A bromantic comedy is a comedy film genre that takes the formula of the typical "romantic comedy" but focuses on close male friendships. [1] [2]
Bromance, a word that blends the words "brother" and "romance", can be defined as a "close nonsexual friendship between men". [3] [4] A bromantic comedy finds humor in reversing the formula of the typical "romantic comedy". In the film Knocked Up, it is not the man and woman that have the romantic chemistry, but the two men. In I Love You, Man , it is not the man and woman (the bride and groom) of the story who fall in love, break up, and then are reunited romantically at the end—but the two male leads. [2] Bromantic comedy films present expressions of male intimacy, while humorously poking fun of the characters' fears of being homosexual. [5] [6]
The "slovenly hipster" protagonists of the bromantic comedy usually are not mature and are lacking in ambition. They are "beta males" that are into porn and junk food, but they are forced to grow up when they discover "straight arrow" women, children and responsibility. [7] It is a story of "the dissolution of a male pack, the ending of a juvenile male bond," according to David Denby in The New Yorker. [8]
Bromantic comedies contain the concept of a "code" between men: "bros before hos". The idea is that the bonds between men are more significant, stronger, deeper and based on mutual understanding, whereas the bonds between a man and a woman can be capricious, shallow and less satisfying. So, if a man leaves his male friends for a woman, he will eventually be dumped, abandoned, betrayed, and/or dominated. This may be too dark for comedy, so bromantic comedies deal with misogyny with tentativeness. [5] There is often an element in the plot that allows the men to go off on their own, away from the women. Examples of this are the "man cave" of I Love You, Man, or the "mancation" of The Hangover . [2] [9]
According to film scholar Timothy Shary in Millennial Masculinity: Men in Contemporary American Cinema, a number of films in this genre, like Wedding Crashers , provide a surprising level of bisexuality for its male characters, and a place for more diversified male relationships to exist. [10]
Shakespeare's play, Love's Labour's Lost , provides, in its opening passage, [11] a comedic prototype for the idea of men agreeing to a "code" to sequester themselves and avoid romance with the opposite sex. [12] [13]
Judd Apatow is a prominent director of the bromantic comedy genre. His films The 40 Year Old Virgin (2005), [9] [14] and Knocked Up (2007) paved the way for a surge of similar films that were released in the mid-late 2000s. [15] Films from this era found an audience for the comedic depiction of same-sex relationships, something to which male viewers could relate, but which had been overlooked by screenwriters. [16] [17]
Aspects of "bromantic comedies", including male camaraderie, are found in Barry Levinson's 1982 film Diner. [18] In that film, a group of six male friends struggle with growing up and finding their way in the real world, while they have each other to support them along the way. A similar situation occurs in the films Kicking and Screaming (1995) and The Hangover (2009). [18]
With John Hamburg's I Love You, Man the genre seems to have reached a particular apogee, as the film goes very far in its depiction of bromance, while receiving many excellent reviews. [19] [20] [21] [22] In it, Paul Rudd stars as Peter Klaven, who is about to marry the love of his life, but he realizes that he doesn't have any male friends to serve as the best man at his wedding. Then he meets Jason Segel's character, Sydney, who is friendly and a great complement to Peter, but their bromance starts to impact the groom's relationship with his bride-to-be.
Broadway has borrowed the idea of the bromantic comedy from the movies and wedded it to the traditional musical form in The Book of Mormon and The Producers . [23]
The genre has its critics who accuse it of political incorrectness and a variety of insensitivities, [6] [24] but the films are satires, and in that sense, the exposing of social ills may be considered to have some potentially positive effect. [16] [25] A primary comedic target of the bromantic comedy is the idea that there is a "code" of male behavior that may tend to impede men from relating in a realistic or natural way with both men and women. Using satire and ridicule the films expose the flimsy ideology and the fears that are the basis of such "codes". [26] [27] However, social critic David Hartwell concludes that beneath a facade of progressive and liberating motivation, the bromantic comedy genre is ultimately guilty of "perpetuating the ideologies it is trying (or pretending) to critique." [28]
Television series and episodes have featured bromantic comedy elements:
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Romantic comedy is a subgenre of comedy and romance fiction, focusing on lighthearted, humorous plot lines centered on romantic ideas, such as how true love is able to surmount most obstacles. In a typical romantic comedy, the two lovers tend to be young, likeable, and seemingly meant for each other, yet they are kept apart by some complicating circumstance until, surmounting all obstacles, they are finally united. A fairy-tale-style happy ending is a typical feature.
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When Harry Met Sally... is a 1989 American romantic comedy-drama film directed by Rob Reiner from a screenplay by Nora Ephron. It stars Billy Crystal and Meg Ryan as Harry and Sally, respectively. The story follows the title characters from the time they meet in Chicago and share a drive to New York City through twelve years of chance encounters in New York. The film addresses the question "Can men and women ever just be friends?"
Chasing Amy is a 1997 American romantic comedy-drama film written and directed by Kevin Smith and starring Ben Affleck, Joey Lauren Adams, and Jason Lee. The third film in Smith's View Askewniverse series, the film is about a male comic artist (Affleck) who falls in love with a lesbian (Adams), to the displeasure of his best friend (Lee).
Yuri, also known by the wasei-eigo construction girls' love, is a genre of Japanese media focusing on intimate relationships between female characters. While lesbian relationships are a commonly associated theme, the genre is also inclusive of works depicting emotional and spiritual relationships between women that are not necessarily romantic or sexual in nature. Yuri is most commonly associated with anime and manga, though the term has also been used to describe video games, light novels, and literature.
Romance films involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations, and differences in compatibility enter into the plots of romantic films.
In ethology and social science, male bonding or male friendship is the formation of close personal relationships, and patterns of friendship or cooperation between males.
In sociology, homosociality means same-sex relationships that are not of a romantic or sexual nature, such as friendship, mentorship, or others. Researchers who use the concept mainly do so to explain how men uphold men's dominance in society.
Jenifer Jeanette Lewis is an American actress and singer. She began her career appearing in Broadway musicals and worked as a back-up singer for Bette Midler before appearing in films Beaches (1988) and Sister Act (1992). Lewis is known for playing roles of mothers in the films What's Love Got to Do With It (1993), Poetic Justice (1993), The Preacher's Wife (1996), The Brothers (2001), The Cookout (2004), Think Like a Man (2012) and in the sequel Think Like a Man Too (2014), Baggage Claim (2013) and The Wedding Ringer (2015), as well as in The Temptations miniseries (1998).
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A stag film is a type of pornographic film produced secretly in the first two-thirds of the 20th century. Typically, stag films had certain traits. They were brief in duration, were silent, depicted hardcore pornography and were produced clandestinely due to censorship laws. Stag films were screened for all-male audiences in fraternities or similar locations; observers offered a raucous collective response to the film, exchanging sexual banter and achieving sexual arousal. Stag films were often screened in brothels.
A romantic friendship, passionate friendship, or affectionate friendship is a very close but typically non-sexual relationship between friends, often involving a degree of physical closeness beyond that which is common in contemporary Western societies. It may include, for example, holding hands, cuddling, hugging, kissing, giving massages, or sharing a bed, without sexual intercourse or other sexual expression.
Wingman is a role that a person may take when a friend needs support with approaching potential romantic partners. People who have a wingman can have more than one wingman. A wingman is someone who is on the "inside" and is used to help someone with intimate relationships. In general, one person's wingman will help them avoid attention from undesirable prospective partners or attract desirable ones, or both.
I Love You, Man is a 2009 American bromantic comedy film written and directed by John Hamburg, based on a script by Larry Levin. The film stars Paul Rudd as a friendless man looking for a best man for his upcoming wedding. However, his new best friend is straining his relationship with his bride.
A bromance is a very close and non-sexual relationship between two or more men. It is an exceptionally tight, affectional, homosocial male bonding relationship exceeding that of usual friendship, and is distinguished from normal friendship by a particularly high level of emotional intimacy. The emergence of the concept since the beginning of the 21st century has been seen as reflecting a change in societal perception and interest in the theme, with an increasing openness of Western society in the 21st century to reconsider exclusivity constraints. The female versione of the bromance is the womance.
The Hangover is a 2009 American comedy film directed by Todd Phillips and written by Jon Lucas and Scott Moore. It is the first installment in The Hangover trilogy. The film stars Bradley Cooper, Ed Helms, Zach Galifianakis, Heather Graham, Justin Bartha, Ken Jeong, and Jeffrey Tambor. It tells the story of Phil Wenneck (Cooper), Stu Price (Helms), Alan Garner (Galifianakis), and Doug Billings (Bartha), who travel to Las Vegas for a bachelor party to celebrate Doug's impending marriage. However, Phil, Stu, and Alan wake up with Doug missing and no memory of the previous night's events, and must find the groom before the wedding can take place.
A womance is a close but non-sexual, non-romantic relationship between two or more women. It is an exceptionally tight affectional, homosocial female bonding relationship exceeding that of usual friendship, and is distinguished by a particularly high level of emotional intimacy.
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A bromance is a close but non-sexual relationship between two or more men.