Through the Gates of the Silver Key

Last updated
"Through the Gates of the Silver Key"
Short story by H. P. Lovecraft
E. Hoffmann Price
Weirdtales-1934-07-throughthegatesofthesilverkey.jpg
Title page of "Through the Gates of the Silver Key" as it appeared in Weird Tales , July 1934. Illustration by H. R. Hammond. [1]
CountryUnited States
LanguageEnglish
Genre(s) Fantasy, weird fiction
Publication
Published in Weird Tales
Publication dateJuly 1934

"Through the Gates of the Silver Key" is a short story co-written by American writers H. P. Lovecraft and E. Hoffmann Price between October 1932 and April 1933. A sequel to Lovecraft's "The Silver Key", and part of a sequence of stories focusing on Randolph Carter, it was first published in the July 1934 issue of Weird Tales .

Contents

Plot

At a gathering to decide the fate of Randolph Carter's estate (which has been held in trust since his disappearance) the mysterious Swami Chandraputra, who wears curious mittens and enveloping robes, tells Carter's acquaintances of his ultimate fate. He explains that after performing its ritual, the Silver Key took Carter to the Outer Extension, a realm transcending spacetime, by transporting him through a cosmic structure known as the First Gate. There, Carter met the Ancient Ones, a group of mystic beings led by 'Umr at-Tawil, a dangerous being warned of in the Necronomicon, saying those who deal with it never return. 'Umr at-Tawil offers Carter a chance to plunge deeper into the cosmos; after Carter accepts, the Ancient Ones manifest and open a structure known as the Ultimate Gate, which takes him to a truly infinite void.

Carter, now reduced to a disembodied facet of himself, encounters an entity implied to be Yog-Sothoth, though he realizes how "slight and fractional" this conception of Yog-Sothoth is compared to the being. The being is said to be "an All-in-One and One-in-All of limitless being and self—not merely a thing of one Space-Time continuum, but allied to the ultimate animating essence of existence’s whole unbounded sweep—the last, utter sweep which has no confines and which outreaches fancy and mathematics alike." The being explains that all conscious beings are facets of much greater beings, which exist outside the traditional model of three dimensions. The inhabitants of the Ultimate Abyss are the archetypes, and who are "formless, ineffable, and guessed at only by rare dreamers on the low-dimensioned worlds", with chief among them being the Supreme Archetype, with all beings, including Carter, Yog-Sothoth and all else being mere facets of it. Carter realizes that what humans call Yog-Sothoth is but a slight and fractional part of the Supreme Archetype. It is seemingly proud of Carter's accomplishments, offers to grant him a wish relating to the many facets of which it is a part. Carter explains that he would love to know more about the facets of a particular long-extinct race on a distant planet, Yaddith, which is constantly threatened by the monstrous Dholes. He has been having persistent dreams about Yaddith in the last few months. The Supreme Archetype accomplishes this by transferring Carter's consciousness into the body of one of his facets among that race, that of Zkauba the wizard, though not before warning Carter to have memorized all his symbols and rites. Carter arrogantly believes that the Silver Key alone will accomplish this claim, but it soon transpires Carter's wish was a mistake; he cannot escape, and is trapped in Zkauba's body. The two beings find each other repugnant, but are now trapped in the same body, periodically changing dominance. Beyond the Ultimate Abyss is the Ultimate Mystery, which the Supreme Archetype offers to show Carter, and which transcends everything before it, as it is the "last and inmost of secrets which lies behind all scenes and dreams" and which is also the "final cosmic reality which belies all local perspectives and narrow partial views".

After a vast amount of time trapped on Yaddith, Carter finds a means of suppressing the alien mind with drugs, and then uses their technology, along with the Silver Key to return both to the present and to Earth, where Carter can retrieve his manuscript with the symbols he needs to work on regaining his original body. Once there, the Swami reports, Carter did find the manuscript and promptly contacted Swami Chandraputra, instructing him to go to the meeting to say he would soon be along to reclaim his estate and to continue to hold it in trust. After the Swami finishes the tale, one in the party, the lawyer Aspinwall (who is Carter's cousin), accuses Swami Chandraputra of telling a false tale in an attempt to steal the estate, claiming that he is some kind of conman in a disguise. As Aspinwall tears at the Swami's masklike face and beard, it is revealed that the Swami is not human at all, but Carter, still trapped in Zkauba's hideous body. The other witnesses don't see Carter/Zkauba's true face, but Aspinwall suffers a fatal heart attack. The crisis causes Zkauba's mind to reassert itself, and the alien wizard enters a curious, coffin-shaped clock (implied to be Carter/Zkauba's means of transport to Earth) and disappears.

The tale ends with a vague postscript, speculating that the Swami was merely a common criminal who hypnotized the others to escape. However, the postscript notes, some of the story's details seem eerily accurate.

Inspiration

The story has its origins in Price's enthusiasm for an earlier Lovecraft tale. "One of my favorite HPL stories was, and still is, 'The Silver Key'," Price wrote in a 1944 memoir. "In telling him of the pleasure I had had in rereading it, I suggested a sequel to account for [protagonist] Randolph Carter's doings after his disappearance." [2] After convincing an apparently reluctant Lovecraft to agree to collaborate on such a sequel, Price wrote a 6,000-word draft in August 1932; in April 1933, Lovecraft produced a 14,000-word version that left unchanged, by Price's estimate, "fewer than fifty of my original words," [3] though An H. P. Lovecraft Encyclopedia reports that Lovecraft "kept as many of Price's conceptions as possible, as well as some of his language." Thus many of the central ideas of the story like 'Umr at-Tawil, the talk of mathematical planes and multiple facets of Randolph Carter throughout Time and Space come from Price, who was well read in neoplatonic thought, theosophy and the occult. Even the quote from the Necronomicon is mainly by Price in outline though put in more Lovecraftian language. [4] The sub-plot about Yaddith was entirely Lovecraft's idea however. Hoffman Price's tales were oriental, and 'Umr at-Tawil was merely an Arab who had preternaturally long life in his draft.

In any case, Price was pleased with the result, writing that Lovecraft "was right of course in discarding all but the basic outline. I could only marvel that he had made so much of my inadequate and bungling start." [5] The story appeared under both authors' bylines in the July 1934 issue of Weird Tales; Price's draft was published as "The Lord of Illusion" in Crypt of Cthulhu No. 10 in 1982.

Edward Guimont has proposed that an influence was Jack London's 1915 novel The Star Rover , which Lovecraft owned. [6]

Reception

Lovecraft scholar Will Murray says of "Through the Gates of the Silver Key", "As a Dunsanian fantasy, the Price/Lovecraft collaboration is a failure; as a Mythos story, it is rich with ideas, but curiously diluted." [7] In A Thousand Plateaus (1980), Gilles Deleuze and Félix Guattari called the story one of Lovecraft's masterpieces. [8]

Related Research Articles

<span class="mw-page-title-main">Cthulhu Mythos</span> Shared fictional universe based on the work of H. P. Lovecraft

The Cthulhu Mythos is a mythopoeia and a shared fictional universe, originating in the works of Anglo-American horror writer H. P. Lovecraft. The term was coined by August Derleth, a contemporary correspondent and protégé of Lovecraft, to identify the settings, tropes, and lore that were employed by Lovecraft and his literary successors. The name "Cthulhu" derives from the central creature in Lovecraft's seminal short story "The Call of Cthulhu", first published in the pulp magazine Weird Tales in 1928.

<i>Necronomicon</i> Fictional grimoire in stories by H. P. Lovecraft

The Necronomicon, also referred to as the Book of the Dead, or under a purported original Arabic title of Kitab al-Azif, is a fictional grimoire appearing in stories by the horror writer H. P. Lovecraft and his followers. It was first mentioned in Lovecraft's 1924 short story "The Hound", written in 1922, though its purported author, the "Mad Arab" Abdul Alhazred, had been quoted a year earlier in Lovecraft's "The Nameless City". Among other things, the work contains an account of the Old Ones, their history, and the means for summoning them.

<span class="mw-page-title-main">Shub-Niggurath</span> Fictional deity in the Cthulhu Mythos

Shub-Niggurath is a deity created by H. P. Lovecraft. She is often associated with the phrase "The Black Goat of the Woods with a Thousand Young". The only other name by which Lovecraft referred to her was "Lord of the Wood" in his story The Whisperer in Darkness.

<span class="mw-page-title-main">Nyarlathotep</span> Fictional Lovecraftian god

Nyarlathotep is a fictional character created by H. P. Lovecraft. The character is a malign deity in the Cthulhu Mythos, a shared universe. First appearing in Lovecraft's 1920 prose poem "Nyarlathotep", he was later mentioned in other works by Lovecraft and by other writers, to the point of often being considered the main antagonist of the Cthulhu Mythos as a whole. He is presented as the messenger of Azathoth. He is later described by other authors as being part of the Other Gods, an alien pantheon.

<span class="mw-page-title-main">Azathoth</span> Fictional deity in the Cthulhu Mythos

Azathoth is a deity in the Cthulhu Mythos and Dream Cycle stories of writer H. P. Lovecraft and other authors. He is the supreme deity of the Cthulhu Mythos and the ruler of the Outer Gods, and may also be seen as a symbol for primordial chaos, therefore being the most powerful entity in the entirety of the Cthulhu Mythos.

<span class="mw-page-title-main">The Cats of Ulthar</span> 1920 short story by H. P. Lovecraft

"The Cats of Ulthar" is a short story written by American fantasy author H. P. Lovecraft in June 1920. In the tale, an unnamed narrator relates the story of how a law forbidding the killing of cats came to be in a town called Ulthar. As the narrative goes, the city is home to an old couple who enjoy capturing and killing the townspeople's cats. When a caravan of wanderers passes through the city, the kitten of an orphan (Menes) traveling with the band disappears. Upon hearing of the couple's violent acts towards cats, Menes invokes a prayer before leaving town that causes the local felines to swarm the cat-killers' house and devour them. Upon witnessing the result, the local politicians pass a law forbidding the killing of cats.

<i>At the Mountains of Madness</i> Novella by H. P. Lovecraft

At the Mountains of Madness is a science fiction-horror novella by American author H. P. Lovecraft, written in February/March 1931. Rejected that year by Weird Tales editor Farnsworth Wright on the grounds of its length, it was originally serialized in the February, March, and April 1936 issues of Astounding Stories. It has been reproduced in numerous collections.

<i>The Case of Charles Dexter Ward</i> Novel by H. P. Lovecraft

The Case of Charles Dexter Ward is a short horror novel by American writer H. P. Lovecraft, written in early 1927, but not published during the author's lifetime. Set in Lovecraft's hometown of Providence, Rhode Island, it was first published in the May and July issues of Weird Tales in 1941; the first complete publication was in Arkham House's Beyond the Wall of Sleep collection (1943). It is included in the Library of America volume of Lovecraft's work.

<span class="mw-page-title-main">Randolph Carter</span> Fictional character

Randolph Carter is a recurring fictional character created by H. P. Lovecraft. The character first appears in "The Statement of Randolph Carter", a short story Lovecraft wrote in 1919 based on one of his dreams. An American magazine called The Vagrant published the story in May 1920. Carter appears in seven stories written or co-written by Lovecraft, and has since appeared in stories by other authors.

<i>The Dream-Quest of Unknown Kadath</i> Novella by H. P. Lovecraft

The Dream-Quest of Unknown Kadath is a novella by American writer H. P. Lovecraft. Begun probably in the autumn of 1926, the draft was completed on January 22, 1927 and it remained unrevised and unpublished in his lifetime. It is both the longest of the stories that make up his Dream Cycle and the longest Lovecraft work to feature protagonist Randolph Carter. Along with his 1927 novel The Case of Charles Dexter Ward, it can be considered one of the significant achievements of that period of Lovecraft's writing. The Dream-Quest combines elements of horror and fantasy into an epic tale that illustrates the scope and wonder of humankind's ability to dream.

<span class="mw-page-title-main">The Dunwich Horror</span> 1928 short story by H. P. Lovecraft

"The Dunwich Horror" is a horror novella by American writer H. P. Lovecraft. Written in 1928, it was first published in the April 1929 issue of Weird Tales (pp. 481–508). It takes place in Dunwich, a fictional town in Massachusetts. It is considered one of the core stories of the Cthulhu Mythos.

<span class="mw-page-title-main">The Haunter of the Dark</span> Horror short story by H. P. Lovecraft

"The Haunter of the Dark" is a horror short story by American author H. P. Lovecraft, written between 5–9 November 1935 and published in the December 1936 edition of Weird Tales. It was the last written of the author's known stories and is part of the Cthulhu Mythos. The epigraph to the story is the second stanza of Lovecraft's 1917 poem "Nemesis".

<span class="mw-page-title-main">Pickman's Model</span> 1927 short story by H. P. Lovecraft

"Pickman's Model" is a short story by H. P. Lovecraft, written in September 1926 and first published in the October 1927 issue of Weird Tales.

<span class="mw-page-title-main">The Statement of Randolph Carter</span> 1919 short story by H. P. Lovecraft

"The Statement of Randolph Carter" is a short story by American writer H. P. Lovecraft. Written in December 1919, it was first published in The Vagrant, May 1920. It tells of a traumatic event in the life of Randolph Carter, a student of the occult loosely representing Lovecraft himself. It is the first story in which Carter appears. Its adaptations include the film The Unnamable II: The Statement of Randolph Carter.

<span class="mw-page-title-main">The Silver Key</span> 1929 short story by H. P. Lovecraft

"The Silver Key" is a fantasy short story by American writer H. P. Lovecraft. Written in 1926, it is considered part of his Dreamlands series. It was first published in the January 1929 issue of Weird Tales. It is a continuation of "The Dream-Quest of Unknown Kadath", and was followed by a sequel, "Through the Gates of the Silver Key", co-written with E. Hoffmann Price. The story and its sequel both feature Lovecraft's recurring character of Randolph Carter as the protagonist.

<i>Lovecraft: A Look Behind the Cthulhu Mythos</i> 1972 non-fiction book by Lin Carter

Lovecraft: A Look Behind the "Cthulhu Mythos" is a 1972 non-fiction book written by Lin Carter, published by Ballantine Books. The introduction notes that the book "does not purport to be a biography of H. P. Lovecraft", and instead presents it as "a history of the growth of the so-called Cthulhu Mythos."

"Out of the Aeons" is a short story by American writers H. P. Lovecraft and Hazel Heald, a writer from Somerville, Massachusetts. First published in the April 1935 issue of Weird Tales magazine, it was one of five stories Lovecraft revised for Heald. It focuses on a Boston museum that displays an ancient mummy recovered from a sunken island. The story is told from the point of view of the curator of the Cabot Museum in Boston.

<i>Necronomicon</i> (Nox Arcana album) 2004 studio album by Nox Arcana

Necronomicon is the second album by Neoclassical darkwave/dark ambient musical duo Nox Arcana published by Monolith Graphics on October 10, 2004. The music is inspired by the stories of horror writer H. P. Lovecraft and is a tribute to the Cthulhu Mythos.

<i>Necronomicon: The Best Weird Tales of H. P. Lovecraft: Commemorative Edition</i> 2008 collection of stories by H. P. Lovecraft

Necronomicon: The Best Weird Tales of H.P. Lovecraft: Commemorative Edition is a select collection of horror short stories, novellas and novels written by H. P. Lovecraft. The book was published in 2008 by Gollancz and is edited by Stephen Jones.

<span class="mw-page-title-main">Cthulhu Mythos deities</span> Fictional deities in H. P. Lovecrafts Cthulhu mythos

American author H. P. Lovecraft (1890–1937) created a number of fictional deities throughout the course of his literary career. These entities are usually depicted as immensely powerful and utterly indifferent to humans. Humans can barely begin to comprehend them; however, some entities are worshipped by humans. These deities include the "Great Old Ones" and extraterrestrials, such as the "Elder Things", with sporadic references to other miscellaneous deities. The "Elder Gods" are a later creation of other prolific writers who expanded on Lovecraft's concepts, such as August Derleth, who was credited with formalizing the Cthulhu Mythos. Most of these deities were Lovecraft's original creations, but he also adapted words or concepts from earlier writers such as Ambrose Bierce, and later writers in turn used Lovecraft's concepts and expanded his fictional universe.

References

  1. "Publication: Weird Tales, July 1934". ISFDB. Retrieved March 18, 2021.
  2. E. Hoffman Price, The Acolyte, 1944; cited in Carter, p. 93.
  3. Carter, p. 93.
  4. Joshi, S.T.; Schultz, David E. (2004). An H.P. Lovecraft Encyclopedia. Hippocampus Press. p. 213. ISBN   978-0974878911.
  5. Carter, p. 94.
  6. Guimont, Edward (August 2020). "An Arctic Mystery: The Lovecraftian North Pole". Lovecraft Annual (14): 156–157. ISSN   1935-6102. JSTOR   26939814.
  7. Will Murray, "Tentacles in Dreamland: Cthulhu Mythos Elements in the Dunsanian Stories", Black Forbidden Things, p. 32.
  8. Deleuze, Gilles & Guattari, Félix (translated by Brian Massumi). A Thousand Plateaus. Minneapolis: University of Minnesota Press, 1993, p. 240, 539

Sources