Not to be confused with the American TV movie Revenge! (1971)
Revenge | |
---|---|
Directed by | Sidney Hayers |
Written by | John Kruse |
Based on | story by John Kruse |
Produced by | George H. Brown |
Starring | Joan Collins James Booth |
Cinematography | Ken Hodges |
Edited by | Anthony Palk |
Music by | Eric Rogers |
Production company | Peter Rogers Productions |
Distributed by | Rank Film Distributors (UK) |
Release date | 26 August 1971 (UK) |
Running time | 89 minutes |
Country | United Kingdom |
Language | English |
Revenge! (United States May 1976 release title Inn of the Frightened People) is a 1971 British thriller film directed by Sidney Hayers and starring Joan Collins, James Booth and Sinéad Cusack. [1] A family seek brutal revenge on the man who they suspect attacked their daughter.
Pub landlords Jim and Carol Radford are grieving for the death of their young daughter Jenny, who was raped and murdered by Seely; Jim has two other children by his first marriage, Lee and Jill. Seely is arrested for the crime by the Inspector, but ultimately released due to a lack of evidence. As well as Jenny, Seely is suspected of also killing the daughter of Jim's friend Harry. Seely himself lives a quiet, hermit-like existence, but he is observed stopping at a primary school near his house to watch the children.
Seeking revenge, Harry and Lee urge Jim to kidnap Seely and keep him in the cellar of his pub. After some persuasion, Jim agrees to the plan; they capture Seely, beat him beyond recognition and keep him locked beneath the pub. This puts pressure on the Radford family, who don't dare release him but are too afraid to kill him. Having Seely in the cellar puts a strain on the relationships within the family, especially between Carol and Lee, and also on the business, when Carol tries to prevent brewery deliveryman Fred from delivering the stock. Things reach a head when it seems that Seely may be innocent after all, and the relationships between Jim, Harry and Lee become more fractured.
Tom Marshall, Zuleika Robson and Donald Morley had their voices dubbed, by Nicky Henson, Michele Dotrice and Garfield Morgan respectively.[ citation needed ]
Peter Rogers had produced the Carry On series for the Rank Organisation and made an arrangement to produce other films for them, "thrillers and romantic subjects". [2]
The film was shot in Pinewood Studios and on location in Buckinghamshire in January 1971.[ citation needed ] Producer George Brown called it "a story about everyday people who take one fatal step in search of human justice." [3] Ray Barrett called the film "a breakthrough for me" as he had been in The Troubleshooters TV series for six years. [4]
The United States video release was retitled Terror from Under the House. That version is available as a region-free DVD. The region 1 DVD is titled Revenge![ citation needed ]
The Monthly Film Bulletin wrote: "Peter Rogers owes his fame to the Carry On series, and his reputation for making people laugh will doubtless be consolidated by this abortive melodrama. Its crude lighting and the high-gloss ugliness of the sets seem a fitting match for the crude psychology of its unappealing characters. John Kruse's script plays fitfully with the idea of the captive as a catalyst for evil and, in more mundane terms, with the Dreadful Consequences of ordinary people taking the law into their own hands; but Seely's guilt (heavily signalled in Kenneth Griffith's sweet-sucking performance) rather undermines the second idea, while the instant nastiness of the other characters confines the first to the most perfunctory development. The grotesque improbability of the relationships (Atreus' house was no match for this) is further highlighted by the matter-of-fact suburban dialogue, with characters seriously suggesting nice cups of tea as antidotes to every excess of grief, lust and violence, and Joan Collins' put-upon housewife declaring 'I don't know what's come over us', as she eagerly submits to her stepson's rape." [5]
Variety said the film "never rises above programmer status". [6]
The Birmingham Post said "I haven't seen such an ugly film in a very long time." [7]
The Guardian wrote: "made me feel as though its makers ought to be put down inhumanely." [8]
David McGillivray wrote in the Radio Times , "what begins as a serious examination of a growing social problem becomes increasingly melodramatic, ending in a blaze of hysterical shrieking and stabbing. Quite unconvincing, enjoyable for all the wrong reasons." [9]
The Joan Collins Archive described it as "an entertaining slice of 70s sensationalism." [10]
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