Tales of Terror | |
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Directed by | Roger Corman |
Screenplay by | Richard Matheson |
Based on | "Morella" "The Black Cat" "The Cask of Amontillado" "The Facts in the Case of M. Valdemar" by Edgar Allan Poe |
Produced by | Roger Corman |
Starring | |
Cinematography | Floyd Crosby |
Edited by | Anthony Carras |
Music by | Les Baxter |
Color process | Pathécolor |
Production company | Alta Vista Productions |
Distributed by | American International Pictures |
Release date |
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Running time | 89 minutes |
Country | United States |
Language | English |
Box office | $1.5 million [1] [2] or $1 million [3] 64,396 admissions (France) [4] |
Tales of Terror is a 1962 American International Pictures Gothic horror anthology film in colour and Panavision, produced by Samuel Z. Arkoff, James H. Nicholson, and Roger Corman, who also directed. The screenplay was written by Richard Matheson, and the film stars Vincent Price, Peter Lorre, and Basil Rathbone. It is the fourth in the so-called Corman-Poe cycle of eight films, largely featuring adaptations of Edgar Allan Poe stories and directed by Corman for AIP. The film was released in 1962 as a double feature with Panic in Year Zero! .
Three short sequences, based on the following Poe tales, are told: "Morella", "The Black Cat" (which is combined with another Poe tale, "The Cask of Amontillado"), and "The Facts in the Case of M. Valdemar". Each sequence is introduced via voiceover narration by Vincent Price, who also appears in all three narratives.
When Lenora Locke travels from Boston to be reunited with her father in his decrepit and cobwebbed mansion, she finds him drunk, disordered, and depressed. He refuses her company, insisting that she killed her mother Morella in childbirth. Lenora then discovers her mother's body decomposing on a bed in the house.
Lenora cannot return to Boston and remains in the house to care for her father. His feelings soften towards her when he learns she has a terminal illness. One night Morella's spirit rises, and kills Lenora in revenge for her childbed death. Morella's body is then resurrected, becoming as whole and as beautiful as she was in life. This is in exchange for Lenora's body, which is now decomposing where Morella lay.
Morella strangles her horrified husband as a fire breaks out in the house. Then Morella and Lenora return to their original bodies, Lenora smiling as she lies on her dead father, the rotten Morella cackling as the flames consume the house and all three bodies of the Lockes.
Montresor Herringbone hates his wife Annabelle and her black cat. One night on a ramble about town, he happens upon a wine tasting event and challenges the world's foremost wine taster, Fortunato Luchresi, to a contest. Herringbone successfully identifies each wine, but becomes drunk. Luchresi escorts him home and meets his wife.
Time passes, and Annabelle and Luchresi become intimate. The cuckolded Herringbone then entombs them alive in an alcove in the basement. However he cannot escape "seeing" and "hearing" both the black cat and the murdered couple taunting him. The authorities become suspicious and two policemen visit the house to investigate. Hearing screeching behind a basement wall, they knock the wall down to discover the dead lovers — and Annabelle's black cat. The sequence ends with Poe's words in red on screen: "I had walled the black monster up within the tomb!".
Dying from a painful disease, M. Ernest Valdemar employs a hypnotist, Mr. Carmichael, to alleviate his suffering by putting him under various trances. He then remains between the worlds of the living and the dead. In a trance, Valdemar begs Carmichael to release his soul so he can die, but Carmichael cruelly refuses.
Months pass and Valdemar's putrefying body remains in his bed under the complete control of Carmichael. The hypnotist tries to force Valdemar's wife, Helene, to marry him. When she refuses, Carmichael attacks her. Valdemar's putrid body rises from the bed and kills Carmichael. Helene is rescued by Valdemar's physician, Dr. Elliot James, and carried from the scene of horror.
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The film was announced in September 1961. It was shot on November 28. [5] [6]
Corman commented on how Tales of Terror differed from his earlier film adaptations released by AIP:
The three stories in the film took a total of three weeks to film. For the conclusion of "Morella", Corman reused some sets and event footage from the fiery climax of House of Usher . The story Morella was remade in the 1990s as The Haunting of Morella.
Price explained how the effect of slow decomposition was achieved in "The Facts in the Case of M. Valdemar": "We settled for an old-fashioned mud pack – it dries and draws the skin up and then cracks open." To give the impression of Vincent Price's face melting away, a mixture of glue, glycerin, corn starch and make-up paint was heated and then poured over his head. The substance was so hot that Price could only stand it for a few seconds.
Richard Matheson's favorite of the stories was the final one, M. Valdemar. He thought it was "pretty well done. It was pretty straight, except I added the doctor and Valdemar's wife to the story... They acted it pretty well for a change." [7]
Howard Thompson of The New York Times called the film a "dull, absurd and trashy adaptation", and recommended that viewers only watch the accompanying picture on the double bill, Burn, Witch, Burn . [8] Variety wrote, "Whether audiences will have been rendered limp by the Poe cycle is anybody's guess. Producer Corman, though, plays his latest entry for all it's worth and has assembled some tasty ghoulish acting talent which have marquee strength." The review named "Morella" as the best of the three stories. [9] Margaret Harford of the Los Angeles Times wrote, "Poe admirers will almost certainly find 'Tales of Terror' no substitute for the master's original work but entertaining as another seance with spooks." [10] Harrison's Reports graded the film as "Poor", opining that it "fails to deliver its promise of spine-tingling entertainment. In fact, it's on the dullish side of movie-making." [11] The Monthly Film Bulletin declared, "By and large, Roger Corman's Poe adaptations maintain the highest standard in their field since Val Lewton's low-budget horror films of the Forties", and noted that the anthology format provided "the added advantage that for once there is no sense of the material being stretched too thin." [12]
At the film review aggregator website Rotten Tomatoes, the film received a score of 71% based on reviews from 14 respondents. [13] Time Out said the film was "elegant and funny, but the short-story format deprives Corman of the majestic, melancholic rhythm which characterizes his best work of this type." [14]
The film has been twice released by MGM on Region 1 DVD: As part of a Midnight Movie Double Feature (with Twice-Told Tales ) on September 20, 2005, then again as part of the "Vincent Price Scream Legends Collection" on September 11, 2007.
Dell Comics published a comic book adaptation of the film. [15]
A novelization of the film was written in 1962 by Eunice Sudak, adapted from Richard Matheson's screenplay, which was published by Lancer Books in a mass market paperback.
In 2011, La-La Land Records released on CD Les Baxter's music score from the "Morella" segment of Tales of Terror. It also features selections from his score used over the end credits for X: The Man with the X-Ray Eyes .
Richard Burton Matheson was an American author and screenwriter, primarily in the fantasy, horror, and science fiction genres.
"The Black Cat" is a short story by American writer Edgar Allan Poe. It was first published in the August 19, 1843, edition of The Saturday Evening Post. In the story, an unnamed narrator has a strong affection for pets until he perversely turns to abusing them. His favorite, a pet black cat, bites him one night and the narrator punishes it by cutting its eye out and then hanging it from a tree. The home burns down but one remaining wall shows a burned outline of a cat hanging from a noose. He soon finds another black cat, similar to the first except for a white mark on its chest, but he develops a hatred for it as well. He attempts to kill the cat with an axe but his wife stops him; instead, the narrator murders his wife. He conceals the body behind a brick wall in his basement. The police soon come and, after the narrator's tapping on the wall is met with a shrieking sound, they find not only the wife's corpse but also the black cat that had been accidentally walled in with the body and alerted them with its cry.
"The Pit and the Pendulum" is a short story by American writer Edgar Allan Poe and first published in 1842 in the literary annual The Gift: A Christmas and New Year's Present for 1843. The story is about the torments endured by a prisoner of the Spanish Inquisition, though Poe skews historical facts. The narrator of the story describes his experience of being tortured. The story is especially effective at inspiring fear in the reader because of its heavy focus on the senses, such as sound, emphasizing its reality, unlike many of Poe's stories which are aided by the supernatural. The traditional elements established in popular horror tales at the time are followed, but critical reception has been mixed. The tale has been adapted to film several times.
American International Pictures LLC is an American film production company owned by Amazon MGM Studios. In its original operating period, AIP was an independent film production and distribution company known for producing and releasing films from 1955 until 1980, a year after its acquisition by Filmways in 1979.
The Raven is a 1963 American comedy gothic horror film produced and directed by Roger Corman. The film stars Vincent Price, Peter Lorre, and Boris Karloff as a trio of rival sorcerers. The supporting cast includes Jack Nicholson as the son of Lorre's character.
"The Facts in the Case of M. Valdemar" is a short story by the American author Edgar Allan Poe about a mesmerist who puts a man in a suspended hypnotic state at the moment of death. An example of a tale of suspense and horror, it is also to a certain degree a hoax, as it was published without claiming to be fictional, and many at the time of publication (1845) took it to be a factual account. Poe admitted it to be a work of pure fiction in letters to his correspondents.
The Tomb of Ligeia is a 1964 British horror film directed by Roger Corman. Starring Vincent Price and Elizabeth Shepherd, it tells of a man haunted by the spirit of his dead wife and her effect on his second marriage. The screenplay by Robert Towne was based upon the short story "Ligeia" by American author Edgar Allan Poe and was the last in his series of films loosely based on the works of Poe. Tomb of Ligeia was filmed at Castle Acre Priory and other locations with a mostly British cast.
The Terror is a 1963 American independent horror film produced and directed by Roger Corman. The film stars Boris Karloff and Jack Nicholson, the latter of whom portrays a French officer who is seduced by a woman who is also a shapeshifting devil.
"Berenice" is a short horror story by American writer Edgar Allan Poe, first published in the Southern Literary Messenger in 1835. The story is narrated by Egaeus, who is preparing to marry his cousin Berenice. He tends to fall into periods of intense focus, during which he seems to separate himself from the outside world. Berenice begins to deteriorate from an unnamed disease until only her teeth remain healthy. Egaeus obsesses over them. When Berenice is buried, he continues to contemplate her teeth. One day, he awakens with an uneasy feeling from a trance-like state and hears screams. A servant reports that Berenice's grave has been disturbed, and she is still alive. Beside Egaeus is a shovel, a poem about "visiting the grave of my beloved", and a box containing 32 teeth.
The Masque of the Red Death is a 1964 horror film directed by Roger Corman and starring Vincent Price. The story follows a prince who terrorizes a plague-ridden peasantry while merrymaking in a lonely castle with his jaded courtiers. The screenplay, written by Charles Beaumont and R. Wright Campbell, was based upon the 1842 short story of the same name by American author Edgar Allan Poe, and incorporates a subplot based on another Poe tale, "Hop-Frog". Another subplot is drawn from Torture by Hope by Auguste Villiers de l'Isle-Adam.
House of Usher is a 1960 American gothic horror film directed by Roger Corman and written by Richard Matheson from the 1839 short story "The Fall of the House of Usher" by Edgar Allan Poe. The film was the first of eight Corman/Poe feature films and stars Vincent Price, Myrna Fahey, Mark Damon and Harry Ellerbe.
The Pit and the Pendulum is a 1961 horror film directed by Roger Corman, starring Vincent Price, Barbara Steele, John Kerr, and Luana Anders. The screenplay by Richard Matheson was loosely inspired by Edgar Allan Poe's 1842 short story of the same name. Set in sixteenth-century Spain, the story is about a young Englishman who visits a foreboding castle to investigate his sister's mysterious death. After a series of horrific revelations, apparently ghostly appearances and violent deaths, the young man becomes strapped to the titular torture device by his lunatic brother-in-law during the film's climactic sequence.
The Comedy of Terrors is a 1963 American International Pictures horror comedy film directed by Jacques Tourneur and starring Vincent Price, Peter Lorre, Basil Rathbone, Boris Karloff and Joe E. Brown in his final film appearance. It is a blend of comedy and horror that features several cast members from Tales of Terror, a 1962 film also released by AIP.
The Pit and the Pendulum is a 1991 American horror film directed by Stuart Gordon and based on the 1842 short story by Edgar Allan Poe. The film is an amalgamation of the aforementioned story with Poe's "The Cask of Amontillado", and it also appropriates the anecdote of "The Sword of Damocles", reassigning it to the character of Torquemada.
The Haunted Palace is a 1963 horror film released by American International Pictures, starring Vincent Price, Lon Chaney Jr. and Debra Paget, in a story about a village held in the grip of a dead necromancer. Directed by Roger Corman, it is one of his series of eight films based largely on the works of American author Edgar Allan Poe.
American poet and short story writer Edgar Allan Poe has had significant influence in television and film. Many are adaptations of Poe's work, others merely reference it.
"Morella" is a short story in the Gothic horror genre by 19th-century American author and critic Edgar Allan Poe.
Tower of London is a 1962 historical drama and gothic horror film directed by Roger Corman and starring Vincent Price and Michael Pate. The film was produced by Edward Small Productions.
The Premature Burial, also known as Premature Burial, is a 1962 American horror film directed by Roger Corman and starring Ray Milland, Hazel Court, Alan Napier, Heather Angel and Richard Ney. The screenplay by Charles Beaumont and Ray Russell is based upon the 1844 short story of the same name by Edgar Allan Poe. It was the third in the series of eight Poe-themed pictures, known informally as the "Poe Cycle", directed by Corman for American International Pictures.
The Haunting of Morella is a 1990 horror film directed by Jim Wynorski. The film began shooting on September 13, 1989, in Los Angeles. It was released sporadically across the midwest United States in February 1990 where it performed poorly at the box office.