42nd Street is a 1933 American pre-Code musical film directed by Lloyd Bacon, with songs by Harry Warren (music) and Al Dubin (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It stars an ensemble cast of Warner Baxter, Bebe Daniels, George Brent, Ruby Keeler, Dick Powell and Ginger Rogers.
Dorothy Emma Arzner was an American film director whose career in Hollywood spanned from the silent era of the 1920s into the early 1940s. With the exception of long-time silent film director Lois Weber, from 1927 until her retirement from feature directing in 1943, Arzner was the only female director working in Hollywood. She was one of a very few women able to establish a successful and long career in Hollywood as a film director until the 1970s. Arzner made a total of twenty films between 1927 and 1943 and launched the careers of a number of Hollywood actresses, including Katharine Hepburn, Rosalind Russell, and Lucille Ball. Arzner was the first woman to join the Directors Guild of America and the first woman to direct a sound film.
Mary Brian was an American actress who made the transition from silent films to sound films.
Olivia Joyce Compton was an American actress.
The Last Flight is a 1931 American pre-Code ensemble cast film, starring Richard Barthelmess, David Manners, John Mack Brown and Helen Chandler. It was directed by German filmmaker William Dieterle in his debut as an English-language film director.
One Way Passage is a 1932 American pre-Code romantic film starring William Powell and Kay Francis as star-crossed lovers, directed by Tay Garnett and released by Warner Bros. The screenplay by Wilson Mizner and Joseph Jackson is based on a story by Robert Lord, who won the Academy Award for Best Story.
The Last of Mrs. Cheyney is a 1937 American comedy drama film adapted from the 1925 Frederick Lonsdale play The Last of Mrs. Cheyney. The film tells the story of a chic jewel thief in England, who falls in love with one of her marks.
The Legion of the Condemned is a 1928 American silent drama film directed by William A. Wellman and produced by Jesse L. Lasky, Wellman, and Adolph Zukor and distributed by Paramount Pictures. Written by former World War I flight instructor John Monk Saunders and Jean de Limur, with intertitles by George Marion, Jr., the film stars Fay Wray and Gary Cooper.
Pam Cook is Professor Emerita in Film at the University of Southampton. She was educated at Sir William Perkins's School, Chertsey, Surrey and Birmingham University, where she was taught by Stuart Hall, Richard Hoggart, Malcolm Bradbury, and David Lodge. Along with Laura Mulvey and Claire Johnston, she was a pioneer of 1970s Anglo-American feminist film theory. Her collaboration with Claire Johnston on the work of Hollywood film director Dorothy Arzner provoked debate among feminist film scholars over the following decades.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
The Wild Party is a 1929 American pre-Code film directed by Dorothy Arzner and starring Clara Bow and Fredric March. Released by Paramount Pictures, it is known as Bow's first talkie. It is the fifth film directed by Arzner and the earliest surviving film in her work as a director.
Merrily We Go to Hell is a 1932 pre-Code film directed by Dorothy Arzner, and starring Fredric March and Sylvia Sidney. The supporting cast features a prominent early appearance by Cary Grant, billed ninth in the cast but with a larger part than this would suggest. The picture's title is an example of the sensationalistic titles that were common in the pre-Code era. Many newspapers refused to publicize the film because of its racy title. The title is a line March's character says while making a toast.
One Sunday Afternoon is a 1933 American pre-Code romantic comedy-drama film directed by Stephen Roberts and starring Gary Cooper and Fay Wray. Based on the 1933 Broadway play by James Hagan, the film is about a middle-aged dentist who reminisces about his unrequited love for a beautiful woman and his former friend who betrayed him and married her. This pre-Code film was released by Paramount Pictures on September 1, 1933.
Hal Skelly was an American Broadway and film actor.
High Pressure is a 1932 American pre-Code comedy film directed by Mervyn LeRoy and starring William Powell and Evelyn Brent. It is based on the play Hot Money by Aben Kandel. The film is preserved at the Library of Congress and in the Warner Archive.
The Texan is a 1930 American Western film directed by John Cromwell and starring Gary Cooper and Fay Wray. Based on the short story "The Double-Dyed Deceiver" by O. Henry, the film is about a daring bandit called the Llano Kid who shoots a young gambler in self-defense and is forced to hide from the law. He is helped by a corrupt lawyer who involves the bandit in a scheme to swindle a Mexican aristocrat whose son turns out to be the young gambler killed by the Llano Kid. The screenplay was written by Daniel Nathan Rubin, and the story was adapted for the screen by Oliver H.P. Garrett and Victor Milner. Produced by Hector Turnbull for Paramount Pictures, The Texan was released in the United States on May 10, 1930. The film received positive reviews upon its theatrical release.
Charming Sinners is a 1929 American pre-Code comedy film directed by Robert Milton and Dorothy Arzner, with a screenplay by Doris Anderson adapted from the 1926 play The Constant Wife written by W. Somerset Maugham. The film stars Ruth Chatterton, Clive Brook, Mary Nolan, William Powell, Laura Hope Crews and Florence Eldridge. The film was released on August 17, 1929, by Paramount Pictures.
Adrienne Dore was an American actress, model, and beauty pageant winner. She was first runner-up in the Miss America 1925 pageant, competing as Miss Los Angeles. Dore went on to have a modest career in motion pictures before retiring in 1934.
The Beautiful City is a 1925 American silent drama film directed by Kenneth Webb and starring Richard Barthelmess, Dorothy Gish, and William Powell. For their mother's sake, a man takes the blame for a robbery committed by his brother and his brother's gangster boss.
Agnes Brand Leahy was an American screenwriter active in the 1920s and early 1930s.
