The Premature Burial | |
---|---|
Theatrical release poster | |
Directed by | Roger Corman |
Produced by | Roger Corman |
Screenplay by | |
Based on | "The Premature Burial" by Edgar Allan Poe |
Starring | |
Music by | Ronald Stein |
Cinematography | Floyd Crosby |
Edited by | Ronald Sinclair |
Production company | Alta Vista Productions |
Distributed by | American International Pictures |
Release date |
|
Running time | 81 minutes |
Country | United States |
Language | English |
Box office | $1 million [1] 172,329 admissions (France) [2] |
The Premature Burial is a 1962 American International Pictures horror film, directed by Roger Corman, starring Ray Milland, also with Hazel Court, Alan Napier, Heather Angel and Richard Ney, screenplay by Charles Beaumont and Ray Russell, based upon the 1844 short story of the same name by Edgar Allan Poe. It was the third in the series of eight Poe-themed pictures, known informally as the "Poe Cycle", directed by Corman for American International. [3]
Set in the early dark Victorian era, the film follows Guy Carrell, a British aristocrat who is consumed with the fear of being buried alive. His fear becomes so overwhelming, it nearly prevents him from marrying his fiancée Emily. He tells her that he, like his father, suffers from a cataleptic disease which can make one appear to be dead. Guy then takes Emily down to the family catacomb, and claims that when he was a boy, he heard his father scream from his tomb after being interred, even though his sister insists it was all in his mind. But despite all this, Emily tells Guy that she still wants to marry him.
After the wedding ceremony, Emily plays the melody to "Molly Malone" on the piano which seems to send Guy into a state of abject misery, finally causing him to pass out. After regaining consciousness, Guy becomes even more morbid, obsessed with the idea of being buried alive. He soon builds an elaborate vault, equipped with several safeguards in case of his premature burial, including a poisonous elixir to be used as a last resort. This latest project causes both his wife Emily and his colleague, Miles Archer, to become concerned with his mental health.
In an effort to change his mood, Guy goes for a walk in the moors with his wife, when he suddenly hears a gravedigger whistle the same Irish tune that was played after his wedding. The music causes him to pass out again, and he experiences a horrific dream where he finds himself trapped inside his vault, however, none of his safeguards work. When he finally wakes up from his dream next to his wife, he asks her about the whistling gravedigger, but she insists that she heard no one.
Finally, Emily becomes unable to deal with Guy's behavior, and tells him that either he rids himself of this obsession with death, or she will leave him forever. This ultimatum seems to work. He destroys the vault he constructed and starts to slowly become more amenable. As a final step of his treatment, Miles suggests that Guy open his father's tomb to prove that he was never buried alive. But when he does, it causes him to go into another cataleptic state, and this time, he is unable to awake. After an examination by Emily's father, he is declared dead. Guy's family concludes he suffered a heart attack and upon Emily's request, have him buried in the cemetery. It appears Guy's biggest fear is about to be realized, when he is miraculously dug up by a pair of grave robbers just as he regains his mobility. Now in a state of madness, Guy returns to his home to seek revenge on those who conspired for his demise. [4] [5]
Roger Corman had made two successful adaptations of Edgar Allan Poe's (1809–1849) works for American International Pictures (AIP) starring the famous and preeminent horror and suspense star of the 1950s and 60s, Vincent Price.
He decided to make his own Poe film with financing through Pathé Lab, a company that did the print work for AIP and had backed a few of their productions as well. Corman wanted to use Price, but AIP had him under exclusive contract, so he cast instead Ray Milland. On the first day of shooting James H. Nicholson and Sam Arkoff of AIP turned up, announcing to Corman that they were working together again, as they were able to convince Pathé to bring the movie back to AIP after threatening to pull all future lab work with them. [1]
Corman employed Francis Ford Coppola on Burial as an assistant director. [6] [7]
Contemporary reviews for The Premature Burial were less favorable than those for Corman's previous two Poe adaptations. Howard Thompson of The New York Times praised the "handsomely tinted Gothic settings" and "compelling music", but found the film "static, slack and starchily written." [8] Variety wrote that Corman "seems to have run thin in imagination on this third trip to the same literary well. Not only is the plotting in 'Premature Burial' discouragingly predictable, but its gloomy and cavernous interior setting is peculiarly similar to those in the first two pix." [9] John L. Scott of the Los Angeles Times agreed that the film was "gloomily predictable" and suggested that American International "may be running a good thing into the ground." [10] The Monthly Film Bulletin wrote that "there are some sequences well worth watching, notably Guy's hallucinatory vision of being buried alive", but found that the "outlandish horror" of the original story "is never really caught, and Corman obtains most of his effects from rude shock-cuts rather than from intelligent exploitation of the situations and settings." [11]
Cavett Binion of AllMovie notes, "Milland's performance conveys the requisite amount of hand-wringing torment (in the mode of "The Lost Weekend" movie), even if he fails to capture the manic intensity that Price brought to the other Poe films that he played or starred in. Corman's deft direction, employing a rich palette of colors and superb widescreen compositions, is on a par with the series' finest installments." [12] [ dead link ]
On Rotten Tomatoes the film has an approval rating of 56% based on reviews from 9 critics. [13]
The film won a 1962 "Golden Laurel" – "Sleeper of the Year" Award.
Roger William Corman is an American film director, producer, and actor. He has been called "The Pope of Pop Cinema" and is known as a trailblazer in the world of independent film. Much of Corman's work has an established critical reputation, such as his cycle of low-budget cult films adapted from the tales of Edgar Allan Poe.
American International Pictures (AIP) is an American motion picture production label of Metro-Goldwyn-Mayer, and originally an independent film production and distribution company, prior to its acquisition by Filmways in 1979 and rebranding in 1980.
"The Cask of Amontillado" is a short story by Edgar Allan Poe, first published in the November 1846 issue of Godey's Lady's Book. The story, set in an unnamed Italian city at carnival time in an unspecified year, is about a man taking fatal revenge on a friend who, he believes, has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around a person being buried alive – in this case, by immurement. As in "The Black Cat" and "The Tell-Tale Heart", Poe conveys the story from the murderer's perspective.
The Raven is a 1963 American comedy horror film produced and directed by Roger Corman. The film stars Vincent Price, Peter Lorre, and Boris Karloff as a trio of rival sorcerers. The supporting cast includes Jack Nicholson as the son of Lorre's character.
"The Fall of the House of Usher" is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities.
Catalepsy is a nervous condition characterized by muscular rigidity and fixity of posture regardless of external stimuli, as well as decreased sensitivity to pain.
X: The Man with the X-ray Eyes is a 1963 independently made color science fiction–horror film, produced and directed by Roger Corman, that stars Ray Milland. The film, written by Ray Russell and Robert Dillon, is notable for featuring comedian Don Rickles in a straight dramatic role. Veteran character actor Morris Ankrum makes an uncredited appearance in his final role. American International Pictures distributed the film in the fall of 1963 as a double feature with the Francis Ford Coppola-directed horror thriller Dementia 13.
The Tomb of Ligeia is a 1964 British horror film directed by Roger Corman. Starring Vincent Price and Elizabeth Shepherd, it tells of a man haunted by the spirit of his dead wife and her effect on his second marriage. The screenplay by Robert Towne was based upon the short story "Ligeia" by American author Edgar Allan Poe and was the last in his series of films loosely based on the works of Poe. Tomb of Ligeia was filmed at Castle Acre Priory and other locations with a mostly English cast.
The Terror is a 1963 independent American horror film produced and directed by Roger Corman. The plot concerns a French officer who is seduced by an intriguing woman who is also a shapeshifting devil.
"Berenice" is a short horror story by Edgar Allan Poe, first published in the Southern Literary Messenger in 1835. Egaeus, who is preparing to marry his cousin Berenice, tends to fall into periods of intense focus, during which he seems to separate himself from the outside world. Berenice begins to deteriorate from an unnamed disease until only her teeth remain healthy. Egaeus obsesses over them. When Berenice is buried, he continues to contemplate her teeth. One day, he awakens with an uneasy feeling from a trance-like state and hears screams. A servant reports that Berenice's grave has been disturbed, and she is still alive. Beside Egaeus is a shovel, a poem about "visiting the grave of my beloved", and a box containing 32 teeth.
"The Premature Burial" is a horror short story by American writer Edgar Allan Poe, published in 1844 in The Philadelphia Dollar Newspaper. Its main character expresses concern about being buried alive. This fear was common in this period and Poe was taking advantage of the public interest. The story has been adapted to a film.
Tales of Terror is a 1962 American International Pictures horror film in color and Panavision, produced by Samuel Z. Arkoff, James H. Nicholson, and Roger Corman, who also directed. The screenplay was written by Richard Matheson, and the film stars Vincent Price, Peter Lorre, and Basil Rathbone. It is the fourth in the so-called Corman-Poe cycle of eight films largely featuring adaptations of Edgar Allan Poe stories and directed by Corman for AIP. The film was released in 1962 as a double feature with Panic in Year Zero!.
The Masque of the Red Death is a 1964 horror film directed by Roger Corman and starring Vincent Price. The story follows a prince who terrorizes a plague-ridden peasantry while merrymaking in a lonely castle with his jaded courtiers. The screenplay, written by Charles Beaumont and R. Wright Campbell, was based upon the 1842 short story of the same name by American author Edgar Allan Poe, and incorporates a subplot based on another Poe tale, "Hop-Frog'". Another subplot is drawn from Torture by Hope by Auguste Villiers de l'Isle-Adam.
Gas-s-s-s is a 1970 post-apocalyptic black comedy film produced and released by American International Pictures.
House of Usher is a 1960 American horror film directed by Roger Corman and written by Richard Matheson from the 1839 short story "The Fall of the House of Usher" by Edgar Allan Poe. The film was the first of eight Corman/Poe feature films and stars Vincent Price, Myrna Fahey, Mark Damon and Harry Ellerbe.
The Pit and the Pendulum is a 1961 horror film in Panavision and Pathécolor directed by Roger Corman, starring Vincent Price, Barbara Steele, John Kerr, and Luana Anders. The screenplay by Richard Matheson was loosely inspired by Edgar Allan Poe's 1842 short story of the same name. Set in sixteenth-century Spain, the story is about a young Englishman who visits a forbidding castle to investigate his sister's mysterious death. After a series of horrific revelations, apparently ghostly appearances and violent deaths, the young man becomes strapped to the titular torture device by his lunatic brother-in-law during the film's climactic sequence.
The Haunted Palace is a 1963 horror film released by American International Pictures, starring Vincent Price, Lon Chaney Jr. and Debra Paget, in a story about a village held in the grip of a dead necromancer. The film was directed by Roger Corman and is often regarded as one in his series of eight films largely based on the works of American author Edgar Allan Poe.
Taphophobia is an abnormal (psychopathological) fear of being buried alive as a result of being incorrectly pronounced dead.
American poet and short story writer Edgar Allan Poe has had significant influence in television and film. Many are adaptations of Poe's work, others merely reference it.
Midnite Movies is a line of B movies released first on VHS and later on DVD by MGM Home Entertainment. The line was begun by MGM in March 2001 following its acquisition of Orion Pictures, which bought out Filmways, the owner of American International Pictures. AIP had a library of B movies from the 1950s and 1960s that were science fiction, horror, and exploitation films. The "Midnite Movies" collection is primarily derived from the AIP library but also included Hammer Film Productions, Amicus Productions, United Artists, and Empire International Pictures movies as well. The DVDs were first released as single films, but most later releases would be double features on single double-sided discs. Sony Pictures Home Entertainment later became owners of the MGM library and continued the "Midnite Movies" line with distributor 20th Century Fox Home Entertainment. All double feature titles released on the 20th Century Fox label were two-disc packages. By 2011, no new titles were forthcoming; the previous catalog titles slowly went out of print and the "Midnite Movies" website was taken down.
Premature Burial.
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