Night of the Eagle | |
---|---|
Directed by | Sidney Hayers |
Screenplay by | |
Based on | Conjure Wife by Fritz Leiber |
Produced by | |
Starring | |
Cinematography | Reginald Wyer |
Edited by | Ralph Sheldon |
Music by | William Alwyn |
Production company | |
Distributed by | |
Release dates |
|
Running time | 87 minutes |
Country | United Kingdom |
Language | English |
Budget | £50,000 [2] |
Box office | US$3 million [3] |
Night of the Eagle (U.S. title: Burn, Witch, Burn; also known as Conjure Wife [4] ) is a 1962 British horror film directed by Sidney Hayers and starring Peter Wyngarde and Janet Blair. [4] Its plot follows an esteemed sociology professor who discovers that his professional achievements and successes are the result of his wife practicing witchcraft. The screenplay by Charles Beaumont, Richard Matheson, and George Baxt was based upon the 1943 Fritz Leiber novel Conjure Wife . [5] It was made by AIP and Anglo-Amalgamated who co produced a number of films together including Circus of Horrors . [6]
Norman Taylor is a psychology professor lecturing about belief systems and superstition at an English university. After a scene in which his American wife, Tansy, searches frantically and finds a poppet left by a jealous work rival, he discovers that Tansy is practising obeah, referred to in the film as "conjure magic", which she learned in Jamaica. She insists that her charms have been responsible for his rapid advancement in his academic career and for his general well-being. A firm rationalist, Norman is angered by her acceptance of superstition. He forces her to burn all her magical paraphernalia.
Almost immediately things start to go wrong: a female student accuses Norman of rape, her boyfriend threatens him with violence, and someone tries to break into the Taylors' home during a thunderstorm. Tansy, willing to sacrifice her life for her husband's safety, almost drowns herself and is only saved at the last minute by Norman giving in to the practices he despises.
Tansy attacks him with a knife while in a trance, but Norman disarms her and locks her in her room. Her limping walk during the attack gives Norman a clue to the person responsible for his ill luck: university secretary Flora Carr, the wife of Lindsay whose career had stalled in favour of Norman's. Flora uses witchcraft to set fire to the Taylor home with Tansy trapped inside.
Using a form of auditory hypnosis over a loudspeaker system, Flora convinces Norman that a giant stone eagle perching at the top of the university chapel has come to life to attack him. Lindsay arrives at the office and turns off the loudspeaker, and the illusory eagle vanishes. Tansy escapes her burning home and rejoins her no longer sceptical husband. On their way out of the campus, Lindsay sees the chapel's heavy doors are ajar (left thus by Norman in his "escape" from the eagle), and insists on securing them despite Flora's protests. As she waits for him, the eagle statue falls from the roof and kills her.
Richard Matheson and Charles Beaumont were admirers of the novel and decided to adapt it. They were paid $5,000 each by James H. Nicholson of AIP, who passed the project over to AIP's regular co-producers, Anglo-Amalgamated in England. They agreed to finance, allocating the movie to Independent Artists to produce. Producer Albert Fennell bought in George Baxt to work on the script. [2] The original script (commenced by Matheson and completed by Beaumont) was published in the Gauntlet Press edition of He Is Legend, a Matheson tribute anthology, but not in the subsequent paperback. [7]
Filming took six weeks. [8] Part of the deal of Anglo-Amalgamated financing was that a star play the lead; Peter Cushing was originally meant to star but decided to make Captain Clegg instead. Musical comedy star Janet Blair came on board and the male lead was rumoured[ citation needed ] to have been offered to both Peter Finch and Cushing; Finch turned the part down and Cushing was unwell at the time the film was due to go into production. Peter Wyngarde was cast at the last minute. [2]
The film was acquired for North American distribution by American International Pictures, who released it under the alternative title Burn, Witch, Burn, premiering in Buffalo, New York on 25 April 1962. [9] Film prints for the US release were preceded by a narrated prologue in which the voice of Paul Frees was heard to intone a spell to protect the audience members from evil. [10] [11] For protection, American theatre audiences were given a special pack of salt and words to an ancient incantation.
The film opened in the United Kingdom under its original title, Night of the Eagle, on 11 May 1962. [3] While the film was accessible to an under-aged audience in the US, it was rated "X" (adults only) in the UK on its initial release. It was later re-rated 15, then 12 for UK home video releases. [12]
In 2007, Optimum Releasing released Night of the Eagle on DVD in the United Kingdom. The MGM Limited Edition Collection released the Burn, Witch, Burn! version in the United States on 16 May 2011. [13]
Out of print are the 1995 US Image DVD, American-Laserdisc and VHS video titled Burn, Witch, Burn!, the British DVD-Box titled Horror Classics, consisting of The Masque of the Red Death , Night of the Eagle and Zoltan...Hound Of Dracula , and the British VHS video Night of the Eagle.
Kino Lorber released Burn, Witch, Burn on Blu-ray in the United States on 18 August 2015. This release features both versions of the film, featuring the original Night of the Eagle opening, as well as the Paul Frees-narrated opening prologue released in the United States under the Burn, Witch, Burn title. [14] Kino Lorber reissued the Blu-ray in a special edition on 1 October 2024. [15]
In the United States, the film grossed approximately $3 million. [3]
The Monthly Film Bulletin wrote:
The fact that three screenwriters have worked on its expansion possibly explains why the film is not all one had hoped it might be. The producers have had little success making the subject-matter believable, for all that much of the action is underplayed, and it is impossible to accept the situation of two presumably intelligent women succumbing to the lure of black magic. But director Sidney Hayer's stage management is fresh and exciting for the most part, skilful in its reliance on suggestion, naggingly effective as a study of psychic attack. Peter Wyngarde succeeds in conveying the young professor's confusion and doubt, while Margaret Johnston enjoys herself along broader lines as the wild-eyed, madly frustrated Flora. [16]
The New York Times called Night of the Eagle "quite the most effective 'supernatural' thriller since Village of the Damned " and perhaps the "best outright goose-pimpler dealing specifically with witchcraft since I Walked with a Zombie ...in 1943" and noted: [17]
Simply as a suspense yarn, blending lurid conjecture and brisk reality, growing chillier by the minute, and finally whipping up an ice-cold crescendo of fright, the result is admirable. Excellently photographed (not a single "frame" is wasted), and cunningly directed by Sidney Hayers, the incidents gather a pounding, graphic drive that is diabolically teasing. The climax is a nightmarish hair-curler but, we maintain, entirely logical within the context.
Jonathan Rosenbaum of the Chicago Reader called the film "atmospheric and underplayed in the tradition of Val Lewton" and, despite judging Sidney Hayers' direction as "needlessly rhetorical at times", "eerily effective". [18]
Film historian William K. Everson, though critical of Night of the Eagle for its predictability, praised the film for its story and Janet Blair's performance. [19]
David Pirie of Time Out magazine, while not happy with the casting of Janet Blair, acknowledged Hayers' direction "an almost Wellesian flourish" and the script being "structured with incredible tightness". [20]
Author S. T. Joshi declared it particularly notable for its realistic portrayal of campus politics. [21]
In 1963 Night of the Eagle was nominated for the Hugo Award for Best Dramatic Presentation. [22]
Richard Burton Matheson was an American author and screenwriter, primarily in the fantasy, horror, and science fiction genres.
American International Pictures LLC is an American film production company owned by Amazon MGM Studios. In its original operating period, AIP was an independent film production and distribution company known for producing and releasing films from 1955 until 1980, a year after its acquisition by Filmways in 1979.
A scream queen is an actress who is prominent and influential in horror films, either through a notable appearance or recurring roles. A scream king is the male equivalent. Notable female examples include Barbara Steele, Sandra Peabody, Linda Blair, Felissa Rose, Olivia Hussey, Marilyn Burns, Mary Elizabeth Winstead, Neve Campbell, Daria Nicolodi, Dee Wallace, Isabelle Adjani, Sarah Paulson, Vera Farmiga, Jamie Lee Curtis, Taissa Farmiga, Maika Monroe, Anya Taylor-Joy, Mia Goth, Jenna Ortega, Samara Weaving, Heather Langenkamp, Shawnee Smith, Emma Roberts, Billie Lourd, Melissa Barrera, Debbie Rochon, Tiffany Shepis, Brinke Stevens, Michelle Bauer and Linnea Quigley.
Erica Lei Leerhsen is an American actress. She first gained recognition for her leading part in the moderately successful horror sequel Book of Shadows: Blair Witch 2 (2000). Her work led her to take on a recurring role in the first season of The Guardian and star in the horror hit The Texas Chainsaw Massacre (2003). She has since appeared in numerous films of that genre, including Wrong Turn 2: Dead End (2007), Lonely Joe (2009) and The Butterfly Room (2012), and is considered a scream queen. She has also acted in the Woody Allen films Hollywood Ending (2002), Anything Else (2003) and Magic in the Moonlight (2014) as well as in Allen's play A Second-Hand Memory (2004).
Dead of Night is a 1945 British supernatural horror anthology film directed by Alberto Cavalcanti, Charles Crichton, Basil Dearden, and Robert Hamer. It stars Mervyn Johns, Googie Withers, Sally Ann Howes, and Michael Redgrave. Produced by Ealing Studios, the film features five segments within a frame narrative during which a group of guests assembled at a country manor who recount stories of their own individual nightmares. It is best remembered for the concluding story featuring Redgrave and an insane ventriloquist's malevolent dummy.
Book of Shadows: Blair Witch 2 is a 2000 American horror film directed and co-written by Joe Berlinger and starring Jeffrey Donovan, Stephen Barker Turner, Kim Director, Erica Leerhsen, and Tristine Skyler. Its plot revolves around a group of people fascinated by the mythology surrounding the film The Blair Witch Project; they go into the Black Hills where the original film was shot and experience supernatural phenomena and psychological unraveling. despite being a sequel, it does not feature any Found footage formats.
Peter Paul Wyngarde was a British actor. He was best known for portraying the character Jason King, a bestselling novelist turned sleuth, in two television series: Department S (1969–70) and Jason King (1971–1972). His flamboyant dress sense and stylish performances led to success, and he was considered a style icon in Britain and elsewhere in the early 1970s.
Stir of Echoes is a 1999 American supernatural horror film written and directed by David Koepp and based on the 1958 novel by Richard Matheson. The film stars Kevin Bacon, Kathryn Erbe, Illeana Douglas and Kevin Dunn.
The Innocents is a 1961 gothic psychological horror film directed and produced by Jack Clayton, and starring Deborah Kerr, Michael Redgrave, and Megs Jenkins. Based on the 1898 novella The Turn of the Screw by the American novelist Henry James, the screenplay was adapted by William Archibald and Truman Capote, who used Archibald's own 1950 stage play—also titled The Innocents—as a primary source text. Its plot follows a governess who watches over two children and comes to fear that their large estate is haunted by ghosts and that the children are being possessed.
Tales of Terror is a 1962 American International Pictures Gothic horror anthology film in colour and Panavision, produced by Samuel Z. Arkoff, James H. Nicholson, and Roger Corman, who also directed. The screenplay was written by Richard Matheson, and the film stars Vincent Price, Peter Lorre, and Basil Rathbone. It is the fourth in the so-called Corman-Poe cycle of eight films, largely featuring adaptations of Edgar Allan Poe stories and directed by Corman for AIP. The film was released in 1962 as a double feature with Panic in Year Zero!.
Trilogy of Terror is a 1975 American made-for-television anthology horror film directed by Dan Curtis and starring Karen Black. It features three segments, each based on unrelated short stories by Richard Matheson. The first follows a college professor who seeks excitement with her students; the second is about twin sisters who have a bizarre relationship. These two segments were adapted by William F. Nolan. The third, adapted by Matheson himself, focuses on a woman terrorized by a Zuni fetish doll in her apartment. Black stars in all three segments, and plays dual roles in the second.
The Last Man on Earth is a 1964 post-apocalyptic science fiction horror film based on the 1954 novel I Am Legend by Richard Matheson. The film was produced by Robert L. Lippert and directed by Ubaldo Ragona and Sidney Salkow, and stars Vincent Price and Franca Bettoia. The screenplay was written in part by Matheson, but he was dissatisfied with the result and chose to be credited as "Logan Swanson". William Leicester, Furio M. Monetti, and Ubaldo Ragona finished the script.
Stranger in Our House is a 1978 American television horror film directed by Wes Craven and starring Linda Blair, Lee Purcell, Jeremy Slate, Jeff McCracken, and Jeff East. It is based on the 1976 novel Summer of Fear by Lois Duncan. The film premiered on NBC on October 31, 1978, and subsequently received theatrical releases in Europe under the title Summer of Fear.
Janet Blair was an American big-band singer who later became a popular film and television actress.
The Blair Witch Project is a 1999 American psychological horror film written, directed, and edited by Daniel Myrick and Eduardo Sánchez. One of the most successful independent films of all time, it is a "found footage" pseudo-documentary in which three students hike into the Black Hills near Burkittsville, Maryland, to shoot a documentary about a local myth known as the Blair Witch.
Witches' Brew, also known as Which Witch Is Which?, is a 1980 American comedy horror film co-written and directed by Richard Shorr, and starring Richard Benjamin, Teri Garr, and Lana Turner. It was based on Fritz Leiber Jr.'s horror-fantasy novel Conjure Wife. Herbert L. Strock directed additional sequences for the film.
Conjure Wife (1943) is a supernatural horror novel by American writer Fritz Leiber. Its premise is that witchcraft flourishes as an open secret among women. The story is told from the point of view of a small-town college professor who discovers that his wife is a witch.
George Baxt was an American screenwriter and author of crime fiction, best remembered for creating the gay black detective, Pharaoh Love. Four of his novels were finalists for the Lambda Literary Award for Gay Mystery.
Terror is a 1978 British supernatural horror slasher film written by David McGillivray and directed by Norman J. Warren. It stars John Nolan and Carolyn Courage as two cousins who fall victim to a curse that a witch placed on their ancestors.
Blair Witch is a 2016 Found footage supernatural horror film directed by Adam Wingard and written by Simon Barrett. It is the third film in the Blair Witch series and a direct sequel to the 1999 film The Blair Witch Project. It ignores the events of its 2000 non Found footage follow-up Book of Shadows: Blair Witch 2, whose events comprise a film within a film. It stars James Allen McCune, Callie Hernandez, Brandon Scott, Corbin Reid, Valorie Curry and Wes Robinson. The film follows a group of college students and their local guides who venture into the Black Hills Forest in Maryland to uncover the mysteries surrounding the prior disappearance of Heather Donahue, the sister of one of the characters.