"People Are People" | ||||
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Single by Depeche Mode | ||||
from the album Some Great Reward | ||||
B-side | "In Your Memory" | |||
Released | 12 March 1984 | |||
Studio | Hansa Mischraum (Berlin) | |||
Genre | ||||
Length |
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Label | Mute | |||
Songwriter(s) | Martin L. Gore | |||
Producer(s) |
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Depeche Mode singles chronology | ||||
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Music video | ||||
"People Are People" on YouTube |
"People Are People" is a song by British electronic music band Depeche Mode, released on 12 March 1984 as the lead single from their fourth studio album, Some Great Reward (1984). [3] Recorded at Hansa Mischraum in West Berlin, [4] it was the band's first top-20 single in the United States, peaking at number 13 on the Billboard Hot 100.
As with many Depeche Mode songs, the band members see different meanings in "People Are People". According to Martin Gore, the song is about racism. Alan Wilder adds that it could also be about war. [5]
In 1990, Dave Gahan listed the song among some of the music he "regrets", calling "People Are People" "too nice, too commercial". [6] It has not been played live since 1988. [7] Though Gore has distastes to the song he also recognises that "without it, we might not have been around as a band right now". [8]
"This was the first song of ours that made a dent, really, into popular radio", said Gahan in 2017. "We were using all these tape loops to create rhythms and the technology was quite advanced, but it wasn't anything like it is today, the things that you can do. We used to go into studios, and the first thing we'd do, we'd ask where the kitchen was – literally for pots and pans and things that we could throw down the stairs, and record the rhythms they would make crashing around, and then make it into loops." [9]
The Clive Richardson-directed "People Are People" video was released in two versions. The original video was made for the single version, but an alternate video was made with the "Different Mix". The music video featured footage of various military scenes from the Cold War, mixed with footage of the band aboard HMS Belfast and of a record press. The "Different Mix" video appears on Some Great Videos and Video Singles Collection .
A compilation album titled People Are People was released in the United States, featuring several songs not previously available. The single itself was released in the US on 11 July 1984, though it did not reach the Billboard Hot 100 chart until May 1985, and was initially played only on modern rock and college radio. The single would eventually peak at number 13. In the UK, the single reached number four, which was at the time the band's highest singles chart position in their home country. Since then, "Barrel of a Gun" (1997) and "Precious" (2005) have also reached number four in the UK.
In West Germany, the song reached number one and was used as the theme to West German TV's coverage of the 1984 Summer Olympics, alluding to East Germany's participation in the Soviet-led boycott of the games. It was also used as the theme song of the 1990s BBC children's factual TV series It'll Never Work? .
In 2011, the song was included on the Rock and Roll Hall of Fame's list of the "500 Songs that Shaped Rock and Roll". [10]
"In Your Memory" is falsely labeled as the "Slik Mix Edit"
Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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United Kingdom (BPI) [37] | Silver | 250,000^ |
^ Shipments figures based on certification alone. |
"People Are People" | ||||
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Single by RuPaul | ||||
from the album ReWorked | ||||
Released | 26 January 2006 | |||
Recorded | 2004 | |||
Genre | Dance | |||
Label | RuCo | |||
Songwriter(s) | Martin L. Gore | |||
Producer(s) |
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RuPaul singles chronology | ||||
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American drag queen RuPaul covered "People Are People" in 2004 for his fourth studio album, Red Hot . His version, which features Tom Trujillo, was released as a retail single on 26 January 2006 to promote the remix album ReWorked. It peaked at number 10 on the Billboard Hot Dance Club Play chart.
Chart (2006) | Peak position |
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US Dance Club Songs ( Billboard ) [38] | 10 |
Some Great Reward is the fourth studio album by the English electronic music band Depeche Mode, released on 24 September 1984 by Mute Records. The album peaked at number five in the United Kingdom and number 51 in the United States, and was supported by the Some Great Reward Tour. This also saw the band using samplers, much like they did in their previous studio album Construction Time Again (1983), which they would continue to use in their following studio albums Black Celebration (1986) and Music for the Masses (1987).
"Stripped" is a song by British electronic music band Depeche Mode. It was released as the lead single from their fifth studio album Black Celebration (1986) on 10 February 1986, through Mute Records. Written by the band's lead songwriter Martin Gore, "Stripped" introduces the more dark and sample oriented composition that featured on the Black Celebration album. It incorporates various samples into its instrumental; most notably, the sound of an idling motorcycle engine was recorded, altered slightly, and inserted as a percussive element.
"Precious" is a song by English electronic band Depeche Mode from their studio album, Playing the Angel (2005). It was released on 3 October 2005 by Mute, Sire, and Reprise Records as the album's lead single. The song reached No. 4 on the UK Singles Chart, No. 71 on the US Billboard Hot 100, and No. 23 on the US Modern Rock Tracks chart. It also topped the charts in Denmark, Italy, Spain, and Sweden, and it peaked within the top 10 in Austria, Wallonia, Canada, Finland, Germany, and Norway.
"Just Can't Get Enough" is a song by English electronic music band Depeche Mode. It was their third single, released on 7 September 1981, a month before the release of their debut studio album, Speak & Spell. It was recorded during the summer of that year at Blackwing Studios, and was the band's first single to be released in the United States, on 18 February 1982. A riff-driven synth-pop song, "Just Can't Get Enough" was the final single to be written by founding member Vince Clarke, who left the band in November 1981.
"Everything Counts" is a song by the English electronic music band Depeche Mode from their third studio album, Construction Time Again (1983). A live version of the song was released in 1989 to support the band's live album 101. The original single reached No. 6 on the UK Singles Chart, whereas the live version reached No. 22.
"Master and Servant" is a song by the English electronic music band Depeche Mode, released on 20 August 1984 as the second single from their fourth studio album, Some Great Reward (1984). Its subject matter is BDSM relationships, which caused some controversy, though it has an underlying political theme that is often overlooked by media. It reached number 9 on the UK Singles Chart, number 49 on the US Hot Dance Club Songs chart and number 87 on the US Billboard Hot 100.
"Strangelove" is a song by English electronic music band Depeche Mode, released on 27 April 1987 as the lead single from their sixth studio album, Music for the Masses (1987).
"Never Let Me Down Again" is a song by English electronic music band Depeche Mode. It was released as the second single from their sixth studio album, Music for the Masses (1987), on 24 August 1987. It reached No. 22 in the UK, No. 2 in West Germany, and the top-10 in several other European countries such as Sweden and Switzerland, topping the Danish charts. In the US, it entered the Billboard Hot 100. The cover art features fragments of a Soviet map of Russia and Europe, with different fragments used for the different editions of the single.
"Behind the Wheel" is a song by English electronic music band Depeche Mode from their sixth studio album, Music for the Masses (1987). It was released on 28 December 1987 as the album's third single, reaching number 21 in the United Kingdom, number six in both Switzerland and West Germany, also entering the US Billboard Hot 100 as its predecessors.
"Personal Jesus" is a song by English electronic music band Depeche Mode. It was released as the lead single from their seventh studio album, Violator (1990), in 1989. It reached No. 13 on the UK Singles Chart and No. 28 on the US Billboard Hot 100. The single was their first to enter the US top 40 since 1984's "People Are People" and was their first gold-certified single in the US. In Germany, "Personal Jesus" is one of the band's longest-charting songs, staying on the West German Singles Chart for 23 weeks.
"Enjoy the Silence" is a song by English electronic music band Depeche Mode. Recorded in 1989, it was released as the second single from their seventh studio album, Violator (1990), on 5 February 1990. The single is certified Gold in the US and Germany. The song won Best British Single at the Brit Awards 1991.
"Policy of Truth" is a song by English electronic music band Depeche Mode, released on 7 May 1990 as the third single from their seventh studio album Violator (1990). It is the only Depeche Mode single to chart higher on the U.S. Billboard Hot 100 chart than on the UK Singles Chart, and it became the band's second chart-topper on the Billboard Modern Rock Tracks chart.
"World in My Eyes" is a song by English electronic music band Depeche Mode. It was released on 17 September 1990 as the fourth and final single from their seventh studio album, Violator (1990). The song peaked at number two in Denmark and Spain, number 17 on the UK Singles Chart, and number 52 on the US Billboard Hot 100.
"In Your Room" is the fourth and final single released from English electronic music band Depeche Mode's eighth studio album, Songs of Faith and Devotion (1993). Released on 10 January 1994, the song reached number eight on the UK Singles Chart and peaked at number two in Denmark, Finland, and Sweden. It is the last single to feature Alan Wilder as a member before his departure in 1995.
"Barrel of a Gun" is a song by English electronic music band Depeche Mode, released as the first single from their ninth studio album, Ultra (1997), on 3 February 1997. The song reached number one in the Czech Republic, Hungary, Spain and Sweden while reaching the top 10 in several other countries, including Finland, Germany, Norway and the United Kingdom. In North America, the song reached number 47 on the US Billboard Hot 100 and number three on the Canadian Singles Chart.
"It's No Good" a song by English electronic music band Depeche Mode, released on 31 March 1997 as the second single from their ninth studio album, Ultra (1997). It was commercially successful, reaching number one in Denmark, Spain, Sweden and on the US Billboard Hot Dance Club Play chart. It entered the top 10 in Finland, Germany, Iceland, Italy, and the United Kingdom, where it peaked at number five.
"Home" is a song by English electronic music group Depeche Mode, released on 16 June 1997 as the third single from their ninth album, Ultra (1997). The song is sung by guitarist Martin Gore, rather than the band's main singer, Dave Gahan.
"Martyr" is a song by English electronic band Depeche Mode. It was released as a non-album single to promote the band's eighth greatest hits compilation album, The Best of, Volume 1. The single was released on 30 October 2006 in three formats: CD single, CD maxi and DVD single. There was also a limited-edition double 12-inch single featuring four remixes of previous Depeche Mode tracks.
Sounds of the Universe is the twelfth studio album by English electronic music band Depeche Mode, released on 17 April 2009 by Mute Records. The album was supported by the 2009–10 Tour of the Universe. Three singles were released from the album: "Wrong", "Peace", and a double A-side of "Fragile Tension" and "Hole to Feed". "Perfect" was also released in the United States as a promotional single.
"Heaven" is a song by English electronic music band Depeche Mode, released as the lead single from their thirteenth studio album, Delta Machine (2013). Written by Martin Gore and produced by Ben Hillier, the song was world-premiered on KROQ's morning show Kevin and Bean on 30 January 2013. The single was released digitally in most territories on 31 January 2013, and physically on 1 February.
the searing synth-pop sound that sparked a string of hits ("Just Can't Get Enough," "People Are People," ...
"People Are People" was the single that introduced Depeche Mode's next-level sound as the group that made industrial music (à la Einsturzende Neubauten or Test Dept.)
Their new song is called 'People Are People' and comes out on March 12.