Deserted at the Altar | |
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Directed by | William K. Howard |
Written by | Grace Miller White [1] |
Based on |
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Produced by | Phil Goldstone |
Starring | |
Cinematography | |
Production company | Phil Goldstone Productions [6] |
Release date |
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Running time | 7 reels [1] |
Language | Silent (English intertitles) |
Deserted at the Altar is a 1922 American silent film melodrama [1] directed by William K. Howard [1] and produced by Phil Goldstone Productions. [6] It stars Bessie Love and Tully Marshall.
The film is preserved at the Museum of Modern Art. [8]
Two villains plan to steal the inheritance of Anna Moore (Love) by marrying her. When her brother Tommy (Lee) is hit by a car, the wealthy driver pays the doctor bills, and falls in love with Anna. This thwarts the villains' initial plans, so they go on to hire a woman to pose as the driver's estranged partner and mother of his child, and stop the wedding. When the woman reveals her true identity, the villains are exposed, and Anna and her rich fiancé are reunited. [1] [7]
The film is a Poverty Row (Gower Street) production, and was filmed in only ten days. [11]
The film is notable for its then-novel methods of promotion, which included stunts, such as weddings in movie theaters, [12] and staged "Just Married" car rides around town. [13]
On its release, the film was shown with the short Fighting Blood in some theaters. [14]
Generally, the film received positive reviews, [15] [16] [17] [18] although some reviewers thought that "Director Howard has used nearly two reels too much in telling the story" [1] and the plot twists were not believable. There was speculation that more clear title would have improved theater attendance even more. [19]
The film was commercially successful. [20]
The Village Blacksmith is a 1922 American silent melodrama film directed by John Ford and produced and distributed by Fox Film Corporation. One of the eight reels survives at the UCLA Film and Television Archive, and therefore the film is considered to be lost. It was loosely adapted from the poem of the same name by Henry Wadsworth Longfellow.
A Yankee Princess is a 1919 American silent comedy-drama film produced and distributed by the Vitagraph Company of America. It was directed by David Smith and stars Bessie Love, who also wrote the screenplay. It is a lost film.
Slave of Desire is a 1923 American silent drama film directed by George D. Baker, produced and distributed by Goldwyn Pictures. It was based on the novel La Peau de chagrin by Honoré de Balzac, first published in 1831. The Balzac novel had previously been filmed in 1909 as The Wild Ass's Skin, which was more faithful to the original novel.
Forget Me Not, also known as Forget-Me-Not, is a 1922 American silent melodrama film directed by W. S. Van Dyke and distributed by Metro Pictures. The film starred Bessie Love and Gareth Hughes. It is considered a lost film.
The Ghost Patrol is a 1923 American silent romantic melodrama film directed by Nat Ross from a short story by Sinclair Lewis, produced and distributed by Universal Pictures. It starred Ralph Graves and Bessie Love and is now considered lost.
The Vermilion Pencil is a 1922 American silent drama film directed by Norman Dawn, and produced and distributed by Robertson–Cole. It is based on the eponymous 1908 novel by Homer Lea. The film stars Japanese actor Sessue Hayakawa in multiple roles, and white actors Ann May, Bessie Love, and Sidney Franklin, all in Asian roles. It is now a lost film.
Gentle Julia is a 1923 American silent romantic drama film based on the popular novel Gentle Julia by Booth Tarkington. Directed by Rowland V. Lee, the film starred Bessie Love. It was produced and distributed by Fox Film Corporation, and is considered a lost film.
Polly Ann is a lost 1917 American silent comedy-drama film produced and distributed by the Triangle Film Corporation. It was directed by Charles Miller and stars Bessie Love.
The Strange Adventures of Prince Courageous, also known as The Adventures of Prince Courageous, is a 1923 American silent fantasy film series starring Bessie Love and five-year-old Arthur Trimble, directed by Frederick G. Becker.
A Little Sister of Everybody, sometimes called A Little Sister to Everybody, is a 1918 American silent comedy-drama film directed by Robert Thornby and starring Bessie Love and George Fisher. It was produced by Anderson-Brunton Company and distributed by Pathé.
Carolyn of the Corners is a 1919 American silent drama film directed by Robert Thornby, and starring Bessie Love, Charles Edler, and Charlotte Mineau.
Bonnie May is a lost silent 1920 American comedy-drama film based on the 1916 novel by Louis Dodge. It was directed by Ida May Park and Joseph De Grasse and starred Bessie Love. It was produced by Andrew J. Callaghan Productions and distributed by Federated Film Exchanges of America, Inc.
Penny of Top Hill Trail is a 1921 American silent Western comedy film based on the 1919 novel by Belle Kanaris Maniates. It was directed by Arthur Berthelet and stars Bessie Love. The film was produced by Andrew J. Callaghan Productions and distributed by Federated Film Exchanges of America. The film is presumed lost.
Three Who Paid is a 1923 American silent Western film directed by Colin Campbell, and starring Dustin Farnum, with Bessie Love and Frank Campeau. The film was based on the 1922 short story by George Owen Baxter, and was produced and distributed through Fox Film.
Night Life in Hollywood, called The Shriek of Hollywood in Europe, is a 1922 American silent comedy film directed by Fred Caldwell. It starred J. Frank Glendon, Josephine Hill, and Gale Henry, and featured a number of cameo appearances of celebrities with their families.
The Purple Dawn is a 1923 American silent romantic drama film that was produced, written, and directed by Charles R. Seeling. It stars Bessie Love, Bert Sprotte, and William E. Aldrich.
Mary of the Movies is a 1923 American silent semi-autobiographical comedy film based on the career of Marion Mack. It was written by Mack and her husband Louis Lewyn, and stars Mack and Creighton Hale. Hale and director John McDermott play fictionalized versions of themselves in the film, which was also directed by McDermott.
The Silent Watcher is a lost 1924 American silent melodrama film directed by Frank Lloyd. It stars Glenn Hunter and Bessie Love. It was produced by Frank Lloyd Productions/First National and distributed by First National Pictures. It was based on the story "The Altar on the Hill" by Mary Roberts Rinehart.
The Spirit of the Lake is a 1921 American short silent Western film produced by Cyrus J. Williams and distributed by Pathé Exchange. It was directed by Robert North Bradbury and stars Tom Santschi, Bessie Love, and Ruth Stonehouse.
The Mailman is a 1923 American silent melodrama directed by Emory Johnson. FBO released the film in December 1923. The film's "All-Star" cast included Ralph Lewis, Johnnie Walker, and Virginia True Boardman. Emilie Johnson, Johnson's mother, wrote both the story and screenplay. The Mailman was the fourth film in Johnson's eight-picture contract with FBO.
Capacity business for four nights. Picture very good.
A real picture of rural drama and must say that it is true to life.
Went well for three days.
Picture has been playing to a knockout business throughout the territory, and repeated its success here with one of the best weeks since last winter. … The picture is even more redolent of realistic happenings and exciting situations than was the play. … picture went strong for big crowds, especially at night. Made genuine hit.
A good little picture. It is not elaborate, but will please them. Poor attendance, but can't explain it.
Star cast. A good clean little picture. It is not wonderful or elaborate, but it is good. We can't seem to get them out to see the pictures anymore. Usual advertising brought poor attendance.
Picture and business both poor
The title is an error of judgment, because it will lure in the type of people who can't appreciate these fine points and will keep out those who can.
The picture did a splendid business.
Merit Film Exchange here is reporting big business on 'Deserted at the Altar.' In fact, according to reports heard in Film Now, the Phil Goldstone picture is grossing more money than any picture that exchange has handled.
Good business.