Peter Lindsay Weir is an Australian retired film director. He is known for directing films crossing various genres over forty years with films such as Picnic at Hanging Rock (1975), Gallipoli (1981), The Year of Living Dangerously (1982), Witness (1985), Dead Poets Society (1989), Fearless (1993), The Truman Show (1998), Master and Commander: The Far Side of the World (2003), and The Way Back (2010). He has received six Academy Award nominations, ultimately being awarded the Academy Honorary Award in 2022 for his lifetime achievement career.
Richard Horatio Edgar Wallace was a British writer of sensational detective, gangster, adventure and sci-fi novels, plays and stories.
Ernest Paul Lehman was an American screenwriter and film producer. He was nominated six times for Academy Awards for his screenplays during his career, but did not win. At the 73rd Academy Awards in 2001, he received an Honorary Academy Award in recognition of his achievements and his influential works for the screen. He was the first screenwriter to receive that honor.
Peter Barnes was an English Olivier Award-winning playwright and screenwriter. His best known work is the play The Ruling Class, which was made into a 1972 film for which Peter O'Toole received an Oscar nomination.
William Condon is an American director and screenwriter. Condon is known for writing and/or directing numerous successful and acclaimed films including Gods and Monsters, Chicago, Kinsey, Dreamgirls, The Twilight Saga: Breaking Dawn – Part 1, The Twilight Saga: Breaking Dawn – Part 2, and Beauty and the Beast. He has received two nominations for the Academy Award for Best Adapted Screenplay, Gods and Monsters and Chicago, winning for the former.
Stirling Dale Silliphant was an American screenwriter and producer. He is best remembered for his screenplay for In the Heat of the Night, for which he won an Academy Award in 1967, and for creating the television series Naked City, Perry Mason, and Route 66. Other features as screenwriter include the Irwin Allen productions The Towering Inferno and The Poseidon Adventure.
William Finlay Currie was a Scottish actor of stage, screen, and television. He received great acclaim for his roles as Abel Magwitch in the British film Great Expectations (1946) and as Balthazar in the American film Ben-Hur (1959).
Night Monster is a 1942 American black-and-white horror film featuring Bela Lugosi and produced and distributed by Universal Pictures Company. The movie uses an original story and screenplay by Clarence Upson Young and was produced and directed by Ford Beebe. For box office value, star billing was given to Bela Lugosi and Lionel Atwill, but the lead roles were played by Ralph Morgan, Irene Hervey and Don Porter, with Atwill in a character role as a pompous doctor who becomes a victim to the title character, and Lugosi in a small part as a butler.
The 40th Academy Awards were held on April 10, 1968, to honor film achievements of 1967. Originally scheduled for April 8, the awards were postponed to two days later due to the assassination of civil rights leader Martin Luther King Jr. Bob Hope was once again the host of the ceremony.
The Edgar Wallace Mysteries is a British second-feature film series mainly produced at Merton Park Studios for Anglo-Amalgamated. There were 48 films in the series, which were released between 1960 and 1965. The series was screened as The Edgar Wallace Mystery Theatre on television in the United States.
Mark Johnson is an American film and television producer. He won the Academy Award for Best Picture for producing the 1988 film Rain Man.
Pamela Wallace is an American screenwriter and author. She won an Oscar for co-writing the screenplay for the movie Witness. Wallace has also written 25 romance novels, under her own name and the pseudonyms Pamela Simpson and Dianne King.
The Case of the Frightened Lady is a 1940 British, black-and-white, crime, drama, mystery thriller, directed by George King and starring Marius Goring as Lord Lebanon, Helen Haye as Lady Lebanon, Penelope Dudley Ward as Isla Crane, George Merritt (actor) as Detective Inspector Tanner, Ronald Shiner as Detective Sergeant Totty and Felix Aylmer as Dr Amersham. It was produced by Pennant Picture Productions and presented by British Lion Film Corporation. The film is based on the 1931 play by Edgar Wallace.
The Devil's Daffodil is a 1961 British-West German black-and-white crime film directed by Ákos Ráthonyi. The film was produced in an English and a German version, starring different actors in the lead roles but otherwise featuring an almost identical cast and crew. It starred William Lucas in the English version and Joachim Fuchsberger in the German one.
Paul Monash was an American television and film producer and screenwriter.
Mystery Liner is a 1934 American Pre-Code film directed by William Nigh, starring Noah Beery, Sr., and based on an Edgar Wallace story originally published in the Saturday Evening Post in 1924. The film was entered as a feature attraction at the 1934 International Exhibition of Cinematographic Art in Venice, Italy, the forerunner of the Venice Film Festival.
The Terror is a 1928 American pre-Code horror film written by Harvey Gates and directed by Roy Del Ruth, based on the 1927 play of the same name by Edgar Wallace. It was the second "all-talking" motion picture released by Warner Bros., following Lights of New York. It was also the first all-talking horror film, made using the Vitaphone sound-on-disc system.
White Face is a 1932 British crime film directed by T. Hayes Hunter and starring Hugh Williams, Gordon Harker and Renee Gadd. The film is based on a play by Edgar Wallace.
The Sinister Man is a 1961 British crime drama film directed by Clive Donner and starring Patrick Allen and John Bentley. It was one of the series of Edgar Wallace Mysteries, British second-features, produced at Merton Park Studios in the 1960s.
Before Dawn is a 1933 American pre-Code drama film directed by Irving Pichel and written by Garrett Fort. The film stars Stuart Erwin, Dorothy Wilson, Warner Oland, Dudley Digges and Gertrude Hoffman. It is one of the few Oland films from this period in which he does not play an Asian character. The film was released on August 4, 1933, by RKO Pictures.
