"Through the Gates of the Silver Key" | |
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Short story by H. P. Lovecraft E. Hoffmann Price | |
Country | United States |
Language | English |
Genre(s) | Fantasy, weird fiction |
Publication | |
Published in | Weird Tales |
Publication date | July 1934 |
"Through the Gates of the Silver Key" is a short story co-written by American writers H. P. Lovecraft and E. Hoffmann Price between October 1932 and April 1933. A sequel to Lovecraft's "The Silver Key", and part of a sequence of stories focusing on Randolph Carter, it was first published in the July 1934 issue of Weird Tales .
At a gathering to decide the fate of Randolph Carter's estate (which has been held in trust since his disappearance) the mysterious Swami Chandraputra, who wears curious mittens and enveloping robes, tells Carter's acquaintances of his ultimate fate. He explains that after performing its ritual, the Silver Key took Carter to the Outer Extension, a realm transcending spacetime, by transporting him through a cosmic structure known as the First Gate. There, Carter met the Ancient Ones, a group of mystic beings led by 'Umr at-Tawil, a dangerous being warned of in the Necronomicon, saying those who deal with it never return. 'Umr at-Tawil offers Carter a chance to plunge deeper into the cosmos; after Carter accepts, the Ancient Ones manifest and open a structure known as the Ultimate Gate, which takes him to a truly infinite void.
Carter, now reduced to a disembodied facet of himself, encounters an entity implied to be Yog-Sothoth. This being explains that all conscious beings are facets of much greater beings, which exist outside the traditional model of three dimensions. Carter himself, and indeed all of the infinite Space-Time continuums, is a facet of this particular being, the Supreme Archetype, made up of the greatest thinkers of the universe. The Entity, appearing to be proud of Carter's accomplishments, offers to grant him a wish relating to the many facets of which it is a part. Carter explains that he would love to know more about the facets of a particular long-extinct race on a distant planet, Yaddith, which is constantly threatened by the monstrous Dholes. He has been having persistent dreams about Yaddith in the last few months. The Supreme Archetype accomplishes this by transferring Carter's consciousness into the body of one of his facets among that race, that of Zkauba the wizard, though not before warning Carter to have memorized all his symbols and rites. Carter arrogantly believes that the Silver Key alone will accomplish this claim, but it soon transpires Carter's wish was a mistake; he cannot escape, and is trapped in Zkauba's body. The two beings find each other repugnant, but are now trapped in the same body, periodically changing dominance.
After a vast amount of time trapped on Yaddith, Carter finds a means of suppressing the alien mind with drugs, and then uses their technology, along with the Silver Key to return both to the present and to Earth, where Carter can retrieve his manuscript with the symbols he needs to work on regaining his original body. Once there, the Swami reports, Carter did find the manuscript and promptly contacted Swami Chandraputra, instructing him to go to the meeting to say he would soon be along to reclaim his estate and to continue to hold it in trust. After the Swami finishes the tale, one in the party, the lawyer Aspinwall (who is Carter's cousin), accuses Swami Chandraputra of telling a false tale in an attempt to steal the estate, claiming that he is some kind of conman in a disguise. As Aspinwall tears at the Swami's masklike face and beard, it is revealed that the Swami is not human at all, but Carter, still trapped in Zkauba's hideous body. The other witnesses don't see Carter/Zkauba's true face, but Aspinwall suffers a fatal heart attack. The crisis causes Zkauba's mind to reassert itself, and the alien wizard enters a curious, coffin-shaped clock (implied to be Carter/Zkauba's means of transport to Earth) and disappears.
The tale ends with a vague postscript, speculating that the Swami was merely a common criminal who hypnotized the others to escape. However, the postscript notes, some of the story's details seem eerily accurate.
The story has its origins in Price's enthusiasm for an earlier Lovecraft tale. "One of my favorite HPL stories was, and still is, 'The Silver Key'," Price wrote in a 1944 memoir. "In telling him of the pleasure I had had in rereading it, I suggested a sequel to account for [protagonist] Randolph Carter's doings after his disappearance." [2] After convincing an apparently reluctant Lovecraft to agree to collaborate on such a sequel, Price wrote a 6,000-word draft in August 1932; in April 1933, Lovecraft produced a 14,000-word version that left unchanged, by Price's estimate, "fewer than fifty of my original words," [3] though An H. P. Lovecraft Encyclopedia reports that Lovecraft "kept as many of Price's conceptions as possible, as well as some of his language." Thus many of the central ideas of the story like 'Umr at-Tawil, the talk of mathematical planes and multiple facets of Randolph Carter throughout Time and Space come from Price, who was well read in neoplatonic thought, theosophy and the occult. Even the quote from the Necronomicon is mainly by Price in outline though put in more Lovecraftian language. [4] The sub-plot about Yaddith was entirely Lovecraft's idea however. Hoffman Price's tales were oriental, and 'Umr at-Tawil was merely an Arab who had preternaturally long life in his draft.
In any case, Price was pleased with the result, writing that Lovecraft "was right of course in discarding all but the basic outline. I could only marvel that he had made so much of my inadequate and bungling start." [5] The story appeared under both authors' bylines in the July 1934 issue of Weird Tales; Price's draft was published as "The Lord of Illusion" in Crypt of Cthulhu No. 10 in 1982.
Edward Guimont has proposed that an influence was Jack London's 1915 novel The Star Rover , which Lovecraft owned. [6]
Lovecraft scholar Will Murray says of "Through the Gates of the Silver Key", "As a Dunsanian fantasy, the Price/Lovecraft collaboration is a failure; as a Mythos story, it is rich with ideas, but curiously diluted." [7] In A Thousand Plateaus (1980), Gilles Deleuze and Félix Guattari called the story one of Lovecraft's masterpieces. [8]
The Necronomicon, also referred to as the Book of the Dead, or under a purported original Arabic title of Kitab al-Azif, is a fictional grimoire appearing in stories by the horror writer H. P. Lovecraft and his followers. It was first mentioned in Lovecraft's 1924 short story "The Hound", written in 1922, though its purported author, the "Mad Arab" Abdul Alhazred, had been quoted a year earlier in Lovecraft's "The Nameless City". Among other things, the work contains an account of the Old Ones, their history, and the means for summoning them.
Cthulhu is a cosmic entity created by writer H. P. Lovecraft. It was introduced in his short story "The Call of Cthulhu", published by the American pulp magazine Weird Tales in 1928. Considered a Great Old One within the pantheon of Lovecraftian cosmic entities, this creature has since been featured in numerous popular culture references. Lovecraft depicts it as a gigantic entity worshipped by cultists, in the shape of a green octopus, dragon, and a caricature of human form. The Lovecraft-inspired universe, the Cthulhu Mythos, where it exists with its fellow entities, is named after it.
"The Call of Cthulhu" is a short story by American writer H. P. Lovecraft. Written in the summer of 1926, it was first published in the pulp magazine Weird Tales in February 1928.
Azathoth is a deity in the Cthulhu Mythos and Dream Cycle stories of writer H. P. Lovecraft and other authors. He is the ruler of the Outer Gods, and may be seen as a symbol for primordial chaos.
At the Mountains of Madness is a science fiction-horror novella by American author H. P. Lovecraft, written in February/March 1931. Rejected that year by Weird Tales editor Farnsworth Wright on the grounds of its length, it was originally serialized in the February, March, and April 1936 issues of Astounding Stories. It has been reproduced in numerous collections.
Randolph Carter is a recurring fictional character in H. P. Lovecraft's fiction and is, presumably, an alter ego of Lovecraft himself. The character first appears in "The Statement of Randolph Carter", a short story Lovecraft wrote in 1919 based on one of his dreams. An American magazine called The Vagrant published the story in May 1920.
"The Haunter of the Dark" is a horror short story by American author H. P. Lovecraft, written between 5–9 November 1935 and published in the December 1936 edition of Weird Tales. It was the last written of the author's known works, and is part of the Cthulhu Mythos. The epigraph to the story is the second stanza of Lovecraft's 1917 poem "Nemesis".
Lovecraftian horror, also called "cosmic horror", or "eldritch horror" is a subgenre of horror fiction and weird fiction that emphasizes the horror of the unknowable and incomprehensible more than gore or other elements of shock. It is named after American author H. P. Lovecraft (1890–1937). His work emphasizes themes of cosmic dread, forbidden and dangerous knowledge, madness, non-human influences on humanity, religion and superstition, fate and inevitability, and the risks associated with scientific discoveries, which are now associated with Lovecraftian horror as a subgenre. The cosmic themes of Lovecraftian horror can also be found in other media, notably horror films, horror games, and comics.
"The Statement of Randolph Carter" is a short story by American writer H. P. Lovecraft. Written in December 1919, it was first published in The Vagrant, May 1920. It tells of a traumatic event in the life of Randolph Carter, a student of the occult loosely representing Lovecraft himself. It is the first story in which Carter appears. Its adaptations include the film The Unnamable II: The Statement of Randolph Carter.
"The White Ship" is a horror short story by American writer H. P. Lovecraft. It was first published in The United Amateur #2, November 1919, and later appeared in the March 1927 issue of Weird Tales.
"The Thing on the Doorstep" is a horror short story by American writer H. P. Lovecraft, part of the Cthulhu Mythos universe. It was written in August 1933, and first published in the January 1937 issue of Weird Tales.
"The Dreams in the Witch House" is a horror short story by American writer H. P. Lovecraft, part of the Cthulhu Mythos cycle. It was written in January/February 1932 and first published in the July 1933 issue of Weird Tales.
"The Horror at Red Hook" is a short story by American writer H. P. Lovecraft, written on August 1–2, 1925. "Red Hook" is a transitional tale, situated between the author's earlier work and the later Cthulhu Mythos. Although the story depicts a sinister cult, this cult offers a conventionally occult devil-worshipping threat, rather than the cosmic threat depicted in his later work. Living in poverty in the slum of Red Hook at the time of writing, Lovecraft was at this time urgently attempting to widen his markets in the pulp magazines. By having an unusually proactive Irish New York police detective as his protagonist, he hoped for a swift sale to a detective pulp, which would have opened up a new market other than his usual Weird Tales magazine. He did not get such a sale, and had to fall back on Weird Tales. "Red Hook" was thus first published in the January 1927 issue of Weird Tales.
"The Silver Key" is a fantasy short story by American writer H. P. Lovecraft. Written in 1926, it is considered part of his Dreamlands series. It was first published in the January 1929 issue of Weird Tales. It is a continuation of "The Dream-Quest of Unknown Kadath", and was followed by a sequel, "Through the Gates of the Silver Key", co-written with E. Hoffmann Price. The story and its sequel both feature Lovecraft's recurring character of Randolph Carter as the protagonist.
Edgar Hoffmann Trooper Price was an American writer of popular fiction for the pulp magazine marketplace. He collaborated with H. P. Lovecraft on "Through the Gates of the Silver Key".
"Out of the Aeons" is a short story by American writers H. P. Lovecraft and Hazel Heald, a writer from Somerville, Massachusetts. First published in the April 1935 issue of Weird Tales magazine, it was one of five stories Lovecraft revised for Heald. It focuses on a Boston museum that displays an ancient mummy recovered from a sunken island. The story is told from the point of view of the curator of the Cabot Museum in Boston.
Necronomicon Press is an American small press publishing house specializing in fiction, poetry and literary criticism relating to the horror and fantasy genres. It is run by Marc A. Michaud.
Harley Warren is a fictional character created by H. P. Lovecraft, based on his friend Samuel Loveman (1887–1976). Lovecraft had a dream about Loveman, which inspired him to write the short story "The Statement of Randolph Carter" in 1919. In the story, Warren is a mysterious occultist and friend of Carter, who suffers a gruesome but undefined fate while exploring a crypt in Big Cypress Swamp.
"History of the Necronomicon" is a short text written by H. P. Lovecraft in 1927, and published in 1938. It describes the origins of the fictional book of the same name: the occult grimoire Necronomicon, a now-famous element of some of his stories. The short text purports to be non-fiction, adding to the appearance of "pseudo-authenticity" which Lovecraft valued in building his Cthulhu Mythos oeuvre. Accordingly, it supposes the history of the Necronomicon as the inspiration for Robert W. Chambers' The King in Yellow, which concerns a book that overthrows the minds of those who read it.
Necronomicon: The Best Weird Tales of H.P. Lovecraft: Commemorative Edition is a select collection of horror short stories, novellas and novels written by H. P. Lovecraft. The book was published in 2008 by Gollancz and is edited by Stephen Jones.