Plot
In 1989, Barbara Lang claims her daughter Rachel is possessed, having seen her display of telekinesis. Barbara is diagnosed with schizophrenia and institutionalized, while six-year-old Rachel is placed in foster care.
In 1999, Rachel, an outcast high-schooler, is living with unsympathetic foster parents. Her best friend Lisa Parker commits suicide by leaping from the school's roof after popular football star Eric Stark dumped her, having exploited her for sex.
While developing Lisa's film, Rachel finds a photograph of her and Eric kissing. She turns the photo in to the police, explaining Lisa confessed to her that she had recently lost her virginity. Sheriff Kelton and the school's guidance counselor, Sue Snell, pursue statutory rape charges against Eric, who is 18 while Lisa is 15.
Eric and many of his teammates, including Mark Bing and Chuck Potter, are competing to see who can seduce the most girls. Rachel's Basset Hound, Walter, is hit by a car and she flags down a driver, who is Jesse Ryan, another player on the team. Jesse takes an interest in Rachel, to the chagrin of cheerleader Tracy Campbell, who is pursuing him. Meanwhile, having discovered that Rachel implicated them in Lisa's death, Eric and Mark attempt to scare her into silence by harassing her at her home, but her telekinetic powers frighten them away. Pressured by the players' families, the district attorney covers up the statutory rape charges against Eric.
Sue begins to suspect Rachel may possess telekinetic powers through their counseling sessions. She tracks down Barbara, whose schizophrenia has stabilized, and learns that Rachel's father was Ralph White, the father of Carrie White. Sue brings Rachel to the ruins of the high school which Carrie destroyed in a telekinetic rage in 1976 after being humiliated at her senior prom. Sue, a peer of Carrie's, is the only survivor of the incident. When Sue discloses that Carrie is Rachel's half-sister, Rachel dismisses her as a liar. Sue later sneaks Barbara out of the institution so that she can inform Rachel of her father's identity.
As revenge, Mark sets up and covertly films a romantic date between Rachel and Jesse. He throws a big party at his family's mansion. Monica Jones, a girl in the clique, befriends Rachel and invites her to their party. Rachel leaves with Monica to the party, while Tracy takes Jesse, having arranged for his car to be sabotaged. Tracy attempts to seduce Jesse but he rejects her.
At the party, Mark and Chuck cruelly humiliate Rachel by projecting the footage of her and Jesse having sex for all the partygoers to see, and saying she is just a name in Jesse's "list of conquests." This triggers Rachel's telekinesis, and she seals the mansion closed. She causes a large window to explode, killing and maiming most of the partygoers, and triggers a fire. Sue and Barbara arrive at the party, but a fire-poker impales the front door, killing Sue.
Monica, Eric, and Mark frantically arm themselves as Rachel pursues them. Rachel makes Monica's glasses implode into her eyes, killing her and causing her to inadvertently castrate Eric with a harpoon. Mark shoots Rachel with a flare gun and she falls into the swimming pool. When Mark approaches the pool, Rachel pulls him in, triggers the sensor to the automatic pool cover, and leaves him to drown.
Barbara accuses Rachel of being possessed and flees. Jesse and Tracy arrive at the party. Rachel kills Tracy by causing a piece of ceiling to collapse on her. On a balcony, Rachel confronts Jesse about his list, but he denies it. Rachel then notices that the videotape of her and Jesse, still playing in the living room, captured Jesse saying "I love you" while she slept. As Rachel realizes Jesse's genuine feelings for her, an awning collapses on her. She throws Jesse off the balcony onto the pool as she burns to death.
In 2000, Jesse, now a student at King's University, cares for Walter. He has a nightmare of kissing Rachel before she shatters into pieces.
Reception
Critical response
The film received mostly negative reviews upon its release. Rotten Tomatoes reported the film had a 23% approval rating based on 39 reviews with the consensus: "As disposable as its predecessor is indispensable, The Rage: Carrie 2 mimics the arc of Stephen King's classic story without adding anything of value." [17] On Metacritic, it had a rating of 42 on a scale from 0–100 based on 21 reviews, indicating mixed or average reviews. [18]
Roger Ebert gave the film two out of four stars, deriding its recycling of the plot of the original Carrie and the contrivances employed to make the same plot happen over again, though he briefly credited Bergl for delivering a good performance considering the weakness of the material. [19] Anita Gates of The New York Times characterized it as "an uninspired updated" and "typical B-movie making. The actors are attractive and do credible jobs, and in the tradition of the original film, there's one really good scare at the end." [20] Both Ebert and Gates commented on the absurdity of the scene at the high school's ruins, which had not been cleared away despite two decades having passed. [19] [20] Dennis Harvey of Variety panned the film, noting that it "uses the original as a blueprint, but leaves out all the wit, sympathy and bravado." He criticized the recycling of ideas and even footage from the original film, and found the characters all lifeless, particularly compared to their counterparts from the original film. [21]
Ty Burr of Entertainment Weekly gave the film a more favorable B-minus rating. [22] He wrote, "The most satisfying change writer Rafael Moreu ( Hackers ) and director Katt Shea ( Poison Ivy ) have made is to their heroine. Where the original Carrie White was a sheltered, cringing wallflower, Rachel Lang (whose relationship to Carrie is a mid-film secret I won’t spoil) is a foster-home Goth grrrl: pale, defiant, seething with surface-level cynicism. She’s the antithesis of the glamorous faux nerd played by Rachael Leigh Cook in She's All That , and newcomer Emily Bergl portrays her with a nicely sulky empathy, equal parts hurt and hope." [22] Kevin Thomas of the Los Angeles Times championed the film as a "well-directed sequel" that treats the supernatural elements as simply obligatory devices while focusing instead on the deep and realistic social drama. He also praised Bergl as demonstrating "exceptional presence and range". [23]
John Kenneth Muir wrote that the abrupt death of Sue Snell was "certainly powerful in terms of shock effect, but it also makes the rest of the film seem incomplete. All the time we invested in Sue goes exactly nowhere and amounts to nothing." [24]
In retrospective reviews, critics praised the film's depiction of toxic masculinity, [7] with some commenting that the focus on the sexual misconduct committed by the male characters makes the film surprisingly timely, particularly in the wake of the MeToo movement. [25] [5]
