The Enemy Within (Star Trek: The Original Series)

Last updated

"The Enemy Within"
Star Trek: The Original Series episode
Episode no.Season 1
Episode 5
Directed by Leo Penn
Written by Richard Matheson
Featured music Sol Kaplan
Cinematography by Jerry Finnerman
Production code5
Original air dateOctober 6, 1966 (1966-10-06)
Guest appearances
  • Jim Goodwin - Farrell
  • Edward Madden - Fisher
  • Eddie Paskey - Connors
  • Garland Thompson - Wilson
  • Don Eitner - photo double for Capt. James Kirk
Episode chronology
 Previous
"The Naked Time"
Next 
"Mudd's Women"
Star Trek: The Original Series season 1
List of episodes

"The Enemy Within" is the fifth episode of the first season of the American science fiction television series, Star Trek . Written by Richard Matheson and directed by Leo Penn, it first aired on October 6, 1966.

Contents

In the episode, while beaming up from planet Alpha 177 a transporter malfunction causes Captain Kirk to be split into two people, one "good," but indecisive and ineffectual; the other "evil," impulsive and irrational.

Plot

The USS Enterprise is on a geological exploration of the planet Alpha 177. Geological Technician Fisher is injured after a fall and transported aboard Enterprise, though Chief Engineer Scott has some trouble with the transporter. The transporter equipment appears to be fine but he notices some magnetic dust from ore samples covering Fisher's uniform that may have interfered with the transport.

Captain Kirk transports back to the ship. The transporter appears to work correctly, but Kirk experiences some disorientation, and Scott escorts Kirk out of the transporter room. While unsupervised, the transporter activates a second time, materializing a second version of Kirk which behaves more maliciously than his counterpart. This "evil" Kirk begins to wander the ship, and those he encounters are confused by his behavior.

Scott assists in beaming a dog-like animal specimen from the planet, but two identical creatures materialize (the "good" one then the "evil" one, like Kirk) one completely docile and the other vicious. Scott surmises that the ore dust has caused the transporter to split the personalities of those they beamed up, creating good and evil counterparts. Scott reports this to Mr. Spock and then orders the transporter taken out of service to investigate, stranding the landing party on the planet as the bitterly cold night sets in. Elsewhere on the ship, the "good" Kirk begins to feel uncertain, and struggles to make decisions. The "evil" Kirk, in a drunken state, assaults Yeoman Janice Rand in her quarters. She scratches his face with her fingernails. When Fisher witnesses this and calls security, the "evil" Kirk attacks and knocks him out. Rand reports the incident to the bridge. The "good" Kirk orders the crew to capture the "evil" Kirk, but at Spock's advice he keeps the fact that their quarry is his evil half a secret so as not to weaken the crew's faith in him; the crew is instead told of an imposter recognizable by the scratches on his cheek.

The "evil" Kirk hears this announcement and uses makeup to mask his injury. He secures a phaser from a security officer, before going into hiding in engineering. Putting himself in his shoes, the "good" Kirk anticipates this move. While the two Kirks face off, Spock disables the "evil" Kirk with a Vulcan nerve pinch. Spock and McCoy realize that both Kirks are mentally deteriorating, and they must find a way to reverse the transporter accident to save them, as well as the landing party. Spock and Scott use power from the ship's impulse drive to reverse the transporter on the dog-like specimen. When it materializes, the creature is whole but dead. Spock suggests that it died because its animal brain could not handle the stress of its two halves being reintegrated, so Kirk will be able to survive the same procedure, while Dr. Leonard McCoy insists they can't take the risk that the death was caused by ongoing transporter malfunction.

With the landing party nearly dead from hypothermia, the "good" Kirk opts to gamble on the procedure rather than wait for an autopsy on the creature. When he releases the "evil" Kirk, his other self overpowers him, and gives him facial scratches like his own. Pretending to be the "good" Kirk, he tells Rand the truth about the "imposter", and offers the chance to elaborate before heading to the bridge. He orders the crew to leave orbit, telling the navigator that the landing party cannot be saved. The "good" Kirk and McCoy race to the bridge, where the two Kirks face off. The "good" Kirk at last persuades the "evil" Kirk that they need each other to survive, and will both live on as parts of each other. He orders Scott to attempt the reversal process, and Kirk is rejoined as one being. With his sense of command and good will restored (and the transporter repaired), Kirk orders the landing party beamed up. They are safe despite the cold. Rand tells Kirk about her last encounter with "evil" Kirk, but he cuts her off before she can discuss the issue further.

Production

The episode's writer, Richard Matheson, was inspired by Dr Jekyll and Mr Hyde, Robert Louis Stevenson's character who is struggling with his evil alter ego. [1]

The subplot of four crewmembers stranded on the planet in freezing temperatures was added later as a re-write. Matheson opposed the idea as he thought B-stories slowed stories down. He said, "They added a whole subplot about people down on the planet, ready to freeze to death, because they have a transporter functioning problem...I stuck entirely with Bill." [2]

Leonard Nimoy, unhappy with part of the script that called for Spock to hit "evil" Kirk on the head with a phaser to render him unconscious, suggested the idea of the Vulcan nerve pinch. [3] Director Leo Penn had a difficult time understanding the idea, but William Shatner helped demonstrate Nimoy's concept. [4]

This episode is one of the small group for which a full score was written, in this case by Sol Kaplan. Jeff Bond noted:

Although he wrote only two scores for the series, New York composer Sol Kaplan's music was tracked endlessly throughout the show's first two seasons. ... 'The Enemy Within' is a thrillingly intellectual score, by turns overcome with compassion for Kirk's plight and clinically detached in its melodic experimentation with the situation... [T]he aggressive, threatening 'evil Kirk' music made major contributions by being tracked into other episodes. [5]

Reception

Zack Handlen of The A.V. Club gave the episode an 'A−' rating, noting that while the last act of the episode was somewhat redundant, the first two run smoothly, and describing Shatner's acting as Kirk's good half as "very solid stuff." [6]

In 2014, IO9 rated "The Enemy Within" the 81st greatest episode of Star Trek. [7] In 2016, IGN ranked "The Enemy Within" the 7th best episode of the original series. [8]

In 2016, Empire ranked this the 15th best out of the top 50 episodes of all the 700 plus Star Trek television episodes. [9]

In 2016, Radio Times ranked the moment where the “evil” Kirk exclaims "I'm Captain Kirk!!", the tenth best moment of all Star Trek film and television up to that time. They felt that Shatner's acting performance "completely carries this early first season episode." [10]

In 2017, Fatherly ranked this episode as one of the top 10 episodes for kids to watch. [11]

In 2018, PopMatters ranked this the 8th best episode of the original series. [12] They praised Shatner (who plays both Kirks) for his nuanced yet over-the-top performance, depicting an extraordinary range of emotions. [13]

A 2018 Star Trek binge-watching guide by Den of Geek , recommended this episode as one of the best of the original series. [14]

In 2019, Nerdist included this episode on their "Best of Kirk" binge-watching guide. [15]

In 2019, Comic Book Resources ranked this episode as one of the top 8 most memorable episodes of the original Star Trek. [16]

Related Research Articles

Vulcan (<i>Star Trek</i>) Fictional extraterrestrial species in Star Trek

Vulcans, sometimes referred to as Vulcanians, are a fictional extraterrestrial humanoid species in the Star Trek universe and media franchise. In the various Star Trek television series and films, they are noted for their attempt to live by logic and reason with as little interference from emotion as possible. Known for their pronounced eyebrows and pointed ears, they originate from the fictional planet Vulcan. In the Star Trek universe, they were the first extraterrestrial species to make contact with humans.

<span class="mw-page-title-main">Spock</span> Fictional character in the Star Trek media franchise

Spock is a fictional character in the Star Trek media franchise. He first appeared in the original Star Trek series serving aboard the starship USS Enterprise as science officer and first officer and later as commanding officer of the vessel. Spock's mixed human–Vulcan heritage serves as an important plot element in many of the character's appearances. Along with Captain James T. Kirk and Dr. Leonard "Bones" McCoy, he is one of the three central characters in the original Star Trek series and its films. After retiring from active duty in Starfleet, Spock served as a Federation ambassador, and later became involved in the ill-fated attempt to save Romulus from a supernova, leading him to live out the rest of his life in a parallel universe.

<i>Star Trek III: The Search for Spock</i> 1984 US science fiction film by Leonard Nimoy

Star Trek III: The Search for Spock is a 1984 American science fiction film, written and produced by Harve Bennett, directed by Leonard Nimoy, and based on the television series Star Trek. It is the third film in the Star Trek franchise and is the second part of a three-film story arc that begins with Star Trek II: The Wrath of Khan (1982) and concludes with Star Trek IV: The Voyage Home (1986). After the death of Spock (Nimoy), the crew of the USS Enterprise return to Earth. When James T. Kirk learns that Spock's spirit, or katra, is held in the mind of Dr. Leonard "Bones" McCoy, Kirk and company steal the decommissioned USS Enterprise to return Spock's body to his homeworld. The crew must also contend with hostile Klingons, led by Kruge, who are bent on stealing the secrets of the powerful terraforming device, Genesis.

"Mirror, Mirror" is the fourth episode of the second season of the American science fiction television series Star Trek. Written by Jerome Bixby and directed by Marc Daniels, it was first broadcast on October 6, 1967.

"The City on the Edge of Forever" is the twenty-eighth and penultimate episode of the first season of the American science fiction television series Star Trek. It was written by Harlan Ellison; contributors to and/or editors of the script included Steven W. Carabatsos, D. C. Fontana and Gene L. Coon. Gene Roddenberry made the final re-write. The episode was directed by Joseph Pevney and first aired on NBC on April 6, 1967, with a repeat broadcast on August 31, 1967.

<span class="mw-page-title-main">Saavik</span> Fictional character in the Star Trek universe

Saavik is a fictional character in the Star Trek universe. She first appeared in the film Star Trek II: The Wrath of Khan (1982) played by Kirstie Alley. Robin Curtis took over the role for Star Trek III: The Search for Spock (1984) and Star Trek IV: The Voyage Home (1986).

<span class="mw-page-title-main">Balance of Terror</span> 14th episode of the 1st season of Star Trek: The Original Series

"Balance of Terror" is the fourteenth episode of the first season of the American science fiction television series Star Trek. Written by Paul Schneider and directed by Vincent McEveety, it first aired on December 15, 1966.

"Errand of Mercy" is the twenty-sixth episode of the first season of the American science fiction television series Star Trek. Written by Gene L. Coon and directed by John Newland, it was first broadcast on March 23, 1967. It was the first episode in which the Klingons appeared.

<span class="mw-page-title-main">Amok Time</span> 1st episode of the 2nd season of Star Trek: The Original Series

"Amok Time" is the second season premiere episode of the American science fiction television series Star Trek. Written by science fiction author Theodore Sturgeon, scored by Gerald Fried, and directed by Joseph Pevney, it first aired on September 15, 1967.

<span class="mw-page-title-main">Spock's Brain</span> 1st episode of the 3rd season of Star Trek: The Original Series

"Spock's Brain" is the third season premiere episode of the American science fiction television series Star Trek. Written by Gene L. Coon and directed by Marc Daniels, it was first broadcast on September 20, 1968.

The Doomsday Machine (<i>Star Trek: The Original Series</i>) 6th episode of the 2nd season of Star Trek: The Original Series

"The Doomsday Machine" is the sixth episode of the second season of the American science fiction television series Star Trek. Written by Norman Spinrad and directed by Marc Daniels, it was first broadcast on October 20, 1967.

Unification (<i>Star Trek: The Next Generation</i>) 7th and 8th episodes of the 5th season of Star Trek: The Next Generation

"Unification" is a two-part episode of the syndicated American science fiction television series Star Trek: The Next Generation which features Leonard Nimoy as Spock. The first of the two episodes earned a 15.4 household Nielsen rating, drawing over 25 million viewers, making it one of the most watched episodes in all seven seasons of The Next Generation's run.

<span class="mw-page-title-main">Vulcan nerve pinch</span> Martial art move in Star Trek

In the fictional Star Trek universe, the Vulcan nerve pinch is a fictional technique used mainly by Vulcans to render unconsciousness by pinching a pressure point at the base of the victim's neck.

<span class="mw-page-title-main">The Devil in the Dark</span> 25th episode of the 1st season of Star Trek: The Original Series

"The Devil in the Dark" is the twenty-fifth episode of the first season of the American science fiction television series Star Trek. Written by Gene L. Coon and directed by Joseph Pevney, the episode first aired on March 9, 1967.

"The Lorelei Signal" is the fourth episode of the first season of the animated American science fiction television series Star Trek. It first aired in the NBC Saturday morning lineup on September 29, 1973, and was written by Margaret Armen, author of three Original Series episodes.

<span class="mw-page-title-main">The Naked Time</span> 4th episode of the 1st season of Star Trek: The Original Series

"The Naked Time" is the fourth episode of the first season of the American science fiction television series Star Trek. Written by John D. F. Black and directed by Marc Daniels, it first aired on September 29, 1966.

"Arena" is the eighteenth episode of the first season of the American science fiction television series Star Trek. Written by Gene L. Coon and directed by Joseph Pevney, the episode was first broadcast on January 19, 1967.

"A Piece of the Action" is the seventeenth episode of the second season of the American science fiction television series Star Trek. Written by David P. Harmon and Gene L. Coon, and directed by James Komack, it was first broadcast on January 12, 1968.

"The Empath" is the twelfth episode of the third season of the American science fiction television series Star Trek. Written by Joyce Muskat and directed by John Erman, it was first broadcast on December 6, 1968.

<span class="mw-page-title-main">Development of Spock</span> Aspect of the Star Trek character

The development of Spock, a fictional character first introduced in the American science fiction television series Star Trek, began prior to the start of the series. The first known mention of Spock was in a discussion between Gene Roddenberry and Gary Lockwood, where the latter suggested Leonard Nimoy for the role. Roddenberry agreed with the suggestion, and Nimoy became the first choice actor for the part. However, Roddenberry was required to audition other actors for the role. It was offered to both DeForest Kelley and Martin Landau before Nimoy. Nimoy disliked the prosthetic ears he was required to wear, and there were concerns from the studio that they made him appear satanic. Roddenberry fought to keep the character in the second pilot, "Where No Man Has Gone Before" after the rest of the main cast was dropped from the initial pilot, "The Cage".

References

  1. "Richard Mattheson". The Times . June 26, 2013. Retrieved March 24, 2020.
  2. Interview with Richard Matheson Archive of American Television
  3. Johnston, Matt (February 27, 2015). "Leonard Nimoy Created the Vulcan Salute Based Off an Unforgettable Childhood Experience". Business Insider . Retrieved March 24, 2020.
  4. Adam Nimoy (director) (2016). For the Love of Spock (documentary film).
  5. Bond, Jeff (1999). The Music of Star Trek: Profiles in Style. Lone Eagle. ISBN   1580650120.
  6. Handlen, Zack (January 22, 2009). ""The Enemy Within"/"Mudd's Women"". The A.V. Club . Retrieved June 12, 2009.
  7. "The Top 100 Star Trek Episodes of All Time!". October 2, 2014.
  8. IGN staff (September 5, 2016). "The Top 10 Classic Star Trek Episodes". IGN . Retrieved March 27, 2019.
  9. "The 50 best Star Trek episodes ever". Empire. July 27, 2016. Retrieved June 29, 2019.
  10. "The 50 Greatest Star Trek moments of all time - 8". Radio Times. Retrieved July 24, 2019.
  11. "The 10 Best 'Star Trek' Episodes to Watch With Your Kids". Fatherly. October 31, 2017. Retrieved July 4, 2019.
  12. "The 20 Best Episodes of 'Star Trek: The Original Series'". PopMatters. July 16, 2018. Retrieved July 8, 2019.
  13. "The 20 Best Episodes of 'Star Trek: The Original Series'". PopMatters. July 16, 2018. Retrieved July 8, 2019.
  14. "Star Trek: An Episode Roadmap for Beginners". Den of Geek . September 8, 2018. Retrieved July 3, 2020.
  15. "A Guide to Binge Watching 7 Great STAR TREK Arcs". Nerdist. Retrieved July 15, 2019.
  16. "Star Trek: The 8 Most Memorable Episodes The Original Series". Comic Book Resources . December 9, 2019. Retrieved January 16, 2020.