Three Hats for Lisa | |
---|---|
Directed by | Sidney Hayers |
Screenplay by | Leslie Bricusse Talbot Rothwell |
Story by | Leslie Bricusse |
Produced by | Jack Hanbury |
Starring | Joe Brown Sophie Hardy Sid James Una Stubbs Dave Nelson |
Cinematography | Alan Hume |
Edited by | Tristam Cones |
Music by | Leslie Bricusse (songs) Eric Rogers |
Production company | Seven Hills Productions |
Distributed by | Anglo-Amalgamated Film Distributors (UK) |
Release date |
|
Running time | 99 minutes |
Country | United Kingdom |
Language | English |
Three Hats for Lisa a.k.a. One Day in London [1] is a 1965 British musical comedy film directed by Sidney Hayers and starring Joe Brown, Sid James, Sophie Hardy, Una Stubbs and Dave Nelson. [2] The screenplay was by Leslie Bricusse and Talbot Rothwell.
Three young Cockneys take a day off work to meet Lisa Milan, an Italian movie star, at Heathrow airport. She travels with them and their taxi driver in search of some typically British hats. The rule of the game is to steal a hat from its wearer. Lisa wants a bobby's helmet, a businessman's bowler, and the bearskin cap off a palace guard. A musical chase ensues around Swinging Sixties London, evading press and police.
All songs written by Leslie Bricusse, except where noted.
Kine Weekly wrote: "Gay, modern, musical comedy which includes a novel travelogue of London. [...] A bright, tuneful and happy film. ... The music is pleasing without being memorable." [3]
Monthly Film Bulletin wrote: "Neither the composition nor the use of colour is particularly imaginative, which means that visually the film is nothing more than average British fare. But a teenage musical intelligent enough to make ninety-nine minutes pass as swiftly as this does, is welcome on many other counts." [4]
Variety said: "Modest, breezy musical full of good humor. Slick direction and cheerful, young cast make this an above-average British tuner." [5]
Leslie Halliwell opined: "Minor musical, silly, but good to look at." [6]
The Radio Times Guide to Films wrote: "Not even the presence of the great Sidney James can elevate this story of Sophie Hardy's search for three typically English hats. The script, co-written by Carry On regular Talbot Rothwell, raises a few smiles, but the songs signifiy a new low in screen pop music." [7]
Two-Way Stretch, also known as Nothing Barred, is a 1960 British comedy film directed by Robert Day and starring Peter Sellers, Wilfrid Hyde-White, Lionel Jeffries and Bernard Cribbins. The screenplay is by Vivian Cox, John Warren and Len Heath. A group of prisoners plan to break out of jail, commit a robbery, and then break back into their jail again, thus giving them the perfect alibi – that they were behind bars when the robbery occurred. However, their plans are disrupted by the arrival of a strict new Chief Prison Officer.
Joseph Roger Brown, MBE is an English musician. As a rock and roll singer and guitarist, he has performed for more than six decades. He was a stage and television performer in the late 1950s and has primarily been a recording star since the early 1960s. He has made six films, presented specialist radio series for BBC Radio 2, appeared on the West End stage alongside Dame Anna Neagle and has written an autobiography. In recent years he has again concentrated on recording and performing music, playing two tours of around 100 shows every year and releasing an album almost every year.
Wonderful Life is a 1964 British film directed by Sidney J. Furie and starring Cliff Richard, Walter Slezak, Susan Hampshire and The Shadows. It is the third in a series of film musicals starring Richard following The Young Ones (1961) and Summer Holiday (1963). It was written by Peter Myers and Ronald Cass, and choreographed by Gillian Lynne.
A Kind of Loving is a 1962 British kitchen sink drama film directed by John Schlesinger, starring Alan Bates and June Ritchie. It is based on the 1960 novel of the same name by Stan Barstow which was later adapted into the 1982 television series A Kind of Loving. The film tells the story of two lovers in early 1960s Lancashire. It belongs to the British New Wave movement.
Sparrows Can't Sing is a 1963 British kitchen sink comedy, the only film that Joan Littlewood directed. It starred James Booth and Barbara Windsor. It was written by Stephen Lewis based on his 1960 play Sparrers Can't Sing, first performed at Littlewood's Theatre Workshop in the Theatre Royal Stratford East. The producer was Donald Taylor.
The Good Die Young is a 1954 British crime film directed by Lewis Gilbert and starring Laurence Harvey, Gloria Grahame, Joan Collins, Stanley Baker, Richard Basehart and John Ireland. It was made by Remus Films from a screenplay based on the 1953 novel of the same name by Richard Macaulay. It tells the story of four men in London with no criminal past whose marriages and finances are collapsing and, meeting in a pub, are tempted to redeem their situations by a robbery.
The Sandwich Man is a 1966 British comedy film directed by Robert Hartford-Davis starring Michael Bentine, with support from a cast of British character actors including Dora Bryan, Harry H. Corbett, Bernard Cribbins, Diana Dors, Norman Wisdom, Terry-Thomas and Ian Hendry. It was written by Hartford-Davis and Bentine.
What a Crazy World is a 1963 film directed by Michael Carreras and starring Joe Brown and Sausan Maughan. The script is by Carreras and Alan Klein, from the latter's stage play. It is a pop musical featuring a number of late 1950s and early 1960s musical performers, including an appearance by Freddie and the Dreamers.
Dry Rot is a 1956 British comedy film directed by Maurice Elvey, and starring Ronald Shiner, Brian Rix, Peggy Mount, and Sid James. The screenplay is by John Chapman, adapted from his 1954 Whitehall farce of the same name.
The Flanagan Boy is a 1953 British film noir directed by Reginald Le Borg. It was made by Hammer Film Productions and stars Barbara Payton, Tony Wright, Frederick Valk and Sid James. It was based on the 1949 novel of the same name by Max Catto.
Escape by Night is a 1953 British crime film directed and written by John Gilling.
Up Pompeii is a 1971 British sex comedy film directed by Bob Kellett and starring Frankie Howerd and Michael Hordern. It was written by Sid Colin based on an idea by Talbot Rothwell.
Dancing with Crime is a 1947 British film noir film directed by John Paddy Carstairs, starring Richard Attenborough, Barry K. Barnes and Sheila Sim. A man hunts down the killer of his lifelong friend.
Saloon Bar is a 1940 British comedy thriller film directed by Walter Forde and starring Gordon Harker, Elizabeth Allan and Mervyn Johns. It was made by Ealing Studios and its style has led to comparisons with the later Ealing Comedies, unlike other wartime Ealing films which are different in tone. It is based on the 1939 play of the same name by Frank Harvey in which Harker had also starred. An amateur detective tries to clear an innocent man of a crime before the date of his execution.
The Narrowing Circle is a 1956 British crime film directed by Charles Saunders and starring Paul Carpenter, Hazel Court and Russell Napier. It is based on the 1954 novel of the same title by Julian Symons. A crime writer finds himself framed for murder.
A Touch of the Sun is a 1956 British comedy film directed by Gordon Parry and starring Frankie Howerd, Ruby Murray and Dennis Price. It was written by Alfred Shaughnessy.
Penny Paradise is a 1938 British comedy film directed by Carol Reed and starring Edmund Gwenn, Betty Driver and Jimmy O'Dea.
The Wedding of Lilli Marlene is a 1953 British drama film directed by Arthur Crabtree and starring Lisa Daniely, Hugh McDermott and Sid James. It was a sequel to the 1950 film Lilli Marlene, also directed by Crabtree.
And the Same to You is a 1960 British boxing-themed comedy film directed by George Pollock and starring Brian Rix and William Hartnell. It was written by John Paddy Carstairs, John Junkin and Terry Nation based on the 1955 stage farce The Chigwell Chicken by A. P. Dearsley.
The Girl in the Taxi is a 1937 British musical comedy film directed by André Berthomieu and starring Frances Day, Henri Garat and Lawrence Grossmith. It was based on the stage musical The Girl in the Taxi and was part of a trend of operetta films produced during the decade.