Stir of Echoes | |
---|---|
Directed by | David Koepp |
Screenplay by | David Koepp |
Based on | A Stir of Echoes by Richard Matheson |
Produced by | |
Starring | |
Cinematography | Fred Murphy |
Edited by | Jill Savitt [1] |
Music by | James Newton Howard |
Production companies |
|
Distributed by | Artisan Entertainment [1] |
Release date |
|
Running time | 100 minutes [1] |
Country | United States |
Language | English |
Budget | $12 million [3] |
Box office | $23.1 million [3] |
Stir of Echoes is a 1999 American supernatural horror film written and directed by David Koepp and based on the 1958 novel of the same name by Richard Matheson. The film stars Kevin Bacon, Kathryn Erbe, Illeana Douglas and Kevin Dunn.
In the film, telephone worker Tom Witzky (Bacon) begins experiencing a series of frightening visions after being hypnotized by his sister-in law, Lisa (Douglas).
Stir of Echoes was released in the United States on September 10, 1999.
Tom Witzky is a phone lineman living in a working-class neighborhood in Chicago with his pregnant wife Maggie and his son Jake, who possesses the ability to communicate with the dead, although neither Tom nor Maggie yet know about it. At a party one evening, Tom challenges Maggie's sister, Lisa, who is a believer in paranormal activity, to hypnotize him. After putting him under, Lisa plants a post-hypnotic suggestion in Tom urging him to "be more open-minded". Tom then begins experiencing visions of a violent scuffle involving a girl who he learns is Samantha Kozac, a 17-year-old who disappeared from the neighborhood six months earlier.
While Tom and Maggie attend a high-school football game, Jake is overheard by his babysitter, Debbie, as he speaks with Samantha. Debbie gets upset and snatches Jake, running off with him in the night. Tom senses Jake is in danger and sees strange flashes of red light that lead him to the Metra station where Debbie is speaking with her mother about Jake.
When Tom and Maggie confront her and with a police officer now present, Debbie angrily questions them about her sister Samantha, explaining that she had an intellectual disability, with the mental capacity of an eight-year-old and thus a child's tendency to trust strangers. Tom becomes obsessed with Samantha and begins probing members of the community about her disappearance. This attracts the attention of his landlord Harry Damon, Tom's friend, Frank McCarthy and their respective sons Kurt Damon and Adam McCarthy, who all dismiss Samantha as a runaway teen. After another prophetic vision in which Frank tells Tom that "they're going to kill you and Maggie both," Tom finds that Adam has shot himself in Frank's home and is in critical condition.
During an afternoon walk, Jake and Maggie encounter a funeral where Chicago policemen are saluting in a ceremony; a policeman named Neil recognizes Jake's unique talent and invites Tom to a private gathering of like-minded people to learn more about what is happening to his son. Maggie goes to the meeting herself, and Neil tells her the spirit that contacted Tom has asked for something and will grow upset if it does not get done. As predicted, Samantha begins plaguing Tom, leading to his insomnia. Samantha tells him to dig. Tom complies and digs holes in the backyard and tears up the house in a desperate attempt to appease Samantha.
While Maggie and Jake attend her grandmother's wake at a relative's house, Tom inadvertently knocks down a shoddy brick wall in the basement and discovers Samantha's mummified remains. He receives a vision showing him that before his family moved in, Adam and Kurt lured Samantha into the house to rape her. When she resisted, they unintentionally suffocated her and hid her body. Tom brings Frank back to the basement to disclose to him the crime. Frank breaks down and admits that Adam and Kurt had already confided their secret to him and Harry. Frank pulls out a gun and demands to be alone. As Tom leaves, he hears a single shot.
Harry and Kurt corner Tom with the intention of killing him, but Maggie interrupts. As Harry takes her hostage, Frank emerges and fatally shoots Kurt and Harry. Tom notices Samantha's spirit smile and disappear. Afterward, the family moves out of the house. Samantha's mother and sister are able to give her a proper burial. Jake covers his ears as his family approaches their new home, overwhelmed by all of the spirits that linger in the houses they pass by.
The novel A Stir of Echoes was written by Richard Matheson, of whom director David Koepp is an avid fan. Koepp had decided he wanted his next project to be a horror film; [4] his love for the screen-adapted Duel (1971), as well as Matheson's work on The Twilight Zone (1959), contributed to his decision to purchase a copy of A Stir of Echoes from a used bookstore. [5] Producer Gavin Polone then secured the rights to the book. [4] Koepp remembered being high-strung when approaching Matheson to ask for his thoughts on his script, terrified that the changes he made in the story might displease the author. Matheson, who expressed admiration for Koepp's directorial debut film The Trigger Effect (1996), responded positively to his draft and gave him his approval: "I'm sure he's done a good job of it. I do know what he's done before, and it's quite good. He has a very good touch". Among Koepp's influences for the film were Roman Polanski's Repulsion (1965) and Rosemary's Baby (1968), and David Cronenberg's The Dead Zone (1983). [5]
The film was produced by Artisan Entertainment on a budget of $12 million. Principal photography took place in Chicago and lasted 39 days, [5] in the period from October 5 to November 21, 1998. [6] Director Brian De Palma paid the set a visit and offered Koepp some ideas, one of which was shooting a long take of Kevin Bacon during the first half of a long dialogue scene. [4] Koepp shot the hypnosis scene, in which Bacon's character envisions himself in a theater and everything apart from the projection screen is painted black, as it was written in Matheson's book. Koepp felt that many hypnosis scenes in films are "skipped by", so he came up with the idea of allowing viewers to see through Bacon's point of view as he undergoes hypnosis to make the concept fresh. The theater from this sequence is located in Joliet, Illinois. [4] Bacon's tooth extraction scene, which was inspired by a nightmare Koepp had about dying of age, was achieved with practical effects. Koepp told Entertainment Weekly:
We blacked out Kevin's tooth and built a cap to go over it, so he's pulling out a cap that comes off fairly easily, and he gives some grunts and groans and we added grotesque, crunching flesh noises… while he's pulling out the tooth, he's [also] palming a real tooth in his other hand [to drop into the sink]. He drops the real tooth, we tilt down to see it, and then somebody darted in [from off-camera] with a washcloth and wiped the blood off Kevin's face, so when he looks back up into the mirror, his face and teeth are clean. [7]
On its opening weekend, the film ranked third in box office gross with $5,811,664, and stayed in the top ten for three weeks. After a 14-week run, its total domestic gross was $23,059,379. [8]
Many reviewers felt that the film suffered by being released shortly after previous high-earning occult films of the year: The Sixth Sense , The Blair Witch Project and The Mummy . [9] [10] [11] [12] [13] [14] [15] [16] (Reviewer Sara Voorhees gave it "the benefit of the doubt, because the movie, or at least the story for it, appeared long before The Sixth Sense, in Richard Matheson's 1958 novel.") [13]
Roger Ebert wrote that Bacon "stars in one of his best performances" and that "Koepp's screenplay dovetails the supernatural stuff with developments among the neighbors which are, wisely, more sad and tragic than sensational." [17] Empire , giving the film 4 out of 5 stars ("Excellent") wrote that "this quietly creepy adaptation of a Richard Matheson novel" was "[o]vershadowed at the American box office by The Sixth Sense" and adds, "There are neat camera tricks - the spook moves at a slightly different film speed to the living - and a couple of great bad dream moments, but the real skill Koepp shows is that he grounds the scary stuff in a believable reality and delivers a ghost story that doesn't lose its grip after the spirits have unambiguously been made manifest." [12] The Seattle Post-Intelligencer wrote that "the film offers above-average occult entertainment" with Bacon's "most believable, heart-wrenching and charismatic lead performance in many years." [11]
The San Antonio Express-News reviewer thought that Koepp "molds this ghastly ghost tale into a supernatural thriller that builds suspense at a fever pitch from beginning to end," [18] while the reviewer for The Cincinnati Post , Voorhees, felt mixed, saying she thought the movie "too predictable" but also "a well-crafted psychological mystery"; "Koepp's dialogue is genuine and funny." [13] The Baltimore Sun wrote, "Koepp and director of photography Fred Murphy have created some dazzling in-camera special effects, especially the ingenious idea of filming the story's ghost at a slow speed, six frames per second, giving the being a strange, otherworldly way of moving. If only they had sustained the suspense longer -- and resolved it in a less ripped-from-the-headlines manner -- they could have kept summer audiences scared sleepless for at least one more night." [15] The Miami Herald reviewer wrote, "A good deal of effort was invested in setting up an atmosphere of mystery and dread: Stir of Echoes is a scream-out-loud movie, upsetting and deliriously effective. Problem is, Koepp relies almost entirely on the isolated shocking images, ignoring the human element at the center in favor of digitalized special effects and rapid-fire editing." [16]
Contemporary review aggregation website Rotten Tomatoes offers a 67% approval rating from 107 critics—an average rating of 6.4 out of 10, which provides the consensus, "Kevin Bacon's acting is so genuine that it's creepy and director David Keopp [ sic ] knows how to create true suspense." [19] The film also has a score of 67 out of 100 on Metacritic based on 30 critics indicating "generally favorable reviews". [20] Audiences polled by CinemaScore during opening weekend gave the film an average grade of "B" on a scale ranging from A+ to F. [21]
The original motion picture soundtrack album for Stir of Echoes was released by Nettwerk America on September 14, 1999. [22]
In 2007, Stir of Echoes: The Homecoming was released as an American television movie produced by Lions Gate Entertainment. The film premiered on the Sci Fi Channel. Originally titled The Dead Speak, it was written and directed by Ernie Barbarash and its only connection to the previous work is the inclusion of Jake Witzky, who had a key role in the original film but is only a secondary character here. [23]
David Koepp and Kevin Bacon would eventually reunite for a second film released in the summer of 2020, You Should Have Left , though that film is completely unrelated to Stir of Echoes and based on different source material.
Kevin Norwood Bacon is an American actor. Known for his leading man and character roles, Bacon has received numerous accolades, including a Golden Globe Award, a Screen Actors Guild Award, and a nomination for a Primetime Emmy Award.
Richard Burton Matheson was an American author and screenwriter, primarily in the fantasy, horror, and science fiction genres.
The Sixth Sense is a 1999 American psychological thriller film written and directed by M. Night Shyamalan. It stars Bruce Willis as a child psychologist whose patient claims he can see and talk to the dead.
Unbreakable is a 2000 American superhero thriller film written, produced, and directed by M. Night Shyamalan, and starring Bruce Willis, Samuel L. Jackson, and Robin Wright. It is the first installment in the Unbreakable film series. In Unbreakable, David Dunn (Willis) survives a train crash with no injuries, leading to the realization that he harbors superhuman abilities. As he begins to grapple with this discovery, he comes to the attention of disabled comic book store owner Elijah Price (Jackson), who manipulates David to understand him.
In & Out is a 1997 American comedy film directed by Frank Oz, written by Paul Rudnick, and starring Kevin Kline, Tom Selleck, Joan Cusack, Matt Dillon, Debbie Reynolds, Bob Newhart, Shalom Harlow, and Wilford Brimley. Cusack was nominated for the Academy Award for Best Supporting Actress for her performance.
James Newton Howard is an American film composer and music producer. He has scored over 100 films and is the recipient of a Grammy Award, an Emmy Award, and nine nominations for Academy Awards.
David Koepp is an American screenwriter and director. He is the ninth most successful screenwriter of all time in terms of U.S. box office receipts with a total gross of over $2.3 billion. Koepp has achieved both critical and commercial success in a wide variety of genres: thriller, science fiction, comedy, action, drama, crime, superhero, horror, adventure, and fantasy.
Andrew Kevin Walker is an American screenwriter. He is known for having written Seven (1995), for which he earned a nomination for the BAFTA Award for Best Original Screenplay, as well as several other films, including 8mm (1999), Sleepy Hollow (1999) and many uncredited script rewrites.
Hollow Man is a 2000 science fiction horror thriller film directed by Paul Verhoeven, written by Andrew W. Marlowe, and starring Elisabeth Shue, Kevin Bacon, Josh Brolin, Kim Dickens, Greg Grunberg, Joey Slotnick, Mary Randle, and William Devane. The film is about Sebastian Caine, a scientist who volunteers to be the first human test subject for a serum that renders the user invisible. When his fellow scientists are unable to restore him back to normal, he becomes increasingly unstable and eventually goes on a killing spree. The film received generally negative reviews and grossed $190 million worldwide. It was nominated for an Academy Award for Best Visual Effects in 2001, losing to Gladiator.
She's Having a Baby is a 1988 American romantic comedy film directed and written by John Hughes and starring Kevin Bacon and Elizabeth McGovern. It tells the story of a young newlywed couple who try to cope with married life and their parents' expectations. The film was met with mixed reviews.
Tales of Terror is a 1962 American International Pictures Gothic horror anthology film in colour and Panavision, produced by Samuel Z. Arkoff, James H. Nicholson, and Roger Corman, who also directed. The screenplay was written by Richard Matheson, and the film stars Vincent Price, Peter Lorre, and Basil Rathbone. It is the fourth in the so-called Corman-Poe cycle of eight films, largely featuring adaptations of Edgar Allan Poe stories and directed by Corman for AIP. The film was released in 1962 as a double feature with Panic in Year Zero!.
The River Wild is a 1994 American thriller film starring Meryl Streep, Kevin Bacon, and David Strathairn. It was directed by Curtis Hanson and written by Denis O'Neill. It follows a young family whose white-water rafting holiday is endangered when they are taken hostage by a pair of armed fugitives.
Stir of Echoes: The Homecoming is a 2007 American made-for-television supernatural horror film produced by Lions Gate Entertainment. The film premiered on the Sci Fi Channel. Originally titled The Dead Speak, it was written and directed by Ernie Barbarash and is a sequel to the 1999 feature film Stir of Echoes, although its only connection to the previous work is a similar premise and the inclusion of Jake Witzky, who had a key role in the original film but is only a secondary character here.
A Stir of Echoes is a supernatural novel by American writer Richard Matheson, published in 1958. It served as the inspiration for the 1999 film Stir of Echoes.
Ghost Town is a 2008 American fantasy comedy film directed by David Koepp, who also co-wrote the screenplay with John Kamps. It stars English comedian Ricky Gervais in his first leading feature-film role, as a dentist who can see and talk with ghosts, along with Téa Leoni as a young widow and Greg Kinnear as her recently deceased husband. Gavin Polone produced the film for Spyglass Entertainment and Pariah, and it was distributed by Paramount Pictures under the DreamWorks Pictures label.
Lawless is a 2012 American crime drama film directed by John Hillcoat. The screenplay, by Australian singer-screenwriter Nick Cave, is based on Matt Bondurant's historical novel The Wettest County in the World (2008). The film stars Shia LaBeouf, Tom Hardy, Gary Oldman, Mia Wasikowska, Jessica Chastain, Jason Clarke, and Guy Pearce.
You Should Have Left is a 2020 American psychological horror film written and directed by David Koepp, based on the 2017 book of the same name by Daniel Kehlmann. It stars Kevin Bacon and Amanda Seyfried. Jason Blum served as a producer through his Blumhouse Productions banner.
Separation is a 2021 American supernatural horror film directed by William Brent Bell, from a screenplay by Nick Amadeus and Josh Braun. It stars Rupert Friend, Mamie Gummer, Madeline Brewer, Violet McGraw, Simon Quarterman, and Brian Cox. The film follows a father who must take care of his daughter, after his wife, who filed for divorce, suddenly dies in an accident, as the two become haunted by a mysterious entity.
Maleficent (Original Motion Picture Soundtrack) is the score album composed by James Newton Howard for the 2014 film Maleficent, based on the Disney villain character Maleficent from the animated film Sleeping Beauty (1959). The film is a live-action spin-off of Sleeping Beauty, and is loosely inspired from Charles Perrault's original fairy tale. Directed by Robert Stromberg, the film stars Angelina Jolie in the titular character.
Nightcrawler (Original Motion Picture Soundtrack) is the score album to the film of the same name composed by James Newton Howard. The score consisted of moody electronic and synth music in contrast to his large orchestral scores he had composed for big-budget films, that made his career. As per Gilroy's suggestions, Howard composed a subversive music that fits into the mind of the protagonist. The score consisted of subtle electronic music throughout the film, whereas few orchestral sounds were created to underline the protagonist's character. The album was released by Lakeshore Records on October 17, 2014, while a vinyl edition was released in January 2016 by Invada Records.
{{cite AV media notes}}
: Unknown parameter |people=
ignored (help)Even though the source material for the uneven psychological horror film, Stir of Echoes, is Richard Matheson's 1958 novel -- obviously written years in advance of the surprise summer hit The Sixth Sense -- there are parallels. Including a child character who can communicate with the dead, as well as an underlying theme of domestic violence. But the comparisons start and end there, since Stir of Echoes is as clumsy as The Sixth Sense is subtle, including a too-conventional and unconvincing -- if not entirely predictable -- ending.
This could be the weekend that determines whether audiences have finally had their fill of fright films for the year. Is there still enough interest, in the wake of The Sixth Sense and The Blair Witch Project, to support the arrival of both Stigmata and Stir of Echoes on the same day?
The only problem with Stir of Echoes is that a number of major things about it are strikingly similar to the big summer hit, The Sixth Sense, and it's nowhere near as original or psychologically involving - or as effective - a supernatural thriller.
...three of the 10 top grossing films of the summer were ghost stories - The Blair Witch Project, The Mummy, and The Sixth Sense. Stir of Echoes is a continuation of the ghost story trend. Another scary movie with serious traces of deja vu.
After a summer of The Blair Witch Project and The Sixth Sense, who would want to have the bejeebers scared out of them one more time by Stir of Echoes, the latest entry into the Heebie Jeebie Sweepstakes of 1999?
It doesn't help that Stir of Echoes is opening after a month in which people have been flocking in droves to The Sixth Sense, a deeply moving, near-flawless thriller that smartly infused its supernatural elements with breathtaking sentiment. Stir will pick up a lot of its audience from Sense junkies, and they are bound to be disappointed by a film that can't reinforce its fright with such richly realized sadness.
Type the film's title into the 'Find Cinemascore' search box.