Specter of the Rose | |
---|---|
Directed by | Ben Hecht |
Screenplay by | Ben Hecht |
Produced by | Ben Hecht |
Starring | Judith Anderson Michael Chekhov Ivan Kirov Viola Essen Lionel Stander |
Cinematography | Lee Garmes |
Edited by | Harry Keller |
Music by | George Antheil |
Production company | Ben Hecht Productions |
Distributed by | Republic Pictures |
Release date |
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Running time | 90 minutes |
Country | United States |
Language | English |
Specter of the Rose is a 1946 American film noir thriller film written and directed by Ben Hecht and starring Judith Anderson, Ivan Kirov, Viola Essen, Michael Chekhov, and Lionel Stander, with choreography by Tamara Geva, and music by George Antheil. [1]
A male ballet superstar is suspected of murdering his first wife (his former ballet partner) and now possibly threatening his new wife and ballet partner.
Andre Sanine has not performed since his wife's death on stage. He has been haunted by Le Spectre de la Rose, the music being played when she collapsed. But he is willing to attempt a comeback arranged by impresario Max "Poli" Polikoff, who tries to persuade ballet instructor Madame La Sylph that the time has come for Sanine, her former student, to return.
Sanine is to perform with Haidi, the company's new prodigy. As they rehearse, they also fall in love. La Sylph cautions her that she saw Sanine's rage in person before Nina's death. Haidi attempts to keep Sanine by her side for several days, concerned over signs of a relapse in his behavior.
Hearing the music, Sanine picks up a knife and places it at the throat of the sleeping Haidi, the woman he loves. He comes to his senses at the last possible second, then sacrifices himself for her sake.
Excerpts from the ballet Le Spectre de la Rose , which uses Carl Maria von Weber's piano piece Invitation to the Dance as orchestrated by Hector Berlioz, are featured in the film.
The screenplay was adapted for the radio series Inner Sanctum Mysteries on August 19, 1946. Ben Hecht appeared and the script was adapted by the playwright and Broadway stage actor Robert Sloane.
When the film was released, Variety magazine gave the film a mixed review. The staff wrote, "Ben Hecht, to say the least, has done the expected by coming up with the unusual. Specter of the Rose was obviously a conscious attempt by Hecht to prove on how small a budget he could produce an acceptable picture. Reports are that it cost in the neighborhood of $160,000. The serious defect production wise is a general lack of polish that is at times disturbing ... Hecht’s direction and dialog give the acting a stylized artificiality that grows on the spectator as the picture progresses. Satire of the characterizations makes many of the film’s people virtually caricatures." [2]
Ben Hecht was an American screenwriter, director, producer, playwright, journalist, and novelist. A successful journalist in his youth, he went on to write 35 books and some of the most enjoyed screenplays and plays in America. He received screen credits, alone or in collaboration, for the stories or screenplays of some seventy films.
A sylph is an air spirit stemming from the 16th-century works of Paracelsus, who describes sylphs as (invisible) beings of the air, his elementals of air. A significant number of subsequent literary and occult works have been inspired by Paracelsus's concept: Robert Alfred Vaughan noted that "the wild but poetical fantasies" of Paracelsus had probably exercised a larger influence over his age and the subsequent one than is generally supposed, particularly on the Rosicrucians, but that through the 18th century they had become reduced to "machinery for the playwright" and "opera figurantes with wings of gauze and spangles".
Dame Frances Margaret Anderson,, known professionally as Judith Anderson, was an Australian actress who had a successful career in stage, film and television. A pre-eminent stage actress in her era, she won two Emmy Awards and a Tony Award and was also nominated for a Grammy Award and an Academy Award. She is considered one of the 20th century's greatest classical stage actors.
The Cherry Orchard is the last play by Russian playwright Anton Chekhov. Written in 1903, it was first published by Znaniye, and came out as a separate edition later that year in Saint Petersburg, via A.F. Marks Publishers. It opened at the Moscow Art Theatre on 17 January 1904 in a production directed by Konstantin Stanislavski. Chekhov described the play as a comedy, with some elements of farce, though Stanislavski treated it as a tragedy. Since its first production, directors have contended with its dual nature. It is often identified as one of the three or four outstanding plays by Chekhov, along with The Seagull, Three Sisters, and Uncle Vanya.
La Sylphide is a romantic ballet in two acts. There were two versions of the ballet; the original choreographed by Filippo Taglioni in 1832, and a second version choreographed by August Bournonville in 1836. Bournonville's is the only version known to have survived and is one of the world's oldest surviving ballets.
The Sleeping Beauty is a ballet in a prologue and three acts to music by Pyotr Ilyich Tchaikovsky, his Opus 66, completed in 1889. It is the second of his three ballets and, at 160 minutes, his second-longest work in any genre. The original scenario was by Ivan Vsevolozhsky after Perrault's La belle au bois dormant, or The Beauty Sleeping in the Forest; the first choreographer was Marius Petipa. The premiere took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890, and from that year forward The Sleeping Beauty has remained one of the most famous of all ballets.
La Bayadère is a ballet, originally staged in four acts and seven tableaux by the French choreographer Marius Petipa to music by Ludwig Minkus and libretto by Sergei Khudekov. The ballet was staged for the benefit performance of the Russian Prima ballerina Ekaterina Vazem, who created the principal role of Nikiya. La Bayadère was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on 4 February [O.S. 23 January] 1877. From the first performance the ballet was hailed by contemporary critics and audiences as one of the choreographer Petipa's masterpieces, particularly the scene of act II The Kingdom of the Shades, which is one of the most celebrated pieces in all of classical ballet.
Tamara Geva was a Soviet and later an American actress, ballet dancer, and choreographer. She was the daughter of art patron and collector Levkiy Gevergeyev and she was the first wife of the well-known ballet dancer and choreographer George Balanchine.
Le Spectre de la rose is a short ballet about a young girl who dreams of dancing with the spirit of a souvenir rose from her first ball. The ballet was written by Jean-Louis Vaudoyer who based the story on a verse by Théophile Gautier and used the music of Carl Maria von Weber's piano piece Aufforderung zum Tanz as orchestrated by Hector Berlioz.
Gunn Wållgren (born Gunnel Margaret Haraldsdotter Wållgren; ; was a Swedish stage and film actress. She is best remembered for her role in Ingmar Bergman's film Fanny and Alexander.
Raymonda is a grand ballet in three acts, four scenes with an apotheosis, originally choreographed by Marius Petipa to the music of Alexander Glazunov and libretto by Lydia Pashkova. Raymonda was created especially for the benefit performance of the prima ballerina Pierina Legnani, and first presented by the Imperial Ballet at the Imperial Mariinsky Theatre on 19 January [O.S. 7 January] 1898 in Saint Petersburg, Russia. Among the ballet's most celebrated passages is the Pas classique hongrois from the third act, which is often performed independently.
The Original Ballet Russe was a ballet company established in 1931 by René Blum and Colonel Wassily de Basil as a successor to the Ballets Russes, founded in 1909 by Sergei Diaghilev. The company assumed the new name Original Ballet Russe after a split between de Basil and Blum. De Basil led the renamed company, while Blum and others founded a new company under the name Ballet Russe de Monte-Carlo. It was a large scale professional ballet company which toured extensively in Europe, Australia and New Zealand, the United States, and Central and South America. It closed down operations in 1947.
The Unholy Night is a 1929 American pre-Code mystery film directed by Lionel Barrymore and starring Ernest Torrence.
The Diary of a Chambermaid is a 1946 American drama film about a newly hired servant who severely disrupts a wealthy family. The film was based on the 1900 novel of the same name by Octave Mirbeau and the play Le journal d'une femme de Chambre, written by André de Lorde, with André Heuse and Thielly Nores. The film was directed by Jean Renoir, and starred Paulette Goddard, Burgess Meredith, Hurd Hatfield, and Francis Lederer. It was named the eighth best English-language film of 1946 by the National Board of Review.
Invitation to the Dance, Op. 65, J. 260, is a piano piece in rondo form written by Carl Maria von Weber in 1819. It is also well known in the 1841 orchestration by Hector Berlioz. It is sometimes called Invitation to the Waltz, but this is a mistranslation of the original.
The Billy Rose Show, aka Billy Rose's Playbill, is a 30-minute American dramatic anthology series produced by Jed Harris. A total of twenty-five episodes aired on the American Broadcasting Company (ABC) from October 3, 1950 to March 27, 1951. Billy Rose served as host. Episodes were based on Rose's newspaper articles.
Maria Shirinkina is a first soloist of the Mariinsky Ballet and a guest principal dancer of the Bayerisches Staatsballett.
Pierre Lacotte was a French ballet dancer, choreographer, teacher, and company director. He specialised in the reconstruction of lost choreographies of romantic ballets.
Trilby; or, The Fairy of Argyll is an 1822 literary fairy tale novella by French author Charles Nodier (1780–1844). In it, a Scottish household spirit falls in love with the married woman of the house, who at first has him banished, then misses him, and eventually returns his love, both of them dying at the end. It was a popular work of the Romantic movement, published in multiple editions and translations. It also gave birth to adaptations as multiple ballets, including La Sylphide, and Trilby, and the opera The Mountain Sylph, some of which only retained the basic idea of love between a fairy and a Scottish peasant, but otherwise greatly diverged from the original plot.
Viola Essen, was an American ballet dancer. She was a student of Mikhail Mordkin, and an original member of the Ballet Theatre, precursor to the American Ballet Theatre.