A deleted scene is footage that has been removed from the final version of a film or television show. There are various reasons why these scenes are deleted, which include time constraints, relevance, quality or a dropped story thread, and can also be due to budgetary concerns. A similar occurrence is offscreen, in which the events are unseen.
A related term is extended scene, the longer version of a scene that was shortened for the final version of the film. Often, extended scenes are included in collections of deleted scenes or are referred to as deleted scenes themselves, as is the case with, for instance, Harry Potter and the Chamber of Secrets and Serenity . [1] [2]
Scenes are often removed from films and television shows at the request of a studio or network, or to reduce running time, to improve narrative flow, or that some may be offensive.
The studio or network planning to air or distribute it may be uncomfortable with a certain scene. It may ask for it be altered, removed, or replaced.
That is most common in the production of television series since networks and channels often must be mindful of how viewers, critics, or censors will react to programming. There may be a fear of losing ratings, being punished by fines or otherwise, or having trouble finding advertisers.
Concerns about running time may also cause scenes to be removed or shortened.
In feature films, scenes may be cut to reduce the length of the film's final cut, sometimes in order to include more screenings of a film each day when released theatrically.
In television serials, however, running time becomes an even greater concern because of the strict timeslot limitations, especially on channels supported by advertisements, and there may be only 20 minutes of actual show per half-hour timeslot. Depending on the station and the particular format of the show, that may or may not include opening credits or closing credits; many ad-supported stations now "squish" the closing credits or force them into a split-screen to show more advertising. Most programs are in either a half-hour or a one-hour timeslot. That forces producers of television serials to break up the acts in a manner that will (hopefully) make the viewer want to continue watching after the ad break and to avoid exceeding the stricter running time limits.[ citation needed ]
Though the quality of the initial and the final cuts of a film is subjective, a scene or version of a scene in a film may have an adverse effect on the film as a whole. It may slow the film down, provide unnecessary details or exposition, or even explain points that should be implied or said more subtly. It is common to remove such scenes at the editing level, but they may be released on the home video release, as a bonus feature.[ citation needed ]
There are at least a few examples, including a number of the deleted scenes on the DVD release of the sequel film Serenity (in fact, the audio commentary on the DVD's deleted scenes collection quite often mentions the plot or the tension being disrupted or slowed by including a scene or too much expositional as the main reason for the scene's removal from the final theatrical cut. Another well known example is the cocoon sequence in the film Alien . The scene added a lot of information about the fate of several crew members and new information on the life cycle of the creature, but it was ultimately deleted, as it was thought to slow down and to disrupt the tension of the end of the film.[ citation needed ]
Deleted or extended scenes may be in any of several different formats. They may or may not feature finished special effects (especially in science fiction and fantasy films in which visual effects are more expensive), and the film quality may or may not be the same as in the rest of the film, but that may depend only on how much post-production editing was done.[ citation needed ]
Additionally, deleted scenes of animated films may not be in the form of a fully animated scene but instead be included in the form of an animatic or a blooper form, as is the case with the deleted scenes on the DVD release of Pixar's Toy Story and Finding Nemo . [5] [ citation needed ]
The figure of speech "cutting room floor" and its derivatives (such as "left on the cutting room floor") refers to the process where content is removed and abandoned. The phrase originates from the era when footage was captured on photographic film. Editors would physically cut the film to remove any unwanted frames before stitching the film together as a final piece in an editing or "cutting" room, occasionally removing entire scenes. While the term is often applied in the context of filming, it is also used to refer to any piece ultimately left out of a final product or the process necessary to remove it. [6]
The DVD release for The Hitchhiker's Guide to the Galaxy 's feature film also featured not only a handful of regular deleted scenes but also two spoof "Really Deleted" scenes. [7]
YTVs ZAPX sometimes makes "deleted scenes" that are not genuine deleted scenes but random scenes of the movie with footage of the program's host, Simon, inserted into the clip, for that purpose.[ citation needed ]
On the DVD for UHF , "Weird Al" Yankovic provides commentary of the deleted scenes and emphasizes that there are hours of film footage but that they were all removed for good reasons. [8]
In public use, a director's cut is the director's preferred version of a film. It is generally considered a marketing term to represent the version of a film the director prefers, and is usually used as contrast to a theatrical release where the director did not have final cut privilege and did not agree with what was released.
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology. When putting together some sort of video composition, typically, you would need a collection of shots and footages that vary from one another. The act of adjusting the shots you have already taken, and turning them into something new is known as film editing.
Pan and scan is a method of adjusting widescreen film images so that they can be shown in fullscreen proportions of a standard-definition 4:3 (1.33:1) aspect ratio television screen, often cropping off the sides of the original widescreen image to focus on the composition's most important aspects.
Non-linear editing is a form of offline editing for audio, video, and image editing. In offline editing, the original content is not modified in the course of editing. In non-linear editing, edits are specified and modified by specialized software. A pointer-based playlist, effectively an edit decision list (EDL), for video and audio, or a directed acyclic graph for still images, is used to keep track of edits. Each time the edited audio, video, or image is rendered, played back, or accessed, it is reconstructed from the original source and the specified editing steps. Although this process is more computationally intensive than directly modifying the original content, changing the edits themselves can be almost instantaneous, and it prevents further generation loss as the audio, video, or image is edited.
Digital intermediate (DI) is a motion picture finishing process which classically involves digitizing a motion picture and manipulating the color and other image characteristics.
A blooper, or gag reel, is short clip from a film or video production, usually a deleted scene, containing a mistake made by a member of the cast or crew. It also refers to an error made during a live radio or TV broadcast or news report, usually in terms of misspoken words or technical errors.
An outtake is a portion of a work that is removed in the editing process and not included in the work's final, publicly released version. In the digital era, significant outtakes have been appended to CD and DVD reissues of many albums and films as bonus tracks or features, in film often, but not always, for the sake of humor. In terms of photos, an outtake may also mean the ones which are not released in the original set of photos.
A workprint is a rough version of a motion picture or television program, used by the film editor(s) during the editing process. Such copies generally contain original recorded sound that will later be re-dubbed, stock footage as placeholders for missing shots or special effects, and animation tests for in-production animated shots or sequences.
In filmmaking and video production, footage is raw, unedited material as originally filmed by a movie camera or recorded by a video camera, which typically must be edited to create a motion picture, video clip, television show, or similar completed work.
The Hitchhiker's Guide to the Galaxy is a BBC television adaptation of Douglas Adams' The Hitchhiker's Guide to the Galaxy which aired between 5 January and 9 February 1981 on BBC2 in the United Kingdom. The adaptation follows the original radio series in 1978 and 1980, the first novel and double LP, in 1979, and the stage shows, in 1979 and 1980, making it the fifth iteration of the guide.
Neon Genesis Evangelion: Death & Rebirth, also romanized in Japan as Evangelion: Death and Evangelion: Rebirth, is a 1997 Japanese science fiction mecha anime. It is the first installment of the Neon Genesis Evangelion feature film project and consists of two parts. The project, whose overarching title translates literally to New Era Evangelion: The Movie, was released in response to the success of the TV series and a strong demand by fans for an alternate ending. Its components have since been re-edited and re-released several times.
A re-edited film is a motion picture that has been modified from the manner in which it was showcased in its original theatrical release. Reasons for this type of editing may range from the distributor's demands to accommodating different audience groups. Fan-made movie edits are often met with controversy, as they bring up issues of copyright law.
In filmmaking, the rough cut is the second of three stages of offline editing. The term originates from the early days of filmmaking when film stock was physically cut and reassembled, but is still used to describe projects that are recorded and edited digitally.
"The Chronicle" is an hour-long, two-part episode that constitutes the 177th and 178th episodes of the NBC sitcom Seinfeld. These were the 21st and 22nd episodes of Seinfeld from the ninth and final season. It aired on May 14, 1998. Both parts of "The Chronicle" were seen by 58.53 million viewers. To accommodate the long running time of "The Finale", "The Chronicle" ran for 45 minutes on its initial airing. When rerun it was split into two half-hour episodes, with a new scene added to introduce the second episode. The episode is a clip show containing just a few minutes of previously unseen footage, most of which is bloopers from previous episodes and behind-the-scenes photographs rather than newly filmed content.
Superman II: The Richard Donner Cut is a 2006 re-edited director's cut of the 1980 superhero film Superman II. It is a sequel to Richard Donner's 1978 film Superman, based on the DC Comics superhero of the same name, and stars Gene Hackman, Christopher Reeve, and Marlon Brando. This alternate cut was edited by Michael Thau and was overseen and completed by Donner himself. It features a significant amount of discarded footage, alternative takes, and story elements not featured in the theatrical version.
A post-credits scene is a short teaser clip that appears after the closing credits have rolled and sometimes after a production logo of a film, TV series, or video game has run. It is usually included to reward the audience for having the patience to watch through the credits sequence; it may be a scene written for humor or to set up a sequel.
(Blooper) Bunny is a Merrie Melodies animated short film directed by Greg Ford and Terry Lennon, with music by George Daugherty, produced in 1991 by Warner Bros. Animation. Featuring the voice talents of Jeff Bergman, Gordon Hunt, and Russell Calabrese, the short is a parody of some of the specials produced for Bugs Bunny's 50th anniversary the previous year. The short never received its intended theatrical release and was shelved for six years. It was finally given a television premiere on June 13, 1997, after Cartoon Network discovered the film sitting unseen in the vaults. It is featured on the Looney Tunes Golden Collection: Volume 1 as of 2003.
Ratatouille is a 2007 American animated comedy-drama film produced by Pixar Animation Studios for Walt Disney Pictures. The eighth film produced by Pixar, it was written and directed by Brad Bird and produced by Brad Lewis, from an original idea by Jan Pinkava, who was credited for conceiving the film's story with Bird and Jim Capobianco. The film stars the voices of Patton Oswalt, Lou Romano, Ian Holm, Janeane Garofalo, Peter O'Toole, Brian Dennehy, Peter Sohn and Brad Garrett. The title refers to the French dish ratatouille, and also references the species of the main character, a rat. Set mostly in Paris, the plot follows a young rat Remy (Oswalt) who dreams of becoming a chef at Auguste Gusteau's (Garrett) restaurant and tries to achieve his goal by forming an unlikely alliance with the restaurant's garbage boy Alfredo Linguini (Romano).
The Thief and the Cobbler is an animated fantasy film co-written and directed by Richard Williams, who intended it to be his masterpiece and a milestone in the animated medium. Originally devised in the 1960s, the film was in and out of production for nearly three decades due to independent funding and ambitiously complex animation. It was finally placed into full production in 1989 when Warner Bros. agreed to finance and distribute the film after his successful animation direction for Who Framed Roger Rabbit. When production went over budget and behind schedule, and Disney's similarly-themed Aladdin loomed as imminent competition, Williams was forced out and the film was heavily re-edited and cheaply finished by producer Fred Calvert as a mainstream Disney-style musical. It was eventually released by Allied Filmmakers in 1993 with the title The Princess and the Cobbler. Two years later, Miramax Films, which was owned by Disney at the time, released another re-edit titled Arabian Knight. Both versions performed poorly at the box office and received mixed reviews.