Perspective control is a procedure for composing or editing photographs to better conform with the commonly accepted distortions in constructed perspective. The control would:
Perspective distortion occurs in photographs when the film plane is not parallel to lines that are required to be parallel in the photo. A common case is when a photo is taken of a tall building from ground level by tilting the camera backwards: the building appears to fall away from the camera.
Professional cameras where perspective control is important control the perspective at exposure by raising the lens parallel to the film. There is more information on this in the view camera article.
Most large format (4x5 and up) cameras have this feature, as well as plane of focus control built into the camera body in the form of flexible bellows and moveable front (lens) and rear (film holder) elements. Thus any focal length lens mounted on a view camera or field camera, and many press cameras can be used with perspective control.
Some interchangeable lens medium format, 35 mm film SLR, and Digital SLR camera systems have PC, shift, or tilt/shift lens options which allow perspective control and, in the case of a tilt/shift lens, plane of focus control, but only at a specific focal length.
A darkroom technician can correct perspective distortion in the printing process. It is usually done by exposing the paper at an angle to the film, with the paper raised toward the part of the image that is larger, therefore not allowing the light from the enlarger to spread as much as the other side of the exposure.
The process is known as rectification printing, and is done using a rectifying printer (transforming printer), which involves rotating the negative and/or easel. [1] Restoring parallelism to verticals (for instance) is easily done by tilting one plane, but if the focal length of the enlarger is not suitably chosen, the resulting image will have vertical distortion (compression or stretching). For correct perspective correction, the proper focal length (specifically, angle of view) must be chosen so that the enlargement replicates the perspective of the camera.
Digital post-processing software provides means to correct converging verticals and other distortions introduced at image capture.
Adobe Photoshop and GIMP have several "transform" options to achieve, with care, the desired control without any significant degradation in the overall image quality. Photoshop CS2 and subsequent releases includes perspective correction as part of its Lens Distortion Correction Filter; [2] DxO Optics Pro from DxO Labs includes perspective correction; while GIMP (as of 2.6) does not include a specialized tool for correcting perspective, though a plug-in, EZ Perspective, is available. RawTherapee, a free and open-source raw converter, includes horizontal and vertical perspective correction tools too. Note that because the mathematics of projective transforms depends on the angle of view, perspective tools require that the angle of view or 35 mm equivalent focal length be entered, though this can often be determined from Exif metadata. [3]
It is commonly suggested[ citation needed ] to correct perspective using a general projective transformation tool, correcting vertical tilt (converging verticals) by stretching out the top; [4] [5] [6] this is the "Distort Transform" in Photoshop, and the "perspective tool" in GIMP.[ citation needed ] However, this introduces vertical distortion – objects appear squat (vertically compressed, horizontally extended) [6] – unless the vertical dimension is also stretched. This effect is minor for small angles, and can be corrected by hand, manually stretching the vertical dimension until the proportions look right, [5] but is automatically done by specialized perspective transform tools.
An alternative interface, found in Photoshop (CS and subsequent releases) is the "perspective crop", which enables the user to perform perspective control with the cropping tool, setting each side of the crop to independently determined angles, which can be more intuitive and direct.[ citation needed ]
Other software with mathematical models on how lenses and different types of optical distortions affect the image can correct this by being able to calculate the different characteristics of a lens and re-projecting the image in a number of ways (including non-rectilinear projections). An example of this kind of software is the panorama creation suite Hugin. [3]
However these techniques do not enable the recovery of lost spatial resolution in the more distant areas of the subject, or the recovery of lost depth of field due to the angle of the film/sensor plane to the subject. These transforms involve interpolation, as in image scaling, which degrades the image quality, in particular blurring high-frequency detail. How significant this is depends on the original image resolution, degree of manipulation, print/display size, and viewing distance, and perspective correction must be traded off against preserving high-frequency detail.
Architectural images are commonly "rendered" from 3D computer models, for use in promotional material. These have virtual cameras within to create the images, which normally have modifiers capable of correcting (or distorting) the perspective to the artist's taste. See 3D projection for details.
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured.
A view camera is a large-format camera in which the lens forms an inverted image on a ground-glass screen directly at the film plane. The image is viewed, composed, and focused, then the glass screen is replaced with the film to expose exactly the same image seen on the screen.
In photography, angle of view (AOV) describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.
In photography and cinematography, a normal lens is a lens that reproduces a field of view that appears "natural" to a human observer. In contrast, depth compression and expansion with shorter or longer focal lengths introduces noticeable, and sometimes disturbing, distortion.
A camera lens is an optical lens or assembly of lenses used in conjunction with a camera body and mechanism to make images of objects either on photographic film or on other media capable of storing an image chemically or electronically.
In photography and cinematography, a wide-angle lens is a lens covering a large angle of view. Conversely, its focal length is substantially smaller than that of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior, and landscape photography where the photographer may not be able to move farther from the scene to photograph it.
A zoom lens is a system of camera lens elements for which the focal length can be varied, as opposed to a fixed-focal-length (FFL) lens.
Panoramic photography is a technique of photography, using specialized equipment or software, that captures images with horizontally elongated fields of view. It is sometimes known as wide format photography. The term has also been applied to a photograph that is cropped to a relatively wide aspect ratio, like the familiar letterbox format in wide-screen video.
In photography and cinematography, perspective distortion is a warping or transformation of an object and its surrounding area that differs significantly from what the object would look like with a normal focal length, due to the relative scale of nearby and distant features. Perspective distortion is determined by the relative distances at which the image is captured and viewed, and is due to the angle of view of the image being either wider or narrower than the angle of view at which the image is viewed, hence the apparent relative distances differing from what is expected. Related to this concept is axial magnification – the perceived depth of objects at a given magnification.
A fisheye lens is an ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image. Fisheye lenses achieve extremely wide angles of view, well beyond any rectilinear lens. Instead of producing images with straight lines of perspective, fisheye lenses use a special mapping, which gives images a characteristic convex non-rectilinear appearance.
The Scheimpflug principle is a description of the geometric relationship between the orientation of the plane of focus, the lens plane, and the image plane of an optical system when the lens plane is not parallel to the image plane. It is applicable to the use of some camera movements on a view camera. It is also the principle used in corneal pachymetry, the mapping of corneal topography, done prior to refractive eye surgery such as LASIK, and used for early detection of keratoconus. The principle is named after Austrian army Captain Theodor Scheimpflug, who used it in devising a systematic method and apparatus for correcting perspective distortion in aerial photographs, although Captain Scheimpflug himself credits Jules Carpentier with the rule, thus making it an example of Stigler's law of eponymy.
In geometric optics, distortion is a deviation from rectilinear projection; a projection in which straight lines in a scene remain straight in an image. It is a form of optical aberration.
Image stitching or photo stitching is the process of combining multiple photographic images with overlapping fields of view to produce a segmented panorama or high-resolution image. Commonly performed through the use of computer software, most approaches to image stitching require nearly exact overlaps between images and identical exposures to produce seamless results, although some stitching algorithms actually benefit from differently exposed images by doing high-dynamic-range imaging in regions of overlap. Some digital cameras can stitch their photos internally.
Image stabilization (IS) is a family of techniques that reduce blurring associated with the motion of a camera or other imaging device during exposure.
Tilt–shift photography is the use of camera movements that change the orientation or position of the lens with respect to the film or image sensor on cameras.
Helicon Filter, also referred to as Helicon, Filter, or as HF, was a proprietary commercial and shareware photo editing software program for Microsoft Windows, similar to such programs as Adobe Photoshop and GIMP, developed and published by Helicon Soft Ltd. Unlike these other programs, Helicon Filter is designed primarily to edit and improve existing photos and not for graphics creation. Helicon Filter's interface also differs from other programs in that compact toolbars and menus containing editing tools are replaced with labeled "filter" tabs, each tab containing labeled edit options specific to a single aspect of the picture. Although some editors used to Photoshop-style programs may initially find this layout unfamiliar and unlike the standard toolbar layout, beginners and those who don't recognize the standard icons generally find this very helpful for getting through the editing process.
The keystone effect is the apparent distortion of an image caused by projecting it onto an angled surface. It is the distortion of the image dimensions, such as making a square look like a trapezoid, the shape of an architectural keystone, hence the name of the feature. In the typical case of a projector sitting on a table, and looking upwards to the screen, the image is larger at the top than on the bottom. Some areas of the screen may not be focused correctly as the projector lens is focused at the average distance only.
In photography, a bellows is the accordion-like, pleated expandable part of a camera, usually a large or medium format camera, to allow the lens to be moved with respect to the focal plane for focusing. Bellows are also used on enlargers. The bellows provides a flexible, dark extension between the film plane and the lens.
Image editing encompasses the processes of altering images, whether they are digital photographs, traditional photo-chemical photographs, or illustrations. Traditional analog image editing is known as photo retouching, using tools such as an airbrush to modify photographs or editing illustrations with any traditional art medium. Graphic software programs, which can be broadly grouped into vector graphics editors, raster graphics editors, and 3D modelers, are the primary tools with which a user may manipulate, enhance, and transform images. Many image editing programs are also used to render or create computer art from scratch. The term "image editing" usually refers only to the editing of 2D images, not 3D ones.
DxO ViewPoint is image geometry and lens defect correction software developed by DxO. It is designed to automatically straighten distorted perspectives caused by the lens used and the position of the photographer. The software claims to be able to make precise corrections to lens flaws through its use of DxO's database of calibrations which have been created through laboratory tests.