Nyarlathotep is a fictional character created by H. P. Lovecraft. The character is a malign deity in the Cthulhu Mythos, a shared universe. First appearing in Lovecraft's 1920 prose poem "Nyarlathotep", he was later mentioned in other works by Lovecraft and by other writers. Later, writers describe him as one of the Other Gods, an alien pantheon.
In his first appearance in "Nyarlathotep" (1920), he is described as a "tall, swarthy man" who resembles an ancient Egyptian pharaoh.[1] In this story he wanders the Earth, seemingly gathering legions of followers, the narrator of the story among them, through his demonstrations of strange and seemingly magical instruments. These followers lose awareness of the world around them, and through the narrator's increasingly unreliable accounts, the reader gets an impression of the world's collapse.[1]Fritz Leiber proposes three interpretations of the character based on this appearance: the universe's mockery of man's attempts to understand it; a negative view of the commercial world, represented by Nyarlathotep's self-promotion and contemptuous attitude; and man's self-destructive rationality.[2]
Nyarlathotep subsequently appears as a major character in The Dream Quest of Unknown Kadath (1926/27), in which he again manifests in the form of an Egyptian pharaoh when he confronts protagonist Randolph Carter. Leiber describes Nyarlathotep as "evilly intelligent" in this story, in contrast to the mindless Azathoth, his master.[2]
The 21st sonnet of Lovecraft's poem-cycle Fungi from Yuggoth (1929/30) is essentially a retelling of the original prose poem.
In "The Dreams in the Witch House" (1933), Nyarlathotep appears to Walter Gilman and witch Keziah Mason (who has made a pact with the entity) in the form of "the 'Black Man' of the witch-cult", a black-skinned avatar of the Devil described by witch hunters. Although inhuman, some characters mistake him as a human of African descent, though his facial features are described as Caucasian.[3]
Finally, in "The Haunter of the Dark" (1936), the nocturnal, tentacled, bat-winged monster dwelling in the steeple of the Starry Wisdom sect's church is identified as another manifestation of Nyarlathotep.[4] This avatar cannot tolerate light.
Lovecraft suggests that the fake Henry Akeley that appears at the end of The Whisperer in Darkness (1930) is also Nyarlathotep. In the story, the Mi-Go chant his name in reverential tones, stating "To Nyarlathotep, Mighty Messenger, must all things be told. And he shall put on the semblance of man, the waxen mask and the robes that hide, and come down from the world of Seven Suns to mock."[5] At the end of The Whisperer in Darkness, the main character to his horror discovers a loose dressing gown and the dismembered head and arms of Akeley lying on the couch, presumed in the story to have been a Mi-Go in disguise. But due to the mention in the chant to Nyarlathotep wearing the "waxen mask and the robes that hide", S. T. Joshi writes that "this seems a clear allusion to Nyarlathotep disguised with Akeley's face and hands; but if so, it means that at this time Nyarlathotep is, in bodily form, one of the fungi — especially if, as seems likely, Nyarlathotep is one of the two buzzing voices Albert Wilmarth overhears at the end." Joshi notes this is problematic, because "if Nyarlathotep is (as critics have termed it) a 'shapeshifter', why would he have to don the face and hands of Akeley instead of merely reshaping himself as Akeley?"[4]
Though Nyarlathotep appears as a character in only four stories and two sonnets, his name is mentioned frequently in other works. In "The Rats in the Walls" (1924), Nyarlathotep is mentioned as a faceless god in the caverns of Earth's center.[6] In The Shadow Out of Time (1936), the "hideous secret of Nyarlathotep" is revealed to the protagonist by Khephnes during their imprisonment by the Great Race of Yith.[7]
Nyarlathotep does not appear in Lovecraft's story "The Crawling Chaos" (1920/21), despite the similarity of the title to the character's epithet. Lovecraft wrote to a correspondent that he reused the phrase because he "liked the sound of it".[8]
Other appearances
Nyarlathotep has also appeared outside of Lovecraft's own writings. The light novel and anime series Haiyore! Nyaruko-san (2009) is based on the Cthulhu mythos, with the main character Nyaruko directly referring to Nyarlathotep.[9]
Nyarlathotep appears in the guise of the Dark Man in Larry Correia's story "Dead Waits Dreaming" (2013).[10]
Though he does not appear in Lovecraft's original short story, Nyarlathotep in his "Black Man" form appears in the 1993 Caliber Comics adaption of The Music of Erich Zann, in flashbacks for the eponymous Erich Zann.[11]
Alan Moore's limited comic series Neonomicon (2010–2011) utilizes Nyarlathotep in the form of Johnny Carcosa, a masked drug dealer who frequents Cthulhu-themed clubs and occult shops. His manner of converting new followers is to place them in a vegetative state, susceptible to "Aklo"—words related to Lovecraft's work, which alter the consciousness of those who listen to them. In Moore's story, he serves the allegorical role of the Archangel Gabriel at the Annunciation, informing the protagonist that she has been impregnated and will soon give birth to Cthulhu. Carcosa takes a more active role in Moore's follow-up volume Providence, "rewarding" the protagonist, Robert Black, for his work as the "herald" of H. P. Lovecraft's effects on the world and later overseeing the birth of Cthulhu.[12]
In the video game Dusk, Nyarlathotep appears as the final enemy encounter. Instead of taking the form of a humanoid in the fight, however, he takes the form of a leviathan eldritch beast. How he has been worked into the plot is deliberately very vague, as he only appears at the very end, though it is clear that he was up to the trickery and manipulation of his past portrayals.
In the manga series Ghost Reaper Girl the head of the Eastern Branch is a woman called Nyarlathotep who uses the title "The Chaos". She is a dark skinned woman, with the lower half of the eye of Horus below her right eye.
Nyarlathotep is featured in several of the Shin Megami Tensei video games, as well as the Persona spin-offs, including Revelations: Persona and also the Persona 2 duology, in which he is the main antagonist. He showcases shape shifting abilities there, by donning several characters' appearances and when fought as "himself", changes to a more unsettling and tentacled appearance. Although it can be noted that when defeated for the last time, he switches back to the human appearance of one of the playable characters.
In Charles Stross' series The Laundry Files, a human avatar of Nyarlathotep under the name Fabian Everyman becomes UK's prime minister.
In the mobile video game Dragalia Lost, there is a dragon named Nyarlathotep who appears in the Accursed Archives raid event.
Nyarlathotep appears as a playable unit in the 2016 Japanese mobile game Tokyo Afterschool Summoners, where he is depicted as a popular DJ with a rep for causing chaos simply to cause chaos.
Nyarlathotep appears in the loosely-based 'Azathoth Rising' by Joseph S. Dale, as the guardian of the Necronomicon, as he tries to make wizards and other people of power use the spells in the book ostensibly to gain power.[citation needed]
In the 2007 visual novelShikkoku no Sharnoth: What a Beautiful Tomorrow, Nyarlathotep is revealed to be the true identity of the character simply named 'the M'. The dimension of Sharnoth which is closely associated with Nyarlathotep also plays a significant part in the game's story.
In the 2017 game Sundered, Nyarlathotep appears as the final boss, the god of a group of worshippers based on Lovecraftian mythology.
Inspiration
Nyarlathotep in the guise of Nikola Tesla in Rotomago and Julien Noirel's comic-book adaptation of the prose poem "Nyarlathotep".
In a 1921 letter to Reinhardt Kleiner, Lovecraft related the dream he had had—described as "the most realistic and horrible [nightmare] I have experienced since the age of ten"—that served as the basis for his prose poem "Nyarlathotep". In the dream, he received a letter from his friend Samuel Loveman that read:
Don't fail to see Nyarlathotep if he comes to Providence. He is horrible—horrible beyond anything you can imagine—but wonderful. He haunts one for hours afterwards. I am still shuddering at what he showed.[14]
Lovecraft commented:
I had never heard the name NYARLATHOTEP before, but seemed to understand the allusion. Nyarlathotep was a kind of itinerant showman or lecturer who held forth in public halls and aroused widespread fear and discussion with his exhibitions. These exhibitions consisted of two parts—first, a horrible—possibly prophetic—cinema reel; and later some extraordinary experiments with scientific and electrical apparatus. As I received the letter, I seemed to recall that Nyarlathotep was already in Providence.... I seemed to remember that persons had whispered to me in awe of his horrors, and warned me not to go near him. But Loveman's dream letter decided me.... As I left the house I saw throngs of men plodding through the night, all whispering affrightedly and bound in one direction. I fell in with them, afraid yet eager to see and hear the great, the obscure, the unutterable Nyarlathotep.[14]
Will Murray has speculated that this dream image of Nyarlathotep may have been inspired by the inventor Nikola Tesla, whose well-attended lectures did involve extraordinary experiments with electrical apparatus and whom some saw as a sinister figure.[15][16]
Robert M. Price proposes that the name Nyarlathotep may have been subconsciously suggested to Lovecraft by two names from Lord Dunsany, an author he much admired. Alhireth-Hotep, a false prophet, appears in Dunsany's The Gods of Pegana, and Mynarthitep, a god described as "angry", appears in Dunsany's "The Sorrow of Search".[17]
Summary
Nyarlathotep differs from the other beings in a number of ways. Most of them are exiled to stars, like Yog-Sothoth and Hastur, or sleeping and dreaming like Cthulhu; Nyarlathotep, however, is active and frequently walks the Earth in the guise of a human being, usually a tall, slim, joyous man. He has "a thousand" other forms, most of these reputed to be maddeningly horrific. Most of the Outer Gods have their own cults serving them; Nyarlathotep seems to serve these cults and take care of the deities' affairs in their absence. Most of the gods use strange alien languages, but Nyarlathotep uses human languages and can be mistaken for a human being. The other Outer Gods and Great Old Ones are often described as mindless or unfathomable rather than truly malevolent, but Nyarlathotep delights in cruelty, is deceptive and manipulative, and even cultivates followers and uses propaganda to achieve his goals.
Nyarlathotep enacts the will of the Outer Gods, and is their messenger, heart and soul; he is also a servant of Azathoth, his father,[18] whose wishes he immediately fulfills. Unlike the other Outer Gods, causing madness is more important and enjoyable than death and destruction to Nyarlathotep. It is suggested by some that he will destroy the human race and possibly the Earth as well.[19]
The Nyarlathotep Cycle
Nyarlathotep in "The Dweller in Darkness" by August Derleth
In 1996, Chaosium published The Nyarlathotep Cycle, a Cthulhu Mythos anthology focusing on works referring to or inspired by the entity Nyarlathotep. Edited by Lovecraft scholar Robert M. Price, the book includes an introduction by Price tracing the roots and development of the God of a Thousand Forms. The contents include:
↑ (in French) Rotomago and Julien Noirel, Nyarlathotep, Paris, Akiléos, 2007, 53 pp., ISBN978-2-915168-53-2.
1 2 Lovecraft, H.P. (1972). "Letter to Reinhardt Kleiner, December 21, 1921". In Carter, Lin (ed.). Lovecraft: A Look Behind the Cthulhu Mythos. New York City: Ballantine Books. pp.18–19. ISBN978-0345024275.
↑ Murray, Will (Fall 1991). "Behind the Mask of Nyarlathotep". Lovecraft Studies (25).
The Cthulhu Mythos is a mythopoeia and a shared fictional universe, originating in the works of Anglo-American horror writer H. P. Lovecraft. The term was coined by August Derleth, a contemporary correspondent and protégé of Lovecraft, to identify the settings, tropes, and lore that were employed by Lovecraft and his literary successors. The name "Cthulhu" derives from the central creature in Lovecraft's seminal short story "The Call of Cthulhu", first published in the pulp magazine Weird Tales in 1928.
Shub-Niggurath is a deity created by H. P. Lovecraft. She is often associated with the phrase "The Black Goat of the Woods with a Thousand Young". The only other name by which Lovecraft referred to her was "Lord of the Wood" in his story The Whisperer in Darkness.
"The Call of Cthulhu" is a short story by American writer H. P. Lovecraft. Written in the summer of 1926, it was first published in the pulp magazine Weird Tales in February 1928.
Azathoth is a deity in the Cthulhu Mythos and Dream Cycle stories of writer H. P. Lovecraft and other authors. He is the supreme deity of the Cthulhu Mythos and the ruler of the Outer Gods, and may also be seen as a symbol for primordial chaos, therefore being the most powerful entity in the entirety of the Cthulhu Mythos.
Hastur is an entity of the Cthulhu Mythos.
The Dream Cycle is a series of short stories and novellas by author H. P. Lovecraft (1890–1937). Written between 1918 and 1932, they are about the "Dreamlands", a vast alternate dimension that can only be entered via dreams.
The Dream-Quest of Unknown Kadath is a novella by American writer H. P. Lovecraft. Begun probably in the autumn of 1926, the draft was completed on January 22, 1927 and it remained unrevised and unpublished in his lifetime. It is both the longest of the stories that make up his Dream Cycle and the longest Lovecraft work to feature protagonist Randolph Carter. Along with his 1927 novel The Case of Charles Dexter Ward, it can be considered one of the significant achievements of that period of Lovecraft's writing. The Dream-Quest combines elements of horror and fantasy into an epic tale that illustrates the scope and wonder of humankind's ability to dream.
"The Haunter of the Dark" is a horror short story by American author H. P. Lovecraft, written between 5–9 November 1935 and published in the December 1936 edition of Weird Tales. It was the last written of the author's known stories and is part of the Cthulhu Mythos. The epigraph to the story is the second stanza of Lovecraft's 1917 poem "Nemesis".
De Vermis Mysteriis, or Mysteries of the Worm, is a fictional grimoire created by Robert Bloch and incorporated by H. P. Lovecraft into the lore of the Cthulhu Mythos.
The Whisperer in Darkness is a 26,000-word novella by American writer H. P. Lovecraft. Written February–September 1930, it was first published in Weird Tales, August 1931. Similar to The Colour Out of Space (1927), it is a blend of horror and science fiction. Although it makes numerous references to the Cthulhu Mythos, the story is not a central part of the mythos, but reflects a shift in Lovecraft's writing at this time towards science fiction. The story also introduces the Mi-Go, an extraterrestrial race of fungoid creatures.
"Nyarlathotep" is a weird fiction short story by H. P. Lovecraft. It was written in 1920 and first saw publication in that year's November issue of The United Amateur. The poem itself is a bleak view of human civilization in decline, and it explores the mixed sensations of desperation and defiance in a dying society.
Lovecraft: A Look Behind the "Cthulhu Mythos" is a 1972 non-fiction book written by Lin Carter, published by Ballantine Books. The introduction notes that the book "does not purport to be a biography of H. P. Lovecraft", and instead presents it as "a history of the growth of the so-called Cthulhu Mythos."
A Cthulhu Mythos anthology is a type of short story collection that contains stories written in, or related to, the Cthulhu Mythos genre of horror fiction launched by H. P. Lovecraft. Such anthologies have helped to define and popularize the genre.
Necronomicon is the second album by Neoclassical darkwave/dark ambient musical duo Nox Arcana published by Monolith Graphics on October 10, 2004. The music is inspired by the stories of horror writer H. P. Lovecraft and is a tribute to the Cthulhu Mythos.
Cthulhu's Dark Cults is an anthology edited by David Conyers, containing ten Cthulhu Mythos short stories set in Chaosium's Call of Cthulhu role-playing game setting. All the stories take place during the 1920s and 1930s, the era in which the game is set.
American author H. P. Lovecraft (1890–1937) created a number of fictional deities throughout the course of his literary career. These entities are usually depicted as immensely powerful and utterly indifferent to humans. Humans can barely begin to comprehend them; however, some entities are worshipped by humans. These deities include the "Great Old Ones" and extraterrestrials, such as the "Elder Things", with sporadic references to other miscellaneous deities. The "Elder Gods" are a later creation of other prolific writers who expanded on Lovecraft's concepts, such as August Derleth, who was credited with formalizing the Cthulhu Mythos. Most of these deities were Lovecraft's original creations, but he also adapted words or concepts from earlier writers such as Ambrose Bierce, and later writers in turn used Lovecraft's concepts and expanded his fictional universe.
"Poetry and the Gods" is a short story by H. P. Lovecraft and Anna Helen Crofts. The two authors wrote the story in or shortly before the summer of 1920. It was published the following September in United Amateur, which credits Lovecraft as Henry Paget-Lowe. In the story, a young woman dreams that she has an audience with Zeus, who explains to her that the gods have been asleep and dreaming, but they have chosen a poet who will herald their awakening.
This is a list of fictional creatures from the Cthulhu mythos of American writer H. P. Lovecraft and his collaborators.
References
Harms, Daniel. "Nyarlathotep" in The Encyclopedia Cthulhiana (2nd ed.), pp.218–222. Oakland, CA: Chaosium, 1998. ISBN1-56882-119-0.
External links
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