For the Masses | |
---|---|
Compilation album by various artists | |
Released | 4 August 1998 |
Recorded | 1993–1998 |
Genre | |
Length | 73:48 |
Label | 1500/A&M |
Producer |
|
Singles from For the Masses | |
|
For the Masses is a 1998 tribute album to the British band Depeche Mode, specifically the works of Martin Gore. The album charted in America and reached the Top 20 in Germany, making it the most successful Depeche Mode tribute album of all time. [1] The album title is taken from Depeche Mode's 1987 album Music for the Masses . [2] The album cover was photographed by Martyn Atkins who shot and designed early Depeche Mode artwork; the whole album artwork is consistent with the past Depeche Mode albums. [3]
The project was started by the band members of God Lives Underwater, David Reilly in particular, in collaboration with their manager Gary Richards and Philip Blaine of 1500 Records (an A&M Records label until 2001), [2] featuring a wide array of bands including the Cure, the Smashing Pumpkins, Deftones, Rammstein, and Meat Beat Manifesto. Nine Inch Nails, Marilyn Manson, and Foo Fighters wanted to do tracks but schedule complications prevented them. [3] Manson, who wanted to cover "Personal Jesus", eventually did so for his greatest hits album Lest We Forget: The Best of in 2004. Credited executive producers for the album are Philip Blaine and Gary Richards.
The compact disc release features a notoriously poor use of HDCD encoding. When decoded as HDCD, one channel signals a −4 dB gain adjustment throughout, making it noticeably quieter than the other. If played as a regular CD, however, the gain adjustment information is ignored. [4]
The Smashing Pumpkins version of "Never Let Me Down Again" was originally released a few years previously as a B-side for "Rocket". [1] Billy Corgan of the Smashing Pumpkins performed the song "Never Let Me Down Again" with Depeche Mode at the KROQ Acoustic Christmas concert in 1998. The "World in My Eyes" cover by the Cure also appears on the Cure box set Join the Dots .
Rammstein released their cover of "Stripped" as a single, accompanied by a controversial [5] music video, directed by Philipp Stölzl, which uses excerpts from Olympia , a Leni Riefenstahl documentary film covering the 1936 Olympic Games in Berlin. The single charted at No. 14 in Germany. A live version is available on the Völkerball DVD.
Review scores | |
---|---|
Source | Rating |
AllMusic | [6] |
NME | [7] |
In his critical review for AllMusic, Stephen Thomas Erlewine writes that Depeche Mode songs are "difficult to cover without replicating the original arrangements" and that only a few bands succeeded in making the songs their own. He singles out the versions from the Smashing Pumpkins, the Cure, Gus Gus, and Rammstein, stating that "they're almost good enough to make the overall mediocrity of the album worthwhile". [6]
NME states that this tribute album is "not about investigating Depeche Mode's legacy, but massaging swollen egos". The Smashing Pumpkins and the Cure are commended for attempting something different while the rest of the entries fail in adding their own twist to the songs and are hoping for "some controversy-free exposure". [7]
All tracks are written by Martin Gore
No. | Title | Artist | Length |
---|---|---|---|
1. | "Never Let Me Down Again" (from Music for the Masses , 1987) | The Smashing Pumpkins | 4:01 |
2. | "Fly on the Windscreen" (from Black Celebration , 1986) | God Lives Underwater | 5:22 |
3. | "Enjoy the Silence" (from Violator , 1990) | Failure | 4:20 |
4. | "World in My Eyes" (from Violator, 1990) | The Cure | 4:51 |
5. | "Policy of Truth" (from Violator, 1990) | Dishwalla | 3:45 |
6. | "Somebody" (from Some Great Reward , 1984) | Veruca Salt | 4:05 |
7. | "Everything Counts" (from Construction Time Again , 1983) | Meat Beat Manifesto | 5:24 |
8. | "Shake the Disease" (from The Singles 81→85 , 1985) | Hooverphonic | 3:59 |
9. | "Master and Servant" (from Some Great Reward, 1984) | Locust | 3:40 |
10. | "Shame" (from Construction Time Again, 1983) | Self | 4:12 |
11. | "Black Celebration" (from Black Celebration, 1986) | Monster Magnet | 4:16 |
12. | "Waiting for the Night" (from Violator, 1990) | Rabbit in the Moon | 7:34 |
13. | "I Feel You" (from Songs of Faith and Devotion , 1993) | Apollo Four Forty | 5:21 |
14. | "Monument" (from A Broken Frame , 1982) | GusGus | 5:21 |
15. | "To Have and to Hold" (from Music for the Masses, 1987) | Deftones | 2:53 |
16. | "Stripped" (from Black Celebration, 1986) | Rammstein | 4:44 |
Total length: | 73:48 |
Depeche Mode are an English electronic music band formed in Basildon, Essex in 1980. Originally formed with the lineup of Dave Gahan, Martin Gore, Andy Fletcher and Vince Clarke, the band currently consists of Gahan and Gore.
The Smashing Pumpkins is an American alternative rock band from Chicago. Formed in 1988 by frontman and guitarist Billy Corgan, guitarist James Iha, bassist D'arcy Wretzky and drummer Jimmy Chamberlin, the band has undergone several line-up changes since their reunion in 2006, with Corgan being the primary songwriter and sole constant member since its inception. The current lineup consists of Corgan, Chamberlin, and Iha. The band has a diverse, densely layered sound, which evolved throughout their career and has contained elements of gothic rock, heavy metal, grunge, psychedelic rock, progressive rock, shoegaze, dream pop, and electronica.
David Gahan is an English singer, best known as the lead singer of electronic band Depeche Mode since their formation in 1980. Noted for his commanding stage presence and unique baritone voice, Q magazine ranked him at No. 73 on its list of the "100 Greatest Singers" and No. 27 on its list of the "100 Greatest Frontmen". As part of Depeche Mode, he was inducted into the Rock and Roll Hall of Fame in 2020.
Violator is the seventh studio album by English electronic music band Depeche Mode. It was first released on 19 March 1990 by Mute Records internationally, and by Sire and Reprise Records in the United States.
Mark Ellis, known by his professional pseudonym Flood, is a British rock and synthpop record producer and audio engineer. Flood's list of work includes projects with New Order, U2, Nine Inch Nails, Marc and the Mambas, Depeche Mode, Gary Numan, Sneaker Pimps, King, Ministry, The Charlatans, Thirty Seconds to Mars, Erasure, Nick Cave and the Bad Seeds, PJ Harvey, Foals, a-ha, Orbital, Sigur Rós, The Jesus and Mary Chain, The Smashing Pumpkins, The Killers, White Lies, Pop Will Eat Itself, Warpaint, EOB, and Interpol. His co-production collaborations have included projects with Brian Eno, Daniel Lanois, Steve Lillywhite, and longtime collaborator Alan Moulder, with whom he co-founded the Assault & Battery Studios complex. In 2006, his work with U2 led to his sharing of the Grammy Award for Album of the Year for How to Dismantle an Atomic Bomb.
Martin Lee Gore is an English musician and songwriter. He is one of the founding members of the electronic rock band Depeche Mode and is the band's main songwriter. He is the band's guitarist and keyboardist, and occasionally provides lead vocals. Gore possesses a tenor singing voice which contrasts with lead vocalist Dave Gahan's dramatic baritone. He is also known for his flamboyant and (sometimes) androgynous stage persona. Gore has also released several solo albums and collaborated with former Depeche Mode member Vince Clarke as part of VCMG.
Machina II/The Friends & Enemies of Modern Music is the sixth studio album by the American alternative rock band The Smashing Pumpkins. It was released for free on the Internet on September 5, 2000. Plans for a standard physical release, bundled with the first part Machina/The Machines of God, were revealed to happen sometime in 2013, but was postponed due to legal setbacks. In an Instagram Q&A in 2018, the band's frontman, Billy Corgan, revealed that all legal issues had been resolved. The two albums are planned to be remastered and released as a deluxe reissue; however, no release date has been announced.
Music for the Masses is the sixth studio album by the English electronic music band Depeche Mode, released on 28 September 1987 by Mute Records. The album was supported by the Music for the Masses Tour, which launched their fame in the US when they performed at the Rose Bowl in Pasadena, California. The tour led to the creation and filming of the documentary/live album titled 101. This saw the band using heavy amounts of sampling, much like they did in their previous studio album Black Celebration (1986).
"Today" is a song by American alternative rock band the Smashing Pumpkins, written by lead vocalist and guitarist Billy Corgan. The song, though seemingly upbeat, contains dark lyrics; Corgan wrote the song about a day in which he was having suicidal thoughts. The contrast between the grim subject matter of the song and the soft instrumental part during the verses, coupled with use of irony in the lyrics, left many listeners unaware of the song's tale of depression and desperation. The song alternates between quiet, dreamy verses and loud choruses with layered, distorted guitars.
"Stripped" is a song by the English electronic music band Depeche Mode. It was released as the lead single from their fifth studio album Black Celebration (1986) on 10 February 1986, through Mute Records. Written by the band's lead songwriter Martin Gore, "Stripped" introduces the more dark and sample oriented composition that featured on the Black Celebration album. It incorporates various samples into its instrumental; most notably, the sound of an idling motorcycle engine was recorded, altered slightly, and inserted as a percussive element.
"Rocket" is a song by American alternative rock band the Smashing Pumpkins. It was the fourth and penultimate single from their second album, Siamese Dream, and was written by Billy Corgan. The song charted in Canada, New Zealand and the United Kingdom, as well as on the US Billboard Album Rock Tracks chart. It was one of the few singles that did not appear on the Smashing Pumpkins' greatest hits album Rotten Apples.
Andrew John Fletcher, also known as Fletch, was an English keyboard player and founding member of the electronic band Depeche Mode. In 2020, he and the band were inducted into the Rock and Roll Hall of Fame.
Alan Charles Wilder is an English musician, composer, arranger, record producer and member of the electronic band Depeche Mode from 1982 to 1995. After his departure from the band, the musical project Recoil became his primary musical enterprise, which initially started as a side project to Depeche Mode in 1986. Wilder has also provided production and remixing services to the bands Nitzer Ebb and Curve. In 2020, Wilder was inducted into the Rock and Roll Hall of Fame as a member of Depeche Mode. He is a classically trained musician.
The Singles 86>98 is a greatest hits album by English electronic music band Depeche Mode, released on 28 September 1998 by Mute Records. It serves as a follow-up to the band's previous compilation, The Singles 81→85, which was also reissued in the same year. The compilation covers the band's seven-inch single releases spanning five studio albums, while including the new song "Only When I Lose Myself". It also includes "Little 15" and the live version of "Everything Counts", which was released as a single in 1989. All tracks on The Singles 86>98 were newly remastered, as was the case with the re-release of The Singles 81→85.
"Never Let Me Down Again" is a song by the English electronic music band Depeche Mode. It was released as the second single from their sixth studio album, Music for the Masses (1987), on 24 August 1987. It reached No. 22 in the UK, No. 2 in West Germany, and the top-10 in several other European countries such as Sweden and Switzerland, topping the Danish charts. In the US, it entered the Billboard Hot 100. The cover art features fragments of a Soviet map of Russia and Europe, with different fragments used for the different editions of the single.
"Personal Jesus" is a song by the English electronic music band Depeche Mode. It was released as the lead single from their seventh studio album, Violator (1990), in 1989. It reached No. 13 on the UK Singles Chart and No. 28 on the US Billboard Hot 100. The single was their first to enter the US top 40 since 1984's "People Are People" and was their first gold-certified single in the US. In Germany, "Personal Jesus" is one of the band's longest-charting songs, staying on the West German Singles Chart for 23 weeks.
Lost Highway is the soundtrack album for the 1997 David Lynch film of the same name. It was produced by Trent Reznor of Nine Inch Nails, and includes original music from the film recorded by Reznor, Angelo Badalamenti and Barry Adamson, as well as songs by other artists used in the film. The album reached No. 7 on the Billboard 200 and reached Gold status in the United States and Platinum in Canada. The album was re-released on vinyl in November 2016 by Dutch label Music On Vinyl.
The End Times Tour was a double bill North American concert tour, co-headlined by American rock bands Marilyn Manson and The Smashing Pumpkins, with Cage opening. It was launched as a supporting 'tour within a tour' for Marilyn Manson's The Hell Not Hallelujah Tour. The End Times Tour supported both Manson's ninth studio album The Pale Emperor (2015) and the Smashing Pumpkins' tenth studio release, Monuments to an Elegy (2014).