, but then left to form Magazine, an early post-punk band. After Magazine, he went solo and later formed indie band Luxuria.
John Alexander McGeoch was a Scottish musician and songwriter. He is best known as the guitarist of the rock bands Magazine (1977–1980) and Siouxsie and the Banshees (1980–1982).
Barry Adamson is an English pop and rock musician, composer, writer, photographer and filmmaker. He came to prominence in the late 1970s as a member of the post-punk band Magazine and went on to work with Visage, Nick Cave and the Bad Seeds, and the electro musicians Pan Sonic. In addition to prolific solo work, Adamson has also remixed Grinderman, The Jon Spencer Blues Explosion, Recoil and Depeche Mode. He also worked on the soundtrack for David Lynch's surrealistic crime film Lost Highway.
Noko is an English musician, multi-instrumentalist, composer and producer who has formed and/or played with a number of bands primarily as a guitarist or bassist. In chronological order they were: Alvin the Aardvark and the Fuzzy Ants, the Umbrella, the Pete Shelley Group, the Cure, Luxuria, Apollo 440, Stealth Sonic Soul, Fast, Maximum Roach, James Maker and Noko 440, Magazine, Raw Chimp, Levyathan, SCISM, Am I Dead Yet? and Buzzcocks.
Juju is the fourth studio album by British rock band Siouxsie and the Banshees. It was recorded at Surrey Sound studio with Nigel Gray as co-producer, and was released on 19 June 1981 by Polydor Records. Two singles were released from Juju: "Spellbound" and "Arabian Knights".
"Just" is a song by the English rock band Radiohead, included on their second album, The Bends (1995). It features an angular guitar riff played by Jonny Greenwood, inspired by the band Magazine. It was released as a single on 21 August 1995 and reached number 19 on the UK singles chart.
Real Life is the debut studio album by English rock band Magazine. It was released in June 1978 by record label Virgin. The album includes the band's debut single "Shot by Both Sides", and was also preceded by the non-album single "Touch and Go", a song from the album's recording sessions.
"The Youngest Was the Most Loved" is the second single from English singer-songwriter Morrissey's eighth studio album, Ringleader of the Tormentors (2006). The track was written by Morrissey and Jesse Tobias. It was released as a single on 5 June 2006 and reached number 14 on the UK Singles Chart. The song was performed on the popular UK television chat show Friday Night with Jonathan Ross on 19 May 2006 and again on Later with Jools Holland on 2 June 2006.
The Armoury Show were a British new wave band, formed in 1983 and consisting of Richard Jobson on vocals, Russell Webb on bass guitar, John McGeoch on guitar and John Doyle on drums.
Secondhand Daylight is the second studio album by English post-punk band Magazine. It was released on 30 March 1979 by record label Virgin. One single, "Rhythm of Cruelty", was released from the album.
Dave Formula, is an English keyboardist and film-soundtrack composer from Manchester, who played with the post-punk bands Magazine and Visage during the end of the 1970s and the beginning of the 1980s and in the "world music" band The Angel Brothers.
The Correct Use of Soap is the third studio album by English post-punk band Magazine, released by Virgin Records in 1980. It contains some of Magazine's best-known and most popular songs, including the singles "A Song from Under the Floorboards" and "Sweetheart Contract" and their cover of Sly and the Family Stone's "Thank You ". A different version of the album, entitled An Alternative Use of Soap, was released in Canada in 1980 by then-distributor Polygram Records.
Magic, Murder and the Weather is the fourth studio album by English post-punk band Magazine, and their final album until the band's reformation in 2009. It was released in June 1981 by record label Virgin. One single, "About the Weather", was released from the album.
John Doyle is an English drummer, who was a member of new wave bands like Magazine and The Armoury Show. He reunited with Magazine for a tour in February 2009.
Jerky Versions of the Dream is the only solo album recorded by Howard Devoto, the original singer of Buzzcocks and Magazine. It was his only studio album, which was released at the time with two singles, "Cold Imagination" and "Rainy Season", being a short-lived solo career for Devoto, who in 1986, went to form a band alongside guitarist Noko, which later was named Luxuria.
No Thyself is the fifth and final studio album by the band Magazine, and the first since their 2009 reformation. It was released on the Wire-Sound label on 24 October 2011, about 30 years after the release of their previous studio album, Magic, Murder and the Weather.
Play is the first live album by English post-punk/new wave band Magazine. It was released in December 1980 by Virgin Records (International) and in April 1981 by I.R.S. Records (US). It peaked at No. 69 on the UK Album Chart. It was Magazine's sixth 1980 release.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
