Lora Hart applies for a job as a nurse trainee, but is rejected when the hospital's nursing superintendent, Miss Dillon, learns she does not have a high school diploma. After a chance encounter with the hospital's chief of staff, prominent surgeon Dr. Arthur Bell, Hart charms him, and he tells Dillon to hire her. Lora and Miss Maloney, a fellow nurse, are made roommates, and they soon become best friends.
For violating curfew one night, Dillon assigns Lora and Maloney to work the night shift in the emergency room. Lora treats a bootlegger named Mortie for a gunshot wound, and agrees to not report the wound to the police—as the law requires—when he says he was shot for refusing to purchase potentially unsafe liquor from some gangsters. He tries to get to know Lora better, but she resists his advances.
After completing their training, Maloney gets Lora a position as a private nurse for two sick young girls, Desney and Nanny Ritchey, whose other sister recently died after being run over by a car. Maloney works the day shift, so Lora becomes the night nurse. Mrs. Ritchey, the girl's socialite mother, lives in an alcoholic stupor, and is infatuated with her brutish chauffeur, Nick, even though the mere mention of his name brings the girls to tears.
On Lora's first night at the Ritchey mansion, which is the site of frequent parties, a drunken guest calls Lora to aid an unconscious Mrs. Ritchey. The man ends up trying to molest Lora, and Nick knocks him out, only to then demand Lora pump Mrs. Ritchey's stomach, and knock her out when she tries to call to get a doctor to approve the procedure.
The Ritchey girls' physician is the drug-addicted "society doctor" Milton Ranger. Lora is alarmed by Dr. Ranger's dismissive response when she tells him what happened and that she thinks the girls are being starved to death, so she angrily quits. She goes to Dr. Bell with her suspicions, but he is reluctant to interfere with another doctor's patients, and tells her that she needs evidence. To gather it, Lora returns to work as the girls' night nurse.
Nanny becomes so weak that Lora fears she will die, but she is unable to get Mrs. Ritchey to show any concern. Mortie arrives to deliver liquor to the perpetual party at the mansion, and Lora sends him to get enough milk to give the girl a milk bath, primarily to appease the Ritchey's frightened housekeeper, Mrs. Maxwell. He steals some milk from a closed delicatessen, and the folk remedy is performed.
Mrs. Maxwell gets drunk, and reveals to Lora that Nanny and Desney have a trust fund from their late father. Lora sees this as a motive for Nick, with Dr. Ranger's help, to deliberately starve the girls, as, with them gone, the trust fund money would go to Mrs. Ritchey, and thereby Nick, since he can easily get the weak-willed woman to marry him.
Dr. Bell arrives, having been threatened by Mortie, and finally examines Nanny. He announces she needs an emergency blood transfusion, but Nick enters and knocks him out. A gun-toting Mortie stops Nick from interfering further, Dr. Bell recovers, and Nanny's life is saved—with the blood for the transfusion coming from Lora.
The next day, Lora asks Mortie for a ride to the police station to file a report. Lora says that she hates the thought that all of the Ritchey's dirty laundry will be made public during Nick's trial, but Mortie tells her that maybe Nick will not be arrested after all, as he has mentioned the situation to some of his criminal associates. An ambulance passes, and it delivers a corpse dressed in a chauffeur's uniform to the hospital's morgue.
In July 1931, Time magazine highly praised the film, mentioning that it was well photographed, directed, and acted, and that the quality of the filmed story surpassed that of the original novel.[3]The New York Times called it exciting "at times."[4]
According to Variety, "Night Nurse is a conglomeration of exaggerations, often bordering on serial dramatics... What legitimate performances crop up in the footage seem to belong to Joan Blondell and Charlie Winninger as the hospital head. Stanwyck plays her dancehall type of a girl on one note throughout and is shy of shading to lend her performance some color."[5]
In a 21st-century review, Eric Allen Hatch, writing for the Baltimore City Paper, said: "watching [Stanwyck, Blondell, and Gable] in very early roles holds much of the appeal here, although the plot still works; a modern viewing of the film yields half high-camp value and half successful drama. Wellman would later strike gold with such films as Beau Geste (1939), but his salacious Night Nurse and hyperviolent Public Enemy were often cited in the creation of Hollywood's self-censoring Production Code."[6]
Preservation status
A print of the film has been part of the collection of the Library of Congress since the 1970s.[7]
Home media
The film has been released on videotape and on DVD (as part of the set "Forbidden Hollywood Collection, Vol. 2").[citation needed]
References
↑ "Macy, Dora - Night Nurse". Literature, Arts, and Medicine Database. New York University. February 25, 2008. Retrieved January 5, 2014. Dora Macy is a pen name for Grace Perkins. The novel was made into a film, also called Night Nurse, in 1931 by William A. Wellman, with Barbara Stanwyck, Joan Blondell, and Clark Gable.
↑ "Life in the Medical World". The Screen. The New York Times. July 17, 1931. Retrieved June 25, 2022. [L]ast night's audience seemed to like parts of Night Nurse. At times it is exciting.
↑ Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress, (<-book title) p.127 c.1978 by The American Film Institute
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