Heroes for Hope

Heroes for Hope: Starring the X-Men
Front cover for Heroes for Hope. Art by Art Adams.
Publication information
Publisher	Marvel Comics
Format	One-shot
Genre	Superhero
Publication date	1985
No. of issues	1
Main character(s)	X-Men
Creative team
Created by	Jim Starlin Bernie Wrightson
Written by	List Mike Baron Edward Bryant Chris Claremont Jo Duffy Harlan Ellison Steve Englehart Archie Goodwin Mike Grell Bruce Jones Stephen King Stan Lee Bill Mantlo George R. R. Martin Alan Moore Ann Nocenti Dennis O'Neil Jim Shooter Louise Simonson Jim Starlin Bernie Wrightson
Artist(s)	List John Bolton Richard Corben Gray Morrow
Penciller(s)	List Brent Anderson Bret Blevins Brian Bolland John Buscema John Byrne Howard Chaykin Jackson Guice Paul Gulacy Michael Kaluta Frank Miller John Romita Jr. Steve Rude Herb Trimpe Charles Vess Alan Weiss Bernie Wrightson
Inker(s)	List Terry Austin Sal Buscema Al Gordon Dan Green Klaus Janson Jeff Jones Bob Layton Steve Leialoha Al Milgrom Jon J Muth Tom Palmer Carl Potts Josef Rubinstein P. Craig Russell Bill Sienkiewicz Walter Simonson Joe Sinnott Al Williamson
Letterer(s)	List Diana Albers Ken Bruzenak L. Lois Buhalis Janice Chiang John Costanza Phil Hugh Felix Michael Higgins John Morelli Jim Novak Tom Orzechowski Rick Parker Joe Rosen John Workman Ron Zalme
Colorist(s)	List John Bolton Daina Graziunas Ann Nocenti Glynis Oliver George Roussos Christie Scheele Petra Scotese Marie Severin Bob Sharen Michelle Wrightson Leslie Zahler
Editor(s)	Chris Claremont Ann Nocenti

Heroes for Hope: Starring the X-Men is a 1985 Marvel comic book designed to raise awareness about hunger in Africa. Proceeds from the comic went to the American Friends Service Committee, to assist in their work on behalf of African famine relief and recovery. Published in the form of a "comic jam" or exquisite corpse, the book featured an all-star lineup of comics creators as well as a few notable authors from outside the comic book industry, such as Stephen King, George R. R. Martin, and Edward Bryant. It also saw a rare Alan Moore Marvel Comics credit outside his early Marvel UK work.

Heroes for Hope featured some memorable artist/writer and penciler/inker pairings, including Stan Lee and John Buscema; Stephen King and Bernie Wrightson; Moore and Richard Corben; Harlan Ellison, Frank Miller, and Bill Sienkiewicz; Mike Baron and Steve Rude, Howard Chaykin inked by Walt Simonson; and John Byrne and Terry Austin reuniting on the X-Men.

Speakeasy magazine reported in April 1986 that Heroes for Hope had raised $150,000 for the American Friends Service Committee. ^[1]

Publication history

Heroes for Hope came about in response to the devastating 1983–85 famine in Ethiopia. ^[2] The concept was in the spirit of contemporaneous musical fund-raisers like Band Aid's "Do They Know It's Christmas?", USA for Africa's "We Are the World", and the Live Aid concerts. Then-Marvel Comics editor-in-chief Jim Shooter described the genesis of the project this way:

One night, a few months ago, artist Jim Starlin called me at home to propose an idea that his friend and fellow artist Berni Wrightson had suggested to him — that Marvel Comics publish a special issue of The X-Men, a benefit book for famine relief in Africa. Jim and Berni wanted to do the book as a "jam", with as many artists and writers contributing, which would enable us to bring a small army of outstanding talents together on the project, making it a real event. I thought it was a great idea. The next morning I pitched it to Publisher Mike Hobson and President Jim Galton. . . . Jim and Berni recruited the artists. Chris Claremont . . . quickly volunteered to recruit writers, and to help . . . coordinate the entire project. ^[3]

In addition to the contributors donating their work for the project, so did logo designer Janet Jackson and Marvel's production staff; while Curtis Circulation Company and all the direct market distributors and comics specialty shops donated their profits. ^[3]

Proceeds controversy

Marvel originally planned for the proceeds from the comic to go to Oxfam for its work in Africa. After previewing the book, the organization refused to accept the donation. The Oxfam representative found the comic "racist, sexist, and reprehensible," particularly taking issue with the presentation of women in the comic, especially X-Men heroine Storm, who is of African heritage. The representative apparently also believed the comic's logo had been stolen from the singer Janet Jackson (the Jackson family were major supporters of Oxfam) and refused to believe Marvel when they explained that their Janet Jackson was a different person. ^[4]

The proceeds were instead given to the American Friends Service Committee, with the first check being in excess of $500,000. ^[4]

Plot

The comic book opens with Rachel Summers poking her head out of the X-Mansion to grab the mail, only to be confronted with a horrible sight. The X-Men rush to the entrance to see that the mansion has somehow been transported to the middle of a barren desert.

After retrieving the comatose mail carrier, Wolverine senses that all is not right, and claws him in the face. But it turns out that it was all an illusion. The X-Men go back to business as usual after this fiasco, but then things begin to go wrong. One by one, a series of psychic assaults is launched on each member of the team, as they are subjected to their greatest subconscious fears.

First Colossus (with art by Byrne and Austin) is mocked by steely apparitions of his teammates. This is more than he can bear, and he curls up in a fetal position. Kitty Pryde, as told by King, Wrightson, and inker Jeff Jones, goes to grab something from the refrigerator only to be surprised by an evil Death-type being in a cloak. He exposes Kitty's great fear of going hungry. As told by Bill Mantlo, Charles Vess, and Jon J Muth, Nightcrawler finds Kitty turned into a wizened old hag, which leads to his own experience, focusing on Christian imagery and moral dilemmas. Kurt is offered the chance to sacrifice himself so that one other person might breath the air and eat the food he would. He declines, and thinks himself a coward. Thanks to Moore and Richard Corben, the next to fall prey to the spiritual onslaught is Magneto, who is offered a glimpse of a world where his dream of mutant supremacy has been realized — and that it's not all it's cracked up to be. Rachel is swept back to her past, where she's confronted by a horde of mutant-hunting doppelgänger Hounds, reminding her of her part in that dystopian future. Wolverine, by Ellison, Miller, and inker Sienkiewicz, must confront the tension between his human and animal sides. Claremont, Brian Bolland, and P. Craig Russell depict Storm confronted by a carnival ringmaster, who traps her in a house of mirrors. She is shown various images of her possible self, each one more distorted than the last. Ororo gets drawn into the crazy carnival games, and in the first concrete expression of the story's theme, she realizes that it is wrong to waste food. Having defeated the psychic attacker by feeding illusory cream pies to illusory people, Storm returns to her teammates for discussion of what has transpired.

Courtesy of Rachel's powers, the X-Men track the psychic presence that's been harassing them to the continent of Africa. They fly the Blackbird to the source, where they are met with horrible scenes of deprivation. Before long, a fleet of C-130 Hercules transport aircraft arrive, full of supplies, which the X-Men help distribute.

That night, Rogue becomes so frustrated that she has not had her turn of psychic punishment yet that she decides to hunt down the entity herself. She sneaks around the campsite stealing her teammates' powers. Using the psychic powers of Rachel Summers, the Rogue hybrid traces the presence of the X-Men's harasser to a desert hideaway. Upon entering the crypt, Rogue is attacked by the avatar of the psychic being. Things are not going well for Rogue when Storm appears to give aid. The "entity" is revealed to be a primeval god-force that feeds on human despair. One by one, the X-Men awake from their Rogue-induced comas and join in the battle.

The X-Men finally defeat the entity and return to their campsite, where they resume the enormous task of feeding the starving refugees. They realize their battle with the entity was a metaphor for the fight against famine, and indeed any human struggle. Kitty expresses fear that the entity survived the battle and is ready to strike again, but Wolverine comforts her with words of hope.

Contributors

Heroes for Hope featured a story by Chris Claremont, Ann Nocenti, Bernie Wrightson, Jim Starlin, and Jim Shooter. The editors were Nocenti and Claremont; the assistant editors were Pat Blevins and Terry Kavanagh. Front cover was made by Arthur Adams and back cover by Starlin. Logo design by Janet Jackson.

Page	Writer	Penciler	Inker	Letterer	Colorist
1-2	Stan Lee	John Romita Jr.	Al Gordon	Tom Orzechowski	Daina Graziunas
3-4	Stan Lee	John Buscema	Klaus Janson	Tom Orzechowski	Marie Severin
5	Ed Bryant	Brent Anderson	Joe Sinnott	Phil Felix	Bob Sharen
6-8	Louise Simonson	John Byrne	Terry Austin	Mike Higgins	Petra Scotese
9	Ed Bryant	Brent Anderson	Dan Green	Phil Felix	Bob Sharen
10-12	Stephen King	Bernie Wrightson	Jeff Jones	Tom Orzechowski	Christie Scheele
13-14	Bill Mantlo	Charlie Vess	Jon J Muth	Janice Chiang	Christie Scheele
15	Ed Bryant	Brent Anderson	Tom Palmer	Phil Felix	Bob Sharen
16-18	Alan Moore	Richard Corben	Richard Corben	Jim Novak	Michele Wrightson
19-21	Ann Nocenti	Mike Kaluta	Al Milgrom	Lois Buhalis	Glynis Oliver
22-24	Harlan Ellison	Frank Miller	Bill Sienkiewicz	John Workman	Christie Scheele
25-26	Chris Claremont	Brian Bolland	Craig Russell	Lois Buhalis	Glynis Oliver
27-28	Jo Duffy	John Bolton	John Bolton	Ron Zalme	John Bolton
29-30	Mike Baron	Steve Rude	Carl Potts	Diana Albers	Marie Severin
31-32	Dennis O'Neil	Bret Blevins	Al Williamson	Janice Chiang	Daina Graziunas
33-35	George Martin	Herb Trimpe	Sal Buscema	John Costanza	Glynis Oliver
36-37	Bruce Jones	Gray Morrow	Gray Morrow	Joe Rosen	Ann Nocenti
38-39	Steve Englehart	Paul Gulacy	Bob Layton	Ron Zalme	George Roussos
40-41	Jim Shooter	Alan Weiss	Joe Rubinstein	John Morelli	Christie Scheele
42-44	Mike Grell	Jackson Guice	Steve Leialoha	Rick Parker	George Roussos
45-48	Archie Goodwin	Howard Chaykin	Walt Simonson	Ken Bruzenak	Leslie Zahler

Awards

Heroes for Hope producers Jim Starlin and Bernie Wrightson were co-recipients of the 1986 Bob Clampett Humanitarian Award for their work on the book. ^[5]

See also

• Heroes Against Hunger
• 9-11 (comics)

Notes

1. "Newspeak: X-Men Benefit Book Raises $150,000", Speakeasy #61 (Apr. 1986).
2. DeFalco, Tom (2008). "1980s". In Gilbert, Laura (ed.). Marvel Chronicle A Year by Year History. Dorling Kindersley. p. 223. ISBN   978-0756641238. Horrified by the plight of starving children in Africa, writer/artist Jim Starlin and illustrator Bernie Wrightson convinced Marvel to publish Heroes For Hope. It was a 'jam' book...and all of Marvel's profits were donated to famine relief in Africa.
3. Shooter, Jim. Afterword, Heroes for Hope: Starring the X-Men (Marvel Comics, 1985).
4. Shooter, Jim (September 12, 2011). "Heroes for Hope and Why I Don't Like Oxfam America". Archived from the original on September 26, 2015. Retrieved September 30, 2011.
5. "The Bob Clampett Humanitarian Award". San Diego Comic-Con International. 2013. Archived from the original on February 13, 2014. Retrieved June 23, 2013.

References

• Heroes for Hope at the Comic Book DB (archived from the original )
• Heroes for Hope at the Grand Comics Database
• "The X-Men in: Heroes For Hope!". Retrojunk.com. August 16, 2006. Archived from the original on December 4, 2014.