Tod Browning was an American film director, film actor, screenwriter, vaudeville performer, and carnival sideshow and circus entertainer. He directed a number of films of various genres between 1915 and 1939, but was primarily known for horror films, and was often cited in the trade press as the Edgar Allan Poe of cinema.
Leonidas Frank "Lon" Chaney was an American actor and makeup artist. He is regarded as one of the most versatile and powerful actors of cinema, renowned for his characterizations of tortured, often grotesque and afflicted, characters, and his groundbreaking artistry with makeup. Chaney was known for his starring roles in such silent horror films as The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925). His ability to transform himself using makeup techniques that he developed earned him the nickname "The Man of a Thousand Faces".
London After Midnight is a lost 1927 American silent mystery horror film directed and co-produced by Tod Browning and starring Lon Chaney, with Marceline Day, Conrad Nagel, Henry B. Walthall and Polly Moran. The film was distributed by Metro-Goldwyn-Mayer, and was written by Waldemar Young, based on the story "The Hypnotist" which was written by Browning. Merritt B. Gerstad was the cinematographer, and the sets were designed by Cedric Gibbons and Arnold Gillespie. Harry Sharrock was the assistant director. The film cost $151,666.14 to produce, and grossed $1,004,000. Chaney's real-life make-up case can be seen in the last scene of the film sitting on a table, the only time it ever appeared in a movie.
The Shock is a 1923 American silent drama film directed by Lambert Hillyer and starring Lon Chaney as a disabled man named Wilse Dilling. The film was written by Arthur Statter and Charles Kenyon, based on a magazine story by William Dudley Pelley. This is one of the rare Lon Chaney films where he gets the girl. The film is readily available on DVD.
West of Zanzibar is a 1928 American silent film directed by Tod Browning. The screenplay concerns a vengeful stage magician named Phroso who becomes paralyzed in a brawl with a rival. The supporting cast includes Mary Nolan and Warner Baxter. The screenplay was written by Elliott Clawson, based on a play named Kongo by Charles de Vonde and Kilbourn Gordon. Walter Huston starred in the stage play and later played Phroso again in the 1932 sound film remake of the same story which was also called Kongo.
While the City Sleeps is a 1928 American silent crime drama film about a tough New York City police detective, played by Lon Chaney, out to catch a murdering gangster. The film was directed by Jack Conway, written by Andrew Percival Younger, and co-starred Anita Page, Carroll Nye, Wheeler Oakman, and Mae Busch.
The Unholy Three is a 1925 American silent crime melodrama film involving a trio of circus conmen, directed by Tod Browning and starring Lon Chaney. The supporting cast features Mae Busch, Matt Moore, Victor McLaglen, and Harry Earles. The Unholy Three marks the establishment of the notable artistic alliance between director Browning and actor Chaney that would deliver eight films to M-G-M studios during the late silent film era.
The Unholy Three is a 1930 American Pre-Code melodrama directed by Jack Conway and starring Lon Chaney. Its plot involves a crime spree. The film is a sound remake of the silent 1925 film of the same name, with both films based on the novel The Unholy Three, by Tod Robbins.
The Wicked Darling is a 1919 American silent crime film directed by Tod Browning, and starring Priscilla Dean, Wellington A. Playter and Lon Chaney as pickpocket "Stoop" Connors. This was the first time Lon Chaney appeared in a Tod Browning film, and many other collaborations between the two men would follow.
Outside the Law is a 1920 American pre-Code crime film produced, directed and co-written by Tod Browning and starring Priscilla Dean, Lon Chaney and Wheeler Oakman.
The Road to Mandalay is a 1926 American silent drama film directed by Tod Browning and starring Lon Chaney, Owen Moore, and Lois Moran. It was written by Elliott Clawson, based on a story idea by Tod Browning and Herman Mankiewicz. The script's original shooting title was Singapore. The film took 28 days to complete at a cost of $209,000. The worldwide box office gross was $724,000. Some stills exist showing Chaney's makeup as Singapore Joe.
The Big City is a 1928 American silent crime film directed by Tod Browning and starring Lon Chaney. Waldemar Young wrote the screenplay, based on a story by Tod Browning. The film is now lost.
Red Margaret, Moonshiner is a 1913 American silent short romance film directed by Allan Dwan, starring Pauline Bush, Murdock MacQuarrie and Lon Chaney. This film, now considered lost, is a good example of Chaney's early attempts at creating bizarre makeups to enhance his roles, wearing a long beard and wild hair here as "Lon", the old moonshiner. The film's original working title was Warrington's Honor. Some sources say the film was later edited down to one reel and re-released in theaters as Moonshine Blood in 1916.
Such Is Life is a 1915 American silent drama film directed by Joe De Grasse and featuring Lon Chaney, Pauline Bush and Olive Carey. The film is now considered to be lost.
Dolly's Scoop is a 1916 American silent drama film directed by Joe De Grasse and featuring Lon Chaney. It was written by Ida May Park, based on a story by Hugh Weir. This was one of the few silent films that subtitled the actors' dialogue at the bottom of the screen, instead of using title cards. Also, this was one of the only Lon Chaney films in which Chaney wound up getting the girl at the end of the picture. A still exists showing Lon Chaney in the role of the reporter, Dan Fisher.
Fast Company is a 1918 American silent comedy film directed by Lynn Reynolds and starring Juanita Hansen, Edward Cecil, Lon Chaney and Franklyn Farnum. The film is today considered lost.
Riddle Gawne is a 1918 American silent Western film directed by William S. Hart and Lambert Hillyer, and featuring William S. Hart, Katherine MacDonald and Lon Chaney. The film was co-produced by William S. Hart and Thomas H. Ince. The screenplay was written by Charles Alden Seltzer from his earlier novel The Vengeance of Jefferson Gawne. Chaney historian Jon C. Mirsalis claims that William S. Hart contributed greatly to the screenplay but all other sources credit the writing of the screenplay solely to Charles Alden Seltzer.
Victory is a surviving 1919 American action film directed by Maurice Tourneur and starring Jack Holt, Seena Owen, Lon Chaney, Wallace Beery and Bull Montana. The film is an adaptation of the 1915 eponymous novel by Joseph Conrad. The screenplay was written by Jules Furthman and Ben Carré was the art director.
Mockery (1927) is an American silent film about the Russian Revolution starring Lon Chaney. The movie was the second film made in Hollywood by Danish director Benjamin Christensen and stars Chaney as a Siberian peasant who aids a countess who is threatened by the encroaching insurgency. The screenplay was written by Bradley King, based on a story by Benjamin Christensen, which in turn was adapted from a short story by Stig Esbern. The sets were designed by Cedric Gibbons and Alexander Toluboff.
Errol Taggart was a Canadian film director and film editor who worked in Hollywood during the 1920s and 1930s. He was the editor of four movies directed by Tod Browning and starring Lon Chaney: The Unknown (uncredited) with Joan Crawford, The Road to Mandalay, The Blackbird, and the lost film London After Midnight (uncredited). He also edited Browning's film Drifting featuring Wallace Beery and Anna May Wong in supporting roles, and was Browning's first assistant director on Freaks (uncredited) featuring Olga Baclanova and a cast of actual carnival sideshow freaks. Taggart also directed seven films, including Sinner Take All, Song of the City, and The Women Men Marry.
