Company type | Privately held company (subsidiary) |
---|---|
Industry | Publishing |
Founded | 1982 |
Founder | Jim Shooter |
Successor | Icon Comics |
Key people | Jim Shooter Al Milgrom Archie Goodwin |
Products | Comics |
Owner | Marvel Entertainment, LLC |
Parent | Marvel Comics |
Epic Comics (also known as the Epic Comics Group) [1] was an imprint of American publishing company Marvel Comics, active from 1982 to 1996. A spin-off of the publisher's Epic Illustrated magazine, it published creator-owned work unconnected to Marvel's superhero universe, and without the restrictions of the Comics Code. The name was revived by Marvel in the mid-2000s for a short-lived program inviting new writers to pitch series proposals to the publisher.
Launched by editor-in-chief Jim Shooter as a spin-off of the successful Epic Illustrated magazine, the Epic imprint allowed creators to retain control and ownership of their properties. Co-edited by Al Milgrom and Archie Goodwin, the imprint also allowed Marvel to publish more objectionable content (sometimes explicit) without needing to comply with the stringent Comics Code Authority. Epic titles were printed on higher quality paper than typical Marvel comics, and were only available via the direct market. [1]
Source: [2]
First Comics is an American comic book publisher that was active from 1983 to 1991 and then from 2011 to present, known for titles like American Flagg!, Grimjack, Nexus, Badger, Dreadstar, and Jon Sable. Along with competitors like Pacific Comics and Eclipse Comics, First took early advantage of the growing direct market, attracting a number of writers and artists from DC and Marvel to produce creator-owned titles, which, as they were not subject to the Comics Code, were free to feature more mature content.
Richard Veitch is an American comics artist and writer who has worked in mainstream, underground, and alternative comics.
Archie Goodwin was an American comic book writer, editor, and artist. He worked on a number of comic strips in addition to comic books, and is known for his Warren and Marvel Comics work. For Warren he was chief writer and editor of landmark horror anthology titles Creepy and Eerie between 1964 and 1967. At Marvel, he served as the company's editor-in-chief from 1976 to the end of 1977. In the 1980s, he edited the publisher's anthology magazine Epic Illustrated and its Epic Comics imprint. He is also known for his work on Star Wars in both comic books and newspaper strips. He is regularly cited as the "best-loved comic book editor, ever."
Howard Victor Chaykin is an American comic book artist and writer. Chaykin's influences include his one-time employer and mentor, Gil Kane, and the mid-20th century illustrators Robert Fawcett and Al Parker.
Epic Illustrated was a comics anthology in magazine format published in the United States by Marvel Comics. Similar to the US-licensed comic book magazine Heavy Metal, it allowed explicit content to be featured, unlike the traditional American comic books of that time bound by the restrictive Comics Code Authority, as well as offering its writers and artists ownership rights and royalties in place of the industry-standard work for hire contracts. The series lasted 34 issues from Spring 1980 to February 1986.
Ted McKeever is an American artist known for his work in the comic book industry. A master of pen-and-ink, McKeever has also fully painted many comics. He is known for his distinct graphic style and "bold, angular lines, which gives his work a fantastic, almost Kafka-esque edge."
Frank Lovece is an American journalist, author, and a comic book writer primarily for Marvel Comics, where he and artist Mike Okamoto created the miniseries Atomic Age. His longest affiliation has been with the New York metropolitan area newspaper Newsday, where he has worked as a feature writer and film critic.
Mike Okamoto is an American comic book artist and commercial illustrator best known for co-creating Marvel Comics' Atomic Age; as a "good girl art" cartoonist; and as the five-time International Network of Golf Illustrator of the Year.
Daniel Alan Brereton is an American writer and illustrator who has produced notable work in the comic book field.
In the United States, creator ownership in comics is an arrangement in which the comic book creator retains full ownership of the material, regardless of whether the work is self-published or published by a corporate publisher.
The Academy of Comic Book Arts (ACBA) was an American professional organization of the 1970s that was designed to be the comic book industry analog of such groups as the Academy of Motion Picture Arts and Sciences. Composed of comic-book professionals and initially formed as an honorary society focused on discussing the comic-book craft and hosting an annual awards banquet, the ACBA evolved into an advocacy organization focused on creators' rights.
The Creator's Bill of Rights is a document drafted in November 1988 by a number of independent comic book artists, writers, and publishers, designed to protect their rights as creators and publishers and oppose exploitation by corporate work for hire practices and the power of distributors to dictate the means of distribution. Issues covered by the Bill included giving creators proper credit for their characters and stories, profit-sharing, distribution, fair contracts, licensing, and return of original artwork. The signing of the Bill spurred Cerebus creator and self-publisher Dave Sim and Teenage Mutant Ninja Turtles creators/self-publishers Kevin Eastman and Peter Laird to sell or continue selling collected volumes of their comics directly to readers via their periodic issues, rather than through direct market distributors selling the collections at comic book specialty shops. Comic book professionals that have commented on the Bill conclude that it had little or no impact on the comic book industry.
Notable events of 1989 in comics.
Notable events of 1988 in comics.
Notable events of 1982 in comics.
Notable events of 1986 in comics.
Notable events of 1987 in comics.
Notable events of 1990 in comics.