In Nordic mythology, Asgard is a location associated with the gods. It appears in several Old Norse sagas and mythological texts, including the Eddas, however it has also been suggested to be referred to indirectly in some of these sources. It is described as the fortified home of the Æsir gods and is often associated with gold imagery and contains many other locations known in Nordic mythology such as Valhöll, Iðavöllr and Hlidskjálf.
In Norse mythology, Freyja is a goddess associated with love, beauty, fertility, sex, war, gold, and seiðr. Freyja is the owner of the necklace Brísingamen, rides a chariot pulled by two cats, is accompanied by the boar Hildisvíni, and possesses a cloak of falcon feathers. By her husband Óðr, she is the mother of two daughters, Hnoss and Gersemi. Along with her twin brother Freyr, her father Njörðr, and her mother, she is a member of the Vanir. Stemming from Old Norse Freyja, modern forms of the name include Freya, Freyia, and Freja.
The terms Jötunheimr or Jötunheimar refer to either a land or multiple lands respectively in Nordic mythology inhabited by the jötnar.
Loki is a god in Norse mythology. He is the son of Fárbauti and Laufey, and the brother of Helblindi and Býleistr. Loki is married to the goddess Sigyn and they have two sons, Narfi or Nari and Váli. By the jötunn Angrboða, Loki is the father of Hel, the wolf Fenrir and the world serpent Jörmungandr. In the form of a mare, Loki was impregnated by the stallion Svaðilfari and gave birth to the eight-legged horse Sleipnir.
In Norse cosmology, Niflheim or Niflheimr is a location which sometimes overlaps with the notions of Niflhel and Hel. The name Niflheimr appears only in two extant sources: Gylfaginning and the much-debated Hrafnagaldr Óðins.
In Norse mythology, Ragnarök is a foretold series of impending events, including a great battle in which numerous great Norse mythological figures will perish ; it will entail a catastrophic series of natural disasters, including the burning of the world, and culminate in the submersion of the world underwater. After these events, the world will rise again, cleansed and fertile, the surviving and returning gods will meet, and the world will be repopulated by two human survivors, Líf and Lífþrasir. Ragnarök is an important event in Norse mythology and has been the subject of scholarly discourse and theory in the history of Germanic studies.
Æsir or ēse are gods in Germanic paganism. In Old Nordic religion and mythology, the precise meaning of the term "Æsir" is debated, as it can refer to both the gods in general or specifically to one of the main families of gods, in contrast to the Vanir, with whom they waged war, ultimately leading to a joining of the families. The term can further be used to describe local gods that were believed to live in specific features in the landscape such as fells. In the Old English Wið færstice, the Ēse are referred to, along with elves, as harmful beings that could cause a stabbing pain, although exactly how they were conceived of by the author of the text is unclear.
A jötunn is a type of being in Germanic mythology. In Norse mythology, they are often contrasted with gods and other non-human figures, such as dwarfs and elves, although the groupings are not always mutually exclusive. The entities included in jötunn are referred to by several other terms, including risi, þurs and troll if male and gýgr or tröllkona if female. The jötnar typically dwell across boundaries from the gods and humans in lands such as Jötunheimr.
Thor is a prominent god in Germanic paganism. In Norse mythology, he is a hammer-wielding god associated with lightning, thunder, storms, sacred groves and trees, strength, the protection of humankind, hallowing, and fertility. Besides Old Norse Þórr, the deity occurs in Old English as Thunor, in Old Frisian as Thuner, in Old Saxon as Thunar, and in Old High German as Donar, all ultimately stemming from the Proto-Germanic theonym *Þun(a)raz, meaning 'Thunder'.
Germanic mythology consists of the body of myths native to the Germanic peoples, including Norse mythology, Anglo-Saxon mythology, and Continental Germanic mythology. It was a key element of Germanic paganism.
Valhalla is a Danish comic series, which offers a comedic view of the gods of Norse mythology. Originally commissioned for and published by Interpresse, it has been published by Carlsen Comics since 1978. In 1986, Valhalla was adapted into an animated feature film the studio A Film. On October 10, 2019, a more serious and dark live action adaptation was released.
Asgard is a fictional realm and its capital city appearing in American comic books published by Marvel Comics. Created by Stan Lee, Larry Lieber and Jack Kirby, the realm first appeared in Journey into Mystery #85. Based on the realm of the same name from Germanic mythology, Asgard is home to the Asgardians and other beings adapted from Norse mythology. It features prominently in stories that follow the Marvel Comics superhero Thor.
The Norse mythology, preserved ancient Icelandic texts such as the Poetic Edda, the Prose Edda, and other lays and sagas, was little known outside Scandinavia until the 19th century. With the widespread publication of Norse myths and legends at this time, references to the Norse gods and heroes spread into European literary culture, especially in Scandinavia, Germany, and Britain. In the later 20th century, references to Norse mythology became common in science fiction and fantasy literature, role-playing games, and eventually other cultural products such as Japanese animation. Storytelling was an important aspect of Norse mythology and centuries later, with the rediscovery of the myth, Norse mythology once again relies on the impacts of storytelling to spread its agenda.
Ymir is a character appearing in American comic books published by Marvel Comics. Created by Stan Lee and Jack Kirby, the character first appeared in Journey into Mystery #97. Ymir is based on the frost giant of the same name from Norse mythology. Ymir is a recurring antagonist of the superhero Thor.
Surtur is a fictional character appearing in American comic books published by Marvel Comics, commonly as an enemy of Thor. Based on the fire giant Surtr from Norse mythology, he was adapted by writer Stan Lee and artist Jack Kirby, and first appeared in Journey into Mystery #97. The character was once described as one of "The Ten Most Heinous Enemies of the Mighty Thor".
Frigga is a fictional character appearing in American comic books published by Marvel Comics. The character appears in particular in those featuring the superhero Thor, who is Frigga's son. Based on both Frigg and Freyja of Norse mythology, she was created by writers Stan Lee and Robert Bernstein and artist Joe Sinnott, and first appeared in Journey into Mystery #92.
Odd and the Frost Giants (2008) is a World Book Day book by Neil Gaiman. It draws on Norse mythology and also the historical Vikings.
Norse, Nordic, or Scandinavian mythology, is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities.
Skáldskaparmál is the second part of the Prose Edda, compiled by Snorri Sturluson. It consists of a dialogue between Ægir, the divine personification of the sea, and Bragi, the god of poetry, in which both stories of the Æsir and discourse on the nature of poetry are intertwined. The work additionally includes tales of human heroes and kings. The overarching mythological setup gradually fades and the work becomes more of an early form of a poetic thesaurus of Old Norse, presumably intended for usage by skalds. Much of the work is focused on poetic phrases and descriptors. The origin of these kennings is given; Bragi delivers a systematic list of kennings for various Æsir, people, places, and things. He then goes on to discuss poetic language in some detail, in particular heiti, essentially poetic synonyms or alternate words. For example, the simple hestr, "horse", might be replaced by jór, "steed".
