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A teenybopper is a young teenager who follows adolescent trends in music, fashion, and culture. The term may have been coined by marketing professionals and psychologists, later becoming a subculture of its own. [1] [2] The term was introduced in the 1950s [3] to refer to teenagers who mainly listened to popular music and/or rock and roll and not much else. Teenybopper became widely used again in the late 1960s and early 1970s, following an increase in the marketing of pop music, teen idols and fashions aimed specifically at younger girls, generally 10–15 years old. [2] [4]
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The subculture is exclusive to early adolescent girls. As a subculture, it is a retreat, allowing girls to relate to their peers and have "girl culture" without male mockery. [2] [5] While the subculture allows girls to have a space of their own with their peers, the subculture magazines also offer idealized teen idols, allowing girls to fantasize about future marriage. [5]
The narrative fantasies elaborated around teenyboppers serve as distractions for aspects of life felt to be unrewarding, such as school or work. [1] [5] When shared with other teenyboppers, it allows for defensive solidarity. [5] It allows its members to define themselves apart from younger and older girls. [1]
It has a commercial origin and is "an almost packaged cultural commodity", emerging from the pop business and relying on commercial magazines and TV. [1] As a result, it has fewer creative elements than other subcultures. [1]
Membership has very few restrictions, does not require elaborate spending, and requires much less expertise and money than certain school activities. [1] [5] The subculture is suited to being followed at school or home, [1] [5] and girls can hold a party with just a bedroom, a music player, and permission to invite friends. [5]
In the 1960s, a new type of music appeared, different from the Tin Pan Alley music school, but molded by it. [6] It was no longer written by the old established songwriters of Tin Pan Alley, but by young people. [6] They helped to establish the new teen idols and wrote the so-called "teeny bopper songs", which "blend soft rock with pop ballad". [6]
The difference that the 70s' "Teeny Bopper syndrome" had with prior idol phenomena was that these new teen idols were directed at even younger girls, down to 15 years old, who were too young to have heard the Beatles and were not attracted to the new hard rock music of the time that their elder siblings listened to. [4] This new market has a quick turnover potential and it boosted the benefits of many broadcasting companies. [4]
The teenybopper idol image is that of the young boy next door, with "girlish" looks and singing about longing for romance. [6] [7] Their music is consumed by young girls, who collect posters and pin ups. [4] [6]
Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.
Glam rock is a style of rock music that developed in the United Kingdom in the early 1970s and was performed by male musicians who wore flamboyant and feminine clothing, makeup, and hairstyles, particularly platform shoes and glitter, and female musicians who wore masculine clothing. Glam artists drew on diverse sources across music and throwaway pop culture, ranging from bubblegum pop and 1950s rock and roll to cabaret, science fiction, and complex art rock. The flamboyant clothing and visual styles of performers were often camp or androgynous, and have been described as playing with other gender roles. Glitter rock was a more extreme version of glam rock.
A teen idol is a celebrity with a large teenage fan base. Teen idols are generally young but are not necessarily teenagers themselves. An idol's popularity may be limited to teens, or may extend to all age groups.
A subculture is a group of people within a cultural society that differentiates itself from the conservative and standard values to which it belongs, often maintaining some of its founding principles. Subcultures develop their own norms and values regarding cultural, political, and sexual matters. Subcultures are part of society while keeping their specific characteristics intact. Examples of subcultures include BDSM, hippies, hipsters, goths, steampunks, bikers, punks, skinheads, gopnik, hip-hoppers, metalheads, cosplayers, otaku, otherkin, furries, and more. The concept of subcultures was developed in sociology and cultural studies. Subcultures differ from countercultures.
Teen pop is a subgenre of pop music that is created, marketed and oriented towards preteens and teenagers. Often, the artists themselves are teenagers during their breakout. While it can involve influences from a wide array of musical genres, it remains a subset of commercial pop, focusing on catchy melodies and marketability. Teen pop’s lyrics emphasize themes that teenagers can relate to, such as love, growing up, or partying. The image of the artist as an aspirational or desirable teenage figure is a crucial element of the genre, highlighting their visual appeal.
Mod, from the word modernist, is a subculture that began in 1950s London and spread throughout Great Britain, eventually influencing fashions and trends in other countries. It continues today on a smaller scale. Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men and women in the late 1950s who were termed modernists because they listened to modern jazz. Elements of the mod subculture include fashion ; music and motor scooters. In the mid-1960s, the subculture listened to rock groups such as the Who and Small Faces. The original mod scene was associated with amphetamine-fuelled all-night jazz dancing at clubs.
Cock rock is a description of rock music that emphasizes an aggressive form of male sexuality. The style developed in the later 1960s, came to prominence in the 1970s and 1980s, and continues into the present day.
The casual subculture is a subsection of football culture that is typified by hooliganism and the wearing of expensive designer clothing. The subculture originated in the United Kingdom in the early 1980s when many hooligans started wearing designer clothing labels and expensive sportswear such as Stone Island, CP Company, Lyle & Scott, Lacoste, Sergio Tacchini, Fila, Hackett, ellesse, Napapijri, & Fred Perry in order to avoid the attention of police and to intimidate rivals. They did not wear club colours, so it was easier to infiltrate rival groups and to enter pubs. Some casuals have worn clothing items similar to those worn by mods. Casuals have been portrayed in films and television programmes such as ID, The Firm, The Football Factory, and Green Street. The documentary Casuals: The Story of the Legendary Terrace Fashion featuring Pat Nevin, Peter Hooton and Gary Bushell amongst others is about the fashion that started in the late 70s and into the 1980s.
Rockers are members or followers of a biker subculture that originated in the United Kingdom during the late 1950s and was popular in the 1960s. It was mainly centred on motorcycles and rock 'n' roll music. By 1965, the term greaser had also been introduced to Great Britain and, since then, the terms greaser and rocker have become synonymous within the British Isles, although used differently in North America and elsewhere. Rockers were also derisively known as Coffee Bar Cowboys. Their Japanese counterpart was called the Kaminari-Zoku.
The Teddy Boys or Teds were a mainly British youth subculture of the early 1950s to mid-1960s who were interested in rock and roll and R&B music, wearing clothes partly inspired by the styles worn by dandies in the Edwardian period, which Savile Row tailors had attempted to re-introduce in Britain after the Second World War.
Bobby soxers were a subculture of young women in the mid-to-late 1940s. Their interests included popular music, in particular that of singer Frank Sinatra, and wearing loose-fitting clothing, notably bobby socks. Their manner of dress, which diverged sharply from earlier ideals of feminine beauty, were controversial. As a teenager, actress Shirley Temple played a stereotypical bobby soxer in the film The Bachelor and the Bobby-Soxer (1947).
The Great American Songbook is the loosely defined canon of significant 20th-century American jazz standards, popular songs, and show tunes.
Youth subculture is a youth-based subculture with distinct styles, behaviors, and interests. Youth subcultures offer participants an identity outside of that ascribed by social institutions such as family, work, home and school. Youth subcultures that show a systematic hostility to the dominant culture are sometimes described as countercultures.
Alternative fashion or alt fashion is fashion that stands apart from mainstream, commercial fashion. It includes both styles which do not conform to the mainstream fashion of their time and the styles of specific subcultures. Some alternative fashion styles are attention-grabbing and more artistic than practical, while some develop from anti-fashion sentiments that focus on simplicity and utilitarianism.
Garage punk is a rock music fusion genre combining the influences of garage rock, punk rock, and often other genres, that took shape in the indie rock underground between the late 1980s and early 1990s. Bands drew heavily from 1960s garage rock, stripped-down 1970s punk rock, and Detroit proto-punk, and often incorporated numerous other styles into their approach, such as power pop, 1960s girl groups, hardcore punk, blues, early R&B and surf rock.
Murray Hill is a New York City comedian and drag king entertainer. He is the entertainer persona of Busby Murray Gallagher, although this persona is maintained even in private settings. Murray Hill is the self-proclaimed "hardest-working middle-aged man in show business".
The scene subculture is a youth subculture that emerged during the early 2000s in the United States from the pre-existing emo subculture. The subculture became popular with adolescents from the mid 2000s to the early 2010s. Members of the scene subculture are referred to as scene kids, trendies, or scenesters. Scene fashion consists of skinny jeans, bright-colored clothing, a signature hairstyle consisting of straight, flat hair with long fringes covering the forehead, and bright-colored hair dye. Music genres associated with the scene subculture include metalcore, crunkcore, deathcore, electronic music, and pop punk.
Xiao Hu Dui, also known as the Little Tigers, were a Taiwanese boy band formed in 1988. The band consisted of Alec Su, Nicky Wu and Julian Chen. The trio rose to fame during the late 1980s, achieving success in their native Taiwan and throughout Asia. Their success led to the recognition, popularity and creation of Taiwanese idol boy bands and other pop acts. Xiao Hu Dui are cited as the first idol band. After a brief hiatus, the group disbanded in 1995. The three members went on to pursue solo careers. They sold over 15 million albums.
Brill Building is a subgenre of pop music that took its name from the Brill Building in New York City, where numerous teams of professional songwriters penned material for girl groups and teen idols during the early 1960s. The term has also become a metonym for the period in which those songwriting teams flourished. In actuality, most hits of the mid-1950s and early 1960s were written elsewhere.