Development of the film began in 2004. Warner Bros. hired David Kajganich to write what was intended to be a relatively straight-forward remake of the 1956 film Invasion of the Body Snatchers, but Kajganich amended the story to reflect contemporary times. Principal photography began in September 2005. Released on August 17, 2007, the film was a commercial failure and received primarily negative reviews from critics.
After a Space Shuttle crashes on Earth, an intelligent fungus-like organism is discovered on the scattered wreckage across the United States. Soon afterward, people begin behaving strangely, showing detachment and a loss of emotion. Among the first affected is Tucker Kaufman, a CDC official investigating the crash. His ex-wife, psychiatrist Carol Bennell, notices that patients and friends insist their loved ones are "not themselves," while her young son Oliver observes similar unusual behavior in his peers.
On Halloween, Oliver finds a disturbing patch of skin on a partygoer, initially thought to be makeup, which Carol connects to reports of a mysterious flu. She takes the sample to her friend Dr. Ben Driscoll for analysis. Carol and Oliver then witness a car accident in which a troubled woman is run over. When Carol approaches to give a witness statement, an emotionless police officer dismisses her and records only her license plate. Later, Carol and Ben attend dinner with Czech diplomat Belicec, his wife Luddie, and Russian diplomat Yorish. Carol is also attacked at home by a stranger posing as a census worker, intensifying her fear of a widespread threat.
Ben and his colleague Dr. Stephen Galeano determine that the organism takes control of people during REM sleep. They also find that some individuals are immune, including those who have suffered from brain-affecting illnesses such as encephalitis or ADEM. Oliver is immune due to an episode of ADEM he experienced as a child, making him potentially vital to finding a cure. Carol joins Ben at the Belicecs’ home to investigate further and witnesses transformations in Yorish and a friend of the Belicecs.
Carol goes to Tucker’s house, where he and several colleagues confront her, claiming the altered humans represent a better world. When she refuses to join them, Tucker infects her by spitting into her face. Carol escapes and reunites with Ben and Oliver. Ben is later converted by the organism and tries to persuade Carol to accept the infection, but she shoots him in the leg and flees with Oliver.
Galeano and his team travel to Fort Detrick in Maryland to develop a cure using Oliver’s immunity. Carol and Oliver remain protected while scientists create a vaccine, eventually eradicating the epidemic. Those who were changed retain no memory of their actions.
Society returns to its ordinary course, with people resuming their usual emotional and sometimes violent behaviours. Carol and Ben are reunited, and Oliver remains safe, as the immediate threat of the organism is eliminated.
In March 2004, Warner Bros. hired David Kajganich to write a script that would serve as a remake of the 1956 science fiction film Invasion of the Body Snatchers.[2] In July 2005, Oliver Hirschbiegel was attached to direct, with production to begin in Edgemere, Maryland.[3] The following August, Nicole Kidman was cast to star in the film, then titled Invasion, receiving a salary of close to $17million. Invasion was based on the script by Kajganich, originally intended as a remake of Invasion of the Body Snatchers, but Kajganich crafted a different enough story for the studio to see the project as an original conception.[4] Despite this, the end credits of the film still state "Based on the novel The Body Snatchers by Jack Finney". Kajganich described the story to reflect contemporary times, saying, "You just have to look around our world today to see that power inspires nothing more than the desire to retain it and to eliminate anything that threatens it." The screenwriter said that the story was set in Washington, D.C. to reflect the theme.[5] In August, Daniel Craig was cast opposite Kidman in the lead.[6] The film, whose original title Invasion of the Body Snatchers was shortened to Invasion due to Kajganich's different concept, was changed once more to The Visiting so it would not be confused with ABC's TV series Invasion.[7] In October 2006, the title was changed from The Visiting to The Invasion, due to the cancellation of the ABC TV series.[8]
Warner Bros. was unhappy with Hirschbiegel's results and hired The Wachowskis to rewrite the film and assist with additional shooting.[13] The studio later hired director James McTeigue to perform re-shoots that would cost $10million,[13] for which McTeigue would not be credited.[14] After 13 months of inactivity, re-shoots took place in January 2007 to increase action scenes and add a twist ending.[15] The re-shoot lasted for 17 days in Los Angeles.[13] During the re-shooting, Kidman was involved in an accident, while in a Jaguar that was being towed by a stunt driver, and was taken to a hospital briefly.[16] Kidman broke several ribs, but she was able to get back to work soon after being hospitalized.[17]
Musical score
In May 2007, composer John Ottman recorded the musical score for The Invasion, using heavy synthesizers combined with a 77-piece orchestra intended to create "otherworldly foreboding and tension". The music was also designed to have an avant-gardepostmodern style, with atmospheric and thrilling action elements.[18]
The Invasion was originally intended to be released in June 2006,[19] but it was postponed to 2007.[8] The film was released on August 17, 2007, in the United States and Canada, in 2,776 theaters.[20]
Home media
Warner Bros. Home Entertainment released The Invasion on DVD and Blu-ray on January 29, 2008.[21] On November 12, 2024, Arrow Video released the film in newly-restored Blu-ray and 4K UHD Blu-ray editions, licensed by Warner Bros. in both the United States and United Kingdom.[22]
Reception
Box office
The Invasion grossed $15.1million domestically (United States and Canada) and $25.1million in other territories, for a worldwide total of $40.2million, against a production budget of $65–$80million.[13][20] It opened at No. 5,[20] spending its first two weeks in the Top 10 at the domestic box office.[23]
Critical response
On the review aggregator website Rotten Tomatoes, 20% of 162 critics' reviews are positive, with an average rating of 4.3/10.The website's consensus reads: "The Invasion is slickly made, but it lacks psychological insight and thrills."[24]Metacritic, which uses a weighted average, assigned the film a score of 45 out of 100, based on 31 critics, indicating "mixed or average" reviews.[25] Audiences polled by CinemaScore gave it C grade.[26]
Roger Ebert of the Chicago Sun-Times called it "the fourth, and the least, of the movies made from Jack Finney's classic science fiction novel."[27]Owen Gleiberman of Entertainment Weekly wrote that it was "a soulless rehash...The movie isn't terrible; it's just low-rent and reductive."[28] Joanne Kaufman of The Wall Street Journal added, "With all the shoot-outs, the screaming, the chases, collisions and fireballs, there isn't much time for storytelling."[29]
Manohla Dargis of The New York Times criticized the film, writing: "The latest and lamest version of Invasion of the Body Snatchers might have been an accidental camp classic if its politics weren't so abhorrent and the movie didn't try to hide its ineptitude behind a veil of pomposity."[30] Paul Arendt of the BBC wrote: "Having established an effectively creepy mood in the first half, the film eventually degenerates into a muddled mess, with Nicole and Daniel Craig dodging zombies while popping amphetamines in a desperate effort to stay awake. We know how they feel."[31]Maitland McDonagh of TV Guide called the film "a frantic mess that opens with a scene plucked from the film's third act that smacks of having been moved up to pacify audiences too restless for a slow build."[32]
↑ Gregg Kilday (August 21, 2007). "It's all good for 'Superbad' as comedy beats estimate". The Hollywood Reporter. The Associated Press. had to settle for a grade of C from the audience that CinemaScore sampled, which skewed slightly more male than female and older than 25.
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