Tetsuo: The Bullet Man | |
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Directed by | Shinya Tsukamoto |
Written by |
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Produced by |
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Starring |
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Cinematography |
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Edited by |
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Music by | Chu Ishikawa |
Production companies |
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Distributed by | Asmik Ace Entertainment |
Release dates |
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Running time | 79 minutes [1] |
Country | Japan |
Language | English [1] |
Tetsuo: The Bullet Man is a 2009 Japanese cyberpunk body horror thriller film directed by Shinya Tsukamoto. [2] The film is a standalone sequel to Tetsuo: The Iron Man (1989) and Tetsuo II: Body Hammer (1992), and follows a man who transforms into a rageful metallic being after his son is killed in a car crash. It stars Eric Bossick, Akiko Monō, Yuko Nakamura, Stephen Sarrazin, and Tsukamoto. The film premiered at the Venice Film Festival on 5 September 2009, and released in Japan on 22 May 2010, by Asmik Ace Entertainment.
Anthony is a man with an American father and a deceased Japanese mother living and working in Tokyo. One day, his son is killed in a car accident and shortly afterward, Anthony begins to transform into metal. He is shot dead by a hitman accompanied by a mysterious individual who taunts Anthony's dead body. The mysterious man, named Yatsu, is then confronted by a revived and enraged Anthony, and it is revealed that the car accident was in fact Yatsu's deliberate act of murder. Anthony attempts to kill Yatsu using bullets fired from his torso, but fails as Yatsu is able to narrowly escape. Yatsu hacks Anthony's computer to display a cryptic series of scientific documents and tells Anthony to go to his father's house, where he finds a secret room filled with files detailing a mysterious Tetsuo Project. He also learns that his father met his mother while they both researched the project. Anthony's wife Yuriko arrives but before she sees her transformed husband, a team of heavily-armed mercenaries from a private military company hired to cover up the existence of the Tetsuo Project arrive and she is taken hostage. Anthony's transformation finishes its hold and he defeats the PMC team with bullets fired from his body, but refrains from killing them. The severely injured team is extracted, but then killed by Yatsu, this film's version of "The Metal Fetishist". [2] [3]
Now believing that he has been possessed by a demon, Anthony attempts to kill himself using a gun growing from his hand but this fails. Anthony and Yuriko then meet up with Anthony's gravely wounded father who explains everything: Anthony's mother was disgusted with the militaristic outcome of the Tetsuo Project, having joined it as a way to help give crippled and sick people new bodies. When Anthony's mother realized that she would soon die from cancer, she insisted that her husband recreate her as a Tetsuo android so that he may still have a child with his recreated wife. That child became Anthony, which means that Anthony and his late son were always part Tetsuo. It is also revealed that anger is the catalyst that causes Anthony to transform into metal, and that Yatsu murdered Anthony's son and wounded his father in order to provoke this transformation. Yatsu, in this version without metal powers, has come to the conclusion that the only way he would prefer to die is by a bullet from Anthony's body as committing murder would push Anthony to consume and destroy the world in Yatsu's stead. Anthony's father bleeds out due to his injuries. Yatsu kidnaps Yuriko and threatens to detonate a bomb he has fashioned into her necklace if Anthony does not shoot him. During an ensuing chase, Anthony's rage becomes out of control and he transforms into a gigantic metal beast with a cannon in its center. Yatsu provokes and threatens Anthony to shoot him. Receiving a vision of the city exploding in a giant ball of light if he does kill Yatsu, Anthony denies this wish and instead consumes Yatsu whole into his metal body, then returns to his human form.
Five years later, Anthony and Yuriko have had a new child and have returned to a normal, contented life. As he stands before a mirror, Anthony hears Yatsu's final words: "[You don't want me inside you.] You don't know what I'll do". However, when a group of young thugs attempt to intimidate Anthony while walking down the street, rather than allow his anger to overtake him, he walks calmly and confidently past them.
Following the release of the Japanese film Tetsuo II: Body Hammer (1992), which saw international attention, director Shinya Tsukamoto was approached by an American produced to do a third Tetsuo film set in the United States, but the initial project fell apart due to issues with budget, communication, and creative differences with producers. [5] Quentin Tarantino was initially attached as producer, but Tsukamoto's "process was too slow" that Tarantino dropped from the project. [5] [6]
Tsukamoto also served as a cast member, writer with Hisakatsu Kuroki, editor with Yuji Ambe, and director of photography alongside cinematographers Takayuki Shida and Satoshi Hayashi. [1] Shinichi Kawahara and Masayuki Taneshima served as producers. [1] The film is a presentation of Tetsuo The Bullet Man Group and produced by Kaijyu Theater and Asmik Ace Entertainment. [1] [7]
Chu Ishikawa composed the music for the film. [1] The closing credits feature an original track by Trent Reznor of industrial rock band Nine Inch Nails titled "Theme for Tetsuo: The Bullet Man". [8] Tsukamoto has stated that the collaboration with Reznor marked the fulfillment of a long-held ambition to work with the group. [9] Tsukamoto had previously collaborated with Reznor on a Tetsuo-esque commercial for MTV Japan. [10]
Tetsuo: The Bullet Man premiered on 5 September 2009 as part of the Venice International Film Festival, although Tsukamoto was unsatisfied with the cut and later re-edited the film. [11] [12] The new cut premiered in the United States on 25 April 2010 as part of the Tribeca Film Festival. [13] In July 2010, IFC Midnight purchased the North American distribution rights and Middle Eastern digital rights from sales agent Coproduction Office. [12]
Kotobukiya released the official Bullet Man Real Figure at the 2010 San Diego Comic-Con. [14]
The film received "largely negative reviews and reactions" following its premiere at Venice. [15] Leslie Felperin of Variety praised the film's "retro" special effects, frantic editing, and loud sound and music, but criticized the familiar plot. [1] Ray Bennett of The Hollywood Reporter took issue with the dialogue and acting, but similarly favored the sound and editing. [16]
Film School Rejects' Adam Charles was unpleasant with the "harsh" visuals and sounds, and criticized the use of English dialogue "when eighty percent of the cast doesn’t appear to speak it significantly well, nor a director that can tell that they can’t." [17] Tom Mes of Midnight Eye called the film "a true Tetsuo film as well as a true Tsukamoto film", and defended the use of English as a stylistic choice, but found flaws in the film's execution of the transformation and the lack of eroticism found in the preceding entries. [15]
Shinya Tsukamoto is a Japanese filmmaker and actor. With a considerable cult following both domestically and abroad, Tsukamoto is best known for his body horror/cyberpunk film Tetsuo: The Iron Man (1989), which is considered the defining film of the Japanese Cyberpunk movement, as well as for its companion pieces Tetsuo II: Body Hammer (1992) and Tetsuo: The Bullet Man (2009). His other films include Tokyo Fist (1995), Bullet Ballet (1998), A Snake of June (2002), Vital (2004), Kotoko (2011) and Killing (2018).
Der Eisenrost is one of the premier industrial "Metal Percussion" units in Tokyo, Japan. They are best known for producing the film soundtrack for Shinya Tsukamoto's Tokyo Fist. Lead man and innovator Chu Ishikawa was notable for the futuristic, often industrial soundtracks for independent film creator Shinya Tsukamoto. Films such as Tetsuo: The Iron Man, Bullet Ballet, and Gemini rank among the best known. Many of the members are also involved in their side project C.H.C. System.
Tetsuo: The Iron Man is a 1989 Japanese science fiction horror film directed, written, produced, and edited by Shinya Tsukamoto. The film centers around an unnamed Japanese salaryman who wakes up to find pieces of metal sprouting from various parts of his body and becomes haunted by visions of metal-oriented sexual fantasies. As the man steadily becomes a hybrid of man and machine, he develops a connection with a victim from a hit-and-run accident, who is undergoing a similar transformation.
Shozin Fukui is a Japanese film director and screenwriter, known as a modern expert of the Cyberpunk genre.
Chu Ishikawa was a Japanese composer and musician, best known for creating the soundtracks of many films by Shinya Tsukamoto and Takashi Miike. He also founded industrial music groups Der Eisenrost and Zeitlich Vergelter.
Tokyo Fist is a 1995 Japanese film. It was directed by Shinya Tsukamoto, who also stars in the film along with his brother Kōji Tsukamoto and Kahori Fujii. The film had its premiere in September 1995 at the Turin Film Festival in Italy.
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Tetsuo II: Body Hammer is a 1992 Japanese tokusatsu cyberpunk body horror film directed by Shinya Tsukamoto. It is a bigger-budget sequel to Tsukamoto's 1989 film Tetsuo: The Iron Man, utilizing similar themes and ideas as his first film, and largely the same cast, though the story is not a direct continuation of that of its predecessor. In Body Hammer, a Japanese salaryman, played by cult actor Tomorowo Taguchi, finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
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Tomorowo Taguchi is a Japanese actor, film director and musician.
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Japanese cyberpunk refers to cyberpunk fiction produced in Japan. There are two distinct subgenres of Japanese cyberpunk: live-action Japanese cyberpunk films, and cyberpunk manga and anime works.
Kei Fujiwara is a Japanese actress, cinematographer, director and writer. Her first role was in the American film The Neptune Factor, but she is perhaps best known for starring in the Japanese cyberpunk cult film Tetsuo: The Iron Man. More recently she has devoted her time to writing and directing, and is known for her surreal and violent experimental films as well as her experimental theater company Organ Vital.
"Salvage" is the ninth episode of the eighth season of the American science fiction television series The X-Files. It premiered on the Fox network on January 14, 2001. The episode was written by Jeffrey Bell and directed by Rod Hardy. "Salvage" is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. The episode received a Nielsen rating of 7.1 and was viewed by 11.7 million viewers. Overall, the episode received largely negative reviews from critics.
Meatball Machine is a 2005 Japanese tokusatsu horror film directed by Yūdai Yamaguchi and Jun'ichi Yamamoto based on a film by Yamamoto from 1999. Special effects and makeup effects were by Yoshihiro Nishimura. It was followed by a sequel, Meatball Machine: Kodoku.
Caterpillar (キャタピラ) is a 1988 short experimental film by Japanese underground filmmaker Shozin Fukui. Fukui made the film at around the same time as when he was working as a crew member for Shinya Tsukamoto's Tetsuo: The Iron Man. Both films utilize similar filmmaking techniques such as hyperactive, handheld camerawork and stop-motion photography.
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Fires on the Plain is a 2014 Japanese war film written, produced, directed, edited, co-photographed and starring Shinya Tsukamoto. The film is based on the 1951 anti-war novel Fires on the Plain, which was a semi-autobiographical work loosely based on author Shōhei Ōoka's experience in World War II. The novel was previously adapted in the 1959 film Fires on the Plain by Kon Ichikawa. The film premiered at the 71st Venice International Film Festival in 2014, and was released to the wider Japanese box office on 25 July 2015.
After Tetsuo II, Quentin Tarantino approached me because he want [sic] produce Tetsuo III. I started the script, but it took a very long time. Too long – so long that it died down and it didn't happen. My process was too slow
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