"Stripped" | ||||
---|---|---|---|---|
Single by Depeche Mode | ||||
from the album Black Celebration | ||||
B-side |
| |||
Released | 10 February 1986 | |||
Recorded | Late 1985 | |||
Genre | ||||
Length |
| |||
Label | Mute | |||
Songwriter(s) | Martin Gore | |||
Producer(s) |
| |||
Depeche Mode singles chronology | ||||
|
"Stripped" is a song by the English electronic music band Depeche Mode. It was released as the lead single from their fifth studio album Black Celebration (1986) on 10 February 1986, through Mute Records. Written by the band's lead songwriter Martin Gore, "Stripped" introduces the more dark and sample oriented composition that featured on the Black Celebration album. It incorporates various samples into its instrumental; most notably, the sound of an idling motorcycle engine was recorded, altered slightly, and inserted as a percussive element.
It was the band's sixth consecutive single to enter the UK Top 20, peaking at number 15. Elsewhere, it peaked at number 4 in Germany and reached the top 10 in Finland, Sweden and Switzerland. German metal band Rammstein later covered the song for the 1998 Depeche Mode tribute album For the Masses .
John Freeman of The Quietus described "Stripped" as an "ominous and intriguing pop song" that is lyrically akin to other songs written by Martin Gore featuring sensual lyrics about the human body. [1] Parts of the song's instrumental are constructed from audio samples. The beginning of the song samples the sound of the ignition of lead singer Dave Gahan's Porsche automobile, [1] while the underlying beat is the sound of an idling motorcycle engine distorted and slowed. The ending also incorporates the sound of fireworks. [2]
Andy Fletcher discussed in a 1986 issue of No.1 magazine. "The idea of 'Stripped' is to get away from technology and civilisation for a day and get back to basics in the country. It's about two people stripping down to their bare emotions. In the video we're seen demolishing a car and taking a TV apart... it's a bit, er, symbolic." Dave Gahan also stated: "It's not about sex. It's to do with having nothing except yourself. The people in the song could strip off if they wanted to though. The song is also a bit chancy. It doesn't capture you immediately. Some people hear it and say 'Is that it?' Others go 'Brilliant!'." [3] [4] [5]
"But Not Tonight" | ||||
---|---|---|---|---|
Single by Depeche Mode | ||||
from the album Black Celebration (U.S. edition) | ||||
B-side | "Stripped" | |||
Released | 22 October 1986 | |||
Recorded | Late 1985 | |||
Genre | Synth-pop [6] | |||
Length |
| |||
Label | Mute | |||
Songwriter(s) | Martin Gore | |||
Producer(s) |
| |||
Depeche Mode singles chronology | ||||
|
The 7" B-side for "Stripped" is "But Not Tonight". The other two B-sides are "Breathing in Fumes" and "Black Day". "Breathing in Fumes" was a new song using samples from "Stripped", mixed by the band and Thomas Stiehler. "Black Day" is an acoustic, alternate version of "Black Celebration" sung by Martin Gore and co-written by him, Alan Wilder, and producer Daniel Miller—the only Depeche Mode song for which Miller receives a writing credit.
"But Not Tonight" was included on the American release of Black Celebration as the 12th and final track on the album, following "New Dress"; the album's initial UK CD release also includes the extended remix of "But Not Tonight", along with "Black Day" and "Breathing in Fumes", as bonus tracks. "But Not Tonight," which was heard in the film Modern Girls , was released as the A-side of the "Stripped" single in the U.S. Martin Gore expressed his frustration with the American release in the 2007 documentary The Songs Aren't Good Enough, There Aren't Any Singles and It'll Never Get Played on the Radio:
The worst thing, though, about "Stripped" was the Americans, who somehow decided to not release it at all and to put out the B-side, "But Not Tonight," because they got it into some dodgy film. [For] "Stripped", we took nine days mixing and God knows how long recording, and, you know, "But Not Tonight" I think we did in about three hours. And the Americans in their wisdom decided to release that instead. [7]
The "Highland Mix" of "Stripped" was mixed by Mark Ellis (better known as Flood), who in the future would produce Depeche Mode's most successful album, Violator and Songs of Faith and Devotion records.
The music video for "Stripped" was the last Depeche Mode video to be directed by Peter Care and was filmed outside Hansa Studios in Berlin. A music video was also shot for the B-side "But Not Tonight" and was directed by Tamra Davis. Two differently cut versions of both "Stripped" and "But Not Tonight" are available on the band's Video Singles Collection release.
7": Mute / 7Bong10 (UK)
12": Mute / 12Bong10 (UK)
CD: Mute / CDBong10 (UK)
The CD single was released in 1991 as part of the singles box set compilations.
7": Sire / 7-28564 (US)
12": Sire / 0-20578 (US)
[*] The 7" and 12" versions on the US "But Not Tonight" single are different versions than used on the UK singles – they were remixed by Robert Margouleff. The 12" mix later appeared on the rare fourth disc of Depeche Mode's remix compilation, Remixes 81–04 , as the "Margouleff Dance Mix."
CD: Intercord / INT 826.835 (Germany)
[*] This is the UK Extended 12" version. The German CD was released in 1986
All songs written by Martin Gore except "Black Day" which is written by Gore, Alan Wilder, and Daniel Miller
Weekly charts
| Year-end charts
|
In Australia, "Stripped" missed the Kent Music Report top 100 singles chart, but was listed as one of the singles receiving significant sales reports beyond the top 100 for six non-consecutive weeks in May and June 1986, with its highest ranking being fourth on this list. [19]
"Stripped" | ||||
---|---|---|---|---|
Single by Rammstein | ||||
from the album For the Masses | ||||
B-side | Remixes of "Stripped" | |||
Released | 28 July 1998 | |||
Genre | ||||
Length | 4:25 | |||
Label | Motor | |||
Songwriter(s) | Martin Gore | |||
Producer(s) |
| |||
Rammstein singles chronology | ||||
| ||||
Music video | ||||
"Stripped" on YouTube |
Neue Deutsche Härte band Rammstein recorded a cover of "Stripped" for the 1998 Depeche Mode tribute album For the Masses . This version cut the line "Let me see you stripped down to the bone" to "Let me see you stripped" because of singer Till Lindemann's difficulty singing "down to the bone" in a manner that fit with the rest of the song [20] (the entire line is restored in the "Heavy Mental Mix" by Charlie Clouser). Released as a single on 28 July 1998, it reached number 14 on the German single charts. [21] The song also appears as the twelfth track on some special editions of the band's sophomore release, Sehnsucht (1997). It was also the band's first song done entirely in English.
The video for the song incorporated footage from Olympia , a documentary film on the 1936 Summer Olympics directed by Leni Riefenstahl. [22] Following the Second World War, Riefenstahl was classified as a Nazi sympathizer by postwar authorities; the choice to use footage from a film by her led to threats against the band. Members of the band praised Riefenstahl's filmmaking abilities and aesthetic choices in a 2011 documentary of the making of the video, particularly the imagery of the athletes, while simultaneously disassociating themselves from Riefenstahl's political views. Members of Depeche Mode, especially Dave Gahan, responded positively to the cover, since it was so different from any other versions of Depeche Mode's work. [20]
Weekly charts
| Year-end charts
|
Scooter covered the song on their 2004 album Mind the Gap . [27]
Depeche Mode are an English electronic music band formed in Basildon, Essex in 1980. Originally formed with the lineup of Dave Gahan, Martin Gore, Andy Fletcher and Vince Clarke, the band currently consists of Gahan and Gore.
Black Celebration is the fifth studio album by English electronic music band Depeche Mode, released on 17 March 1986 by Mute Records. The album's co-producer Daniel Miller devised "a plan to capture the essence of the dark works" that Martin Gore created because Martin Gore had no intention of compromising the mood that his demos had set. Miller and Gareth Jones produced the album to be more like an environment rather than a collection of songs. Their production created "a tech-noir future dystopia" that "glitters of gloom".
Remixes 81–04 is a remix album by English electronic music band Depeche Mode, released on 25 October 2004. It was the band's first release since Daniel Miller's independent label Mute Records was acquired by industry major EMI in 2002. It features well-known remixes from the band's back catalogue, as well as previously unavailable mixes.
Alan Charles Wilder is an English musician, composer, arranger, record producer and member of the electronic band Depeche Mode from 1982 to 1995. After his departure from the band, the musical project Recoil became his primary musical enterprise, which initially started as a side project to Depeche Mode in 1986. Wilder has also provided production and remixing services to the bands Nitzer Ebb and Curve. In 2020, Wilder was inducted into the Rock and Roll Hall of Fame as a member of Depeche Mode. He is a classically trained musician.
The Singles 86>98 is a greatest hits album by English electronic music band Depeche Mode, released on 28 September 1998 by Mute Records. It serves as a follow-up to the band's previous compilation, The Singles 81→85, which was also reissued in the same year. The compilation covers the band's seven-inch single releases spanning five studio albums, while including the new song "Only When I Lose Myself". It also includes "Little 15" and the live version of "Everything Counts", which was released as a single in 1989. All tracks on The Singles 86>98 were newly remastered, as was the case with the re-release of The Singles 81→85.
"A Pain That I'm Used To" is a song by English electronic music band Depeche Mode. It is the opening track on their eleventh studio album, Playing the Angel (2005). It was released as the album's second single on 12 December 2005 through Mute Records.
"Everything Counts" is a song by the English electronic music band Depeche Mode from their third studio album, Construction Time Again (1983). A live version of the song was released in 1989 to support the band's live album 101. The original single reached No. 6 on the UK Singles Chart, whereas the live version reached No. 22.
"Love, in Itself" is a song by English electronic music band Depeche Mode, released on 19 September 1983 as the second and final single from their third studio album, Construction Time Again (1983). The song peaked at number 21 on the UK Singles Chart.
"It's Called a Heart" is a song by English electronic music band Depeche Mode, released as a single on 16 September 1985. "It's Called a Heart" was one of two new songs on the 1985 compilation albums The Singles 81→85 and Catching Up with Depeche Mode, along with the band's other single "Shake the Disease".
"A Question of Lust" is a song by the English electronic music band Depeche Mode from their fifth studio album, Black Celebration (1986). It was released on 14 April 1986 as the album's second single.
"A Question of Time" is a song by the English electronic music band Depeche Mode, released on 11 August 1986 in the UK as the third and final single from their fifth studio album, Black Celebration, following the similarly titled "A Question of Lust".
"Never Let Me Down Again" is a song by the English electronic music band Depeche Mode. It was released as the second single from their sixth studio album, Music for the Masses (1987), on 24 August 1987. It reached No. 22 in the UK, No. 2 in West Germany, and the top-10 in several other European countries such as Sweden and Switzerland, topping the Danish charts. In the US, it entered the Billboard Hot 100. The cover art features fragments of a Soviet map of Russia and Europe, with different fragments used for the different editions of the single.
"Behind the Wheel" is a song by the English electronic music band Depeche Mode from their sixth studio album, Music for the Masses (1987). It was released on 28 December 1987 as the album's third single, reaching number 21 in the United Kingdom, number six in both Switzerland and West Germany, also entering the US Billboard Hot 100 as its predecessors.
"Personal Jesus" is a song by the English electronic music band Depeche Mode. It was released as the lead single from their seventh studio album, Violator (1990), in 1989. It reached No. 13 on the UK Singles Chart and No. 28 on the US Billboard Hot 100. The single was their first to enter the US top 40 since 1984's "People Are People" and was their first gold-certified single in the US. In Germany, "Personal Jesus" is one of the band's longest-charting songs, staying on the West German Singles Chart for 23 weeks.
"Enjoy the Silence" is a song by the English electronic music band Depeche Mode. Recorded in 1989, it was released as the second single from their seventh studio album, Violator (1990), on 5 February 1990. The song is certified Gold in the US and Germany. The song won Best British Single at the Brit Awards 1991.
"It's No Good" a song by English electronic music band Depeche Mode, released on 31 March 1997 as the second single from their ninth studio album, Ultra (1997). It was commercially successful, reaching number one in Denmark, Spain, Sweden and on the US Billboard Hot Dance Club Play chart. It entered the top 10 in Finland, Germany, Iceland, Italy, and the United Kingdom, where it peaked at number five.
"I Feel Loved" is a song by English electronic music band Depeche Mode, released on 30 July 2001 as the second single from the band's tenth studio album, Exciter (2001). In 2002, the song was nominated for two Grammy Awards: one for Best Dance Recording and another for the Danny Tenaglia remix for Best Remixed Recording.
"Goodnight Lovers" is a song by English electronic music band Depeche Mode, released on 11 February 2002 as the fourth and final single from the band's tenth studio album, Exciter (2001). The single was not released in the US.
For the Masses is a 1998 tribute album to the British band Depeche Mode, specifically the works of Martin Gore. The album charted in America and reached the Top 20 in Germany, making it the most successful Depeche Mode tribute album of all time. The album title is taken from Depeche Mode's 1987 album Music for the Masses. The album cover was photographed by Martyn Atkins who shot and designed early Depeche Mode artwork; the whole album artwork is consistent with the past Depeche Mode albums.
"Where's the Revolution" is a song by English electronic music band Depeche Mode from their fourteenth studio album Spirit. It was released as the album's first single on 3 February 2017, on the 20th anniversary of "Barrel of a Gun". The cover art was designed by Anton Corbijn. The single was premiered on the Polish radio Trójka at midnight on 3 February. This single is notable for being the first Depeche Mode lead single to not chart on the UK Singles Chart, a trend that would continue with Spirit's following singles.