"Molly Malone" (also known as "Cockles and Mussels" or "In Dublin's Fair City") is a song set in Dublin, Ireland, which has become its unofficial anthem.
A statue representing Molly Malone was unveiled on Grafton Street by then Lord Mayor of Dublin, Ben Briscoe, during the 1988 Dublin Millennium celebrations, when 13 June was declared to be Molly Malone Day.
In July 2014, the statue was relocated to Suffolk Street, in front of the Tourist Information Office, to make way for Luas track-laying work at the old location.
History
The song tells the fictional tale of a fishwife who plied her trade on the streets of Dublin and died young, of a fever. In the late 20th century, a legend grew up that there was a historical Molly, who lived in the 17th century. She is typically represented as a hawker by day and a part-time prostitute by night.[1] In contrast, she has also been portrayed as one of the few chaste female street hawkers of her day.
There is no evidence that the song is based on a real woman in the 17th century or any other time. The name "Molly" originated as a familiar version of the names Mary and Margaret. Many such "Molly" Malones were born in Dublin over the centuries, but no evidence connects any of them to the events in the song.[1][2] Nevertheless, the Dublin Millennium Commission in 1988 endorsed claims made for a Mary Malone who died on 13 June 1699, and proclaimed 13 June to be "Molly Malone Day".[1]
The song is not recorded earlier than 1876, when it was published in Boston, Massachusetts.[3] Its placement in the section of the book titled "Songs from English and German Universities" suggests an Irish origin.[4] It was also published by Francis Brothers and Day in London in 1884 as a work written and composed by James Yorkston, of Edinburgh, with music arranged by Edmund Forman. The London edition states that it was reprinted by permission of Kohler and Son of Edinburgh, implying that the first edition was in Scotland, but no copies of it have been found.[5][6][7]
According to Siobhán Marie Kilfeather, the song is from the music hall style of the period, and one cannot wholly dismiss the possibility that it is "based on an older folk song", but "neither melody nor words bear any relationship to the Irish tradition of street ballads". She calls the story of the historical Molly "nonsense". The song is in a familiar tragicomic mode that was then popular and was probably influenced by earlier songs with a similar theme, such as Percy Montross's "Oh My Darling, Clementine", which was written in about 1880.
A variant, "Cockles and Mussels", with some different lyrics, appeared in Students' Songs: Comprising the Newest and Most Popular College Songs As Now Sung at Harvard, Yale, Columbia, ... Union, Etc in 1884.[8]
Souvenir statuette of Molly Malone
A copy of Apollo's Medley, dating from around 1790, published in Doncaster and rediscovered in 2010, contains a song referring to "Sweet Molly Malone" on page 78 that ends with the line "Och! I'll roar and I'll groan, My sweet Molly Malone, Till I'm bone of your bone, And asleep in your bed." Other than this name and the fact that she lives in Howth, near Dublin, this song bears no resemblance to Molly Malone.[9] The song was later reprinted in the collection The Shamrock: A Collection of Irish Songs (1831) and was published in The Edinburgh Literary Journal that year with the title "Molly Malone".[10]
Some elements of the song appear in several earlier songs. A character named Molly Malone appears in at least two other songs. The song "Widow Malone," published as early as 1809, refers to the title character alternately as "Molly Malone," "Mary Malone" and "sweet mistress Malone".[4] Another song, "Meet Me Miss Molly Malone", was published as early as 1836 in Glasgow, and in America in 1840.[7][4] The song "Pat Corney's Account of Himself", published as early as 1826,[11] begins, "Now it's show me that city where the girls are so pretty" and ends, "Crying oysters, and cockles, and Mussels for sale."[4] During the 19th century, the expression "Dublin's fair city" was used regularly in reference to Dublin, and the phrase "alive, alive O" is known to have been shouted by street vendors selling oysters, mussels, fish and eels.[4]
Statue of Molly Malone at its original location on Grafton Street (2007)
Molly Malone is commemorated in a statue commissioned by Jurys Hotel Group and designed by Jeanne Rynhart, erected to celebrate the city's first millennium in 1988. It was originally intended that Rynhart would be commissioned to create a further 12 street sculptures, including those of famous literary figures such as W. B. Yeats and Oscar Wilde, with the intention of creating a sculpture trail in the city.[14] The unveiling of the statue was not met with universal praise however, with Adrian Munnelly, director of the Arts Council in his capacity as registrar of Aosdána, writing to Bord Fáilte (the National Tourism Development) at the time to express his members' "universal depreciation" noting the statue was "entirely deficient in artistic point and merit".[14]Lord Mayor of Dublin Ben Briscoe defended the statue however, saying "the statue was regarded with great warmth and affection by the city of Dublin".[14]
The statue was originally placed at the bottom of Grafton Street, and as with other public art in the city, was christened colloquially as "The Tart with the Cart". The statue portrays Molly as a busty young woman in 17th-century dress, which would have consisted of a full-length chemise, overskirt and basque of wool.[14] Her low-cut dress and large breasts were justified on the grounds that as "women breastfed publicly in Molly's time, breasts were popped out all over the place."[2][15] The traditional, but revealing, costume in which she was sculpted by Rynhart may have also nodded to her supposed job as a part-time prostitute.[16]
In April 2014, the statue was removed from its original location at the base of Grafton Street and kept in storage to make way for the new Luas tracks which skirted around Trinity College.[17] During the removal of the statue, some cracks were revealed which required restoration work. This was carried out by Bushy Park Ironworks in the city.[14] Speaking to The Irish Times, ironworks employee Edward Bisgood noted how the company was "carrying out some patination to bring her back to her original dark brown colour, but (was) leaving the areas where she's been rubbed over the years, so she will look as people remember her, but she'll be a lot stronger".[14] In July 2014, the statue was placed in its new location outside the Dublin Tourist Office (formerly St. Andrew's Church) on Suffolk Street, a short distance from the original site.[18] Due to its notability and location, the statue is also a common starting and finishing point for some of Dublin city's walking tours.[14]
According to The Irish Times "sometime before 2014", tourists began rubbing the statue's bosom area "for luck",[14] with some visitors getting a photo of themselves doing so.[19] The relatively new practice has been criticised by some,[20][21] including Dublin-born singer Imelda May, who associated it with the objectification of women and questioned how "the only statue in Dublin with breasts is basically assaulted in front of our children's eyes daily".[22] In February 2024, a local busker initiated a campaign named 'Leave Molly mAlone' to draw attention to the misogynistic trend and call for its cessation.[23][24]
In popular culture
In the movie A Clockwork Orange (1971), a drunk tramp sings "Molly Malone" in a tunnel before being assaulted by the Alex and his gang, whom Alex refers to as his "droogs".[25] Also, in the film Premature Burial (1962), a character plays the melody to "Molly Malone" on the piano.[citation needed]
The Irish soap operaFair City derives its title from the opening line of the song: "In Dublin's fair city, where the girls are so pretty..."[26]
Versions of the song have also been recorded in Russian (as Душа моя, Молли or "Molly, my soul"), French, and in Dutch (as "kokkels en mossels").[citation needed]
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References
1 2 3 Siobhán Marie Kilfeather, Dublin: a cultural history, Oxford University Press US, 2005, p. 6.
↑ Waite, Henry Randall (1876). Carmina Collegensia: A Complete Collection of the Songs of the American Colleges, with Selections from the Student Songs of the English and German Universitys. Ditson. p.73.
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