Pixilation

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Pixilation is a stop motion technique in which live actors are used as a frame-by-frame subject in an animated film, by repeatedly posing while one or more frame is taken and changing pose slightly before the next frame or frames.[ citation needed ] This technique is often used as a way to blend live actors with animated ones in a movie.[ citation needed ]

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In Hotel electrique (1908), Julienne Mathieu's hair appears to brush itself, one of the first uses of stop-motion animation in film. Julienne Mathieu having her hair brushed.gif
In Hôtel électrique (1908), Julienne Mathieu's hair appears to brush itself, one of the first uses of stop-motion animation in film.

Early examples of this technique are Hôtel électrique from 1908 and Émile Cohl's 1911 movie Jobard ne peut pas voir les femmes travailler (Jobard cannot see the women working).[ citation needed ]

The term is widely credited to Grant Munro (although some say it was Norman McLaren) and he made an experimental movie named "Pixillation", available in his DVD collection "Cut Up – The Films of Grant Munro." [1]

Films

Television shows

Music videos

Quebec band Les Colocs and Michel Gondry used pixilation in many of their music videos.

Of note, "Leave Me Alone" by Michael Jackson utilises a variation on this technique by slowing down the frame rate of video and overlaying objects to achieve the distinctive pixilation look to great effect.

Others

The pixilation technique was also used for the opening of Claymation, Will Vinton's 1978, 17-minute documentary about his animation studio's production techniques, the first time the famous trademarked Claymation term was used, now a term synonymous with all clay animation. [3]

The Czech animator Jan Švankmajer uses pixilation in most of his work; most notably Food .

Jan Kounen's Gisele Kerozene (1989), a short film that shows witches riding around a city on broomsticks, is another influential example of this technique.

Pixilation is also used in Andrew Huang's short video Fluxis.

An effect similar to pixilation can be achieved by dropping occasional frames from a conventionally recorded movie. While obviously easier than the stop-frame technique, this does not achieve the same quality.

Related Research Articles

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<span class="mw-page-title-main">Norman McLaren</span> Scottish Canadian animator (1914–1987)

William Norman McLaren, LL. D. was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films.

<span class="mw-page-title-main">Jan Švankmajer</span> Czech filmmaker (born 1934)

Jan Švankmajer is a Czech film director, animator, writer, playwright and artist. He draws and makes free graphics, collage, ceramics, tactile objects and assemblages. In the early 1960s, he explored informel, which later became an important part of the visual form of his animated films. He is a leading representative of late Czech surrealism. In his film work, he created an unmistakable and quite specific style, determined primarily by a compulsively unorthodox combination of externally disparate elements. The anti-artistic nature of this process, based on collage or assemblage, functions as a meaning-making factor. The author himself claims that the intersubjective communication between him and the viewer works only through evoked associations, and his films fulfil their subversive mission only when, even in the most fantastic moments, they look like a record of reality. Some of the works he created together with his wife Eva Švankmajerová.

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William Gale Vinton was an American animator and filmmaker. Vinton was best known for his Claymation work, alongside creating iconic characters such as The California Raisins. He won an Oscar for his work alongside several Emmy Awards and Clio Awards for his studio's work.

<span class="mw-page-title-main">Claymation</span> Stop-motion animation made using malleable clay models

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<i>Food</i> (film) 1992 Czechoslovakia film

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A Chairy Tale is a 1957 Canadian stop-motion pixilation short film co-directed by Norman McLaren and Claude Jutra for the National Film Board of Canada. Set to the music of Ravi Shankar and Chatur Lal, it comedically portrays Jutra's attempts to sit on an uncooperative chair.

bolexbrothers was an independent British animation studio founded by Dave Borthwick and Dave Alex Riddett in Bristol, UK. The studio specialised in stop motion and pixilation animation, producing numerous short films and commercials, as well as two feature films, The Secret Adventures of Tom Thumb (1993) and The Magic Roundabout (2005). The studio was named after the Bolex brand of 16mm cameras once popular with animators and was first established as a collective of artists in the 1980s before becoming a company in 1991 and running to roughly 2008.

The following outline is provided as an overview of and topical guide to animation:

<span class="mw-page-title-main">Grant Munro (filmmaker)</span> Canadian animator, filmmaker and actor

Grant Munro LL. D. was a Canadian animator, filmmaker and actor. In 1952, he co-starred with Jean-Paul Ladouceur in Norman McLaren's Neighbours. His film, Christmas Cracker, was nominated for an Academy Award in 1965.

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A Game with Stones is a 1965 short animated film by Czech animator Jan Švankmajer. It utilizes stop-motion animation.

Michael Langan is an American film director. He grew up in Montgomery, Alabama, where he began his artistic career as a professional stage actor, and is a graduate of Rhode Island School of Design.

Monsieur Pointu is a 1975 animated film about Quebec fiddler Monsieur Pointu, the stage name for Paul Cormier.

The Pearce Sisters is a 2007 short film created by Aardman Animations.

References