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Master of Kung Fu | |
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Cover of Master of Kung Fu #16 | |
Publication information | |
Publisher | Marvel Comics |
Schedule | Varied |
Format | Ongoing series |
Genre | Superhero |
Publication date | April 1974 – June 1983 |
No. of issues | (vol. 1): 114 (#17–125, four Giant-Size issues, one Annual) (vol. 2): 1 (#126) |
Main character(s) | Shang-Chi |
Master of Kung Fu is a comic book title published by Marvel Comics from 1974 to 1983.
The character Shang-Chi first appeared in Special Marvel Edition #15 (December 1973) by Steve Englehart and Jim Starlin. [1] Shang-Chi appeared again in issue #16, and with issue #17 (April 1974) the title was changed to The Hands of Shang-Chi, Master of Kung Fu. Amidst the martial arts craze in the United States in the 1970s, the book became very popular, surviving until issue #125 (June 1983), a run including four Giant-Size issues and one Annual.
The series began by introducing Shang-Chi as a man raised by his father Dr. Fu Manchu to be the ultimate assassin for the would-be world conqueror. In Shang-Chi's first mission, he kills one of his father's old enemies, Dr. Petrie and then learns of Manchu's true, evil nature. Disillusioned, Shang-Chi swears eternal opposition to his father's ambitions and fights him as an agent of British intelligence, under the orders of Sir Denis Nayland Smith.
The series was an instant sales success. However, Englehart and Starlin would depart the series after their third issue, Master of Kung Fu #17; Englehart left due to editorial disputes with then-Marvel editor Roy Thomas, while Starlin, who was unfamiliar with Fu Manchu up until working on the second issue of the series, left out of embarrassment over the racist nature of the Rohmer novels. [2] Despite the title's co-creators' early departure, its success grew once writer Doug Moench and artist Paul Gulacy began collaborating in issue #22. Comics historian Les Daniels observed that "ingenious writing by Doug Moench and energetic art by Paul Gulacy brought Master of Kung Fu new life". [3] Their critically acclaimed run continued, with short gaps, until #51 when Gulacy was replaced by artist Jim Craig. Craig was later succeeded by Mike Zeck, who became the regular penciller in issue #66.
"Call me Shang-Chi, as my father did when he raised me and molded my mind and my body in the vacuum of his Honan, China retreat. I learned many things from my father: That my name means 'The Rising and Advancing of a Spirit', that my body could be forged into a living weapon through the discipline of kung fu, and that it might be used for the murder of a man called Dr. Petrie.
Since then I have learned that my father is Dr. Fu Manchu, the most insidiously evil man on earth...and that to honor him would bring nothing but dishonor to the spirit of my name".
Gulacy was a film buff, and modeled many characters after film stars: Shang-Chi on Bruce Lee, [4] Juliette on Marlene Dietrich, James Larner on Marlon Brando, Clive Reston (often broadly hinted at as being the son of James Bond, as well as the grand-nephew of Sherlock Holmes) occasionally looking like a combination of Basil Rathbone and Sean Connery, and a minor character, Ward Sarsfield (after Arthur Henry Sarsfield Ward, the real-life name of Fu Manchu's creator Sax Rohmer), resembling David Niven. [5] Moench introduced other film-based characters, including ones modeled after Groucho Marx (Rufus T. Hackstabber) [6] and W. C. Fields (Quigley J. Warmflash). [7]
Moench continued for a long tenure, and the title started to become a fan favorite once again when Mike Zeck (on pencils) and Gene Day (on inks) began their long run on the book. Master of Kung Fu started receiving Gulacy-level acclaim when Gene Day took over penciling in issue #100 (1981). Despite critical success, sales lagged. Day died of a heart attack after finishing issue #120, and Moench left the book after #122. The character's long-running battle with his father ended with #118 and with the main storyline resolved, the book was cancelled with issue #125, as Shang-Chi retired to a passive life as a fisherman in a Chinese village. In 2010, Comics Bulletin ranked Moench's work on Master of Kung-Fu with artists Gulacy, Mike Zeck, and Day sixth on its list of the "Top 10 1970s Marvels". [8]
Since its cancellation, the title would be briefly revived on a couple of occasions. In 1988, Marvel published a new Master of Kung Fu story in Marvel Comics Presents #1-8. It reunited Shang-Chi with most of the original supporting cast and featured Moench again writing, with Tom Grindberg penciling. [9]
The one-shot issue Master of Kung Fu: Bleeding Black (1990), [10] written by Moench, continued Shang-Chi's story from Marvel Comics Presents . The MAX miniseries Master of Kung Fu: Hellfire Apocalypse (2002), featured Paul Gulacy on art again. [11]
In 2009, the black and white one-shot Shang-Chi: Master of Kung Fu was released, with stories written by Jonathan Hickman, Mike Benson, Charlie Huston, and Robin Furth and illustrated by Tomm Coker, C. P. Smith, Enrique Romero and Paul Gulacy. [12] [13]
In 2015, the Master of Kung Fu title was revived as part of the Secret Wars storyline. Written by Haden Blackman and illustrated by Dalibor Talajic, the four-issue miniseries is a wuxia -inspired story that takes place in the Battleworld domain of K'un-L'un and centers around Shang-Chi in his fight to overthrow his despotic father, Emperor Zheng Zu. [14]
In November 2017, after a 34-year gap, Master of Kung Fu released its 126th issue as part of the Marvel Legacy relaunch. The one-shot issue (cover-dated January 2018) was written by professional wrestler CM Punk and illustrated once again by Talajic. [15]
The series, especially as written by Doug Moench was notable for its strong supporting characters. As they evolved, these characters became nearly as integral to the series as Shang-Chi himself:
This series, written by Haden Blackman and illustrated by Dalibor Talajic, was part of the Secret Wars series which takes place in the Battleworld domain of K'un-L'un. Based on the mystical city of the same name from Earth-15513, it is a wuxia -inspired domain in which its inhabitants are martial artists with mystical abilities and techniques. Aside from Shang-Chi, the series includes reimaginings of characters from the original Master of Kung Fu series, as well as others from other Marvel comics.
CBA: Did you ever get any other flak? Nowadays, I don't think you could get away with it, because you had Sean Connery, for instance, for a period of time. There were a lot of recognizable characters, James Coburn, and people like that...
PAUL: Marlene Dietrich...
CBA: Yeah, right. [laughs] You were grabbing them from all over!
PAUL: Don't forget David Niven [laughter]—who the hell cares about David Niven?—but we found a place for him in there.
At first, the comic was seen as...a place where fan-favorite strips could be brought back with one or more of their original creators on the job but without much financial risk to the company. In fact, the first issue of the series featured a Man-Thing serial by Steve Gerber and Tom Sutton and a Master of Kung Fu serial by Doug Moench and Tom Grindberg.