$7.4 million[4] or $3.5 million (North America)[3]
Maximum Overdrive is a 1986 American horror film written and directed by Stephen King.[5] The film stars Emilio Estevez, Pat Hingle, Laura Harrington, and Yeardley Smith. The screenplay was inspired by and loosely based on King's short story "Trucks", which was included in the author's first collection of short stories, Night Shift, and follows the events after all machines (including trucks, radios, arcade games, vending machines, etc.) become sentient when Earth crosses the tail of a comet, initiating a world-wide killing spree.
Maximum Overdrive was theatrically released on July 25, 1986, to critical and commercial failure. It was nominated for two Golden Raspberry Awards including Worst Director for King and Worst Actor for Estevez in 1987, but both lost to Prince for Under the Cherry Moon. In 1988, Maximum Overdrive was nominated for "Best Film" at the International Fantasy Film Awards.[6] King disowned the film, describing it as a "moron movie", and considered the process a learning experience,[7] after which he intended never to direct again.[8]
Plot
On June 19, 1987, as the Earth crosses the tail of a comet, previously inanimate machines suddenly spring to life; an ATM insults a customer and a bascule bridge rises during heavy traffic, causing all vehicles upon the bridge to fall into the river or collide. Chaos sets in as machines of all kinds begin attacking humans worldwide. At the Dixie Boy Truck Stop just outside Wilmington, North Carolina, employee Duncan Keller is blinded after a gas pump sprays diesel in his eyes. An electric knife injures waitress Wanda June, and arcade machines in the back room electrocute a customer. Cook and paroled ex-convict Bill Robinson begins to suspect something is wrong. Meanwhile, at a Little League game, a vending machine kills the coach by firing canned soda point-blank at him. A driverless road roller flattens one of the fleeing children, but Duncan's son Deke manages to escape on his bike.
Newlyweds Connie and Curt stop at a gas station, where a tow truck tries to kill Curt, but he and Connie escape in their car. Deke rides through his town as humans and even pets are brutally killed by lawnmowers, chainsaws, electric hair dryers, pocket radios, RC cars and an ice cream truck. At the Dixie Boy, a garbage truck kills Duncan, and a truck sporting a giant Green Goblin mask on its grille runs into bible salesman Camp Loman, sending his body into a ditch. Later, several big rig trucks encircle the truck stop.
Connie and Curt are pursued by a semi-truck, but they outmaneuver it at a sharp turn, causing it to crash off the side of the road as it explodes. They arrive at the truck stop and see the situation, but Curt realizes they are safer in the fortified Dixie Boy than out in the open. They try to pass between the trucks, but their car is hit and overturned. Bill and Brett Graham, a hitchhiker, rush to help them, but the trucks attack them. The owner Bubba Hendershot uses M72 LAW rockets he had stored in a bunker hidden under the diner to destroy many of the trucks. Deke makes it to the truck stop later that evening and tries to enter via the sewers, but is obstructed by the wire mesh covering the opening. That night, the survivors hear Loman screaming in a ditch, and Bill and Curt sneak out to help him by climbing through the sewers. Deke finds Loman and believes he is dead, but he suddenly jumps up and attacks Deke. Bill and Curt rescue Deke and a truck chases them back into the pipe.
The next morning, a bulldozer and a platform truck drive to the truck stop. The angered Hendershot uses the rocket launcher to blow up the bulldozer, but the platform truck fires its post-mounted machine gun into the building, killing several people, including Hendershot and Wanda. The truck then demands, via sending morse code signals through its horn that Deke deciphers, that the humans pump the trucks' diesel for them in exchange for their lives. The survivors soon realize their own machines have enslaved them. Bill suggests they escape to a local island just off the coast, on which no motorized vehicles are permitted. While the crew is resting, Bill theorizes that the comet is actually a "broom" operated by interstellar aliens that are using Earth's machines to destroy humanity so the aliens can repopulate the Earth. During a fueling operation, Bill sneaks a grenade onto the platform truck, destroying it, then leads the party out of the diner via a sewer hatch to the main road just as the trucks demolish the entire truck stop. The Green Goblin truck pursues the survivors to the docks, managing to kill trucker Brad when he falls behind, and when the ice cream truck appears, Brett and Curt open fire and destroy it. After Bill destroys the truck with a direct hit from a rocket shot, the survivors then sail off to safety.
An epilogue explains that 2 days later, a UFO was destroyed by a Soviet "weather satellite" conveniently equipped with class IV nuclear missiles and a laser cannon. 6 days later, Earth passes out of the comet's tail, and the survivors are still alive.
The film was the first to be made by Embassy Pictures after it had been bought by Dino De Laurentiis.[2] Principal photography began in early May 1985, in and around Wilmington, North Carolina, as De Laurentiis operated a large studio complex in the area. De Laurentiis chose North Carolina because it was a "right-to-work state", meaning that he could hire non-union crews, which would greatly cut down on production costs.[9]
It would be the directorial debut of the writer Stephen King, who had a three-picture deal with De Laurentiis. In a 2002 interview with Tony Magistrale for the book Hollywood's Stephen King, first-time director King stated that he was "coked out of [his] mind all through its production, and... really didn't know what [he] was doing".[7] On-set translator Roberto Croci didn't remember King's cocaine use, but recalls him drinking from early in the morning until late at night. "I never saw. I didn't. But I did know that he was drunk. That 6 o'clock in the morning we have a roll call and he's drinking beers. And by 8:30, he's on his 10th beer."[9]
At a fan screening in 2021, Jock Brandis, the film's gaffer, told the audience that King rode a motorcycle from Maine to Wilmington, so he could ride alongside semi-trucks on the highway. He wanted to get a better feel for how terrifying big-rigs could be when in close proximity, and to better know their loud sounds and movements. When King arrived at the studio on his bike for the initial production meeting, the security guards wouldn't let him through the front gate because they did not believe he was part of any production taking place on the lot. His appearance was disheveled, and he was rambling on about a film he was to direct involving killer trucks that had come alive due to a space comet. He was granted access to the studio lot after Brandis pointed out that the plates on his motorcycle were from Maine. Brandis, a Canadian gaffer who had worked with De Laurentiis on David Cronenberg's adaptation of The Dead Zone, was tasked with many jobs not normally given to a film gaffer. De Laurentiis erroneously believed Brandis could speak Italian, and would be able to bridge the language gap between Italian cinematographer Armando Nannuzzi and the local crew. Nannuzzi had previously worked in Wilmington with De Laurentiis on Cat's Eye, and would struggle with communication throughout the film, often nodding and replying "yes, yes, yes," to every question.[9] Along with being the production's chief lighting technician, Brandis procured many of the trucks used in production, most of which still featured names from actual local businesses on the cabs and trailers. Brandis is also featured in the opening scenes of the film, driving a 1968 Ford F-Series dump truck over the Isabella Holmes draw bridge when it opens.[10]
Stephen King originally wanted Bruce Springsteen to play the role of Bill Robinson. Springsteen was unknown by De Laurentiis, so De Laurentiis personally hired "Martin's (Sheen) son," Emilio Estevez. It is believed De Laurentiis's insistence that Estevez participate in the film was when King became disillusioned with the production.[9] King did try to create a positive environment for the crew, at one point renting out an entire theater to screen classic films such as Godzilla and Night of the Living Dead. He provided free refreshments and personal commentary during each film. King would also participate in golf cart races on the studio lot during down time.[9]
Many wardrobe and special effects choices were made by De Laurentiis personally. During a dailies screening of Laura Harrington's first scene, De Laurentiis became upset that she was wearing jeans. A new scene was written so she could change into something more revealing for the rest of the film.[9] The "Dixie Boy Truck Stop" set was built alongside of US-17/74, just across the Cape Fear River near Wilmington, North Carolina. It was a purpose-built location, existing specifically for the film. The land is now a privately owned storage area. All of the interior scenes were filmed at De Laurentiis' Wilmington-based studio facility, which at the time was called "DEG," or De Laurentiis Entertainment Group. One of the iconic Green Goblin heads from the cab of the Happy Toyz truck remained on the studio lot until the mid-90s, when it was sold to a private collector.
While shooting the scene when a lawnmower comes alive in a residential neighborhood, Nannuzzi was struck in the right eye, his "shooting eye," by a large splinter of wood that had become lodged in the blade. According to camera assistant Silvia Giulietti, "We were shooting a scene where a lawnmower—the machine that cut the grass—was following a boy to kill him. And we put the camera on the ground with piece of wood beneath. To wedge, okay? I remember that Armando Nanuzzi [sic] ask to Stephen King, "Can we take out the blades?" But Stephen King say, "no, no, I like to see them." Armando say, "But we don't see them in the shot." But Stephen King say, "No. No. Better that you let it."[9] The special effects department had also suggested removing the blade for safety reasons, but King continued to insist that it remain, so the scene could appear more life-like. Nannuzzi was helicoptered from set and then flown to a hospital in Raleigh where he eventually lost his eye. Production was halted for a brief period, but Nannuzzi returned to finish the film.[9] After the film was released, Nannuzzi sued King, De Laurentiis Productions, and sixteen others involved with the film for $18 million. The suit was filed in New York, as King and many of the other defendants often did business in that state. The case was later settled.[11] Nannuzzi continued to work on films after his accident, but believed he would never again be considered for big-budget projects, as producers wouldn't want a cameraman with no depth perception.[9] He returned to Italy, where he worked until his retirement in 1998. He died on May 14, 2001.[12]
During some of the studio production work, Wilmington was grazed by Hurricane Gloria. Winds and rain were very heavy, and the crews created a competition to see who could move from stage to stage without being blown over. Production was eventually halted again for a brief time while the storm passed and the studio lot could be assessed for damage.[9]
Pat Hingle, who played Dixie Boy owner Bubba Hendershot, moved to Wilmington after the production wrapped. He lived in nearby Carolina Beach until his death in 2009.[13]
Reception
Critical reception was largely negative. On Rotten Tomatoes the film has an approval rating of 14% based on reviews from 14 critics.[14] On Metacritic the film has a score of 24% based on reviews from 8 critics, indicating "generally unfavorable reviews".[15] Audiences surveyed by CinemaScore gave the film a grade D+ on scale of A to F.[16]
Jon Pareles of The New York Times wrote that "by making the machines' malevolence so all-encompassing — so amoral — Mr. King loses the fillip of retribution in better horror films. For the most part, he has taken a promising notion — our dependence on our machines — and turned it into one long car-crunch movie, wheezing from setups to crackups."[17]Variety called it "the kind of film audiences want to talk back to, the kind that throws credibility out the window in favor of crass manipulation. Unfortunately, master manipulator Stephen King, making his directorial debut from his own script, fails to create a convincing enough environment to make the kind of nonsense he's offering here believable or fun."[18]Patrick Goldstein of the Los Angeles Times wrote, "As long as King is tinkering with his crazed machines, the film sustains a certain amount of ominous tension, but as soon as the author turns his attention to his actors, the movie's slender storyline goes limp ... Worse still, the movie never really builds up any momentum or jars us with unexpected jolts of horror."[19]
Writing in the Chicago Tribune, Rick Kogan gave the film 1 star out of 4 and called it "a mess of a movie", further stating that "King's direction is heavy handed and his dialogue hackneyed and stiff."[20]Paul Attanasio of The Washington Post wrote that the film "is like sitting alongside a 3-year old as he skids his Tonka trucks across the living room floor and says 'Whee!' except on a somewhat grander scale", and added that as a director Stephen King "proves that he hasn't got an ounce of visual style, the vaguest idea of how to direct actors or the sense that God gave a grapefruit."[21]
John Clute and Peter Nicholls have offered a modest reappraisal of Maximum Overdrive, admitting the film's many flaws, but arguing that several scenes display enough visual panache to suggest that King was not entirely without talent as a director.[23]
Potential remake
In October 2020, Stephen King's son Joe Hill expressed interest in writing and directing a Maximum Overdrive remake with some alterations to the original material.[24][25]
Evil Dead II is a 1987 American comedy horror film directed by Sam Raimi, who co-wrote it with Scott Spiegel. The second installment in the Evil Dead film series, it is considered both a remake and sequel to The Evil Dead (1981). It stars Bruce Campbell as Ash Williams, who vacations with his girlfriend to a remote cabin in the woods. He discovers an audio tape of recitations from a book of ancient texts, and when the recording is played, it unleashes a number of demons which possess and torment him.
Night Shift is Stephen King's first collection of short stories, first published in 1978. In 1980, Night Shift won the Balrog Award for Best Collection, and in 1979 it was nominated as best collection for the Locus Award and the World Fantasy Award.
Emilio Estevez is an American actor and filmmaker.
Agostino "Dino" De Laurentiis was an Italian film producer and businessman who held both Italian and American citizenship. Following a brief acting career in the late 1930s and early 1940s, he moved into film production; alongside Carlo Ponti, he brought Italian cinema to the international scene in the post-World War II period. He produced or co-produced over 500 films, with 38 of his Hollywood films receiving Academy Award nominations. He was also the creator and operator of DDL Foodshow, a chain of Italian specialty foods stores.
Martin Patterson Hingle was an American character actor who appeared in stage productions and in hundreds of television shows and feature films. His first film was On the Waterfront in 1954. He often played tough authority figures. Hingle was a close friend of Clint Eastwood and appeared in the Eastwood films Hang 'Em High, The Gauntlet, and Sudden Impact. He also portrayed Jim Gordon in the Batman film franchise from 1989 to 1997.
Embassy Pictures Corporation was an American independent film production and distribution studio, active from 1942 to 1986. Embassy was responsible for films such as The Graduate, The Producers, The Fog, The Howling, Escape from New York, and This Is Spinal Tap, Swamp Thing, and television series such as The Jeffersons, One Day at a Time and The Facts of Life.
"Trucks" is a short story by Stephen King, first published in the June 1973 issue of Cavalier magazine, and later collected in King's 1978 collection Night Shift.
Silver Bullet is a 1985 American horror film based on the 1983 Stephen King novella Cycle of the Werewolf. It stars Gary Busey, Everett McGill, and Corey Haim, with Megan Follows, Terry O'Quinn, Lawrence Tierney, Bill Smitrovich, Kent Broadhurst, David Hart, and James Gammon in supporting roles. The film is directed by Dan Attias, written by King and produced by Martha De Laurentiis.
Breakdown is a 1997 American thriller film directed and co-written by Jonathan Mostow. It stars Kurt Russell, J. T. Walsh and Kathleen Quinlan. The original music score was composed by Basil Poledouris. The film was produced by Dino De Laurentiis and Martha De Laurentiis, and released on May 2, 1997 by Paramount Pictures. It is one of the final films featuring Walsh to be released in his lifetime. The film received positive reviews and gained a strong cult following.
William Carey Loftin was an American professional stuntman, stunt coordinator and actor in the U.S. film industry. He is considered to be one of the film industry's most accomplished stunt drivers. In a lengthy career spanning 61 years, his body of work included classic films such as Thunder Road, Bullitt, Vanishing Point, Duel, and The French Connection. He was posthumously inducted into the AMA Motorcycle Hall of Fame in 2001.
Jock Brandis is an author, film actor, film technician, inventor, and humanitarian. Brandis has received the 2006 Popular Mechanics Breakthrough Award for Innovation and the 2008 Purpose Prize, which he received in recognition for his work and experience.
Frankie Russel Faison is an American actor known for his role as Deputy Commissioner, and, later, Commissioner, Ervin Burrell in the HBO series The Wire, as Barney Matthews in the Hannibal Lecter franchise, and as Sugar Bates in the Cinemax series Banshee.
De Laurentiis Entertainment Group (DEG) was an entertainment production company and distribution studio founded by Italian producer Dino De Laurentiis. The company is notable for producing Manhunter, Blue Velvet, the horror films Near Dark and Evil Dead II, King Kong Lives, and Bill & Ted's Excellent Adventure, as well as distributing The Transformers: The Movie.
Armando Nannuzzi was an Italian cinematographer and camera operator active from the 1940s until the 1990s. His career spanned six decades and over 100 films.
Laura Harrington is an American actress and screenwriter.
Firestarter is a 1984 American science fiction horror film based on Stephen King's 1980 novel of the same name. The plot concerns a girl who develops pyrokinesis and the secret government agency known as The Shop which seeks to control her. The film was directed by Mark L. Lester, and stars David Keith, Drew Barrymore, Martin Sheen and George C. Scott. Firestarter was shot in and around Wilmington, Chimney Rock, and Lake Lure, North Carolina.
The portrayal of the trucking industry in United States popular culture spans the depictions of trucks and truck drivers, as images of the masculine side of trucking are a common theme. The portrayal of drivers ranges from the heroes of the 1950s, living a life of freedom on the open road, to the depiction of troubled serial killers of the 1990s. Songs and movies about truck drivers were first popular in the 1940s, and mythologized their wandering lifestyle in the 1960s. Truck drivers were glorified as modern day cowboys, outlaws, and rebels during the peak of trucker culture in the 1970s.
Deke Anderson is an American television and film actor and former body builder. Active from around the mid-1990s, he has had lead and supporting roles in some actioners earlier on in his career. He had a role as Eddie Reed in the soap opera The Days of Our Lives, and has appeared in General Hospital and Cheers. He is also known for later television work as Rick Dresden in Devious Maids and as Detective Johnson in Dreamsville. He played the part of Chief Stevens in Wayne Slaten's 2018 film Osprey. He has also worked as an acting coach in later years.
The 9th Stinkers Bad Movie Awards were released by the Hastings Bad Cinema Society in 1987 to honour the worst films the film industry had to offer in 1986. As follows, there was only a Worst Picture category with provided commentary for each nominee, as well as a list of films that were also considered for the final list but ultimately failed to make the cut.
Film and television shot/produced in Wilmington, North Carolina, are usually independent and/or low-budget films, mainly due to Wilmington being relatively more affordable than other cities to film in. Other reasons for Wilmington's appeal include its local university (UNCW), its location on the coast, the presence of many historic buildings/sites, and vast swamps and waterways outside of Wilmington. It has remained the largest film and television production area in North Carolina since the 1980s, when the first major productions started to be made in the region.
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