"The Music of Erich Zann" | |
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Short story by H. P. Lovecraft | |
Text available at Wikisource | |
Country | United States |
Language | English |
Genre(s) | Horror |
Publication | |
Publisher | The National Amateur |
Media type | Magazine |
Publication date | March 1922 |
"The Music of Erich Zann" is a horror short story by American author H. P. Lovecraft. Written in December 1921, it was first published in National Amateur, March 1922. [1]
The story is an account of the enigmatic Erich Zann, an elderly musician whose unique and unworldly melodies draw the curiosity of a young university student.
Due to lack of funds, a student studying metaphysics abroad is forced to take up lodging in a cheap apartment building on a street named the "Rue d'Auseil". The street is not far from his university and is bordered by a river, dark warehouses and a large wall, and is described as being very steeply inclined, as if being on a cliff. The student cannot see what lies on the other side of the wall, as only a single window on the top floor of his building looks over it. Along with the building's disabled landlord, Blandot, one of the few other tenants is an old German man named Erich Zann. The old man is mute and plays the viol [a] with a local theater orchestra. He lives alone on the top floor and at night he plays strange melodies the student has never heard before.
Despite Zann's reclusiveness, Blandot reveals his identity to the student, who approaches him in the hallway one evening and asks if he can listen to Zann's music. Zann allows the student to enter his room. He plays for the student some of his unique melodies but not the same as the student had previously heard. The student asks him if he could play his music from the previous nights, awkwardly humming and whistling the notes he remembered. Zann is taken aback by the request and nervously glances at the window in his room, covered by curtains. The student recognizes the window as the only one that can oversee the wall at the end of the mysterious street. He approaches it to look outside but Zann angrily pulls him back. The student is fed up with Zann's eccentricities but Zann explains through writing that he is simply a lonely old man, and suffers from numerous phobias and nervous disorders. He is pleased that the student likes his music, but refuses to play the particular tunes that the student asked for. He persuades the student to move to a lower floor in the apartment as he would prefer the student not listen to them. The student sympathizes with Zann and agrees to move. Zann promises that he will invite the student to his room to hear his other music. After the student moves, however, Zann returns to his antisocial behavior and his health deteriorates, eventually not letting the student listen at all.
The student's curiosity to hear the secret music and look out the window grows, and he begins eavesdropping on Zann while he plays at night. His melodies have an unearthly sound, and the student praises Zann as a musical genius. One night while secretly listening outside Zann’s room, the student hears a commotion and the old man scream inside. When the student bangs at the door, Zann lets him in and asks him to wait while he writes, promising to explain everything. More than an hour into writing, Zann is startled by a distant sound in the form of a low note, interrupts his writing and starts furiously playing his viol with a crescent terror. The music is horrific and the student surmises that Zann is playing wildly to drown out or keep something out of the room. Zann seemingly enters a stupor, doing nothing but playing his music. Another sound from outside the room, which the student perceives to be mocking them, is heard and a gust shatters the window. The unnatural wind sweeps through the room, blowing Zann's unread papers out the window, despite the student's attempts at catching them. The student remembers his curiosity and finally looks out the window. Instead of seeing the city lights, he only sees a terrible black void, an infinite abyss of chaos.
The howling winds and cacophony of elements snuff out the candles in the room, leaving the student and Zann in complete darkness. He blindly moves through the dark with desperation, and feels a "chill thing" brush up against him. Determined to save Zann, the student reaches the musician and screams at him to run, but Zann only continues to play his music. Upon attempting to physically carry him to safety, he discovers Zann is dead, although his body is still playing. With this realization, the student bolts for the door, frantically fleeing the apartment and entire neighborhood. He only realizes afterward that the sky was calm and the city lights were shining.
Writing an account of the incident years later, the student states that despite his best efforts, he has never again been able to find the Rue d'Auseil. It does not appear on any maps, and it seems no one else has even heard of it. But he feels a degree of relief that he cannot find the street, or the lost papers that could have explained the music of Erich Zann.
The setting of the story is presumably France or another French-speaking country, sometime in the late-19th or early-20th century, though the exact location and date are never named. Auseil is not a true French word, but it has been suggested that Lovecraft derived it from the phrase au seuil, meaning at the threshold. [2] Auseil is read like oseille, meaning sorrel or, colloquially, money. The identity of the student is never elaborated upon, only that he is a foreigner like Zann and studies metaphysics.
Lovecraft considered "The Music of Erich Zann" one of his best stories, in part because it avoided the overexplicitness that he saw as a major flaw in some of his other work. An H. P. Lovecraft Encyclopedia notes that it "might, however, be said that HPL erred on the side of underexplicitness in the very nebulous horror to be seen through Zann's garret window." [2]
The story was frequently anthologized even during Lovecraft's lifetime, including in Dashiell Hammett's 1931 collection Creeps by Night. [2] Ramsey Campbell has stated that "The Music of Erich Zann" was "the single Lovecraft story that the late Robert Aickman liked". [3] Campbell himself used only "The Music of Erich Zann" when creating the Folio Book of Horror Stories. [4]
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