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The Deep Ones are creatures in the Cthulhu Mythos of H. P. Lovecraft. The beings first appeared in Lovecraft's novella The Shadow over Innsmouth (1931), but were already hinted at in the early short story "Dagon". The Deep Ones are a race of intelligent ocean-dwelling creatures, approximately human-shaped but with a fishy appearance. The males would regularly mate with involuntary human females along the coast, creating societies of hybrids. [1]
Numerous Mythos elements are associated with the Deep Ones, including the legendary town of Innsmouth, the undersea city of Y'ha-nthlei, the Esoteric Order of Dagon, and the beings known as Father Dagon and Mother Hydra. After their debut in Lovecraft's tale, the sea-dwelling creatures resurfaced in the works of other authors, especially August Derleth. [2]
The Deep Ones are an ancient species of amphibious sea-dwelling humanoids, whose preferred habitat is the deep ocean. A description is offered by the narrator of The Shadow Over Innsmouth:
I think their predominant color was a greyish-green, though they had white bellies. They were mostly shiny and slippery, but the ridges of their backs were scaly. Their forms vaguely suggested the anthropoid, while their heads were the heads of fish, with prodigious bulging eyes that never closed. At the sides of their necks were palpitating gills, and their long paws were webbed. They hopped irregularly, sometimes on two legs and sometimes on four. I was somehow glad that they had no more than four limbs. Their croaking, baying voices, clearly used for articulate speech, held all the dark shades of expression which their staring faces lacked ... They were the blasphemous fish-frogs of the nameless design—living and horrible.
A very similar description is provided in the much-earlier story Dagon:
I think that these things were supposed to depict men—at least, a certain sort of men; though the creatures were shewn disporting like fishes in the waters of some marine grotto, or paying homage at some monolithic shrine which appeared to be under the waves as well. Of their faces and forms I dare not speak in detail; for the mere remembrance makes me grow faint. Grotesque beyond the imagination of a Poe or a Bulwer, they were damnably human in general outline despite webbed hands and feet, shockingly wide and flabby lips, glassy, bulging eyes, and other features less pleasant to recall. Curiously enough, they seemed to have been chiselled badly out of proportion with their scenic background; for one of the creatures was shewn in the act of killing a whale represented as but little larger than himself.
A significant difference between the two narratives is that the single creature observed by the narrator is of a vast size, whereas the beings seen off Innsmouth are roughly human in scale. Despite being primarily marine creatures, Deep Ones can survive on land for extended periods of time. They possess biological immortality, and never die except by accident or violence. They worship twin deities, the cult of whom they have introduced among the human population of Innsmouth, who know them as "Father Dagon and Mother Hydra" - however, the elderly derelict (and Order of Dagon initiate) Zadok Allen invokes Cthulhu in a moment of strong emotion, and Robert M. Price has suggested that "Dagon" may have merely been "the closest biblical analogy to the real object of worship of the deep ones" [3] The Deep Ones are or were opposed by mysterious beings known as the Old Ones, who have left behind magical artifacts that can keep them in check. This detail is one of the vestigial hints that August Derleth developed into the mostly unnamed Elder Gods.
The Esoteric Order of Dagon was the primary religion in Innsmouth after Marsh returned from the South Seas with the dark religion circa 1838. It quickly took root due to its promises of expensive gold artifacts and fish. Fish were a valuable commodity in Innsmouth, a fishing town.
The central beings worshipped by the Order were the Father Dagon and Mother Hydra, and, to a lesser extent, Cthulhu. Dagon and Hydra were seen largely as intermediaries between the various gods rather than as gods themselves. Even so, the cultists sacrificed various locals to the Deep Ones at specific times in exchange for a limitless supply of gold and fish. When they ran out of locals, they would go to other places to kidnap people to be sacrificed. Eventually, things became so bad that the US government sent the police force to apprehend Marsh and his cult.
The Esoteric Order of Dagon (which masqueraded as the local Masonic movement) had three oaths that members had to take. The first was an oath of secrecy, the second, an oath of loyalty, and the third, an oath to marry a Deep One and bear or sire its child. Due to the latter oath, interbreeding became the norm in Innsmouth, resulting in widespread deformities and many half-breeds.
The Esoteric Order of Dagon was seemingly destroyed when one of Obed Marsh's "lost descendants" sent the U.S. Treasury Department to seize the town. As a result, the town was more or less destroyed and the Order was thought disbanded.
The backstory of The Shadow over Innsmouth involves a bargain between Deep Ones and humans, in which the aquatic species provides plentiful fishing and gold in the form of strangely formed jewelry. In return, the land-dwellers give human sacrifices and a promise of "mixing"—the mating of humans with Deep Ones. Although the Deep One hybrid offspring are born with the appearance of a normal human being, the individual will eventually transform into a Deep One, gaining immortality—by default—only when the transformation is complete.
The transformation usually occurs when the individual reaches middle age. As the hybrid gets older, he or she begins to acquire the so-called "Innsmouth Look" as he or she takes on more and more attributes of the Deep One race: the ears shrink, the eyes bulge and become unblinking, the head narrows and gradually goes bald, the skin becomes scabrous as it changes into scales, and the neck develops folds which later become gills. When the hybrid becomes too obviously non-human, it is hidden away from outsiders. Eventually, however, the hybrid will be compelled to slip into the sea to live with the Deep Ones in one of their undersea cities.
Mother Hydra and her consort Father Dagon are both Deep Ones overgrown after millennia ruling over their lesser brethren. Together with Cthulhu, they form the triad of gods worshipped by the Deep Ones (their names are inspired by Dragon, or Dagon, the Semitic fertility deity, and the Hydra of Greek mythology).
Mother Hydra is not to be confused with the entity in Henry Kuttner's story "Hydra".
"Cyclopean and many-columned Y'ha-nthlei" [4] is the only Deep One city named by Lovecraft. It is described as a great undersea metropolis below Devil's Reef just off the coast of Massachusetts, near the town of Innsmouth. Its exact age is not known, but one resident is said to have lived there for 80,000 years. [5] In Lovecraft's story, the U.S. government torpedoed Devil's Reef, and Y'ha-nthlei was presumed destroyed, although the ending of the story implies it survived.
The name Y'ha-nthlei may have been inspired by the Lord Dunsany character "Yoharneth-Lahai", "the god of little dreams and fancies" who "sendeth little dreams out of PEGANA to please the people of Earth." [6]
Other authors have invented Deep One cities in other parts of the ocean, including Ahu-Y'hloa near Cornwall and G'll-Hoo, near the volcanic island of Surtsey off the coast of Iceland. [7]
Anders Fager has described the city of "Ya' Dich-Gho" as located in the Stockholm skerries. It is accidentally destroyed in 1982 during a Swedish submarine-hunt. At least two surviving Deep Ones live in Stockholm. One of them sells aquarist's supplies. The destruction of Ya' Dich-Gho is described in "When Death Came to Bod Reef"; the city's history in "Herr Goering's Artefact" and the life of the survivors in "Three Weeks of Bliss". [8]
The Cthulhu Mythos is a mythopoeia and a shared fictional universe, originating in the works of Anglo-American horror writer H. P. Lovecraft. The term was coined by August Derleth, a contemporary correspondent and protégé of Lovecraft, to identify the settings, tropes, and lore that were employed by Lovecraft and his literary successors. The name "Cthulhu" derives from the central creature in Lovecraft's seminal short story "The Call of Cthulhu", first published in the pulp magazine Weird Tales in 1928.
Cthulhu is a fictional cosmic entity created by writer H. P. Lovecraft. It was introduced in his short story "The Call of Cthulhu", published by the American pulp magazine Weird Tales in 1928. Considered a Great Old One within the pantheon of Lovecraftian cosmic entities, this creature has since been featured in numerous pop culture references. Lovecraft depicts it as a gigantic entity worshipped by cultists, in the shape of a green octopus, dragon, and a caricature of human form. It is the namesake of the Lovecraft-inspired Cthulhu Mythos.
Shub-Niggurath is a deity created by H. P. Lovecraft. She is often associated with the phrase "The Black Goat of the Woods with a Thousand Young". The only other name by which Lovecraft referred to her was "Lord of the Wood" in his story The Whisperer in Darkness.
Arkham is a fictional city situated in Massachusetts, United States. An integral part of the Lovecraft Country setting created by H. P. Lovecraft, Arkham is featured in many of his stories and those of other Cthulhu Mythos writers.
The Shadow over Innsmouth is a horror novella by American author H. P. Lovecraft, written in November–December 1931. It forms part of the Cthulhu Mythos, using its motif of a malign undersea civilization, and references several shared elements of the Mythos, including place-names, mythical creatures, and invocations. The Shadow over Innsmouth is the only Lovecraft story that was published in book form during his lifetime.
Lovecraft Country is a term coined for the New England setting used by H. P. Lovecraft in many of his weird fiction stories, which combines real and fictitious locations. This setting has been elaborated on by other writers working in the Cthulhu Mythos. The phrase was not in use during Lovecraft's own lifetime; it was coined by Keith Herber for the Lovecraftian role-playing game Call of Cthulhu.
Lovecraftian horror, also called cosmic horror or eldritch horror, is a subgenre of horror, fantasy fiction and weird fiction that emphasizes the horror of the unknowable and incomprehensible more than gore or other elements of shock. It is named after American author H. P. Lovecraft (1890–1937). His work emphasizes themes of cosmic dread, forbidden and dangerous knowledge, madness, non-human influences on humanity, religion and superstition, fate and inevitability, and the risks associated with scientific discoveries, which are now associated with Lovecraftian horror as a subgenre. The cosmic themes of Lovecraftian horror can also be found in other media, notably horror films, horror games, and comics.
Call of Cthulhu: Dark Corners of the Earth is a survival horror video game developed by Headfirst Productions for the Xbox in 2005 and for Microsoft Windows in 2006. It combines an action-adventure game with a relatively realistic first-person shooter and elements of a stealth game.
"Dagon" is a short story by American author H. P. Lovecraft. It was written in July 1917 and is one of the first stories that Lovecraft wrote as an adult. It was first published in the November 1919 edition of The Vagrant. Dagon was later published in Weird Tales in October 1923. It is considered by many to be one of Lovecraft's most forward-looking stories.
The Xothic legend cycle is a series of short stories by American writer Lin Carter that are based on the Cthulhu Mythos of H. P. Lovecraft, primarily on Lovecraft's stories "The Call of Cthulhu" and "Out of the Aeons".
Dagon is a 2001 Spanish horror film directed by Stuart Gordon and written by Dennis Paoli. It is loosely based on H. P. Lovecraft's short story Dagon (1919) and his 1936 novella The Shadow Over Innsmouth. The film takes place in "Imboca", a Spanish adaptation of "Innsmouth". The film marked the last role of Francisco Rabal who died two months before its release.
A Shoggoth on the Roof is a parody of the 1964 musical Fiddler on the Roof based on the works of H. P. Lovecraft. Published by the H. P. Lovecraft Historical Society, it is credited to a member of the society who is referred to only as "He Who Must Not Be Named".
A Cthulhu Mythos anthology is a type of short story collection that contains stories written in, or related to, the Cthulhu Mythos genre of horror fiction launched by H. P. Lovecraft. Such anthologies have helped to define and popularize the genre.
Move Under Ground is a horror novel mashup by American writer Nick Mamatas, which combines the Beat style of Jack Kerouac with the cosmic horror of H. P. Lovecraft's Cthulhu Mythos. It is available as a free download via a Creative Commons license, CC BY-NC-ND 2.5 according to the License information in the CC version of the book.
American author H. P. Lovecraft (1890–1937) created a number of fictional deities throughout the course of his literary career. These entities are usually depicted as immensely powerful and utterly indifferent to humans. Humans can barely begin to comprehend them; however, some entities are worshipped by humans. These deities include the "Great Old Ones" and extraterrestrials, such as the "Elder Things", with sporadic references to other miscellaneous deities. The "Elder Gods" are a later creation of other prolific writers who expanded on Lovecraft's concepts, such as August Derleth, who was credited with formalizing the Cthulhu Mythos. Most of these deities were Lovecraft's original creations, but he also adapted words or concepts from earlier writers such as Ambrose Bierce, and later writers in turn used Lovecraft's concepts and expanded his fictional universe.
This is a list of fictional creatures from the Cthulhu mythos of American writer H. P. Lovecraft and his collaborators.
Winter Tide is a 2017 alternate history, fantasy and horror novel by American science fiction and fantasy writer Ruthanna Emrys. It is Emrys' debut novel, and the second book in her three book Innsmouth Legacy series, the first being the novella, The Litany of Earth (2014). The series is set in the Cthulhu Mythos universe created by H. P. Lovecraft, and builds on Lovecraft's 1936 novella, "The Shadow over Innsmouth".