A Broken Frame | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 27 September 1982 | |||
Recorded | December 1981 – July 1982 | |||
Studio | Blackwing (London) | |||
Genre | Synth-pop | |||
Length | 40:52 | |||
Label | Mute | |||
Producer |
| |||
Depeche Mode chronology | ||||
| ||||
Singles from A Broken Frame | ||||
|
A Broken Frame is the second studio album by English electronic music band Depeche Mode, released on 27 September 1982 by Mute Records. [1] [2] The album was written entirely by Martin Gore and was recorded as a trio after the departure of Vince Clarke, who had left and formed Yazoo with singer Alison Moyet. Alan Wilder was part of a second band tour in the United Kingdom prior to the release of A Broken Frame, but had not officially joined yet and does not appear on the album.
The album reached number eight on the UK Albums Chart and was promoted by the singles "See You", "The Meaning of Love" and "Leave in Silence".
The album is a transition from the lighter and optimistic sound of Speak & Spell and the more heavy and darker sound that formed on their later albums. Daniel Miller recalled that the process of production was quite different from the previous album, stating, "It was almost like a blank sheet of paper, the songs were recorded in a different way because Vince had a very specific idea of what the song was going to end up sounding like, and Martin didn't really have that. It was more like, 'Here's the words, here's the melody. Let's figure it out.'" [3]
However, Miller also believed that "some of the more experimental elements of the band came out in A Broken Frame, which I enjoyed. They were making pop records, but they, especially Martin, were into experimental music and that started to feed into tracks like 'Monument'." [3]
He also said that the instrumental track "Nothing to Fear" gained its title from Martin, who was "reading some weird book during the making of the record, a book of prophecies or something and he looked up his birthdate and it said, 'Nothing to fear.' So that actually ended up being a track title, and it made him very optimistic about the future." Miller also believes that the album "was a transitional record and while it's not their best record, it's hugely important in terms of how it was made and how it gave everybody confidence. It's when people really started believing in the future of the band." [3]
Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
The Austin Chronicle | [5] |
The Philadelphia Inquirer | [6] |
PopMatters | 6/10 [7] |
Q | [8] |
Record Mirror | [9] |
The Rolling Stone Album Guide | [10] |
Smash Hits | 8/10 [11] |
Spin Alternative Record Guide | 4/10 [12] |
Uncut | [13] |
Smash Hits wrote that A Broken Frame, in contrast to the group's early post-Clarke singles showed "a lack of purpose", "makes a virtue of their tinkly-bonk whimsy". [11] In contrast, Melody Maker wrote that, although "ambitious and bold", "A Broken Frame – as its name suggests – marks the end of a beautiful dream", a comment on the departure of main songwriter Clarke. Reviewer Steve Sutherland considered the songs "daft aspirations to art", the album's musical and thematic "larcenies" sounding like "puerile infatuations papering over anonymity". At the same time, Sutherland acknowledged that the group's increasing complexity "sounds less the result of exterior persuasion than an understandable, natural development", although he finally concluded that Depeche Mode remain (in contrast to Clarke's new group Yazoo) "essentially vacuous". [14]
The comments of Noise! magazine's "DH" (most likely Noise! contributor Dave Henderson) were more favourable. "DH" said that the album "falls together well and shows we can expect a lot more from the clean cut quartet", adding "[a]t times it reaches high points far exceeding their first album." [15]
In a retrospective review for AllMusic, Ned Raggett described A Broken Frame as "a notably more ambitious effort than the pure pop/disco of the band's debut", with much of the album "forsaking earlier sprightliness... for more melancholy reflections about love gone wrong". He added: "More complex arrangements and juxtaposed sounds, such as the sparkle of breaking glass in 'Leave in Silence', help give this underrated album even more of an intriguing, unexpected edge." [4]
In 1990, while promoting their album Violator , songwriter Martin Gore lamented parts of the album, saying, "I regret all that sickly boy-next-door stuff of the early days... musically A Broken Frame was a mish-mash". [16]
Despite being a photograph, the cover artwork is intended to resemble a painting. It depicts a woman cutting grain in an East Anglian field, near Duxford, Cambridgeshire. It was taken by Brian Griffin (who had previously taken the cover photograph for Speak & Spell and press photos for the band) using a mixture of natural and artificial lighting. Griffin cited as inspirations the socialist realism of Soviet Russia, especially the work of Kazimir Malevich, and German Romanticism. [17] [18] Griffin has displayed on his website a gallery of alternative images from the same shoot. [19] Later releases of the album on vinyl (2007) and compact disc (2009) feature slightly different takes of the shot. It was also featured on the cover of Life 's 1990 edition of "World's Best Photographs 1980–1990". [20]
The tour began in October 1982 in Chippenham, England. The jaunt eventually reached 12 countries, which included the group's first shows in Asia, before wrapping up with a one-off festival appearance in Schüttorf, West Germany, in May 1983. A tour in support of the act's subsequent studio release, Construction Time Again , followed in September.
Selected tracks from the 25 October 1982 show at the Hammersmith Odeon in London have been published on the "Get the Balance Right!", "Everything Counts" and "Love, in Itself" limited-edition 12-inch singles, as well as CD reissues.
All tracks are written by Martin Gore. All lead vocals by Dave Gahan, except where noted
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Leave in Silence" | 4:51 | |
2. | "My Secret Garden" | 4:46 | |
3. | "Monument" | 3:15 | |
4. | "Nothing to Fear" | instrumental | 4:18 |
5. | "See You" | 4:34 |
No. | Title | Lead vocals | Length |
---|---|---|---|
6. | "Satellite" | 4:44 | |
7. | "The Meaning of Love" | 3:06 | |
8. | "A Photograph of You" | 3:04 | |
9. | "Shouldn't Have Done That" |
| 3:12 |
10. | "The Sun & the Rainfall" | 5:02 | |
Total length: | 40:52 |
No. | Title | Length |
---|---|---|
1. | "Leave in Silence" | 6:28 |
2. | "My Secret Garden" | 4:46 |
3. | "Monument" | 3:15 |
4. | "Nothing to Fear" | 4:18 |
5. | "See You" | 4:34 |
6. | "Satellite" | 4:44 |
7. | "The Meaning of Love" | 3:06 |
8. | "Further Excerpts From: My Secret Garden" | 4:20 |
9. | "A Photograph of You" | 3:04 |
10. | "Shouldn't Have Done That" | 3:12 |
11. | "The Sun & the Rainfall" | 5:02 |
Total length: | 46:49 |
No. | Title | Length |
---|---|---|
11. | "My Secret Garden" (live at the Hammersmith Odeon, 25 October 1982) | 7:28 |
12. | "See You" (live at the Hammersmith Odeon, 25 October 1982) | 4:11 |
13. | "Satellite" (live at the Hammersmith Odeon, 25 October 1982) | 4:28 |
14. | "Nothing to Fear" (live at the Hammersmith Odeon, 25 October 1982) | 4:28 |
15. | "The Meaning of Love" (live at the Hammersmith Odeon, 25 October 1982) | 3:14 |
16. | "A Photograph of You" (live at the Hammersmith Odeon, 25 October 1982) | 3:21 |
No. | Title | Length |
---|---|---|
17. | "Now, This Is Fun" | 3:27 |
18. | "Oberkorn (It's a Small Town)" | 4:07 |
19. | "Excerpt From: My Secret Garden" | 3:14 |
Additional material
Credits adapted from the liner notes of A Broken Frame. [21]
Chart (1982–1983) | Peak position |
---|---|
German Albums (Offizielle Top 100) [22] | 56 |
New Zealand Albums (RMNZ) [23] | 43 |
Swedish Albums (Sverigetopplistan) [24] | 22 |
UK Albums (OCC) [25] | 8 |
UK Independent Albums (MRIB) [26] | 1 |
US Billboard 200 [27] | 177 |
Chart (2006) | Peak position |
---|---|
French Albums (SNEP) [28] | 194 |
Italian Albums (FIMI) [29] | 88 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [30] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
A Broken Frame | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 18 January 2015 | |||
Length | 45:00 | |||
Label | Undo | |||
Marsheaux chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Release Magazine | [31] |
In 2015, Greek synth-pop duo Marsheaux released a complete cover version of A Broken Frame on Undo Records. Release Magazine wrote that this version was not "anything essential" but well done. [31] The Electricity Club found influences of And One in the cover of "The Sun & the Rainfall" and concluded that Marsheaux had "used unconventional sounds and vocals to make this record their own". [32] Reviews from Germany noted that Marsheaux had elaborated on the assets and downsides of the original release. According to Westdeutsche Allgemeine Zeitung , the kitschy sides of the early Depeche Mode album were deliberately uncovered in tracks like "The Meaning of Love", while the Sonic Seducer lauded Marsheaux's darker and slower interpretation of this song. [33] [34]
Depeche Mode are an English electronic music band formed in Basildon, Essex in 1980. Originally formed with the lineup of Dave Gahan, Martin Gore, Andy Fletcher and Vince Clarke, the band currently consists of Gahan and Gore.
Violator is the seventh studio album by English electronic music band Depeche Mode. It was first released on 19 March 1990 by Mute Records internationally, and by Sire and Reprise Records in the United States.
Martin Lee Gore is an English musician and songwriter. He is one of the founding members of the electronic music band Depeche Mode and is the band's main songwriter. He is the band's guitarist and keyboardist, and occasionally provides lead vocals. Gore possesses a tenor singing voice which contrasts with lead vocalist Dave Gahan's dramatic baritone. He is also known for his flamboyant and (sometimes) androgynous stage persona. Gore has also released several solo albums and collaborated with former Depeche Mode member Vince Clarke as part of VCMG.
Construction Time Again is the third studio album by English electronic music band Depeche Mode, released on 22 August 1983 by Mute Records. It was the band's first album to feature Alan Wilder as a member, who wrote the songs "Two Minute Warning" and "The Landscape Is Changing". The album's title comes from the second line of the first verse of the track "Pipeline". It was recorded at John Foxx's The Garden studios in London, and was supported by the Construction Time Again Tour.
Black Celebration is the fifth studio album by English electronic music band Depeche Mode, released on 17 March 1986 by Mute Records. The album's co-producer Daniel Miller devised "a plan to capture the essence of the dark works" that Martin Gore created because Martin Gore had no intention of compromising the mood that his demos had set. Miller and Gareth Jones produced the album to be more like an environment rather than a collection of songs. Their production created "a tech-noir future dystopia" that "glitters of gloom".
Speak & Spell is the debut studio album by English electronic music band Depeche Mode. It was released on 5 October 1981, or possibly 29 October 1981, by Mute Records. It was the band's only album to feature Vince Clarke, and is much lighter in tone than their subsequent releases.
Some Great Reward is the fourth studio album by the English electronic music band Depeche Mode, released on 24 September 1984 by Mute Records. The album peaked at number five in the United Kingdom and number 51 in the United States, and was supported by the Some Great Reward Tour. This also saw the band using samplers, much like they did in their previous studio album Construction Time Again (1983), which they would continue to use in their following studio albums Black Celebration (1986), Music for the Masses (1987) and Violator (1990).
Music for the Masses is the sixth studio album by the English electronic music band Depeche Mode, released on 28 September 1987 by Mute Records. The album was supported by the Music for the Masses Tour, which launched their fame in the US when they performed at the Rose Bowl in Pasadena, California. The tour led to the creation and filming of the documentary/live album titled 101.
Ultra is the ninth studio album by English electronic music band Depeche Mode, released on 14 April 1997 by Mute Records. It was the band's first album following the departure of Alan Wilder. Wilder's departure and lead singer Dave Gahan's drug problems, which culminated in a near-fatal overdose, had caused speculation that Depeche Mode was finished.
Exciter is the tenth studio album by English electronic music band Depeche Mode. It was first released on 14 May 2001 in the United Kingdom by Mute Records and a day later in the United States by Reprise Records. The album was produced by Mark Bell, and was supported by the Exciter Tour, one of the band's most successful tours.
People Are People is a compilation album by British electronic band Depeche Mode, released in North America by Sire Records on 2 July 1984. Sire sensed it needed a new approach in its release policy since the band's 1983 effort Construction Time Again had failed to chart in the US.
Songs of Faith and Devotion is the eighth studio album by English electronic music band Depeche Mode. It was first released on 22 March 1993 in the United Kingdom by Mute Records and a day later in the United States by Sire Records and Reprise Records. The album incorporated a more aggressive, darker rock-oriented tone than its predecessor Violator (1990), largely influenced by the emerging alternative rock and grunge scenes in the United States.
Playing the Angel is the eleventh studio album by English electronic music band Depeche Mode. It was first released on 17 October 2005 by Mute Records in the UK, and a day later by Sire Records and Reprise Records in the United States. It was supported by the Touring the Angel tour and the four singles "Precious", "A Pain That I'm Used To", "Suffer Well", and "John the Revelator" / "Lilian". The album reached number one in over 10 countries and entered the top 10 in the United Kingdom and United States.
"Everything Counts" is a song by the English electronic music band Depeche Mode from their third studio album, Construction Time Again (1983). A live version of the song was released in 1989 to support the band's live album 101. The original single reached No. 6 on the UK Singles Chart, whereas the live version reached No. 22.
"Get the Balance Right!" is the seventh single by English electronic music band Depeche Mode, released on 31 January 1983. Recorded at Blackwing Studios in December 1982, it is the first Depeche Mode single with Alan Wilder as an official band member; Wilder also co-wrote the B-side track "The Great Outdoors!" with Martin Gore. It is also one of the first Depeche Mode songs to feature guitar; according to Andy Fletcher, the guitar was processed through a synth and phased out of time to make it sound more interesting.
Marsheaux is a Greek synthpop duo formed in Athens in 2003. The group is composed of vocalists, songwriters and keyboardists Marianthi Melitsi and Sophie Sarigiannidou. The name Marsheaux is derived from the first syllable of each band member's name. Both members sing almost exclusively in English. Andy McCluskey of OMD said about this band: "I do have a soft spot for Marsheaux I have to say. They have a certain sort of wispy, melancholic charm".
Sounds of the Universe is the twelfth studio album by English electronic music band Depeche Mode, released on 17 April 2009 by Mute Records. The album was supported by the 2009–10 Tour of the Universe. Three singles were released from the album: "Wrong", "Peace", and a double A-side of "Fragile Tension" and "Hole to Feed". "Perfect" was also released in the United States as a promotional single.
Delta Machine is the thirteenth studio album by English electronic music band Depeche Mode, released on 22 March 2013 by Columbia and Mute Records. It is the band's first album released under Columbia. Recorded in 2012 in Santa Barbara, California, and New York City, the album was produced by Ben Hillier and mixed by Flood, who had previously worked with the band on their albums Violator (1990) and Songs of Faith and Devotion (1993). A deluxe edition was also released, containing a bonus disc with four bonus tracks, as well as a 28-page hardcover book including photos by Anton Corbijn.
Spirit is the fourteenth studio album by English electronic music band Depeche Mode, released on 17 March 2017 by Columbia and Mute Records. The album was recorded with new producer James Ford, and was preceded by the single "Where's the Revolution". It was the final Depeche Mode studio album to feature co-founder and keyboardist Andy Fletcher before his death on 26 May 2022. The album produced three singles.
Memento Mori is the fifteenth studio album by English electronic music band Depeche Mode, released on 24 March 2023 through Columbia. The album was produced by James Ford, and marks their first album in six years since 2017's Spirit, the longest period of time between albums in the band's history.
{{cite magazine}}
: CS1 maint: unfit URL (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)