"I, Cthulhu" | |
---|---|
Short story by Neil Gaiman | |
Country | United States |
Language | English |
Genre(s) | Humor, Lovecraftian horror, Fan fiction short story |
Publication | |
Published in | Dagon #16 (Jan-Feb 1987) Tor.com (2009 on) |
Media type | Print (Paperback and online) |
Publication date | 1987 |
"I, Cthulhu" is a short humorous story by fantasy author Neil Gaiman featuring H. P. Lovecraft's Cthulhu, who is dictating an autobiography to a human slave named Whateley. The story reveals much about Cthulhu's 'birth' and early life.
Originally published by the short-lived Lovecraft fanzine Dagon in 1987, it was reprinted for free by Tor.com in December 2009. Since then, the website - as part of a general tradition celebrating Lovecraft's works over the holiday season - has reposted the story every December. [1]
It is also available for free on Gaiman's website, under a small sampler collection of his short fiction. [2]
Narrated to his dedicated servant Whateley, Cthulhu tells the story of his birth on the planet Khhaa'yngnaiih ("No, of course I don't know how to spell it. Write it as it sounds.") to a father who was eaten by his mother and a mother who was subsequently eaten by Cthulhu himself. For a few thousand years, young Cthulhu, "the colour of a young trout and about four of your feet long", slunk through the swamps of his home planet, eating and avoiding being eaten.
Not long thereafter, Cthulhu's uncle, Hastur, suggests that they and "the boys" (fellow nameless, nightmarish horrors from the Cthulhu Mythos) go out, explore the cosmos, and have some fun. After a long argument, a plane of existence is decided upon.
After a short stint in Carcosa, Cthulhu is directed by The King in Yellow towards Earth in his search for a patch of the cosmos to rule over. Finding Earth to be rich in both swamps and cultists, Cthulhu makes himself comfortable - until the arrival of the Old Ones ("Banal little bureaucruds") enforcing some kind of cosmic law, which requires Cthulhu and his followers to leave the seas and move onto land.
There, the cult of Cthulhu built monuments to their be-tentacled god, threw a planet-wide barbecue that decimated the dinosaurs, and, in spite, forced the Old Ones further and further towards the Antarctic. Hating the cold, the Old Ones retaliated by bringing Earth closer to the Sun, once again submerging Cthulhu and his monolithic city of R'lyeh beneath the sea.
This brings Cthulhu to the present day, explaining to Whateley that while he is technically "dead and dreaming" beneath the waves, watching humanity in its endless chaos, he is waiting. Waiting for the day when the stars align and he is awakened to rule over Earth once more, and once it is destroyed, he will return to his home planet. There he will mate and he will die as his own parents died, bringing forth new unspeakable horrors into the cosmos.
The Cthulhu Mythos is a mythopoeia and a shared fictional universe, originating in the works of Anglo-American horror writer H. P. Lovecraft. The term was coined by August Derleth, a contemporary correspondent and protégé of Lovecraft, to identify the settings, tropes, and lore that were employed by Lovecraft and his literary successors. The name "Cthulhu" derives from the central creature in Lovecraft's seminal short story "The Call of Cthulhu", first published in the pulp magazine Weird Tales in 1928.
Cthulhu is a fictional cosmic entity created by writer H. P. Lovecraft. It was introduced in his short story "The Call of Cthulhu", published by the American pulp magazine Weird Tales in 1928. Considered a Great Old One within the pantheon of Lovecraftian cosmic entities, this creature has since been featured in numerous pop culture references. Lovecraft depicts it as a gigantic entity worshipped by cultists, in the shape of a green octopus, dragon, and a caricature of human form. It is the namesake of the Lovecraft-inspired Cthulhu Mythos.
Nyarlathotep is a fictional character created by H. P. Lovecraft. The character is a malign deity in the Cthulhu Mythos, a shared universe. First appearing in Lovecraft's 1920 prose poem "Nyarlathotep", he was later mentioned in other works by Lovecraft and by other writers, to the point of often being considered the main antagonist of the Cthulhu Mythos as a whole. Later, writers describe him as one of the Other Gods, an alien pantheon.
Mi-Go are a fictional race of extraterrestrials created by H. P. Lovecraft and used by others in the Cthulhu Mythos setting. The aliens are fungus-based lifeforms which are extremely varied due to their prodigious surgical, biological, chemical, and mechanical skill. The variants witnessed by the protagonist of "The Whisperer in Darkness" resemble winged human-sized crabs.
The King in Yellow is a book of short stories by American writer Robert W. Chambers, first published by F. Tennyson Neely in 1895. The British first edition was published by Chatto & Windus in 1895.
Azathoth is a deity in the Cthulhu Mythos and Dream Cycle stories of writer H. P. Lovecraft and other authors. He is the supreme deity of the Cthulhu Mythos and the ruler of the Outer Gods, and may also be seen as a symbol for primordial chaos, therefore being the most powerful entity in the entirety of the Cthulhu Mythos.
Hastur is an entity of the Cthulhu Mythos.
Carcosa is a fictional city in Ambrose Bierce's short story "An Inhabitant of Carcosa" (1886). The ancient and mysterious city is barely described and is viewed only in hindsight, after its destruction, by a character who once lived there.
Lloigor is the name of a fictional deity and a fictional race in the Cthulhu Mythos. The entity first appeared in August Derleth and Mark Schorer's short story "The Lair of the Star Spawn" (1932), and has been used in subsequent fictional works by others though often departing from the original concept. The Lloigor are also referred to as the Many-Angled Ones, apparently beginning with Grant Morrison's Zenith, and some subsequent works use variations on this term in lieu of the name Lloigor.
The Whisperer in Darkness is a 26,000-word novella by American writer H. P. Lovecraft. Written February–September 1930, it was first published in Weird Tales, August 1931. Similar to The Colour Out of Space (1927), it is a blend of horror and science fiction. Although it makes numerous references to the Cthulhu Mythos, the story is not a central part of the mythos, but reflects a shift in Lovecraft's writing at this time towards science fiction. The story also introduces the Mi-Go, an extraterrestrial race of fungoid creatures.
Lovecraft: A Look Behind the "Cthulhu Mythos" is a 1972 non-fiction book written by Lin Carter, published by Ballantine Books. The introduction notes that the book "does not purport to be a biography of H. P. Lovecraft", and instead presents it as "a history of the growth of the so-called Cthulhu Mythos."
A Cthulhu Mythos anthology is a type of short story collection that contains stories written in, or related to, the Cthulhu Mythos genre of horror fiction launched by H. P. Lovecraft. Such anthologies have helped to define and popularize the genre.
The Spawn of Cthulhu is an anthology of fantasy short stories, edited by American writer Lin Carter. It was first published in paperback by Ballantine Books in October 1971 as the thirty-sixth volume of its Ballantine Adult Fantasy series. It was the fifth anthology assembled by Carter for the series.
Necronomicon is the second album by Neoclassical darkwave/dark ambient musical duo Nox Arcana published by Monolith Graphics on October 10, 2004. The music is inspired by the stories of horror writer H. P. Lovecraft and is a tribute to the Cthulhu Mythos.
Neonomicon is a four-issue comic book limited series written by Alan Moore and illustrated by Jacen Burrows, published by American company Avatar Press in 2010. The story is a sequel to Moore's previous story Alan Moore's The Courtyard and continues exploring H. P. Lovecraft's Cthulhu Mythos. Moore later continued the sequence with his comic Providence.
American author H. P. Lovecraft (1890–1937) created a number of fictional deities throughout the course of his literary career. These entities are usually depicted as immensely powerful and utterly indifferent to humans. Humans can barely begin to comprehend them; however, some entities are worshipped by humans. These deities include the "Great Old Ones" and extraterrestrials, such as the "Elder Things", with sporadic references to other miscellaneous deities. The "Elder Gods" are a later creation of other prolific writers who expanded on Lovecraft's concepts, such as August Derleth, who was credited with formalizing the Cthulhu Mythos. Most of these deities were Lovecraft's original creations, but he also adapted words or concepts from earlier writers such as Ambrose Bierce, and later writers in turn used Lovecraft's concepts and expanded his fictional universe.
This is a list of fictional creatures from the Cthulhu mythos of American writer H. P. Lovecraft and his collaborators.
"I, Cthulhu" not only directly references H. P. Lovecraft's writings, but also incorporates other creations of the shared fictional universe surrounding Lovecraft's work, the Cthulhu Mythos. A full list of the various references are below: