The film follows Tristan, a young man from the fictional town of Wall in England. Wall is a town on the border of the magical fantasy kingdom of Stormhold. Tristan enters the magical world to collect a fallen star to give to his beloved Victoria, in return for her hand in marriage. To his surprise, he collects the star, a woman named Yvaine. Witches and the Princes of Stormhold are also hunting for Yvaine. Meanwhile, Tristan tries to get her back to Wall with him before Victoria's birthday, the deadline for her offer.
The English village of Wall lies near a stone wall that borders the magical kingdom of Stormhold. A guard prevents anyone from crossing. Dunstan Thorne tricks him and crosses over the wall to a marketplace. He meets Una, an enslaved princess who offers him a glass snowdrop in exchange for a kiss. They spend the night together. Nine months later, the guard delivers a baby named Tristan to Dunstan.
Eighteen years later, the dying King of Stormhold throws a ruby into the sky: his successor will be the first of his sons to recover it. The gem hits a star, and both fall out of the sky, landing in Stormhold. The princes Primus and Septimus independently search for the stone.
In Wall, Tristan and Victoria see the falling star. He vows to retrieve it, in return for her hand in marriage. Despite his mother being from beyond the wall, he cannot get past the guard. He receives a Babylon candle that she left for him, which can take the user to any desired location. Tristan lights it and is transported to the fallen star, personified as a woman named Yvaine. He uses a magic chain to claim her and take her to Victoria.
Three ancient witch sisters resolve to eat the fallen star's heart to recover their youth and replenish their powers. Their leader, Lamia, eats the remnants of an earlier star's heart and sets off to find Yvaine. She conjures up a wayside inn as a trap.
Yvaine becomes tired, so Tristan chains her to a tree and promises to bring food. In his absence, a unicorn releases her, but unwittingly takes her to Lamia's inn. Tristan discovers Yvaine gone, but the stars whisper that she is in danger, telling him to get on a passing coach, which happens to be Primus's. They stop at the inn, interrupting Lamia's attempt to kill Yvaine. Lamia kills Primus, while Tristan and Yvaine use the Babylon candle to escape into the clouds, where they are captured by pirates in a flying ship. The leader, Captain Shakespeare, tells his crew that Tristan is his nephew and Yvaine is a friend. He gives them new clothes and teaches Tristan how to fence and Yvaine how to dance.
Septimus, being the last surviving son, only needs to find the stone to claim the throne. He learns Yvaine has it and realizes that her heart grants immortality.
After leaving Captain Shakespeare, Tristan and Yvaine confess their love for one another and spend the night together at an inn. The next morning, Tristan leaves Yvaine sleeping and goes with a lock of her hair, to tell Victoria he has fallen in love with Yvaine. When the lock turns to Stardust, he realizes Yvaine will die if she crosses the wall, and rushes back to save her.
Yvaine finds Tristan gone, and–thinking he has abandoned her for Victoria–despondently walks towards the wall. Una notices Yvaine walking to her doom and takes the reins of Ditchwater Sal's caravan to stop her. Lamia kills Sal, and captures Una and Yvaine, taking them to the witches' manor. Septimus and Tristan pursue Lamia, agreeing to work together for the time being. Barging into the castle, Septimus recognizes Una as his long-lost sister, and Una tells Tristan that she is his mother.
Septimus and Tristan kill two of the witches, but Lamia uses a voodoo doll to kill Septimus. Lamia is about to finish Tristan off when she appears to break down over the loss of her sisters. Lamia frees Yvaine, but her feigned defeat is a ruse, and she tries to kill them both. As Tristan and Yvaine embrace, their love allows her to shine once again, killing Lamia.
Tristan retrieves Yvaine's gem, and Una reveals that, as her son, Tristan is the last male heir of Stormhold. He becomes king with Yvaine as his queen, and Dunstan and Una are reunited. After eighty years of rule, they use a Babylon candle to ascend to the sky, where they live together as stars.
The illustrated fantasy storyStardust was created by Neil Gaiman, with art by Charles Vess. It was first published by DC Comics in 1997 as a prestige format four-issue comic mini-series. Encouraged by publisher Avon, Gaiman decided to adapt Stardust, and in 1999, it was republished as a conventional novel in hardback without illustrations. Gaiman has compared the story to a fantasy version of the 1934 romantic comedy film It Happened One Night.[7][8]
In 1998, Stardust was optioned for a film adaptation by Bob Weinstein at Miramax. Gaiman wrote a treatment, and then Ehren Kruger wrote a treatment.[8] Gaiman described the process as "an unsatisfactory development period", and he recovered the rights after they expired. For years, Gaiman refused offers to develop the film. Having seen the disappointing results of the hands-off approach taken by Alan Moore, Gaiman preferred to retain control and influence the development of the film.[9][10]
Eventually, discussions about a film version of Stardust took place between Gaiman, director Terry Gilliam, and producer Matthew Vaughn. Gilliam dropped out following his involvement with The Brothers Grimm and not wanting to do another fairy tale. Vaughn left to produce Layer Cake but then became the director for the first time for that project. After Vaughn withdrew from helming the film X-Men: The Last Stand, talks resumed, and in January 2005, Vaughn acquired the option to develop Stardust.[11] In October 2005, the director entered final negotiations with Paramount Pictures to write, direct, and produce Stardust with a budget estimated at $70–88.5 million.[12] Vaughn said half the financing for the film was British.[13][14]
Adaptation
The adapted screenplay was written by Vaughn and screenwriter Jane Goldman, who had been recommended by Gaiman.[10][8] When asked how the book inspired his vision for the film, Vaughn said that he wanted "to do Princess Bride with a Midnight Run overtone."[15] One of the difficulties with adapting the novel was its earnest and dark nature: an adult fairy tale in which sex and violence are presented unflinchingly. With Gaiman's blessing given to the screenwriters, the movie version has a greater element of whimsy and humor. Gaiman did not want people to go to the theatre to see a film that attempted but failed, to be completely loyal to the book.[16] After creating the audiobook version of the novel, Gaiman realized that there were 10½ hours of material in the book. This led him to acknowledge that the film would have to compress the novel, leaving out portions of the work. Budgetary concerns also factored into the adaptation, even with the level of 2006 technology.[9] Gaiman understood the need to move the plot along faster: "In the book, Tristan crosses the wall, meets a strange creature, goes through the wood of vampire trees and, as his reward, gets the Babylon candle. Now we skip that. He gets the candle and just lights it and gets to Yvaine earlier. Otherwise, that would take an hour." Also, the newly created character of Ferdy the Fence was used to push people together faster.[17] Vaughn acknowledges the changes from the book were substantial. The character of Captain Shakespeare was expanded extensively from the novel, where Captain Alberic is only briefly mentioned, and the last half hour of the film is almost entirely different from the book.[13]
Vaughn and Goldman decided that the witches needed names, as in the book they were collectively the Lilim. They chose names from classical sources that coincidentally included names found in Gaiman's The Books of Magic (Empusa) and Neverwhere (Lamia).[18]
On the film's differences from the novel, Gaiman commented, "I sort of feel like my grounding in comics was actually very useful because, in my head, that's just the Earth-Two version of Stardust. It's a parallel Earth version of Stardust, which has Robert De Niro and stuff. And I get people who come to the book from having loved the movie who are really disappointed at some of the stuff that isn't there that Matthew brought".[19][20] Responding to a fan's statement about preferring the film's climax compared to the book, Gaiman clarified that he in fact had suggested the different ending that the film ended up using and liked it better for the film but liked the book ending better for the book.[21]
Casting
Claire Danes promoting Stardust
In March 2006, the studio cast Robert De Niro, Michelle Pfeiffer, Claire Danes, Charlie Cox, and Sienna Miller. Production began in the United Kingdom and Iceland in April 2006, with the majority of filming taking place in the UK.[22] Vaughn picked Danes, Cox, and Pfeiffer for their roles. He intended Captain Shakespeare to be played by either De Niro or Jack Nicholson. Stephen Fry was pitched as a possible Shakespeare, but Vaughn eventually picked De Niro.[23]
Vaughn insisted on an unknown actor for the part of Tristan.[15][23][24] Cox was tentatively cast as Tristan, but to ensure the leads had chemistry on screen Vaughn would not confirm the casting until both leads were cast. Vaughn had Cox audition alongside the prospective leading actresses until the female lead was cast.[24] Cox had worked alongside Miller before, and played a small supporting as her brother in the 2005 film Casanova.[24]
The role of Quintus was originally given to comedian Noel Fielding, but due to health issues he had to drop out and was replaced by another comedian Adam Buxton.[26]
Filming
Locations used in Scotland included the area surrounding the Quiraing, on the Isle of Skye.
The production started filming in mid-April 2006, with principal photography taking place at Pinewood Studios in London. Location filming started in Wester Ross, in the Scottish Highlands[27] followed immediately by filming on the Isle of Skye. The scene where Prince Septimus consults the soothsayer was shot in Iceland.[28] The filmmakers had wanted to use more locations in Iceland but were unable to get the horses they needed.[29][8]
Another film location was on Elm Hill in Norwich. The area, with a mixture of Tudor and medieval buildings dating as far back as the 11th century, was transformed into the streets of Stormhold. The Briton's Arms tea house became the Slaughtered Prince public house.[31] The owners were so enthralled with the new look, including a spectacular mural and new thatching, that they appealed to the local council and English Heritage to keep it, but their request was refused. Filming also took place in Wales, at the Brecon Beacons National Park.[32][33]
The design of the witches' lair was inspired by the Hall of Mirrors in the Palace of Versailles in France, but with black instead of white and silver instead of gold.[15]
The film required 830 visual effects (VFX) shots which were supervised by Peter Chiang and produced by Tim Field. Double Negative supervised 350 shots, and other work was shared among six other companies including LipSync Post, Cinesite, The Senate, Baseblack, Machine, and Rushes. Mattes & Miniatures provided miniatures. The pirate skyship set was shot against a 360-degree greenscreen and required fully CG backgrounds and digital extending the size and the bow of the ship. Some distance shots of the ship were entirely CG. Yvaine required a star glow effect for more than eighty shots.[34][35] Two of the witches required a signature magical effect, Lamia had a green fire effect created using a combination of particle animation and joint-driven soft body ribbons, and Sal had a black smoke effect, created by turning animated geometry into a target-driven fluid simulation. The age transformation of Lamia was achieved using a composite of multiple motion control plates, including a pass in the full prosthetic makeup, the transformed youthful Lamia, and a pass where the hair was pulled through a dummy head, played in reverse to give the appearance of hair growing, composited and blended with a procedural glow effect. Twenty feet of The Wall was built on location as a practical effect and extended into the distance using digital painting. VFX was completed by February 2007.[34]
Music
The film score was composed by Ilan Eshkeri, who previously worked with Vaughn on Layer Cake.[36] Eshkeri was given the script before production began and wrote the first pieces of music inspired by the illustrations of Charles Vess from the graphic novel. Eshkeri was also on set during some of the filming.[37] The score was released by Decca Records on 11 September 2007.[38][39] Eshkeri won the award for Best New Composer of 2007 from the International Film Music Critics Association,[40] and the score was also nominated in the category Best Original Fantasy Score.[41]
After watching an early cut, British pop band Take That wrote and recorded a song for the film titled "Rule the World", featuring Gary Barlow on lead vocals. The song features in the end credits to the film and was released as a single on 22 October 2007 in the United Kingdom and peaked at number two on the UK Singles Chart.[42][43][44]
Dimmu Borgir's song "Eradication Instincts Defined" is featured in both the UK and US trailers.[45]
"The Infernal Galop" from Jacques Offenbach's "Orpheus in the Underworld", more commonly known as the "Can-can", plays during the fight between Captain Shakespeare's men and Septimus's men on board the sky vessel.[39]
Release
Michelle Pfeiffer at the Los Angeles Premiere of Stardust at Paramount Studios.
Pre-release
Stardust was well received by test audiences. Producer Lorenzo di Bonaventura was surprised when the film was well received across all demographics, despite the film not having been designed for everyone, expecting instead for parts of the audience to feel the film was not for them. In their feedback audiences agreed it was not a fairy tale, giving various descriptions of it, such as an adventure with magical elements.[48] A March release had been planned but when Paramount saw its commercial potential it was pushed back to a later date.[15]
Box office
Stardust premiered at the Paramount Studio Theatre in Los Angeles on 29 July 2007.[49] The film was later released on 10 August 2007 in the United States. It opened in 2,540 theatres, earning US$9,169,779, an average of $3,610 per theatre, putting it in 4th place, with Rush Hour 3 taking 1st.[50] The film also opened the same day in Russia and the rest of the Commonwealth of Independent States,[51] earning $8,118,263 as of 14 October 2007. In the UK and Ireland, the film was released on 19 October 2007, it came in second at the box office in its opening weekend and spent 8weeks in the box office top ten.[52][53]Stardust was blocked from release in China due to additional restrictions on foreign films on top of the existing quota system limiting non-Chinese films.[54]
Stardust earned a total of $137,022,245 worldwide.[4] Its biggest markets were the United States, where it made $38 million, and the UK, where it made $31 million (approximately £19.5 million).
Reception
Critical reception
Stardust received mostly positive reviews from critics.[55][56][57]On the review aggregator website Rotten Tomatoes, 77% of 198 critics' reviews are positive, with an average rating of 6.8/10.The website's consensus reads: "A faithful interpretation that captures the spirit of whimsy, action, and off-kilter humor of Neil Gaiman, Stardust juggles multiple genres and tones to create a fantastical experience."[58]Metacritic, which uses a weighted average, assigned the film a score of 66 out of 100, based on 33 critics, indicating "generally favorable" reviews.[59] Audiences surveyed by CinemaScore gave the film a grade "A−" on scale of A to F.[60]
Roger Ebert called it a "fun" movie and gave it a rating of 2.5 out of 4. He criticized the pacing as cluttered and unfocused, and concluded "It's a film you enjoy in pieces, but the jigsaw never gets solved."[61]The New Yorker's Bruce Diones called it "more surprising and effective than the usual kiddie-matinée madness."[62] John Anderson of Variety wrote: "Sprinkled with tongue-in-cheek humor, fairly adult jokes and some well-known faces acting very silly, this adventure story should have particular appeal to fans of The Princess Bride, but in any event will never be mistaken for a strictly-for-kids movie." Anderson praised Pfeiffer for her comedic timing and called De Niro's performance "as engrossing as a car crash". He says the romance is the least interesting part of the film, but the sweep of the story and the humor keep the film together.[63]Stephen Holden of The New York Times wrote: "Michelle Pfeiffer is Lamia, as deliciously evil a witch as the movies have ever invented" and suggested she should be the center of the film. Holden said that Danes was miscast, and described De Niro's performance as "either a piece of inspired madcap fun or an excruciating embarrassment."[64]Kurt Loder of MTV News was critical of De Niro's performance saying "This could be the most pointlessly grotesque performance of De Niro's career; it's flabbergastingly unfunny."[65] Michael Dwyer of The Irish Times described the film as "diverting in its whimsical way, but burdened with nonsequiturs, and it ought to have been subjected to more rigorous pruning in the editing suite". Dwyer criticized the cameos of Gervais and De Niro as unsubtle, jarring, and self-indulgent, and said Danes was miscast. He praised Pfeiffer, saying she gave the film "the kiss of life".[66] Dan Jolin of Empire called it "Patchy but great fun, peppering plenty of black humour into a sweet if silly fairy-tale romance."[67] Glenn Kenny of Premiere called it "an eye-poppingly elaborate fantasy that's shot through with action-movie adrenaline and attitude."[68]Time Out London compared the film to Time Bandits or The Princess Bride "but it lacks the former's originality and the latter's heart".[69] Tim Robey of The Telegraph wrote: "There's a shameless romantic streak here, quite welcome in a boy-targeted genre that usually insists battles are cool and love is for wimps."[70]
Philip French of The Observer said the film "fails on every level" and referring to a scene with Robert De Niro said it "plumbs new depths of camp embarrassment".[71] Deborah Ross of The Spectator called the film "a grindingly familiar huge pile of nothing which may please six-year-olds and fantasy nerds, but that's about it".[72]
The film was released on both Region 1 DVD and HD DVD on 18 December 2007.[4] The DVD was released in both Fullscreen and Widescreen aspect ratios.[78] The HD DVD and DVD special features include a documentary entitled Good Omens: The Making of Stardust;[79]deleted scenes from the film; the film's blooper reel; and the film's theatrical trailer.
The film and special features on the HD DVD version are presented in 2.35:1 widescreen high definition 1080p and feature a Dolby Digital Plus 5.1 audio soundtrack.[80]
The film was released on Region A Blu-ray Disc (Canada and US) on 7 September 2010.[81]
Legacy
Vaughn had ideas for Stardust 2 that would involve London in the 1960s, but the first film was not financially successful enough to justify a sequel.[82]
On the 10th Anniversary of the film's release Vanity Fair interviewed Charlie Cox, who is frequently recognized by fans for the role early in his career. Cox is unsure why the film is so popular but notes that Vaughn wanted to make a film with broad appeal, and Goldman did a great job cutting out extraneous detail and focusing on the heart of the story. Vanity Fair notes that the film gets replayed frequently in syndication and describes it as "endlessly likable", with a great cast, special effects that aren't too dated, and "the best adaptation of Gaiman's work, capturing his unique blend of darkness and whimsy perfectly."[83][7]
Vaughn was critical of the marketing of the film, saying it had been promoted as if it were Lord of the Rings when it had been much more influenced by The Princess Bride. He noted that although the film didn't do well in cinemas it became an "evergreen title" on DVD.[84]
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Diana Wynne Jones was an English novelist, poet, academic, literary critic, and short story writer. She principally wrote fantasy and speculative fiction novels for children and young adults. Although usually described as fantasy, some of her work also incorporates science fiction themes and elements of realism. Jones's work often explores themes of time travel and parallel or multiple universes. Some of her better-known works are the Chrestomanci series, the Dalemark series, the three Moving Castle novels, Dark Lord of Derkholm, and The Tough Guide to Fantasyland.
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Neverwhere is an urban fantasy television miniseries by Neil Gaiman that first aired in 1996 on BBC 2. The series is set in "London Below", a magical realm coexisting with the more familiar London, referred to as "London Above". It was devised by Neil Gaiman and Lenny Henry and directed by Dewi Humphreys. Gaiman adapted the series into a novel, which was released in September 1996. The series and book were partially inspired by Gene Wolfe's novel Free Live Free.
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Stardust is a 1999 fantasy novel by British writer Neil Gaiman, usually published with illustrations by Charles Vess. Stardust has a different tone and style from most of Gaiman's prose fiction, being consciously written in the tradition of pre-Tolkien English fantasy, following in the footsteps of authors such as Lord Dunsany and Hope Mirrlees. It is concerned with the adventures of a young man from the village of Wall, which borders the magical land of Faerie.
Mark Williams is an English actor, comedian, presenter and screenwriter. He first achieved widespread recognition as one of the central performers in the popular BBC sketch show The Fast Show. His film roles include Horace in 101 Dalmatians (1996) and Arthur Weasley in seven of the Harry Potter films. He appeared in Doctor Who and Red Dwarf. Since 2013, Williams has portrayed the title character in the long-running BBC series loosely based on the Father Brown short stories by G. K. Chesterton.
Jane Loretta Anne Goldman is a British screenwriter and producer. She is mostly known for collaborating with director Matthew Vaughn on the screenplays of Kingsman: The Secret Service (2014) and its sequel Kingsman: The Golden Circle (2017), as well as X-Men: First Class (2011), Kick-Ass (2010) and Stardust (2007). Goldman also worked on the story of X-Men: Days of Future Past (2014), the sequel to First Class, again in partnership with Vaughn. Both met high critical praise for their work.
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Katie Victoria "Kate" Magowan is an English actress and producer. Her numerous film and television roles have included Yvette in 24 Hour Party People (2002), Sonya in It's All Gone Pete Tong (2004), Princess Una in Stardust (2007), and Sadie Young on EastEnders in 2013–2014.
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The Sandman is an American fantasy drama television series based on the 1989–1996 comic book written by Neil Gaiman and published by DC Comics. The series was developed by Gaiman, David S. Goyer, and Allan Heinberg for the streaming service Netflix and is produced by DC Entertainment and Warner Bros. Television. Like the comic, The Sandman tells the story of Dream / Morpheus, the titular Sandman. The series stars Tom Sturridge as the title character, with Boyd Holbrook, Vivienne Acheampong, and Patton Oswalt in supporting roles.
↑ Jude Rogers (7 October 2010). "Coco Sumner: 'I'd die for music'". The Guardian. Archived from the original on 17 October 2021. Retrieved 17 October 2021. had a bit part in Stardust, in which she was killed by Michelle Pfeiffer.
1 2 "Interview Matthew Vaughn". Archived from the original on 1 November 2007. Retrieved 1 January 2021. The last half hour isn't really in the book at all. And Captain Shakespeare is not in the book.
↑ Gaiman, Neil (30 June 2019). "The official Neil Gaiman Tumblr". Tumblr.com. Archived from the original on 1 July 2019. Retrieved 30 June 2019. I like the end of the film much better for a film. It was why I suggested it. On the other hand, I like the end of the book much better for the book.
↑ MacCarthy, James (2012). Take That- Uncensored On the Record. Coda Books. ISBN9781908538963– via Google Books. a song for the motion picture Stardust titled "Rule the World", which reached number 2 in the UK charts and went on to be the 5th biggest selling single of 2007.
↑ Maxwell, Erin (19 December 2007). "Phoenix critics adore 'Old Men'". Variety. Archived from the original on 30 June 2020. Retrieved 30 April 2020. Stardust was recognized as the overlooked film of the year.
↑ Joshua Zyber (17 December 2007). "HD DVD Review: Stardust". HighDefDigest.com. Archived from the original on 5 November 2016. Retrieved 10 October 2021. Sometimes a bomb is just a bomb.
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