Ruth Chatterton was an American stage, film, and television actress, aviator and novelist. She was at her most popular in the early to mid-1930s, and in the same era gained prominence as an aviator, one of the few female pilots in the United States at the time. In the late 1930s, Chatterton retired from film acting but continued her career on the stage. She had several TV roles beginning in the late 1940s and became a successful novelist in the 1950s.
Florence Eldridge was an American actress. She was nominated for the Tony Award for Best Actress in a Play in 1957 for her performance in Long Day's Journey into Night.
The House That Shadows Built (1931) is a feature compilation film from Paramount Pictures, made to celebrate the 20th anniversary of the studio's founding in 1912. The film was a promotional film for exhibitors and never had a regular theatrical release.
Dorothy Emma Arzner was an American film director whose career in Hollywood spanned from the silent era of the 1920s into the early 1940s. With the exception of longtime silent film director Lois Weber, from 1927 until her retirement from feature directing in 1943, Arzner was the only female director working in Hollywood. She was one of a very few women able to establish a successful and long career in Hollywood as a film director until the 1970s. Arzner made a total of twenty films between 1927 and 1943 and launched the careers of a number of Hollywood actresses, including Katharine Hepburn, Rosalind Russell, and Lucille Ball. Arzner was the first woman to join the Directors Guild of America and the first woman to direct a sound film.
AFI's 100 Years...100 Stars is the American Film Institute's list ranking the top 25 male and 25 female greatest screen legends of American film history and is the second list of the AFI 100 Years... series.
Clifford Hardman "Clive" Brook was an English film actor.
The Constant Wife, a play written in 1926 by W. Somerset Maugham, is a comedy whose modern and amusing take on marriage and infidelity gives a quick-witted, alternative view on how to deal with an extramarital affair.
Florence Vidor was an American silent film actress.
Montagu Love was an English screen, stage and vaudeville actor.
Pam Cook is Professor Emerita in Film at the University of Southampton. She was educated at Sir William Perkins's School, Chertsey, Surrey and Birmingham University, where she was taught by Stuart Hall, Richard Hoggart, Malcolm Bradbury, and David Lodge. Along with Laura Mulvey and Claire Johnston, she was a pioneer of 1970s Anglo-American feminist film theory. Her collaboration with Claire Johnston on the work of Hollywood film director Dorothy Arzner provoked debate among feminist film scholars over the following decades.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
Frisco Jenny is a 1932 American pre-Code drama film directed by William A. Wellman and starring Ruth Chatterton and Louis Calhern. Its story bears a resemblance to Madame X (1929), Chatterton's previous hit film.
A Dangerous Woman is a 1929 American Pre-Code film released by Paramount, based on the Margery Lawrence story, A Woman Who Needed Killing. It was directed by Gerald Grove and Rowland V. Lee from a script by John Farrow and Edward E. Paramore Jr.
Interference is a 1928 American pre-Code drama film directed by Lothar Mendes, as Paramount Pictures' first feature-length all-talking motion picture. It stars Clive Brook, William Powell, Evelyn Brent, and Doris Kenyon, all making their sound film debuts. In England, when a first husband turns out not to be dead, blackmail leads to murder.
The Greene Murder Case is a 1929 talking film produced and released by Paramount Pictures and based on the novel The Greene Murder Case, by S.S. Van Dine. The novel had been published a year before this film was made. It stars William Powell in his second Philo Vance outing. Florence Eldridge and Jean Arthur costar.
The Laughing Lady is a 1929 sound film melodrama directed by Victor Schertzinger, starring Ruth Chatterton and produced and released by Paramount Famous Lasky Corporation. It is based on a 1922 British play, The Laughing Lady, by Alfred Sutro. The play was brought to New York in 1923 and put on Broadway starring Ethel Barrymore.
The Doctor's Secret is a 1929 American drama film directed by William C. deMille and written by William C. deMille. The film stars Ruth Chatterton, H. B. Warner, John Loder, Robert Edeson, Wilfred Noy and Ethel Wales. It is based on the 1913 play Half an Hour by J. M. Barrie. The film was released on January 26, 1929, by Paramount Pictures. As part of the policy of multiple-language versions during the early sound era, a separate Swedish version was produced at the Joinville Studios in Paris and released the following year.
Anybody's Woman is a 1930 American pre-Code drama film directed by Dorothy Arzner and written by Zoe Akins, Doris Anderson, and Gouverneur Morris. The film stars Ruth Chatterton, Clive Brook, Paul Lukas, Huntley Gordon, Virginia Hammond, Tom Patricola, and Juliette Compton. The film was released on August 15, 1930, by Paramount Pictures.
Marion Morgan was an American choreographer and motion picture screenwriter and the longtime romantic partner of motion picture director Dorothy Arzner. Arzner lived for the last 40 years of her life with Morgan.
The playwright, novelist and short-story writer W. Somerset Maugham, was a prolific author from the late 19th century until the 1960s. Most of his earliest successes were for the theatre, but he gave up writing plays after 1932. Many of his plays have been adapted for broadcasting and the cinema, as have several of his novels and short stories. The New York Times commented in 1964, "There are times when one thinks that British television and radio would have to shut up shop if there were not an apparently inexhaustible supply of stories by Maugham to turn into 30-minute plays. One recalls, too, the long list of movies that have been made from his novels − Of Human Bondage, The Moon and Sixpence, The Painted Veil, The Razor's Edge and the rest.
