The Rogue Song is a 1930 American pre-Code romantic and musical film that tells the story of a Russian bandit who falls in love with a princess, but takes his revenge on her when her brother rapes and kills his sister. The Metro-Goldwyn-Mayer production was directed by Lionel Barrymore and released in two versions, with and without sound. Hal Roach wrote and directed the Laurel and Hardy sequences and was not credited. The film stars Metropolitan Opera singer Lawrence Tibbett—who was nominated for an Academy Award for Best Actor for his performance—and Catherine Dale Owen. Laurel and Hardy were third-billed; their sequences were filmed at the last minute and interspersed throughout the film in an attempt to boost its potential box-office appeal.
Ernest Torrence was a Scottish film character actor who appeared in many Hollywood films, including Broken Chains (1922) with Colleen Moore, Mantrap (1926) with Clara Bow and Fighting Caravans (1931) with Gary Cooper and Lili Damita. A towering figure, Torrence frequently played cold-eyed and imposing villains.
Untamed is a 1929 American pre-Code Metro-Goldwyn-Mayer romantic-drama film directed by Jack Conway and starring Joan Crawford, Robert Montgomery, Ernest Torrence, Holmes Herbert, Gwen Lee, and Lloyd Ingraham. The script was adapted by Sylvia Thalberg and Frank Butler, with dialogue by Willard Mack, from a story by Charles E. Scoggins.
Sweet Kitty Bellairs is a 1930 American historical musical comedy film directed by Alfred E. Green. The film is based on the 1900 novel, The Bath Comedy by Agnes Castle and Egerton Castle. Shot entirely in Technicolor, the film stars Claudia Dell, Ernest Torrence and, Walter Pidgeon and is set in Bath, England in 1793.
Adventure in Iraq is a 1943 American adventure film directed by D. Ross Lederman and starring John Loder, Ruth Ford, Warren Douglas and Paul Cavanagh. The film is based on the 1921 play The Green Goddess by William Archer.
The Devil to Pay! is a 1930 American pre-Code romantic drama film directed by George Fitzmaurice and starring Ronald Colman, Frederick Kerr, Myrna Loy and Loretta Young. It was written by Frederick Lonsdale and Benjamin Glazer.
William Grigs Atkinson, known professionally as Paul Cavanagh, was an English film and stage actor. He appeared in more than 100 films between 1928 and 1959.
The Unholy Night is a 1929 American pre-Code mystery film directed by Lionel Barrymore and starring Ernest Torrence.
Strictly Dishonorable is a 1931 American pre-Code romantic comedy film directed by John M. Stahl and starring Paul Lukas, Sidney Fox and Lewis Stone, George Meeker, and Sidney Toler. It was written by Gladys Lehman and based on Preston Sturges' 1929 hit Broadway play of the same name. Strictly Dishonorable was Sturges' second play on Broadway, and his first to be filmed.
The Circle is a 1925 American silent romantic comedy film directed by Frank Borzage. The film stars Eleanor Boardman, Malcolm McGregor, and Alec B. Francis. A young Joan Crawford appears in the film's opening scene and later in a photograph viewed by other characters. The screenplay, written by Kenneth B. Clarke, was based on the 1921 play of the same title by W. Somerset Maugham.
His Glorious Night is a 1929 pre-Code American romance film directed by Lionel Barrymore and starring John Gilbert in his first released talkie. The film is based on the 1928 play Olympia by Ferenc Molnár.
Tyrell Davis (1902–1970) was a British film actor, Cambridge educated, who appeared on the West End and Broadway stage, as well as in British and American films.
East Lynne is a 1931 American pre-Code film version of Ellen Wood's eponymous 1861 novel, which was adapted by Tom Barry and Bradley King and directed by Frank Lloyd. The film received an Academy Award nomination for Best Picture but lost to RKO-Radio's Cimarron. East Lynne is a melodrama starring Ann Harding, Clive Brook, Conrad Nagel and Cecilia Loftus.
Let Us Be Gay is a 1930 American pre-Code romantic comedy-drama film produced and distributed by MGM. It was directed by Robert Z. Leonard and stars Norma Shearer. It was based on and filmed concurrently with the 1929 play by Rachel Crothers which starred Tallulah Bankhead and ran for 128 performances at London's Lyric Theater. Critics generally preferred Tallulah's rendition to Shearer's.
The Girl Downstairs is a 1938 American romantic-comedy film directed by Norman Taurog and starring Franciska Gaal, Franchot Tone and Walter Connolly. It is a remake of the 1936 Austrian film Catherine the Last, directed by Henry Koster, which had been a major hit for Gaal.
Love in the Rough is a 1930 American Pre-Code comedy film directed by Charles Reisner and written by Sarah Y. Mason, Joseph Farnham and Robert E. Hopkins. The film stars Robert Montgomery, Dorothy Jordan, Benny Rubin, J. C. Nugent, Penny Singleton and Tyrell Davis.
Such Men Are Dangerous is a 1930 American pre-Code drama film directed by Kenneth Hawks and written by Ernest Vajda. The film is based on a novella by Elinor Glyn who based her story on the 1928 real-life disappearance of Belgian banker Alfred Loewenstein who vanished on a flight over the English Channel. Such Men Are Dangerous stars Warner Baxter, Catherine Dale Owen, Hedda Hopper, Claud Allister, Albert Conti and Bela Lugosi. Shortly after a midair collision killed 10 crew members in the "worst air accident in film history", Such Men Are Dangerous was released on March 9, 1930, by Fox Film Corporation.
The Circle: a Comedy in Three Acts is a play by W. Somerset Maugham. It was first produced at the Haymarket Theatre, London on 3 March 1921, and has been revived several times in the West End and on Broadway.
Prince of Diamonds is a 1930 American pre-Code adventure film directed by Karl Brown and A. H. Van Buren and written by Paul Hervey Fox. The film stars Aileen Pringle, Ian Keith, Fritzi Ridgeway, Tyrell Davis, Claude King and Tom Ricketts. The film was released on March 26, 1930, by Columbia Pictures.
Officer O'Brien is a 1930 American pre-Code comedy crime film directed by Tay Garnett and starring William Boyd, Ernest Torrence and Dorothy Sebastian. The film's sets were designed by the art director Edward C. Jewell. It was one of the last films produced by Pathé Exchange before it was fully merged into RKO Pictures.
