Victor Andrew de Bier Everleigh McLaglen was a British-American actor and boxer. His film career spanned from the early 1920’s through the 1950’s, initially as a leading man, though he was better known for his character acting. He was a well-known member of John Ford’s Stock Company, appearing in 12 of the director’s films, seven of which co-starred John Wayne.
The following is an overview of 1928 in film, including significant events, a list of films released and notable births and deaths. Although some films released in 1928 had sound, most were still silent. This year is notable for the introduction of the official mascot of The Walt Disney Company, Mickey Mouse, in the animated short Steamboat Willie, the first film to include a soundtrack completely created in post production.
The Black Watch is a 1929 American Pre-Code adventure epic film directed by John Ford and starring Victor McLaglen, Myrna Loy, and David Torrence. Written by James Kevin McGuinness based on the 1916 novel King of the Khyber Rifles by Talbot Mundy, the film is about a captain in the British Army's Black Watch regiment assigned to a secret mission in India just as his company is called to France at the outbreak of war. His covert assignment results in his being considered a coward by his fellows, a suspicion confirmed when he becomes involved in a drunken brawl in India that results in the apparent death of another officer. The film features an uncredited 21-year-old John Wayne working as an extra; he also worked in the arts and costume department for the film. This was director John Ford's first sound film.
What Price Glory? is a 1926 American synchronized sound comedy-drama war film produced and distributed by Fox Film Corporation and directed by Raoul Walsh. The film was released with a synchronized musical score with sound effects using the Movietone sound system. The film is based on the 1924 play What Price Glory by Maxwell Anderson and Laurence Stallings and was remade in 1952 as What Price Glory starring James Cagney. Malcolm Stuart Boylan, founder of the U.S. Coast Guard Auxiliary, was title writer on the silent Fox attraction.
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Four Sons is a 1928 American synchronized sound drama film directed and produced by John Ford and written for the screen by Philip Klein from a story by I. A. R. Wylie first published in the Saturday Evening Post as "Grandmother Bernle Learns Her Letters" (1926). While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film movietone process.
Strong Boy is a 1929 American sound comedy film directed by John Ford. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film Movietone process. The film, which was Ford's last silent film, is now considered to be lost. A trailer for the film was discovered in the New Zealand Film Archive in 2010 and subsequently preserved by the Academy Film Archive the same year.
The Cock-Eyed World is a 1929 American pre-Code musical comedy feature film. One of the earliest "talkies", it was a sequel to What Price Glory? (1926), it was directed and written by Raoul Walsh and based on the Flagg and Quirt story by Maxwell Anderson, Tom Barry, Wilson Mizner, and Laurence Stallings. Fox Film Corporation released the film at the Roxy in New York on August 3, 1929.
Balaclava is a 1928 British silent and sound war film directed by Maurice Elvey and Milton Rosmer and starring Cyril McLaglen, Benita Hume, Alf Goddard, Harold Huth, and Wally Patch. It was made by Gainsborough Pictures with David Lean working as a production assistant. The charge sequences were filmed on the Long Valley in Aldershot in Hampshire. Although the sound version had no audible dialogue, it featured a synchronized musical score with sound effects. The sound version was released in the United States under the title Jaws Of Hell.
Captain Lash is 1929 American sound adventure drama film directed by John G. Blystone and starring Victor McLaglen, Claire Windsor and Jane Winton. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It was produced and distributed by the Fox Film Corporation. A copy of the film exists at the UCLA. The film was released with a music score and sound effects track.
The Loves of Carmen is a 1927 American silent romantic drama film directed by Raoul Walsh. The film, based on the novella Carmen by Prosper Mérimée, stars Dolores del Río in the title role, and Don Alvarado as Jose. Due to the public apathy towards silent films, a sound version was also prepared in 1928. While the sound version has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Nick Stuart was an Austro-Hungarian-born American actor and bandleader. His career spanned five decades, during which he appeared in over 50 films, more than half of them features, as well as film shorts, serials, and even one television appearance. He rose to stardom in such films as Girls Gone Wild and Chasing Through Europe, prior to expanding his business interests by creating a talent agency, and a popular upscale club in Hollywood.
Show Girl is a 1928 American synchronized sound comedy-drama film starring Alice White and Donald Reed. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was based on the first of J. P. McEvoy's two Dixie Dugan novels, as was the 1929 musical. It was followed by a sequel, Show Girl in Hollywood (1930).
The Spider is a 1931 American pre-Code mystery film directed by Kenneth MacKenna and William Cameron Menzies and starring Edmund Lowe, Lois Moran, El Brendel and John Arledge. It was released on September 27, 1931, by Fox Film Corporation. It was based on the 1927 play The Spider by Fulton Oursler and Lowell Brentano.
A Passport to Hell is a 1932 American pre-Code drama film directed by Frank Lloyd and written by Leon Gordon and Bradley King. The film stars Elissa Landi, Paul Lukas, Warner Oland, Alexander Kirkland, Donald Crisp and Earle Foxe. The film was released on August 14, 1932, by Fox Film Corporation.
True Heaven is a 1929 American sound drama film directed by James Tinling, written by Malcolm Stuart Boylan and Dwight Cummins, and starring George O'Brien, Lois Moran, Phillips Smalley, Oscar Apfel, Duke Martin, and André Cheron. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It was released on February 17, 1929, by Fox Film Corporation.
Joy Street is a 1929 American sound film directed by Raymond Cannon and starring Lois Moran, Nick Stuart and Rex Bell. Ihe film was produced by the Fox Film Corporation. The sound was recorded using the Movietone recording system. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Thru Different Eyes is a 1929 sound all-talking American pre-Code drama film directed by John G. Blystone and written by Tom Barry and Milton Herbert Gropper. The film stars Mary Duncan, Edmund Lowe, Warner Baxter, Natalie Moorhead, Earle Foxe and Donald Gallaher. The film was released on April 14, 1929, by Fox Film Corporation.
Blindfold is a 1928 American synchronized sound drama film directed by Charles Klein and written by Ewart Adamson, Robert Horwood and William Kernell. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film movietone process. The film stars Lois Moran, George O'Brien, Maria Alba, Earle Foxe, Don Terry and Fritz Feld. The film was released on December 9, 1928, by Fox Film Corporation. It was based on a story by Charles Francis Coe.
The Beloved Brute is a 1924 American silent Western film directed by J. Stuart Blackton and starring Marguerite De La Motte, Victor McLaglen, and William Russell. It is based on the 1923 novel The Beloved Brute by Kenneth Perkins. This was English-born McLaglen's first American film.
