The Cat and the Fiddle | |
---|---|
Directed by | William K. Howard Sam Wood (uncredited) |
Written by | Otto A. Harbach (book) Bella Spewack (screenplay) |
Produced by | Bernard H. Hyman |
Starring | Ramon Novarro Jeanette MacDonald |
Cinematography | Charles G. Clarke Ray Rennahan Harold Rosson |
Edited by | Frank Hull |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 88 minutes [2] |
Country | United States |
Language | English |
Budget | $843,000 [3] |
Box office | $455,000 (Domestic earnings) [3] $644,000 (Foreign earnings) [3] |
The Cat and the Fiddle is a 1934 American pre-Code romantic musical film directed by William K. Howard [4] based on the hit 1931 Broadway musical of the same name by Jerome Kern and Otto A. Harbach, about a romance between a struggling composer and an American singer. The film stars Ramon Novarro and Jeanette MacDonald in her MGM debut. [5]
The film plot is substantially changed from that of the Broadway musical. Victor Florescu (Ramon Novarro) [6] is a composer desperately trying to get his operetta to opening night. First his leading lady (Vivienne Segal) leaves, taking the bulk of their budget with her. Then the male lead splits, leaving Victor to fill his role. Next he calls upon an old love, songstress Shirley Sheridan (Jeanette MacDonald) to be his ingénue, but she insists that she is leaving the theater to marry her affluent, but unfaithful fiancé (Frank Morgan). [7]
The film grossed a total (domestic and foreign) of $1,099,000: $455,000 from the US and Canada and $644,000 elsewhere resulting in a loss of $142,000. [3] The film was a box office disappointment for MGM.
The final reel was filmed in the then newly perfected three-strip Technicolor process, previously used only in Walt Disney's Silly Symphonies cartoons. The finale in 3-strip Technicolor was not restored to its original hues until the film was shown by Turner Classic Movies on TNT in the late 1980s.[ citation needed ]
San Francisco is a 1936 American musical-drama disaster film directed by W. S. Van Dyke, based on the April 18, 1906 San Francisco earthquake. The film stars Clark Gable, Jeanette MacDonald and Spencer Tracy. MacDonald's singing helped make this film a major hit, coming on the heels of her other 1936 blockbuster, Rose Marie.
This is a list of notable events in music that took place in the year 1930.
Bitter Sweet is an operetta in three acts, with book, music and lyrics by Noël Coward. The story, set in nineteenth-century and early twentieth-century England and Austria-Hungary, centres on a young woman's elopement with her music teacher. The songs from the score include "The Call of Life", "If You Could Only Come with Me", "I'll See You Again", "Dear Little Café", "If Love Were All", "Ladies of the Town", "Tokay", "Zigeuner" and "Green Carnation".
Jeanette Anna MacDonald was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier and Nelson Eddy. During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars, and recorded extensively, earning three gold records. She later appeared in opera, concerts, radio, and television. MacDonald was one of the most influential sopranos of the 20th century, introducing opera to film-going audiences and inspiring a generation of singers.
Nelson Ackerman Eddy was an American actor and baritone singer who appeared in 19 musical films during the 1930s and 1940s, as well as in opera and on the concert stage, radio, television, and in nightclubs. A classically trained baritone, he is best remembered for the eight films in which he costarred with soprano Jeanette MacDonald. He was one of the first "crossover" stars, a superstar appealing both to shrieking bobby soxers and opera purists, and in his heyday, he was the highest paid singer in the world.
George Edward Hurrell was a photographer who contributed to the image of glamour presented by Hollywood during the 1930s and 1940s.
Ben-Hur: A Tale of the Christ is a 1925 American silent epic adventure-drama film directed by Fred Niblo and written by June Mathis based on the 1880 novel Ben-Hur: A Tale of the Christ by General Lew Wallace. Starring Ramon Novarro as the title character, the film is the first feature-length adaptation of the novel and second overall, following the 1907 short.
Gene Raymond was an American film, television, and stage actor of the 1930s and 1940s. In addition to acting, Raymond was also a singer, composer, screenwriter, director, producer, and decorated military pilot.
Till The Clouds Roll By is a 1946 American Technicolor musical film produced by Metro-Goldwyn-Mayer and a fictionalized biopic of composer Jerome Kern, portrayed by Robert Walker. Kern was involved with the production, but died before its completion. It was the first in a series of MGM biopics about Broadway composers.
Maytime is a 1937 American musical and romantic-drama film produced by MGM. It was directed by Robert Z. Leonard, and stars Jeanette MacDonald and Nelson Eddy. The screenplay was rewritten from the book for Sigmund Romberg's 1917 operetta Maytime by Rida Johnson Young, Romberg's librettist; however, only one musical number by Romberg was retained.
Viennese Nights is a 1930 American all-talking pre-Code musical operetta film directed by Alan Crosland and starring Alexander Gray, Vivienne Segal, Walter Pidgeon, Jean Hersholt, Bela Lugosi and Louise Fazenda. It was photographed entirely in Technicolor and released by Warner Brothers. Viennese Nights was the first original operetta written especially for the screen by Oscar Hammerstein II and Sigmund Romberg. It was filmed in March and April 1930, before anyone realized the extent of the economic hardships that would arrive with the Great Depression, which had begun in the autumn of the previous year. Although not a box office hit in the United States, the film had long box office runs in Britain and Australia. It is one of the earliest sound films to have a short pre-credit sequence.
Sweethearts is a 1938 American Technicolor musical romance film directed by W.S. Van Dyke and starring Jeanette MacDonald and Nelson Eddy. The screenplay, by Dorothy Parker and Alan Campbell, uses the “play within a play” device: a Broadway production of the 1913 Victor Herbert operetta is the setting for another pair of sweethearts, the stars of the show. It was the first color film for Nelson or Jeanette. It was their first film together without uniforms or period costumes.
The Cat and the Fiddle is a musical with music by Jerome Kern and book and lyrics by Otto Harbach. The story is about love and conflict between an American popular music composer and a European classical composer. Hit numbers from the show included "Try to Forget", "She Didn't Say Yes", "The Breeze Kissed Your Hair" and "The Night Was Made for Love."
The March of Time is the title of an unreleased 1930 American pre-Code musical film directed by Charles Reisner. The film was originally scheduled to be released in September 1930 by Metro-Goldwyn-Mayer (MGM) but was shelved. The March of Time would have been one of the many musicals partially filmed in two-color Technicolor.
Smilin' Through is a 1941 American Technicolor musical film directed by Frank Borzage and starring Jeanette MacDonald, Brian Aherne, Gene Raymond and Ian Hunter. Produced by Metro-Goldwyn-Mayer, it is based on the 1919 play of the same name by Jane Cowl and Jane Murfin. The film was a remake of a previous 1932 version by MGM and was the third and final film version of the play. It was filmed in Technicolor and was remade as a musical for MacDonald with several older songs interpolated into the story.
Bitter Sweet is a 1940 American Technicolor musical film directed by W. S. Van Dyke, based on the operetta Bitter Sweet by Noël Coward. It was nominated for two Academy Awards, one for Best Cinematography and the other for Best Art Direction by Cedric Gibbons and John S. Detlie.
Broadway Serenade is a 1939 musical drama film distributed by MGM, produced and directed by Robert Z. Leonard. The screenplay was written by Charles Lederer, based on a story by Lew Lipton, John Taintor Foote and Hanns Kräly. The music score is by Herbert Stothart and Edward Ward.
Cairo is a 1942 musical comedy film made by MGM and Loew's, and directed by W. S. Van Dyke. The screenplay was written by John McClain, based on an idea by Ladislas Fodor about a news reporter shipwrecked in a torpedo attack, who teams up with a Hollywood singer and her maid to foil Nazi spies. The music score is by Herbert Stothart. This film was Jeanette MacDonald's last film on her MGM contract.
American actress/singer Jeanette MacDonald recorded over 50 songs during her film career for RCA Victor and its foreign counterparts. Due to the limited statistics released to the public, it is not certain how many songs and singles she has released or their exact popularity in music charts, although she has officially recorded eight studio albums and released seven compilation albums. Despite soundtracks for musical films not becoming a concept until the 1940s, many of her singles were re-recordings of songs she had performed in the movies ; her first "album" was the single "Dream Lover"/"March of the Grenadiers" (1930) on 78 rpm discs for The Love Parade. She also recorded a cover album of songs featured in Sigmund Romberg's Up in Central Park in 1945 with Robert Merrill, as well as non-English records during her 1931 European tour.
The following features lists of the film, television and stage performances of actress and singer Jeanette MacDonald. She is best remembered for her musical films of the 1930s with Maurice Chevalier and Nelson Eddy, but she starred in 29 feature films between 1929 and 1950, from operas to dramas to romantic comedies.